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White House Bashes Smithsonian Museums, Exhibitions, as “Woke”

On August 21, the Trump administration published an unsigned article on the White House website attacking several Smithsonian museums and their exhibitions for promoting what it described as "woke" content. The article specifically called out the National Museum of African American History and Culture, the National Museum of American History, the National Portrait Gallery, the Smithsonian American Art Museum, and two planned institutions—the National Museum of the American Latino and the American Women’s History Museum. It cited exhibitions and artworks addressing race, transgender identity, and immigration, including Amy Sherald’s painting *Trans Forming Liberty* (2024), which led the artist to cancel her solo show at the National Portrait Gallery after the museum sought to remove the work to avoid provoking Trump.

Never-before-seen landscape photos on display at Denver Art Museum

The Denver Art Museum has opened a new photography exhibition titled "What We've Been Up To: Landscape," featuring works acquired over the past 17 years that have never been publicly displayed before. The show, curated by the museum's photography department (established in 2008), includes a range of landscape photographs from historic images by Ansel Adams, Marion Post Wolcott, and William Henry Jackson to contemporary works by artists such as Abelardo Morell, Meghann Riepenhoff, and Steve Fitch. The exhibition occupies a few rooms on the sixth floor of the Martin Building and highlights the museum's recent acquisitions in photography.

Australian Aboriginal artist Emily Kame Kngwarreye exhibition at Tate Modern

The Tate Modern in London is hosting a landmark retrospective of Australian Aboriginal artist Emily Kame Kngwarreye (c. 1914–1996), running from July 10 to January 11, 2026. The exhibition features 70 works spanning her career, from early batik designs to her final acrylic paintings, and is organized in collaboration with the National Gallery of Australia, the Utopia Art Centre, and Kngwarreye's descendants. It is the first major solo exhibition of her work in Europe, highlighting her deep connection to her ancestral country and culture.

Preston Park Museum's new exhibition space to open with host of exciting exhibitions celebrating the railway

Preston Park Museum is opening a new multi-million pound exhibition space in 2025 with a series of railway-themed exhibitions called 'Tracks of Change', part of the S&DR200 festival celebrating the bicentenary of the Stockton and Darlington Railway. Highlights include 'Corridors', a suspended floral installation by internationally acclaimed artist Rebecca Louise Law; 'All Aboard', an interactive playscape for children; 'Gateway to the World', a collection of nationally significant paintings; and 'Perfume', a light-and-sound installation by visual artist Yann Nguema. All exhibitions will be free with museum admission.

studio museum in harlem to reopen november 2025 with adjaye-designed building

The Studio Museum in Harlem will reopen in November 2025 after a major renovation and expansion designed by Adjaye Associates. The new building, located on West 125th Street, will feature increased gallery space, a sculpture garden, and improved public amenities. The reopening marks the culmination of a multi-year capital project that began during the museum's temporary closure.

Elizabeth Catlett: “A Black Revolutionary Artist and All That It Implies”

The Art Institute of Chicago announces a major retrospective of Elizabeth Catlett, titled “A Black Revolutionary Artist and All That It Implies,” on view from August 30, 2025, through January 4, 2026. The exhibition brings together over 100 works spanning Catlett’s career as a sculptor, printmaker, feminist, and social activist, highlighting her enduring influence and her commitment to addressing poverty, racism, and imperialism through art and activism.

Body Vessel Clay: Black Women, Ceramics & Contemporary Art

The Ford Foundation Gallery in New York presents "Body Vessel Clay: Black Women, Ceramics & Contemporary Art," opening September 10, 2025. The exhibition features over fifty works across ceramics, film, photography, and archives, bringing together three generations of Black women artists. It highlights the legacy of Nigerian potter Ladi Dosei Kwali (1925-1984) and traces how Black women artists have transformed ceramics over seventy years. Curated by Dr. Jareh Das, the U.S. debut includes new works by Adebunmi Gbadebo, Simone Leigh, and Anina Major, following critical acclaim at Two Temple Place in London and York Art Gallery in 2022.

Blood, skeletons and syphilis: the story of Edvard Munch’s obsession with health

An exhibition at the Munch Museum in Oslo, titled "Lifeblood," explores Edvard Munch's lifelong obsession with health and medicine by juxtaposing his paintings, drawings, and prints with historical medical objects. The show opens with Munch's painting "On the Operating Table" (1902-3), inspired by a bullet removal surgery after a dispute with his fiancée Tulla Larsen, paired with an early x-ray of his injured hand. It features works like "The Sick Child" (1885-6) alongside tuberculosis-related artifacts such as stethoscopes, sputum bottles, and a jar of arsenic, drawing from Munch's personal experiences with illness and his family's medical background—his father and brother were doctors.

Crystal Bridges Museum and Art Bridges receive 90 works of contemporary Indigenous art in landmark acquisition

Crystal Bridges Museum of American Art and its Art Bridges Foundation have acquired 90 contemporary works by Indigenous artists from the John and Susan Horseman Collection. Art Bridges will receive 81 works for long-term loans across the U.S., while nine pieces will join Crystal Bridges' permanent collection. Artists include Kent Monkman, George Morrison, Jaune Quick-to-See Smith, and Cannupa Hanska Luger. The acquisition is part of a broader strategy to expand the museum's holdings in Indigenous and craft art, with works set to debut in exhibitions starting November 2024.

New world record for Canaletto as view of Venice sells for £31.9m

A Canaletto painting, *Venice, the Return of the Bucintoro on Ascension Day* (circa 1732), sold for £27.5 million (£31.9 million with fees) at Christie’s in London on July 1, setting a new auction record for the artist. The work, once owned by Britain’s first prime minister Robert Walpole, exceeded its $20 million estimate and was purchased by an anonymous phone bidder. The sale drew five bidders from Asia, Europe, and North America, and the painting was backed by a third-party guarantor.

Renewed Bern Kunsthalle works to reframe Switzerland's history

The Kunsthalle Bern has reopened after a year-long transformation led by director iLiana Fokianaki, marked by a new entrance designed by ALIAS architects and a trio of exhibitions by Black artists. The reopening follows a symbolic intervention by Ghanaian artist Ibrahim Mahama, who wrapped the building in jute sacks referencing the colonial history of Swiss cocoa extraction in Ghana, echoing Christo and Jeanne-Claude's 1968 wrapping of the same building. The inaugural shows feature solo exhibitions by Melvin Edwards, Tuli Mekondjo, and Tschabalala Self, with Edwards's retrospective traveling from the Fridericianum in Kassel to the Palais de Tokyo in Paris.

Tanks, castles and Hodlers: Swiss foundation tackles a fervent collector’s legacy

The Swiss Foundation for Art, Culture and History (SKKG) has spent years cleaning, inventorying, and digitizing the chaotic collection of Bruno Stefanini, a real estate magnate and obsessive hoarder who died in 2018. His estate included over 100,000 objects—ranging from valuable paintings by Ferdinand Hodler and Cuno Amiet to a full-sized tank, Kaiser Wilhelm II’s portable washroom, and Charlie Chaplin’s pajamas—many contaminated with mildew, asbestos, or radioactivity. The collection is now searchable online, and the foundation, led by Stefanini’s daughter Bettina, is conducting provenance research and considering restitution of works with Nazi-era looting concerns.

Katharina Grosse: ‘Imagination doesn’t have a scale’

Katharina Grosse has created a monumental site-specific commission titled CHOIR (2025) for the Messeplatz at Art Basel, covering the entire square and the Messe building with her signature spray-painted veils of high color. In an interview with The Art Newspaper, Grosse discusses how she tackled the vast urban space, emphasizing the immediacy of entering the square without any transitional experience, and describes her process of painting over roofs, facades, a fountain, and even a clock, using only magenta and white to create luminous effects. The work is part of a busy summer for the artist, who also has exhibitions at the Deichtorhallen in Hamburg and the Staatsgalerie Stuttgart.

Brittany Webb is Joining Museum of Fine Arts, Houston as Curator of Modern and Contemporary Art: 'There is A Lot That Attracted Me to the MFAH'

The Museum of Fine Arts, Houston (MFAH) has appointed Brittany Webb as curator in the Department of Modern and Contemporary Art, effective late summer 2025. Webb joins from the Pennsylvania Academy of the Fine Arts (PAFA), where she served as the Evelyn and Will Kaplan Curator of 20th-Century Art and the John Rhoden Collection since 2018. At PAFA, she organized several exhibitions including a comprehensive retrospective of sculptor John Rhoden, and added over 200 works to the permanent collection. MFAH Director Gary Tinterow praised Webb's passion, community connections, and track record of thoughtful exhibitions of American and African American art.

DIA's revamped African American art galleries to reopen in heart of museum this fall

The Detroit Institute of Arts (DIA) announced on June 2, 2025, that its newly reimagined African American art galleries will open to the public in October 2025. The galleries are being relocated to a central position within the museum, adjacent to the Diego Rivera murals at Rivera Court, to highlight the contributions of Black artists to Detroit's and history's artistic landscape.

New art show opens in Roswell Park's gallery

A new exhibition titled "Hallwalls Founding Artists From the Gerald Mead Collection" has opened at the Art Heals Gallery on the first floor of Roswell Park's main campus in Buffalo. Running from June 2 to August 28, 2025, the show features 18 works in various media by seven artists—Diane Bertolo, Charles Clough, Nancy Dwyer, Robert Longo, Larry Lundy, Cindy Sherman, and Michael Zwack—who founded Hallwalls Contemporary Arts Center in 1974. The exhibition coincides with Hallwalls' 50th anniversary celebration and draws from the private collection of Gerald Mead, an award-winning artist, educator, and leading authority on Western New York art.

Melbourne exhibition celebrates the long overlooked contributions of Indigenous Australian artists

An exhibition titled "65,000 Years: A Short History of Australian Art" opens at Melbourne University’s Potter Museum of Art on 30 May, celebrating the long-overlooked contributions of Indigenous Australian artists. Co-curated by Judith Ryan and Marcia Langton, the show argues that Indigenous art dates back millennia before European settlement but was only recognized as fine art from the 1980s, having been previously confined to ethnographic categories. It highlights frontier artists like Tommy McRae, William Barak, and Mickey of Ulladulla, as well as contemporary photographers Ricky Maynard, Naomi Hobson, and Destiny Deacon, while addressing the link between racist policies and the denial of Indigenous art's value.

Washington, DC street renamed ‘Alma Thomas Way’ in honour of renowned abstract painter

A block of 15th Street NW in Washington, DC, where renowned abstract painter Alma Thomas (1891-1978) lived for most of her life, has been renamed “Alma Thomas Way.” The street signs now stand at the corners of 15th and Church streets and 15th and Q streets, bookending the house at 1530 15th Street NW that her parents purchased in 1907. The renaming follows a bill introduced by District Councilmembers Christina Henderson and Brooke Pinto, who led a ceremony to honor the artist. Henderson stated the goal is to “elevate and introduce local heroes to folks for the next generation.”

In The Mastermind, an art heist’s aftermath unfolds against the backdrop of Vietnam War-era America

Kelly Reichardt's new film *The Mastermind* premiered at the Cannes Film Festival, following J.B. Mooney (Josh O'Connor), a carpenter who orchestrates an art heist targeting four Arthur Dove paintings from a fictional Massachusetts museum. The heist is inspired by a real 1972 robbery at the Worcester Art Museum, and the film explores the tension between artistic value and monetary worth against the backdrop of Vietnam War-era America.

11 New Artist Auction Records Set in May 2025

During New York's spring auction week starting May 12, 2025, major houses Sotheby's, Christie's, Phillips, and Bonhams collectively brought in $1.27 billion, slightly above the estimated $1.25 billion but down 17% from the previous year. The top lot was Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue* (1922) at $47.56 million, but the mood was tense as trophy works like Andy Warhol's *Big Electric Chair* (1967–68) were withdrawn and several top lots, including Alberto Giacometti's *Grande tête mince* (1955), failed to sell. Amid this volatility, 11 new artist auction records were set, five of which were for women artists, notably Marlene Dumas's *Miss January* (1999) selling for $13.65 million—the most expensive work by a living woman artist at auction.

Rejected by Museums Around the World, This New Art Exhibition Explores the Historical Roots of the Term 'Homosexual'

An ambitious new exhibition titled “The First Homosexuals: The Birth of a New Identity, 1869-1939” has opened at Chicago’s Wrightwood 659 gallery, featuring over 300 works by more than 125 artists from 40 countries. Curated by Jonathan D. Katz, the show traces the historical roots of the term 'homosexual,' coined in 1868 by Hungarian writer Karl Maria Kertbeny, and explores the artistic and social transformations surrounding the emergence of homosexual identity up to 1939. The exhibition includes loans from major institutions like the Metropolitan Museum of Art and the Musée d’Orsay, with works by artists such as George Catlin, Jean Cocteau, John Singer Sargent, and Thomas Eakins, organized into eight thematic sections.

An UES carriage home from a celebrity architect opens up for a public art show

Art dealer and collector Adam Lindemann is presenting a free public exhibition titled "Urhobo + Abstraction" in his East 77th Street carriage house on Manhattan's Upper East Side. The show features five life-size 19th- and early-20th-century sculptures carved by the Urhobo people of southern Nigeria, paired with works by contemporary artists of African descent including El Anatsui, Alma Thomas, and Jack Whitten. The carriage house is the first Manhattan building designed by Ghanaian-British architect David Adjaye, whose renovation was completed in the late 2000s. The exhibition runs through June 13, open Mondays through Thursdays, and the sculptures are not for sale.

Artist Alison Saar wins High Museum’s 20th annual Driskell Prize

Alison Saar, a Los Angeles-based artist known for sculptures exploring Black American experience through historic and symbolic imagery, has won the 20th edition of the David C. Driskell Prize from the High Museum of Art in Atlanta. The annual prize, which alternates between honoring an artist and a curator, comes with $50,000 and was announced during a reception at the Fifth Avenue Hotel in New York on 9 May. Saar succeeds 2024 winner Naomi Beckwith, and past honorees include Ebony G. Patterson, Amy Sherald, Mark Bradford, and Rashid Johnson.

Why is the art market turning Gulf-wards?

The art market is shifting its focus toward the Gulf region, particularly Saudi Arabia and the United Arab Emirates, following a sharp decline in Chinese luxury goods sales (18–20% drop in 2024) and a 31% slump in Chinese art sales. Auction houses like Sotheby’s and Christie’s have established outposts in Saudi Arabia, with Sotheby’s first auction in Diriyah generating $17.3 million and attracting 35% new buyers. The UAE’s tax-haven status and lack of sanctions on Russians have drawn wealthy residents, while Saudi Arabia’s Vision 2030 campaign, led by Mohammed bin Salman, is pouring money into cultural projects such as AlUla, Art Week Riyadh, the Islamic Arts Biennale, and a new teamLab Borderless museum in Jeddah.

Iconic photos are part of Gordon Parks exhibition at Wichita Art Museum

The Wichita Art Museum opens "Homeward to the Prairie I Come," an exhibition of 71 photographs by Gordon Parks, running from May 11 to July 27, 2025. The works come from a collection Parks curated and donated to Kansas State University in 1973, now held by the Beach Museum of Art, which co-curated the touring show with Aileen Wang and Sarah Price. The exhibition is organized thematically around five large iconic images, including portraits of Muhammad Ali, Alexander Calder, Malcolm X, and Flavio da Silva, the subject of Parks' first film.

An Interview with Asheville Art Museum Associate Curator Jessica Orzulak

Jessica Orzulak, associate curator and curatorial affairs manager at the Asheville Art Museum, participated in an interview discussing her personal interests and professional insights. She spoke about her love for hiking trails in the Appalachian Mountains, missing the desert landscapes of the West Coast, and her current TV preferences including "Severance" and "Star Trek: The Next Generation." The interview also covered her work presenting artist Pedro Lasch's "Black Mirror" series as part of the public program "What Can Become of Us?" at the museum, part of a collaboration with the Stanford Institute for Advancing Just Societies and Zócalo.

Whitney Museum of American Art invites visitors to take in the river view

The Whitney Museum of American Art is celebrating the tenth anniversary of its Meatpacking District building by inviting visitors to experience Mary Heilmann's installation "Long Line" on the fifth floor. The work features a large-scale mural of sea green and foamy white waves, accompanied by whimsically colored boxy chairs that visitors can rearrange. The installation, which runs until January 19, 2026, encourages rest and contemplation, with floor-to-ceiling windows offering views of the Hudson River. Curator Laura Phipps notes that Heilmann, who created the inaugural commission "Sunset" for the building in 2015, has long prioritized visitor comfort and seating in her work.

‘Degenerate’ or ‘woke,’ Paris museum exhibit shows what happens to art in the crosshairs of politics

The Picasso Museum in Paris has opened an exhibition titled "Degenerate Art: Modern Art on Trial Under the Nazis," the first such show in France, running until May 25. It features works by Van Gogh, Klee, Picasso, Kandinsky, Chagall, and others that were condemned by Hitler and the Third Reich as "degenerate" — targeted for destruction, sale, or concealment. The exhibition is organized thematically around Nazi persecution, including sections on race, museum purges, and the art trade, and highlights the fates of artists like Ernst Ludwig Kirchner, who died by suicide, and Otto Freundlich, who was murdered in a concentration camp.

Vincent Valdez and KB Brookins picked for ACLU Texas's artist-in-residence programme

The ACLU of Texas has selected Austin-based writer and artist KB Brookins and San Antonio-born painter Vincent Valdez as its artists-in-residence for 2026. Chosen from nearly 200 applicants, each will receive $30,000 to create works addressing criminal law reform, immigrants' rights, and equality for LGBTQIA+ individuals. Valdez will focus on portraits of local community leaders for his New Americans series and produce 'Know Your Rights' poster packets, while Brookins will tackle the pretrial carceral system through community organizing and workshops.

10 Must-See Gallery Shows to Catch in New York This May

This article highlights ten must-see gallery shows opening in New York this May, timed to coincide with major art fairs like Frieze and TEFAF. Featured exhibitions include Yu Nishimura's debut U.S. solo show at David Zwirner, Thalita Hamoui's first U.S. solo exhibition at Marianne Boesky, and presentations by Willem de Kooning, Anastasia Komar, Theodora Allen, Ilana Savdie, Rosana Paulino, Alicjia Kwade, Xingzi Gu, and Moffatt Takadiwa. The roundup spans venues across the Upper East Side, Chelsea, and Tribeca, reflecting the city's vibrant gallery scene during a packed season of auctions and fairs.