ARTnews has expanded its list of iconic feminist works by women artists, adding 15 new entries to a previous selection. The article highlights specific pieces, such as Edmonia Lewis's *The Death of Cleopatra* (1876), Mary Cassatt's *The Reader* (1877), and Alice Pike Barney's *Medusa* (1892) and *Lucifer* (1902), providing historical context for each artist and their contribution to feminist discourse through art.
Artist Miljohn Ruperto's exhibition at Stanford's Cantor Arts Center features works that critically engage with AI and technology. His piece *Fathoms (Tartarapelagic)* uses AI to generate images of deep-sea creatures from the Clarion-Clipperton Zone, while highlighting that mining the minerals essential for that same AI technology is destroying their real-world habitats.
Powerhouse Arts, a nonprofit creative production facility in Brooklyn’s Gowanus neighborhood, has appointed Liz Munsell as its new Vice President of Curatorial and Arts Programs. Munsell, who previously held senior curatorial roles at the Jewish Museum and the Museum of Fine Arts, Boston, succeeds Diya Vij following Vij's appointment as New York City’s cultural affairs commissioner. Alongside Munsell, the organization hired Constanza Valenzuela, formerly of High Line Art, as associate curator to support the expansion of its exhibition and residency programs.
The New Museum in New York has announced a major $80 million capital campaign to double its physical footprint on the Bowery. The expansion will utilize an adjacent building already owned by the institution, increasing the total space from 58,000 to over 100,000 square feet. The museum has already secured $43 million of its goal, bolstered by a record-breaking undisclosed donation from longtime supporter Toby Devan Lewis.
Massimiliano Gioni and Beatrice Trussardi have launched the Beatrice Trussardi Foundation, a nomadic art initiative that debuted with an installation by Polish artist Paweł Althamer in a remote 17th-century hut in Switzerland's Engadin Valley. The project, featuring a sculpture of St. Francis and a series of happenings, marks a new chapter for the duo who previously spent two decades staging ephemeral public art projects in Milan. The foundation aims to operate without a permanent home, bringing site-specific contemporary art to unexpected global locations.
Over 200 cultural figures, including musician Brian Eno and writer Laleh Khalili, have signed an open letter condemning the British Museum for allegedly removing the word "Palestine" from labels in its Ancient Levant gallery. The letter, published in March, accuses the museum of historical revisionism and links the action to pressure from the advocacy group UK Lawyers for Israel, while also criticizing the museum's broader ties to Israel.
A major exhibition titled "Miró and the United States" opens at the Phillips Collection in Washington, DC, exploring the profound artistic dialogue between Catalan artist Joan Miró and the United States. The show features Miró's paintings, sculptures, and works on paper alongside pieces by American contemporaries like Jackson Pollock, Lee Krasner, and Alexander Calder, tracing how his visits and exposure to the New York art scene influenced his work and, in turn, inspired a generation of post-war American artists.
This week's obituary column honors the recent passing of twelve significant figures from the global art and culture world. The list includes French experimental composer Éliane Radigue, Japanese graphic designer Kazumasa Nagai, British architect Axel Burrough, Indigenous Australian muralist Elizabeth Close, and Upper East Side gallerist Gertrude Stein, among other artists, patrons, and illustrators.
An anonymous graffiti artist known as Acer 444 successfully tagged the third-story facade of the New Museum on New York’s Bowery. The large-scale piece, featuring black lettering against a red background, was placed in a precarious, high-visibility location directly above Glenn Ligon’s neon installation. Despite the museum's security measures and its specialized aluminum mesh exterior, the artist managed to complete the work undetected before maintenance crews began removal efforts the following morning.
moma ps1 rooftop sprouts salad party
Artist Julia Sherman and urban farmer Camilla Hammer have transformed the rooftop of MoMA PS1 into a functional salad garden and social space. The initiative recently celebrated its launch with a rooftop party featuring herb-infused cocktails and fresh produce grown on-site. The garden serves as a platform for Sherman’s "Artist-Made" salad series, where notable figures from the art world collaborate on culinary creations.
The global art landscape is set for a significant transformation in 2025 with the opening of several high-profile museum projects. These range from the long-awaited reopening of New York’s Frick Collection and the Studio Museum in Harlem to ambitious international debuts like the PoMo museum in Norway and the Fenix Museum of Migration Stories in Rotterdam. These projects feature designs by world-renowned architects including Annabelle Selldorf, India Mahdavi, and MAD Architects, often repurposing historic structures with bold contemporary additions.
The National Gallery in London has unveiled its £85 million ($113 million) renovation of the Sainsbury Wing, marking the culmination of the museum's bicentenary celebrations. Led by architect Annabelle Selldorf, the project transformed the postmodernist building into the museum's primary accessible entrance, featuring a more spacious atrium, clear glass walls to invite natural light, and a significant rehang of the permanent collection. The redesign aimed to resolve long-standing issues with visitor flow and accessibility while preserving the building's iconic grand staircase.
Kim Gordon, the co-founder of Sonic Youth, is currently the subject of two major exhibitions at Amant in Brooklyn. The first, a solo survey titled "Count Your Chickens," showcases two decades of her multidisciplinary practice including painting, ceramics, and film, while the second, "Folded Group," is a group show she co-curated with Bill Nace featuring artists who bridge the gap between music and visual art.
Nifty Gateway, a once-prominent curated NFT marketplace, has announced its closure after failing to achieve its ambitious goal of converting one billion people into NFT owners. The platform, which initially succeeded by focusing on digital art sales, leveraged social media metrics like Instagram popularity to select artists such as Kenny Scharf, Filip Hodas, and FVCKRENDER, favoring a pop-centric, visually digestible aesthetic.
A new exhibition, "Collaborating in Conflict: The Yeats Family and the Public Arts," at the McMullen Museum of Art, spotlights the revolutionary contributions of sisters Susan Mary (Lily) and Elizabeth Corbet (Lolly) Yeats. Long overshadowed by their famous brothers, the sisters co-founded the Dun Emer Industries cooperative, which included a press and a textile guild, and produced embroidered banners of Irish saints for St. Brendan's Cathedral, playing a pivotal role in the Irish Arts and Crafts movement.
Galerie Francesca Pia, a fixture of the Swiss art scene for 35 years, has announced it will close its doors at the end of October. Founded in Bern in 1990 before moving to Zurich's prestigious Löwenbräukunst-Areal district, the gallery will conclude its operations following a final exhibition with American artist Wade Guyton. The closure marks the end of a significant tenure for a dealership that was a regular participant at Art Basel for over two decades.
rosalia apologizes picasso comments tiktok
Spanish pop star Rosalía issued a public apology on TikTok after facing backlash for comments regarding Pablo Picasso. During a podcast interview with writer Mariana Enriquez, the singer initially stated she did not care to differentiate Picasso’s art from his personal life; however, she later retracted those statements, admitting she was unaware of the artist's well-documented history of physical and emotional abuse toward women.
The Robert Rauschenberg Foundation has announced the recipients of its Rauschenberg Centennial Awards, granting $100,000 in unrestricted funds to five creators across four disciplines. The winners include Senga Nengudi for art, David Thomson for performance, Chandra McCormick and Keith Calhoun for photography, and Patricia Spears Jones for writing. Established to commemorate the late artist’s 100th birthday in 2025, the awards recognize alumni of the foundation’s Captiva Residency program who demonstrate artistic excellence and community impact.
A three-year, $7 million conservation project at Frank Lloyd Wright's Fallingwater is scheduled for completion in April, finally addressing the building's endemic leaking problems and structural vulnerabilities. The project focuses on replacing waterproofing assemblies, repairing roofs, exterior walls, terraces, windows, and doors to protect the house from water infiltration and a changing climate, all while preserving its original aesthetic.
A once-common sales tactic in the contemporary art market, known as "buy-one, give-one" or "bogo," has significantly declined. Under this arrangement, collectors gained preferential access to in-demand artists' paintings by agreeing to purchase two works and donating one to a museum. The practice peaked from 2021 to 2023, with institutions like the Metropolitan Museum of Art and the Institute of Contemporary Art, Miami, acquiring works this way.
The National Gallery in London has partnered with LG Electronics to make over 4,000 images from its collection available on the LG Gallery+ digital platform. Users can now display high-quality digital reproductions of masterpieces by artists like Monet, Gauguin, and Seurat on their LG OLED screens at home, using a curated, playlist-like interface called LG Gallery+ Shelves.
Claude Cahun and Marcel Moore: Surrealist Lovers Who Defied the German Occupation
Claude Cahun and Marcel Moore, two Surrealist artists and life partners, are the focus of a new exhibition at the Contemporary Art Museum of St. Louis. The show, titled "And I Saw New Heavens and a New Earth," presents their collaborative work, including intimate portraits and photomontages, and highlights their daring resistance activities, such as creating anti-Nazi propaganda during the German occupation of Jersey.
South Carolina’s International African American Museum Officially Acquires Earliest Known Daguerreotypes of Enslaved Americans
The International African American Museum in Charleston, South Carolina, has officially acquired the "1850 Daguerreotypes," the earliest known photographs of enslaved Americans. The set of 15 images, taken by J.T. Zealy, depicts seven enslaved individuals—Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty—and had been held by Harvard University until a recent legal settlement. Harvard had owned the daguerreotypes since they were commissioned in 1850 by natural historian Louis Agassiz.
Vinegar Syndrome has released a new 4K UHD and Blu-ray restoration of 'Office Killer', the only feature film directed by renowned photographer Cindy Sherman. Originally released in 1997 to critical derision and box-office failure, the film follows a meek magazine editor who begins murdering her colleagues during a period of corporate downsizing. The restoration highlights Sherman's transition from her iconic 'Untitled Film Stills' to the more visceral, abject imagery of her 'Disasters' and 'Sex Pictures' series.
Marina Abramović Is the Unlikely Star of the New Balloon Museum
Performance artist Marina Abramović has created a large-scale inflatable installation for the new permanent New York outpost of the Balloon Museum. Titled *Snowy/Windy/Spring On The Planet Z*, the immersive work transforms the Tin Building into an imagined extraterrestrial meadow filled with balloon sculptures, light, and air currents, opening in July 2026.
King Charles Visited Tate Britain’s ‘Turner and Constable’ Show and Loved What He Saw
King Charles visited the "Turner and Constable" exhibition at Tate Britain, expressing visible admiration for the works on display. He was particularly struck by J.M.W. Turner's early painting *The Rising Squall, Hot Wells*, which was recently rediscovered and sold at auction. The visit underscores the exhibition's popular success, having already attracted 185,000 visitors since opening last November.
Artist Meg Webster has collaborated with the Dia Art Foundation and Japanese fashion house Comme des Garçons to release her first signature perfume. The fragrance, inspired by Webster’s sensory earthworks made of soil and salt, features woodsy and petrichor notes housed in a silver tetrahedral box that mirrors her sculptural vocabulary. To celebrate the launch, a 2017 sculpture by Webster will be installed at the Comme des Garçons boutique in Chelsea, Manhattan.
Lost John Constable Painting Rediscovered in Texas Bound for Auction
A long-lost, large-scale oil study by John Constable for his famous painting *The Cornfield* has been rediscovered and authenticated after decades in a rural Texas museum. Scientific analysis, including pigment tests and infrared reflectography, confirmed the materials and techniques match Constable's own, leading experts to declare it the largest known study for the 1826 masterpiece. The work, which had been mistakenly cataloged as a copy, will now be auctioned by Heritage Auctions in Dallas this June.
A high-profile fundraising campaign led by the Art Fund is underway to save Prospect Cottage, the former home of artist and filmmaker Derek Jarman. Supported by figures like Tilda Swinton and Jeremy Deller, the initiative seeks to raise £3.5 million to preserve the site and its archive for public tours and artist residencies. Meanwhile, the Philadelphia Museum of Art's CEO, Timothy Rub, has issued an apology regarding the institution's handling of sexual harassment allegations against former manager Joshua Helmer.
The Yams Collective, a group of African American artists, has withdrawn from the 2014 Whitney Biennial in protest. Their departure centers on the inclusion of Joe Scanlan, a white artist whose long-running project involves hiring Black women to portray a fictional artist named Donelle Woolford. The collective argues that Scanlan’s work, which is listed in the biennial under the fictional artist's name rather than his own, is a form of racial drag that is particularly offensive within an exhibition already criticized for its lack of diversity.