Heirs to the Bic Empire Say They’ve Been Robbed of a Renaissance Masterwork

The heirs to the Bic pen fortune, Gonzalve, Charles, and Guillaume Bich, have filed a lawsuit alleging a 15th-century masterpiece by Fra Angelico was stolen from their family. They claim the painting, 'Saint Sixtus,' was taken by their father's chauffeur in 2006 and sold to art dealer Richard Feigen, who later sold it to Chilean collector Alvaro Saieh in 2018. The heirs are now suing Saieh to reclaim the artwork and seeking the return of sale proceeds from Feigen's estate.

Dalí Museum Acquires Dalí’s Largest Work: A Monumental Surrealist Ballet Set

The Dalí Museum in St. Petersburg, Florida, has acquired Salvador Dalí's largest known work, the monumental 1939 ballet set 'Décor de théâtre pour Bacchanale,' for €254,400 at a Bonhams auction. The work, over 20 meters high and 30 meters wide, consists of thirteen panels painted by Dalí as a backdrop for the Surrealist ballet 'Bacchanale' choreographed by Léonide Massine for the Ballets Russes de Monte-Carlo.

LACMA Unveils Ambitious David Geffen Galleries Redesign

The Los Angeles County Museum of Art (LACMA) has announced the official opening date of April 19, 2026, for its new David Geffen Galleries. Designed by Pritzker Prize-winning architect Peter Zumthor, the 274-meter-long concrete structure will house between 2,500 and 3,000 objects from the museum's permanent collection. The inaugural display will feature a mix of historical masterpieces by artists such as Matisse and Van Gogh alongside new contemporary commissions by Todd Gray, Lauren Halsey, and Do Ho Suh.

Birmingham Museum of Art to unveil new Black American art exhibition

The Birmingham Museum of Art (BMA) announced it will unveil a landmark exhibition titled "Roll Call: Two Hundred Years of Black American Art" in September 2026. The show features 99 works drawn entirely from the museum's permanent collection, tracing two centuries of Black artistic production. Organized in four thematic sections—The Ground We Stand On, Ujima: Collective Work and Responsibility, What Freedom Feels Like, and In the Heart of It All—the exhibition highlights the museum's history of collecting Black art, which began in 1971 and now includes over 1,000 works by 250 Black artists. The exhibition coincides with the museum's 75th anniversary and runs from September 26, 2026 to January 17, 2027.

Gala Porras-Kim: Future spaces replicate earlier spaces

Gala Porras-Kim presents her first exhibition at kurimanzutto in Mexico City, titled "Future spaces replicate earlier spaces," running from April 11 to June 13, 2026. The show brings together works that examine how museums and conservation institutions reclassify objects removed from their original contexts, using reconstruction and resituating to explore their spatial, material, and temporal conditions. Central to the exhibition is the installation "The motion of an alluvial record" (2024), which recreates the humid marshland atmosphere of the Yucatán Peninsula inside the gallery, contrasting with the controlled climates of museums. Other works include drawings replicating wall decorations from the Techinantitla complex in Teotihuacan, which were fragmented and sold on the black market, and graphite drawings of objects by artist Brígido Lara, whose "original interpretations" of Totonac ritual clay objects were mistakenly catalogued as Pre-Hispanic artifacts in major museums.

Artists take a satirical look at the financial crisis in a new London show

Three emerging artists—Jenna Bliss, Buck Ellison, and Jasmine Gregory—present a multi-media exhibition titled 'Genuine Fake Premium Economy' at London’s Institute of Contemporary Arts (ICA). The show satirically examines the societal and economic fallout of the 2008 financial crisis, using works that critique capitalism, inheritance, and art-world stereotypes. Gregory repaints Patek Philippe ads to expose class structures, Bliss films a fictional art fair that blurs reality and fiction, and Ellison creates lightboxes for a fictional private bank, manipulating corporate language and philosophy.

Hotel Room Transforms into Media Art Exhibition Space

South Korea's only media art fair, Loop Plus, was held from April 23 to 26 at the Grand Josun Busan Hotel in Haeundae, Busan. The fair transformed 26 hotel rooms on the 13th floor into exhibition spaces, featuring media artworks from 19 international galleries including Tang Contemporary Art, Esther Schipper, Chiwen Gallery, and Baek Art. Highlights included a 38-minute video installation by Russian artist group AES+F titled *‘Inverso Mundus’*, presented by Tang Contemporary Art, which humorously subverts societal absurdities. The event also included artist booths for Kang Lee-yeon and Lucia Levolino, and institutional booths for the Justice Foundation and Gwangju Media Art Platform. A related festival, Loop Lab Busan 2026, runs until June 28 across multiple venues in Busan.

This sprawling free NYC art show just opened at MoMA PS1

MoMA PS1 has officially launched "Greater New York 2026," a massive building-wide exhibition featuring over 150 works by 53 artists and collectives. This quinquennial survey, which coincides with the institution’s 50th anniversary, showcases a diverse range of mediums including large-scale installations, painting, animation, and performance art. For the first time, the exhibition was organized by the museum’s entire curatorial team, resulting in a broad cross-section of the city's contemporary creative output.

Jennie Jieun Lee Transforms Community-Sourced Kilns into Sculptural Installations

Artist Jennie Jieun Lee has unveiled a series of new sculptural installations that utilize community-sourced kilns as their primary medium. By repurposing these industrial tools into expressive, ceramic-based works, Lee explores the intersection of domestic labor, communal history, and the physical transformation of clay.

Anna Park's new show at Lehmann Maupin in London offers a voyeuristic mix of the abstract and the figurative

Artist Anna Park is preparing for her first major solo exhibition at Lehmann Maupin’s London space, titled 'Hot Honey'. The show features her signature large-scale charcoal and ink works that blend traditional figurative techniques with chaotic abstraction. Drawing from a diverse range of influences including vintage comics, pin-up culture, and her upbringing as an outsider in Utah, Park’s new pieces explore the 'male gaze' and female archetypes through a satirical, voyeuristic lens.

Top Five: April 9, 2026

Glasstire has released its weekly 'Top Five' list of essential art exhibitions across Texas for April 2026. The selection highlights a diverse range of regional talent, including a group show at the Rubin Center in El Paso focused on Chihuahuan Desert ecology, a 50-year retrospective of digital pioneers MANUAL at Moody Gallery in Houston, and a lifetime survey of Vietnam veteran and educator Hector Homero Rubio in Corpus Christi. Other featured shows include Freddy Ortega’s MFA thesis at TCU and Juan Pablo Hernandez’s multimedia glasswork.

Artist Offers Haunting Meditation on the 2025 L.A. Fires for the Whitney Biennial

Artist Kelly Akashi has created a major installation for the 2026 Whitney Biennial titled 'Monument (Altadena)', a 13-foot-tall chimney and walkway made of clear glass bricks. The work is a direct response to the 2025 Los Angeles wildfires, which destroyed her home and studio, leaving only the original brick chimney standing. She collaborated with mason Christian Inga to meticulously reconstruct this remnant in a new, spectral form.

Titanic, a deep emotion

Artist Claudia Bitrán is debuting her long-awaited solo exhibition, "Titanic, a deep emotion," at Cristin Tierney Gallery in New York City. The show features a scene-by-scene remake of James Cameron’s 1997 blockbuster, meticulously reconstructed over a decade using lo-fi materials, DIY production methods, and a cast of over 1,400 volunteers. The exhibition is presented as a three-channel film installation complemented by paintings, sculptural props, and storyboards that highlight the labor-intensive, communal process of its creation.

Norfolk celebrates an art scene drawing generations together

The Norwich Castle Open Art Show, titled 'In Proximity,' received an overwhelming 900 submissions from artists across the East of England, highlighting a vibrant regional art scene. The exhibition opens this Saturday at Norwich Castle Museum & Art Gallery, showcasing a diverse range of works from painters, printmakers, textile artists, and ceramicists.

Mexico City's art scene gravitates to Santa María la Ribera neighbourhood

The artistic center of gravity in Mexico City is shifting from established gallery districts like Condesa and Roma to the Santa María la Ribera neighborhood. Over the past five years, a wave of artists has moved there, drawn by affordable rents, large studio spaces, and a central location, transforming the area into a vibrant, organic hub for artistic production and new, non-traditional exhibition spaces.

Stephen Friedman Gallery goes into administration after 30 years

Stephen Friedman Gallery, a prominent London-based contemporary art gallery, has entered administration and closed its doors after 30 years in business. The gallery had recently expanded, opening a new space in New York and moving to larger premises in London, but financial strain from construction costs, rent, and a downturn in the art market led to its collapse. The gallery's closure was confirmed just as Art Basel Qatar opened, where its planned solo booth was taken over by the represented artist's estate and another gallery.

'ARTnews' Names 'Confessions of Fire' by Isaiah Davis '25 One of New York's Best Art Exhibitions of 2025

Isaiah Davis '25, a visual arts alumnus of Columbia School of the Arts, opened his third solo exhibition, 'Confessions of Fire,' at King's Leap gallery in Chinatown this fall. The exhibition, which runs through December 20, 2025, features steel sculptures and enamel paintings on metal that explore Black masculinity through the motifs of leather culture and steel, inspired by rapper Cam'ron's debut album. ARTnews named it one of New York's best exhibitions of 2025, with senior editor Alex Greenberger praising the sculpture 'Slave (2025)' as the most surprising work of the year. The New York Times critic Travis Diehl and Frieze critic George Egerton-Warburton also gave it positive reviews.

The Sixteen Best Jersey City Art Shows of 2025

The article presents a curated list of the sixteen best art shows in Jersey City from 2025, written by a critic who made a concerted effort to attend every exhibition in town over the past year. The list includes highlights such as Sarah Mueller's solo show "Reconstructions" at Art House Productions, the 5.7 Sculptors Guild exhibition spread across MORA Museum and Firmament Gallery, and Anna Collevecchio's installation at 150 Bay Street. Each entry is accompanied by descriptive commentary on the artists' techniques and thematic concerns.

Chicago's New Design Hub | MoCP's Tonika Lewis Johnson Show | Inside Bar Tutto

Volume Gallery is relocating to a larger space at 1700 West Hubbard Street in Chicago, opening in February with a group exhibition titled 'The Heresy of Legacy.' The Museum of Contemporary Photography announced a solo exhibition by MacArthur Fellow Tonika Lewis Johnson for fall 2027. Elise Seigenthaler Gallery will open in West Town on January 9, while Christina Vassallo is leaving Cincinnati's Contemporary Arts Center to join the Pew Center for Arts & Heritage. Additionally, Novak Construction is set to buy the southern portion of Lincoln Yards, and a River North office building will be converted into apartments.

At London's Barbican, Lucy Raven chronicles the destruction of a California dam

Lucy Raven's video installation "Murderers Bar" (2025) has its European premiere at the Barbican's Curve gallery in London. The work documents the 2023-2024 demolition of four dams on the Klamath River in Oregon and California, focusing on the destruction of the Copco No. 1 dam built in 1918. The film is the final part of Raven's trilogy "The Drumfire," exploring themes of pressure, release, and material transformation. It uses aerial photography, drones, lidar, and sonar animations to capture the river's reclamation of its course after the dam's removal, following decades of activism by Indigenous communities including the Yurok, Karuk, Klamath, Hoopa, and Shasta Indian Nation. The exhibition also includes a new kinetic sculpture, "Hardpan" (2025), that physically manifests ideas of force and pressure.

Autumn Arts: Visual Art

Seattle's galleries and museums are launching a fall season of exhibitions addressing politics, identity, and the environment, alongside works celebrating beauty. Highlights include Karey Kessler's map-inspired show 'the Where' at Shift Gallery, Ethan Murrow and Mary Finlayson exhibitions at Winston Wächter Fine Art, Anila Quayyum Agha's immersive light installation 'Geometry of Light' at the Seattle Asian Art Museum, and a politically charged neon show 'Call It What It Is' at The Factory. The city-wide Art + Culture Week returns for its second edition, featuring free events across 12 neighborhoods.

New Orleans artists mark 20 years since Hurricane Katrina

An ongoing group exhibition titled "This City Holds Us" at Ferrara Showman Gallery in New Orleans marks the 20th anniversary of Hurricane Katrina. The show, which opened on White Linen Night, features work by ten artists affected by the storm and focuses on the city's recovery and artistic reinvestment rather than the destruction. Gallery founder Jonathan Ferrara and director Matthew Weldon Showman curated the exhibition to honor the past while celebrating progress, with artists submitting written testimonies about how the storm shaped their lives and practices.

5 Standout Shows to See at Small Galleries This August

Maxwell Rabb's article highlights five standout exhibitions at small galleries for August 2025. Featured shows include "Timeless Remnants" at Grège Gallery in Belgium, featuring artists Conrad Willems, Laura Pasquino, and Chidy Wayne exploring memory through materials; "Tropico Pasado" at Galleria Doris Ghetta in Italy, a solo show by London-based artist Lucía Pizzani inspired by the Dolomites and Venezuelan landscapes; and "rwa bhineda" at SUN.CONTEMPORARY in Bali, Indonesia. Other exhibitions are noted but not detailed in the provided text.

NEXT in the Gallery: See Pittsburgh-made art in the streets, coffeehouses and a warehouse in Brooklyn

NEXTpittsburgh's August gallery guide highlights a wave of Pittsburgh-made art appearing in streets, coffeehouses, open studios, and even a warehouse in Brooklyn. Featured exhibitions include the Pittsburgh Photography Club's 140-year retrospective at Manos Gallery, Monica Matthews' graphite pencil drawings at Ruckus Coffee Gallery & Café, the juried group show "Living Canvas III" at Studio 4, Kristin Divers' pastel solo show at Mark Rengers Gallery, the multimedia group exhibition "Horizons" at Castle Consortia, and Annie Heisey's paintings at Sweetwater Center for the Arts. The month also includes a one-night solo show by New Orleans muralist Dago at Studio 4.

Amazonia Açu

Americas Society in New York will present 'Amazonia Açu,' an exhibition opening September 3, 2025, that offers a kaleidoscopic view of Amazonian aesthetic, cultural, and material diversity. Curated by Keyna Eleison and a committee of representatives from all nine Amazonian states—Bolivia, Brazil, Colombia, Ecuador, French Guiana, Guyana, Peru, Suriname, and Venezuela—the show features over 50 works by 34 local artists and collectives, addressing themes such as artistic production, land rights, cultural heritage, and spirituality.

Zero Art Fair Isn’t Selling Art—It’s Giving It Away, With Just a Few Caveats

Zero Art Fair, debuting its second edition at the FLAG Art Foundation in New York City from July 10 to 12, offers a radical alternative to traditional art fairs: attendees can take home selected artworks for free. The fair uses a "store-to-own" contract developed by artist William Powhida, NYU professor Amy Whitaker, and artist-attorney Alfred Steiner. Participants commit to a five-year vesting period before ownership transfers, during which artists retain rights to sell or borrow the work. After transfer, artists receive 50 percent of any sale price and a 10 percent royalty on subsequent resales. The fair was conceived by Powhida and artist Jennifer Dalton, rooted in their experiences with unsold work and structural gaps in the art market.

A View From the Easel

New Jersey-based artist Hadieh Afshani is featured in the 334th installment of Hyperallergic's 'A View From the Easel' series, which profiles artists in their workspaces. Afshani describes her studio practice at Mana Contemporary in Jersey City, where she balances her art with caring for her baby, working around his feeding and sleeping rhythms. She emphasizes the importance of natural light, a sink for fluid processes, and the supportive community of fellow artists and mothers.

Renoir, Matisse, and the Temptation of Spectacle

Renoir, Matisse, et la tentation du spectacle

The article criticizes two major Parisian exhibitions scheduled for 2026: "Renoir et l'amour. La modernité heureuse (1865-1885)" and "Renoir dessinateur" at the Musée d'Orsay, and "Matisse 1941-1954" at the Galeries nationales du Grand Palais. The author argues that these shows prioritize spectacle and audience appeal over scholarly rigor, using flashy titles and famous names to attract crowds like movie releases.

Quatre Moreau le Jeune pour Versailles

The French state has preempted four drawings by Jean-Michel Moreau le Jeune at a Christie's Paris auction, securing them for the Palace of Versailles. The works, sold in two lots, depict the festivities in Paris following the birth of the Dauphin Louis Joseph in autumn 1781, including the arrival of the Queen at the Hôtel de Ville and a fireworks display. The drawings were commissioned by the City of Paris and were intended to be engraved, marking a high point of public commissions under the ancien régime. The preemption was made possible through the support of the Friends of the Louvre, echoing a similar acquisition of Hubert Robert works from the same Veil-Picard sale.

Fifteen Works Donated to the Musée des Beaux-Arts d'Orléans

Quinze œuvres offertes au Musée des Beaux-Arts d'Orléans

The Musée des Beaux-Arts in Orléans has received a donation of fifteen artworks from art historian Françoise Heilbrun. The gift includes two drawings by Eugène Delacroix, which are immediate donations, and additional drawings, paintings, and a sculpture by artists like Louis Boulanger, which are given with a usufruct clause.