Cutting and Pasting: The Art of Collage on Display at Beverly Arts Center

The Beverly Arts Center in Chicago is hosting "RE-BOP! (Obstructions & Disruptions)," a group exhibition dedicated to the art of collage. Curated by Paloma Trecka and Todd Bartel, the show features nearly 60 artists from Ireland, Spain, the Netherlands, and across the U.S., including prominent local artist Tony Fitzpatrick, who originally conceived the exhibition. The works range from traditional cut-paper pieces to digital collages, with many exploring themes of improvisation, rhythm, and disruption. The exhibition was organized with help from the Beverly Arts Alliance and the participatory magazine Cut Me Up, which issued an open call that drew 150 submissions.

Beyond The Mini-Bar: How Hotels Are Reimagining The Modern Art Gallery

Hotels are increasingly transforming their spaces into dynamic platforms for contemporary art, moving beyond generic decor to embed curation into their operational core. The article highlights 21c Museum Hotels, which operates nearly 80,000 square feet of free exhibition space across seven U.S. locations, featuring works by artists such as Xenobia Bailey, María Magdalena Campos-Pons, Natia Lemay, and Xavier Daniels. Chief Curator Alice Gray Stites emphasizes radical accessibility, removing barriers like ticket prices and elitism, and fostering partnerships with institutions like Artadia to support local artists.

Hunterdon Art Museum exhibition explores the wonder of … paper

The Hunterdon Art Museum in Clinton, New Jersey, presents "Pulp: The Fluid and the Concrete," a group exhibition featuring 26 artists who explore the artistic potential of handmade paper. Curated by Gail Deery and Cynthia Nourse Thompson, the show transforms the museum's second floor into a celebration of paper as a versatile, sculptural medium, with works ranging from Joan Hall's marine-inspired "Red Tide Returning" to Michelle Samour's intricate paper installations and Marc Rosenquist's pulp sculptures.

A Wave of Japanese Art and Culture Immerses College of DuPage in ‘Floating World’ Exhibition

The Cleve Carney Museum of Art at the College of DuPage has opened "Hokusai & Ukiyo-e: The Floating World," an immersive exhibition exploring Japanese ukiyo-e art from the Edo period. The show features woodblock prints and scrolls, including Hokusai's iconic "The Great Wave Off Kanagawa," drawn from the collection of 19th-century Italian engraver Edoardo Chiossone. Many prints are on view in the U.S. for the first time. The exhibition extends beyond traditional display with an outdoor garden, manga and anime rooms, and a recreated Edo village built by the college's theater department.

This Historic Art Museum In Seattle Now Has Free Admission For All

Seattle's Henry Art Gallery, located on the University of Washington campus, has permanently waived its admission fee, making entry free for all visitors at any time. Previously, tickets cost between $6 and $10, with free admission limited to the first Thursday of each month and certain groups such as students, children, and military personnel. The museum, which opened in 1927 as Washington state's first public art museum, now spans 40,000 square feet and includes galleries, a cafe, a 154-seat auditorium, and the James Turrell Skyspace installation.

In pictures: highlights from Art Basel's city-wide exhibition, Parcours

New York-based curator Stefanie Hessler has organized the second edition of Art Basel's Parcours exhibition, featuring 21 works installed across Basel in unconventional spaces such as hotels, shops, and private apartments. Highlights include Agnieszka Kurant's chemical gardens made from computer-manufacturing metals, Finnegan Shannon's accessible benches with rest-oriented texts, and Hylozoic/Desires' 80-meter fabric installation referencing a colonial-era customs line. The exhibition clusters along Clarastrasse and extends to the Münsterplatz in the Old Town.

Chinese art collector to open non-profit in London devoted to contemporary Asian art

Chinese art collector and philanthropist Yan Du will open Yan Du Projects (YDP), a non-profit space dedicated to contemporary Asian and Asian diasporic art, in a Grade I-listed townhouse on Bedford Square, London, this October. The venue will host exhibitions, site-specific commissions, public events, and artist residencies, with an opening show by Chinese painter Duan Jianyu. Designed by Hong Kong-based Beau Architects, the space features a modular "suitcase project" interior that respects the building's listed status and reflects diasporic themes. YDP is distinct from Yan's earlier Asymmetry Art Foundation (founded 2019) and her private collection, aiming to promote under-represented Asian artists through flexible, artist-curated programming.

Bonhams To Auction Museum-Quality Work From The Holly Solomon Collection

Bonhams will auction museum-quality works from the collection of legendary New York gallerist Holly Solomon during its Post-War & Contemporary Art daytime sale on May 15, 2025, and its 20th/21st Century Art Evening Sale on May 14, 2025. The lots include pieces by Robert Rauschenberg, Nam June Paik, Christo, Gordon Matta-Clark, Claes Oldenburg, and Richard Pettibone, among others, many of which have rarely been seen.

Christo and Jeanne-Claude, Legendary Artists, Are Back in Spirit

The article revisits Christo and Jeanne-Claude's iconic 1983 "Surrounded Islands" project in Miami's Biscayne Bay, where they wrapped 11 small islands in hot pink plastic. It describes how the spectacle drew global attention and marked a turning point for Miami, which was then struggling with crime and a negative image. The piece also notes that the couple's work is being seen again in Florida, New York, and Germany, with a related exhibition at NSU Art Museum Fort Lauderdale.

Heikki Marila's exhibition

The Sara Hildén Art Museum in Tampere, Finland, opens a major retrospective of Finnish painter Heikki Marila on February 8, covering thirty years of his career. The exhibition features both new and previously unseen works, tracing Marila's evolution from early 1990s paintings critiquing power, Finnish national identity, and social structures—such as *Parliament house* (1996)—to later series inspired by the Isenheim Altarpiece, 17th-century Dutch flower paintings, and Baroque celestial imagery. Highlights include his Carnegie Art Award-winning flower paintings from 2011, the *Jacob’s Wrestling* triptych (2014), and recent works like *The Bolt series* (2024) that address contemporary violence.

New Exhibition by Activist Artist Shines Human Light on Homeless

Zhenya Gershman, a Moscow-born, bi-coastal painter based in New York and Los Angeles, is opening a new exhibition titled "ICU2" on May 10, the second part of her "I See You" project addressing homelessness. Gershman, who began her career at age 14 in St. Petersburg and now runs Zhenya's Art Academy, draws inspiration from subway encounters, approaching strangers to photograph them and transforming candid, imperfect shots into oil-on-canvas portraits. The exhibition follows her previous activist projects, including a portrait of Russian opposition leader Alexei Navalny and a painting of a Ukrainian war victim that sold for $100,000 to benefit the Ukraine Red Cross.

‘The arts are vanishing from education’: new report urges UK government to invest in arts sector

A coalition of UK arts organizations, including Contemporary Visual Arts England (CVAN) and the Design and Artists Copyright Society (DACS), has presented a new report titled 'Framing the Future: The Political Case for Strengthening the Visual Arts Ecosystem' to parliament. Written by Eliza Easton of the Erskine Analysis think tank, the report calls for a £5m grassroots visual arts fund to address the shortage of affordable studio spaces, a UK Cultural Investment Partnership Fund to encourage philanthropic donations, expanded funding for the Art & Design National Saturday Club, and reinstatement of high-cost funding for creative subjects in higher education. Artists including Tracey Emin and Larry Achiampong have voiced support, warning that arts are disappearing from state education.

Kochi-Muziris Biennale

The Kochi-Muziris Biennale, a major contemporary art exhibition in India, is the subject of this article. The piece likely covers the event's programming, participating artists, or organizational updates, though the provided text is truncated and primarily consists of a newsletter subscription prompt and footer information, obscuring the full details of the biennale's activities.

Potatoes Grow on Trees: Hu Yinping Replants Meaning in Making

Beijing-based artist Hu Yinping is presenting three major works in Hong Kong this March, including the installation 'Potatoes Grow on Trees' in the Encounters sector of Art Basel Hong Kong. The works stem from her long-running project 'Hu Xiaofang,' a semi-fictional company that employs women in rural China to create crocheted artworks, redistributing income and visibility to this often-overlooked demographic.

Summer Fun: Local artists' work displayed across regional art galleries

Local artists from west central Minnesota will display their work across numerous regional galleries this summer, with rotating exhibitions and artist receptions at venues including the Appleton Art and Culture building, Barn Theatre Art Gallery, Bluenose Gopher Blue Tin Gallery, Bird Island Cultural Centre, Dassel History Center & Ergot Museum Gallery, Greenwater Garage & Gallery, Hutchinson Center for the Arts, Java River Cafe, Kandiyohi County Historical Society, KK Berge Gallery, Lac qui Parle County Museum Gallery, and Little Theatre Auditorium Gallery. The article provides a directory of addresses, hours, and contact information for each participating venue, along with photo captions highlighting specific works such as Julie Schweiss's "Pumpkin Harvest" and Jamie Kalvestran's exhibit "A Melding of Art vs Design."

'Slime family portrait' shown at top exhibition

Kutub Uddin, a photographer from West Sussex, is one of only two UK photographers selected for the prestigious Wildlife Photographer of the Year exhibition. His image, described as a "slime family portrait," captures the reproductive parts of a slime mold—tiny blue spheres on stalks—on a fallen tree in Slindon Wood, magnified many times using a specialist lens. The exhibition recently opened at Brighton Museum and Art Gallery and runs until September 6.

Image of Family Torn by ICE Wins World Press Photo of the Year

American photojournalist Carol Guzy won the 2026 World Press Photo of the Year for her image "Separated by ICE," which captures a tearful family torn apart by Immigration and Customs Enforcement (ICE) after an immigration court hearing in New York amid President Trump's broader crackdown. The contest, established in 1955, selected 42 global winners from over 57,000 photographs submitted by nearly 3,800 photographers across 141 countries. Finalists included Saber Nuraldin's "Aid Emergency in Gaza" and Victor J. Blue's "The Trials of the Achi Women," while other winners addressed displacement, war, and environmental crises.

Acacia Marable at Night Gallery

Acacia Marable presents a solo exhibition at Night Gallery in Los Angeles, featuring a series of new works that explore themes of memory, domesticity, and the passage of time through layered, abstract compositions. The show includes 76 images documenting the installation, with no accompanying text descriptions, emphasizing a purely visual experience.

Commentary: This year's Met Gala proved one thing: The real devil who wears Prada is Jeff Bezos

Jeff Bezos and his wife Lauren Sánchez Bezos served as honorary co-chairs and sponsors of this year's Met Gala, sparking widespread protests and calls for boycotts. Guerrilla activist group Everyone Hates Elon plastered New York with anti-Bezos signage, and activists placed 300 bottles filled with fake urine inside the Metropolitan Museum of Art to highlight Amazon workers' bathroom break complaints. New York Mayor Zohran Mamdani declined his invitation, and the absence of celebrities like Meryl Streep and Zendaya fueled speculation about a boycott, though representatives denied any coordinated protest. Despite the controversy, the gala proceeded with many attendees and is expected to raise more than last year's $31 million for the Costume Institute.

Zurich: Peripheral Presence. by Tibor Bielicky and Ellena Ehrl

Zurich’s urban landscape is defined by functionalist structures from the 1990s and early 2000s that serve as the 'understated backdrop' to daily life. These buildings, including the Signal Box by Gigon Guyer and the Telecap 2000 by Hans Ulrich Imesch, act as navigational markers at the city’s geographic choke points. Despite their significance in shaping the city's rhythm and internal choreography, many of these structures are now reaching the end of their first lifecycle and face the threat of demolition due to real estate speculation.

A recovered ‘balsa’ is the center of an art exhibit in Miami’s Design District

Artists Antonia Wright and Rubén Millares have unveiled a poignant installation titled "Exile" at the Piero Atchugarry gallery in Miami’s Design District. The centerpiece is an authentic 'balsa' (raft) recovered from the shores of Key Biscayne, featuring a 1942 Chevrolet engine and metal barrels marked with the logo of Cuba’s state beekeeping company. The artists preserved the vessel's original state, adding only interior lighting to highlight bullet holes and a soundscape of the roaring sea to immerse viewers in the harrowing experience of Cuban migrants.

First solo U.S. exhibition for Columbia-based artist to open at Gallery Blue Door

Temi Wynston Edun, a Columbia-based artist originally from Ibadan, Nigeria, will open his first solo U.S. exhibition, “Within Reach of Silence,” at Gallery Blue Door in Baltimore on January 17, 2026. The show features 18 oil-stick-on-canvas works that explore themes of stillness, restraint, and layered meaning through figurative painting, with the exhibition running through April 18, 2026.

Open Studios, Exhibitions, & More: A Guide To The First-Ever Kolkata Art Weekender

Art Fervour announces the inaugural Kolkata Art Weekender, a three-day city-wide arts festival scheduled from November 21 to 23, 2025. The event transforms Kolkata into an open-access cultural hub featuring studio visits with artists Suhasini Kejriwal and Rathin Barman, exhibitions at venues like Experimenter, DAG Museums, Kolkata Centre for Creativity, and TRI Art & Culture, plus workshops, heritage walks, film screenings, and riverfront activities such as block-printing at Alipore Museum and zine-making on a Hooghly barge.

Where to see art in Singapore this week (Oct 24 to 31)

South-east Asia's largest art book fair, the Singapore Art Book Fair (SGABF), returns from October 31 to November 2, 2025, with over 120 exhibitors—its largest edition yet. The fair moves to a larger venue at New Art Museum Singapore and Whitestone Gallery, with ticket prices unchanged from 2024 ($6 online, $8 on-site). About half the exhibitors are first-timers, including Saigon-based studio WEDOGOOD, Cairo-based Rizo Masr, and local participants like graphic design trio Hause, Con-Temporary Art Editions, and visual artists Chin Lew and Isabell Hansen. The pilot Thing Books Residency Programme presents three new artist books by musician Yuen Chee Wai, filmmaker Seth Cheong, and vocalist Nur Wahidah. Visitors can also register for bookmaking workshops at additional cost.

Is the art world’s big summer break a thing of the past?

As the art market continues to experience softer demand for a third summer, galleries in the US and the Americas are rethinking the traditional August break. Dealers like Wendi Norris (San Francisco), Omayra Alvarado-Jensen (Instituto de Visión, Bogotá and Manhattan), Pali Kashi (Europa, New York), and Davida Nemeroff (Night Gallery, Los Angeles) describe varied approaches: some remain open to meet traveling collectors, others close for weeks to regroup, and many launch offsite pop-ups to maintain momentum. There is no industry consensus, with decisions shaped by geography, cultural heritage, and collector migration patterns.

Photographer Walter Pfeiffer: ‘Everyone else my age is already in an asylum’

Swiss photographer and artist Walter Pfeiffer, now in his late 70s, is the subject of a profile in which he discusses his daily life, his love for Marlene Dietrich, his disdain for rude people, and his habit of wearing the same clothes every day. The article offers an intimate glimpse into his personality and creative philosophy.

In Tuscany a new festival brings contemporary art to agricultural estates with exhibitions and artist residencies

In Toscana una nuova rassegna porta l’arte contemporanea nelle aziende agricole con mostre e residenze d’artista

The first edition of CARMI.CO 2026 – Carmignano Contemporanea will take place from May 15 to 24, 2026, in the Carmignano area near Prato, Tuscany. The festival features five exhibitions and five artist residencies hosted by local wineries and agricultural estates, alongside talks, workshops, and studio visits. Exhibitions are staged at venues including the Rocca di Carmignano, Museo Archeologico di Artimino, and Museo delle Maioliche di Bacchereto, with works by artists such as Marco Bagnoli, Qiu Yi, Gola Hundun, Rachel Morellet, Fargo, Marco Ulivieri, Serena Fineschi, and others. Residencies take place at Tenuta di Capezzana, Colline San Biagio, Tenuta Le Furre, Tenuta di Artimino, and Fattoria Il Grumolo, involving artists Max Magaldi, Ronaldo Fiesoli, Vittorio Cavallini, Graziano Riccelli, and Gola Hundun.

Two photographers tried to tell Tuscany beyond the usual clichés

Due fotografi hanno provato a raccontare la Toscana oltre i soliti cliché

The article profiles photographers Gioconda Rafanelli and August Kaciuruba, who are contributing to the "How Italy Feels" project curated by Marina Serena Cacciapuoti and Cesare Cacciapuoti of Italy Segreta. The project involves twenty local photographers capturing Italy beyond stereotypes. In the Tuscany chapter, Rafanelli and Kaciuruba present a lived, off-duty vision of the region, blending fashion, architecture, and cinematic influences. They discuss their collaborative process, their shared gaze, and how their work shifts between the fast pace of Milan and the slower rhythms of Tuscany, drawing inspiration from filmmakers like Wong Kar-wai, Stanley Kubrick, Luchino Visconti, and Michelangelo Antonioni.

The Paradox of Contemporary Art: The World Is Violent, but the Works Are Correct and Inoffensive

Il paradosso dell’arte contemporanea: il mondo è violento, ma le opere sono corrette e inoffensive

The article examines a paradox in contemporary art: as the world grows more violent and chaotic, art has become increasingly 'correct,' morally irreproachable, and inoffensive. The author argues that over the past fifteen years, artworks have been judged primarily by their moral and identity credentials, with curators acting as moral gatekeepers and censors. This shift coincides with a period when geopolitics, history, and public behavior have spiraled out of control, creating a strange compensatory dynamic where art is expected to be perfectly controlled and polite while reality grows brutal.

The Works of Alfredo Pirri for the Very First Exhibition of the Polytropon Arts Center in Tuscany

Le opere di Alfredo Pirri per la primissima mostra del Polytropon Arts Center in Toscana

The Polytropon Arts Center, founded by Greek-born architect Maria Papadaki Badanjak, opens its inaugural exhibition "Quello che avanza" featuring works by Italian artist Alfredo Pirri. The venue, a converted former spinning mill located between Pelago and Pontassieve near Florence, hosts the show through June 21, 2025. The exhibition includes 144 cyanotypes created between 2014 and 2017, along with Pirri's "Arie" series in plexiglass, crystal, feathers, and colors. The show is accompanied by a musical program curated by artistic director Andrea Cavallari, with concerts scheduled for May 17 and June 21. Pirri and Cavallari previously collaborated in 2019 at the Museo Novecento in Florence as part of the "Firenze Suona Contemporanea" festival.