Renoir, Matisse, et la tentation du spectacle
The article criticizes two major Parisian exhibitions scheduled for 2026: "Renoir et l'amour. La modernité heureuse (1865-1885)" and "Renoir dessinateur" at the Musée d'Orsay, and "Matisse 1941-1954" at the Galeries nationales du Grand Palais. The author argues that these shows prioritize spectacle and audience appeal over scholarly rigor, using flashy titles and famous names to attract crowds like movie releases.
This matters because it reflects a broader trend in the art world where museums increasingly treat temporary exhibitions as commercial products, driven by visibility, communication, and attendance metrics rather than advancing art historical knowledge. The critique raises fundamental questions about the purpose of museums and whether entertainment value is overshadowing scientific research and education.