Milan Design Week is showcasing a significant trend of reviving mid-century furniture classics, featuring prominent reissues such as a 1950s table by Carlo Mollino and a 1960s lamp by Carlo Nason. These historical designs are being reintroduced to contemporary audiences through the annual festival, highlighting a bridge between mid-century aesthetics and modern production.
The New York Times has traced the whereabouts of a distinctive blue-and-white vase featured in the 1958 film 'Bonjour Tristesse,' directed by Otto Preminger. The vase, which played a prominent role in the film's set design, was discovered to be a piece by French ceramicist Georges Jouve and had been quietly residing in a private Los Angeles collection for decades.
The K-pop group BTS performed two songs from their new album 'ARIRANG' in the main lobby of the Guggenheim Museum in New York. The private, phone-free event for about 150 invited fans featured the tracks "SWIM" and "2.0," with leader RM performing seated for one song due to an ankle injury.
Deborah Levy’s latest novel, *My Year in Paris with Gertrude Stein*, follows a first-person narrator who travels to Paris to research the American writer and collector Gertrude Stein. The narrative slips between the early twentieth century and the autumn of Donald Trump’s 2024 reelection, using stream-of-consciousness prose and liquid metaphors to blur past and present. The narrator’s research into Stein’s role in shaping modernity becomes a vehicle for exploring her own sense of helplessness and lack of agency in a hyperconnected, war-weary present.
Izabella Scott's book *The Bed Trick* examines a British rape case in which Gayle Newland was convicted for pretending to be a man named Kai during a two-year relationship with a woman identified as Miss X. Drawing on court transcripts, Scott explores the legal concept of 'fraud vitiates consent' and traces the historical bed-trick trope from medieval folktales to *The Rocky Horror Picture Show*, questioning how much deception invalidates sexual consent.
Sung Tieu, who is co-representing Germany at the 61st Venice Biennale alongside Henrike Naumann, responds to a questionnaire from ArtReview about her plans for the German Pavilion. She describes her inspiration as her mother and childhood home, a site built for foreign contract workers in the GDR that later became a refuge for the diaspora. Tieu states that her work relates to the Biennale theme "In Minor Keys" through the lens of Gehrenseestrasse, a concrete record of collective memory. She also expresses skepticism about the Biennale's importance, noting that the German Pavilion's fascist architecture compels artists to work against it, and that national pavilions reveal how much work remains in undoing nationalism.
Miet Warlop, the artist representing Belgium at the 61st Venice Biennale (2026), discusses her plans for the Belgian Pavilion in the Giardini in an interview with ArtReview. Her installation, inspired by the Belgian motto 'L'union fait la force' ('unity makes strength'), aims to create a space between a workspace, exhibition, and performance that brings people together in introspection. She cites time spent with Venice's artistic communities, including students at the Accademia, as influential, and notes that her work engages with the Biennale's theme 'In Minor Keys' by incorporating minor-key music to evoke nuanced, introspective emotions.
Margaret Whyte, an artist from Uruguay, is set to represent her country at the 61st Venice Biennale in 2026, with her pavilion located in the Giardini. In an interview with ArtReview, Whyte discusses her exhibition, which builds on her earlier show "Tiempo de Escuchar" at the National Museum of Visual Arts in Uruguay, curated by Patricia Bentancur. Her work is inspired by Nassim N. Taleb's book "Antifragile" (2012), exploring themes of chaos, uncertainty, and resilience. She sees her antifragile approach as complementary to the Biennale's theme, "In Minor Keys," curated by Koyo Kouoh, emphasizing emotional depth, silence, and healing.
ArtReview published a questionnaire response from Bugarin + Castle, the artist duo representing Scotland at the 61st Venice Biennale (2026). Their exhibition, titled "Shame Parade" and curated by Mount Stuart Trust, explores charivari—medieval public shaming rituals involving sound, costume, and cross-dressing. The work draws on the artists' research into how noise and music have been used as tools of control, with particular attention to the Filipino legal definition of charivari as a punishable public disturbance. The exhibition includes sculpture, print, moving image, and a musical score created with Manila-based band Kalye Teresa, and is housed at the Olivolo, Castello pavilion.
Sam Jacob's essay in ArtReview uses the upcoming Baz Luhrmann film 'EPIC: Elvis Presley in Concert' (2026) as a springboard to explore the cultural and technical implications of digital restoration. The film, a spinoff from Luhrmann's 2022 Elvis biopic, draws on 59 hours of previously unseen footage from Elvis Presley's 1970 and 1972 Las Vegas performances, recovered from Warner's Kansas salt-mine archive. Using Peter Jackson's Park Road Post technology—including Machine Assisted Learning (MAL) for demixing audio and video—the damaged, fragmented material has been digitally scanned, reconstructed, and enhanced to 4k resolution with 12-channel sound, presented in IMAX cinemas.
Shigeo Toya, the Japanese artist renowned for his chainsaw-hewn wood sculptures, has died at age 79. Born in 1947 in a small village in Nagano Prefecture, Toya began his signature Woods series in 1984, carving rough textures into tall lumber and arranging the pieces like a forest. His series Twenty Eight Deaths featured stacked wooden blocks with cavities and burn marks. Toya represented Japan at the Venice Biennale in 1988 and later exhibited at the Asia Pacific Triennial (1993) and Gwangju Biennale (2000). A major survey of his work was held at the Nagano Prefectural Art Museum and The Museum of Modern Art, Saitama, in 2022–23.
Nilbar Güreş, the artist representing Turkey at the 61st Venice Biennale (2026), responds to a questionnaire from ArtReview about her upcoming exhibition. She expresses exhaustion with having to explain herself to Western audiences and critiques the white, male-dominated art world. Her inspiration for the pavilion comes from this disgust and fatigue, and she states that the Biennale's theme, "In Minor Keys," did not guide her preparation. Güreş also voices disillusionment with the art world's silence on humanitarian crises, particularly the bombing of hospitals and children in Palestine, and notes that artists speaking out on Palestine face censorship and exclusion.
San Francisco's Vaillancourt Fountain, a Brutalist concrete structure at Embarcadero Plaza since 1971, caught fire on Wednesday morning as workers used blow torches to disassemble it. The fire ignited rubber tubing and debris inside the sculpture's cantilevered arms, producing smoke that forced the temporary evacuation of nearby paddle board courts. The fountain is being removed to make way for a $32.5 million redevelopment of the plaza and playground into a five-acre park.
Chris Kraus's latest novel, *The Four Spent the Day Together*, reimagines the true crime genre by shifting focus from individual villains to systemic forces like addiction, poverty, and broken treatment systems. Set in Minnesota's Iron Range, the story follows autofictional avatar Catt Greene and her husband as they confront a lost day, a potentially violated girl, methamphetamine, and a gun, with confessions coming easily but answers remaining elusive. Kraus draws on her own childhood and a marriage unraveling amid alcoholism and cancel culture, using wordplay and chance to restore nuanced meaning to stories often reduced to predestined narratives.
Isabel Adair recounts her visits to commercial art galleries in London and Cambridge, describing the experience of viewing Eva Pade's exhibition at Galerie Thaddeus Ropac in Mayfair and the abstract works at Byard Art near King's College. She highlights the contrast between the polished, elite atmosphere of a high-end Mayfair gallery and the more accessible, profit-driven local gallery, while noting the freedom and openness of these spaces to the public.
The Dorset Museum & Art Gallery in England has launched a fundraising campaign to acquire a rare 15th-century Netherlandish altarpiece, known as *The Master of the Sherborne Almshouse Triptych*, valued at up to £3.5 million ($4.6 million). The work is set to be auctioned by Sotheby’s in an Old Master evening sale next month, and the museum aims to prevent it from entering a private collection or being exported. The triptych, which depicts five healings of Jesus Christ, was hidden during periods of iconoclastic destruction and rediscovered in St. John’s Almshouse in Sherborne in the 19th century; it has only left the site twice, for exhibitions at the Royal Academy in 1923 and the Victoria and Albert Museum in 2003.
Hurricane Melissa has devastated Jamaica and Haiti, causing deadly floods and landslides before moving on to Cuba. The storm forced the closure of major cultural institutions in Kingston, including the National Gallery of Jamaica (closed since October 24) and the Bob Marley Museum, which announced it would remain shut until further notice. The National Gallery offered artists advice on protecting their work, such as removing art from walls, storing it above ground, and anchoring outdoor sculptures. At least 30 deaths have been reported across the region, with Jamaica declared a disaster area.
An exhibition titled "The Charm of Flowers" will open at Rundāle Palace in Latvia to mark the palace's 290th anniversary. It explores the history of exotic garden flowers in Europe, their popularity in the Duchy of Courland-Semigallia, and the symbolic meaning of flowers in 17th- and 18th-century art. The show features works from major European museums including the National Art Gallery named after Boris Voznyatsky in Lviv, Het Loo Palace Museum, the Rijksmuseum, and the National Art Museum named after M. K. Čiurlionis. A key highlight is the multimedia installation "Tulipomania" by Dutch artist Joost Agassi, which offers a contemporary take on the 17th-century Dutch tulip mania.
The Memorial Art Gallery (MAG) at the University of Rochester has raised over $9 million through its "Free for All, Forever" fundraising initiative, surpassing its original goal and timeline. The museum will now open its doors free of charge to all visitors sometime in 2027, much sooner than anticipated. Key donors include Alexander and Lucy Levitan, who contributed a $1 million capstone gift; Doug and Abby Bennett and the Sands Family Foundation, who gave a $3 million leadership gift; and Mary Ellen Burris, who donated $2 million. The announcement was celebrated at MAG's Flourish For All, Forever gala on May 9, 2026.
The article announces a series of May art exhibitions across multiple galleries in Key West, Florida. The Studios of Key West opens four solo shows: Tim Marshall Curtis's "Giants Among Us" featuring towering sculptures, Carole Faye's "Reverence/Irrelevance" with works made from scavenged materials, Andree B. Carter's "Roots of a City" textile paintings, and Wayne Garcia's "Once There Was a Railroad" hand-carved reliefs. Other venues include the Key West Collective featuring Steve Bikis and Brad Gruss, Harrison Gallery showcasing Santa Fe artist Melinda K. Hall, Gallery on Greene honoring Peter Vey, and Shade and Shutter Gallery highlighting Mark Klammer's pottery.
Studio SALES in Rome presents "Concetto Pozzati. 50 years later," an exhibition revisiting the artist's 1976 retrospective at the Palazzo delle Esposizioni. Organized in collaboration with the Archivio Concetto Pozzati, the show focuses on Pozzati's experimental work from the 1970s, featuring four large canvases from the original exhibition alongside works on paper displayed using plexiglass. The pieces, some unseen since 1976, explore mixed techniques like spray painting and screen-printing, highlighting a period when Pozzati moved away from his signature style.
The Art Gallery of Nova Scotia (AGNS) has opened "On the Matter of Memory: The Drawings of Harold Cromwell," the first solo exhibition dedicated to the late African Nova Scotian folk artist. Cromwell (1919–2008) created intricate ballpoint-pen drawings on everyday surfaces like cupboard doors and paper plates, chronicling working-class rural life. His works were sold for a few dollars at the Annapolis Farmer’s Market and were largely overlooked during his lifetime, despite his regional popularity. The exhibition runs until September 13, 2026, and aims to elevate his legacy alongside better-known Nova Scotian folk artists like Maud Lewis.
The Saatchi Gallery in London is hosting "Textile Art Redefined," a group exhibition featuring 15 artists from the UK and around the world, including Ian Berry, Kaffe Fassett, Magda Sayeg, and Jakkai Siributr. Curated by Helen Adams based on her book "Textile Fine Art," the show presents a wide range of techniques such as embroidery, quilting, weaving, knitting, and crochet, with works like Fassett's "Geometric Sampler" and Berry's "Secret Garden" made from recycled denim. The exhibition runs from April 10 to May 10, 2026.
The Nelson Mandela Metropolitan Art Museum in Gqeberha is facing a catastrophic institutional collapse due to years of municipal neglect and a 64% staff vacancy rate. A recent report reveals that the museum’s priceless collection—which includes works by George Pemba, Gladys Mgudlandlu, and LS Lowry—is being threatened by leaking roofs, spreading mold, and failing fire and security systems. While the galleries have been closed to the public for over a year, the facility currently lacks a qualified conservator to address the mounting damage to its historical and contemporary holdings.
The Ayala Foundation has announced the development of the Kontempo Center for Contemporary Art in Manila, appointing Reuben Keehan as its inaugural artistic director. Designed by architect Kulapat Yantrasast of WHY Architecture in collaboration with Lor Calma & Partners, the center will be located on the site of a former racetrack in Circuit Makati. The facility will prioritize exhibitions, commissions, and public programming over a permanent collection, featuring three large galleries and extensive green space for public art installations.
The Vancouver Art Gallery is opening a major exhibition titled 'That Green Ideal: Emily Carr and the Idea of Nature,' featuring a comprehensive survey of the Canadian Modernist's landscapes drawn primarily from the museum's own extensive collection. The show will highlight Carr's distinctive post-Impressionist and Fauvist-inspired style, her deep engagement with the British Columbia landscape, and her spiritual quest for communion with nature.
Alfa Art Gallery in New Brunswick, New Jersey, presents "Reflections of the Living World," its Winter 2026 Photography Exhibition running from January 20 to March 21, 2026. The free exhibition features thirteen artists—including Alan Chimacoff, Arik Gorban, Barry Rosenthal, and Jeremy Dennis—whose works explore perception, memory, and storytelling through contemporary photography. The show is available both in-person and virtually, with opening receptions on January 30 and February 6.
USC Pacific Asia Museum (USC PAM) has announced "Mythical Creatures: The Stories We Carry," a major exhibition conceived by Los Angeles–based Korean American artist Dave Young Kim. Opening February 14, 2026, the 12-room immersive installation blends approximately 100 objects from the museum's collection—spanning 5,000 years of Asian and Pacific art—with new media technology and contemporary works by over 20 artists, including Dinh Q. Lê, Lily Honglei, Wendy Park, Momoko Schafer, Kyungmi Shin, Sanjay Vora, and Lauren YS. The exhibition uses mythology as a visual language to explore the immigrant experience, featuring environments like a shadowy night crossing, a recreated first apartment, and a gilded room with a gold Jin Chan frog. A limited public preview runs December 20, 2025–January 4, 2026.
The Gallery of Contemporary Mosaics in Chicago has opened a new group exhibition titled "Perspectives from Japan," featuring works by eight Japanese artists, including master mosaicist Toyoharu Kii. Kii, known for his monochromatic white marble pieces, has taught at the Chicago Mosaic School for over a decade and traveled from Tokyo for the show, which runs through July 12. The exhibition aims to highlight the artistic sophistication of mosaic as a contemporary fine-art medium.
Palestinian photojournalist Samar Abu Elouf has won the 2025 World Press Photo award for her image of Mahmoud Ajjour, a 9-year-old Gazan boy whose arms were mutilated by an Israeli airstrike. The photo, taken for the New York Times, was honored at a ceremony in Amsterdam. Abu Elouf, herself from Gaza and now living in Qatar, captured the boy in a shaft of sunlight that gives the image the quality of a classical bust. The award, now in its 70th year, drew nearly 60,000 entries from 4,000 photographers across 141 countries.