Participants withdraw from Chicago Architecture Biennial over sponsor’s investment in weapons manufacturer

Nine participants in the Chicago Architecture Biennial (CAB), which opened on September 19, have withdrawn in protest over exhibition sponsor Crown Family Philanthropies' investment in General Dynamics, a military contractor supplying weapons to the Israeli military. A letter signed by 22 individuals, collectives, and firms—nearly half of whom also withdrew—argues that the sponsorship contradicts the biennial's mission of addressing architecture's role in shaping a collective future. The biennial's sixth edition, titled SHIFT: Architecture in Times of Radical Change, is led by artistic director Florencia Rodriguez. Participants had raised concerns last month, and organizers clarified that Crown Family funds support education programming, not the exhibition itself, which the letter calls "even more painful" given the destruction of schools in Gaza.

Delhi exhibition highlights India's controversial slum redevelopments

Artist Paribartana Mohanty's solo exhibition "I Rescued Speed Altogether" at Delhi's Shrine Empire gallery presents 12 paintings and three moving-image works created over eight years of documenting the demolition of the Kathputli art colony, a historic slum cluster in west Delhi known for its street performers. The works, mounted on found objects like glue cans and plastic, focus on the objects and landscapes left behind after demolitions, with human figures absent from the canvases. Mohanty's title comes from his three-year-old son's triumphant statement after learning to pedal a bicycle, which the artist sees as an absurd phrase fitting for what he calls the "absurd acts" of demolition.

Spouses of PIF leaders visit Art Gallery

Spouses of Pacific Islands Forum (PIF) leaders visited the National Art Gallery in Honiara on Monday as part of the official program for the 54th Pacific Islands Forum Leaders Meeting. Hosted by Madam Jocelyn Manele, spouse of the Solomon Islands Prime Minister, the delegation toured exhibitions featuring shell money, wood carving, and lava-lava textiles, and engaged with local artisans demonstrating traditional crafts. Acting Curator Julie Fakaia noted that the exhibition showcased gallery collections and live demonstrations, including shell money making and weaving from Rennell and Bellona. The spouses also purchased handmade items from the Solomon Islands Artisans, with traditional gifts exchanged during the visit.

Artists Enclave holds 'Tierra Verde' Juried Exhibition to combine art with activism

Artists Enclave, a Denton arts networking organization based at UNT CoLab, hosted the "Tierra Verde" Juried Exhibition throughout August 2025. The show featured over 60 artworks by Texas artists exploring the intersection of art and activism, with pieces addressing environmental issues, protests, political beliefs, and social stigmas such as menstruation. The exhibition opened on Aug. 1 with a reception attended by over 175 guests, featuring live music by Rachel Yeatts, and awarded prizes to artists including Aileen Khuu, Jose Angel Hernandez, Anadara Braun-Good, Lauren Doorish, and Genie Baranoff.

Frustrated by Chicago's Jewish institutions, anti-Zionist artists are forming their own Jewish cultural center

Anti-Zionist Jewish artists in Chicago, led by Gabriel Chalfin-Piney-González, founded the Jewish Museum of Chicago in 2023 as a decentralized cultural center without a permanent physical space. The initiative emerged from frustration with the lack of a Jewish museum in the city and a desire to create a welcoming community for anti-Zionist Jews, especially galvanized by the war in Gaza. The museum has since hosted over a dozen exhibitions and events, including a Liberation Seder and an artists collective, and is planning a brick-and-mortar space.

US museums urged to stop lobbying against Nazi loot restitution bill

US museums, including the Metropolitan Museum of Art, are lobbying against a bipartisan bill that would strengthen the ability of Holocaust survivors and their families to reclaim Nazi-looted art. The Association of Art Museum Directors (AAMD) paid $8,000 to oppose the bill, which eliminates technical legal defenses such as statutes of limitation and laches that museums have used to dismiss claims. New York Mayor Eric Adams and the World Jewish Restitution Organisation have publicly urged museums to drop their opposition, arguing that the stance contradicts the values of justice and accountability.

The NMWA Honors 50 Years of the Women’s Studio Workshop

The National Museum of Women in the Arts (NMWA) is honoring the 50th anniversary of the Women’s Studio Workshop (WSW) in Kingston, NY, with an exhibition titled "A Radical Alteration: Women’s Studio Workshop as a Sustainable Model for Art Making." Curated by Maymanah Farhat, the show runs through September and features over 40 objects—including artists’ books, zines, ephemera, and archival materials—dating from 1974 to 2024. The exhibition highlights WSW’s history as a feminist arts organization that supports women, trans, intersex, nonbinary, and genderfluid artists, with a focus on book arts and marginalized communities.

700 Years of Tenochtitlan (again): Mexico honours its pre-Hispanic capital

Mexico is commemorating the 700th anniversary of the founding of México-Tenochtitlan with a series of public events including art installations, urban routes, performances, and dances organized by federal and local authorities. The festivities, centered on the Zócalo near the Templo Mayor site, feature large-scale reproductions of Mexica artifacts such as the Aztec Calendar Stone and the Coatlicue statue, along with a video-mapping projection titled "Memoria Luminosa" that narrates the city's history. The celebration follows a similar event in 2021 led by then-president Andrés Manuel López Obrador, which drew criticism for historical inaccuracies and political manipulation.

‘Creating their own ecosystem’: Arts Council gives backing to collaboration between artists in rural Gloucestershire

Artist Alice Sheppard Fidler, a founding member of Studio Voltaire, has created The Hide, an artist retreat and residency in Nailsworth, Gloucestershire, UK. In 2022, she launched The Hide Installation and Sculpture Showcase (THISS), an annual sculpture exhibition in her garden, which this year featured ten artists responding to themes of adaptable matter and environmental permanence. For the first time in 2024, Sheppard Fidler secured Arts Council funding for THISS, enabling artist fees and workshops with youth charities, and the event now attracts around 400 visitors from across the UK.

Art x Climate Gallery triumphs at the Smithsonian

The article reports that the Art x Climate Gallery has achieved a notable success at the Smithsonian Institution, though the specific details of the triumph are obscured by a security verification page that blocks access to the full content. The gallery, which likely focuses on the intersection of art and climate change, appears to have been recognized or celebrated within the Smithsonian's prestigious museum network.

This is BC: Renowned artists open Enderby gallery

Renowned artists have opened a new gallery in Enderby, British Columbia, as reported in a segment titled 'This is BC' by Global News. The video feature, published on June 10, 2025, highlights the establishment of this gallery by well-known visual artists in the small community of Enderby, located in the North Okanagan region. The artists are bringing their expertise and creative works to a local venue, aiming to enrich the area's cultural landscape.

CAM Raleigh to pause exhibitions amid financial and cultural challenges for small, local museums

The Contemporary Art Museum (CAM) in Raleigh, North Carolina, announced it will temporarily pause exhibitions and in-house programming starting June 15, 2025, as part of a strategic effort to reassess its role and operations. The museum cited rising operational costs, shifting donor trends, and increasingly competitive funding as challenges facing small museums nationwide. While the main galleries close, CAM will continue offsite programming and host the annual Raleigh Fine Arts Society’s NC Artists Exhibition in September. Two current exhibitions—'Look to the West' and 'Skin of the City' featuring works by Rigoberto Mena—remain on view through June 15.

Artists accuse Whitney Museum of censorship for cancelling pro-Palestine performance

The Whitney Museum of American Art has been accused of censorship by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi after canceling their performance titled *No Aesthetics Outside my Freedom: Mourning, Militancy and Performance*, scheduled for May 14 as part of the exhibition *A Grammar of Attention*. The museum cited the work's "exclusionary and inflammatory" content, referencing a prior iteration where Tbakhi called for those who believe in Israel or America to leave the audience and valorized specific acts of violence. The artists argue the cancellation is an act of anti-Palestinian censorship, while the museum claims the decision was necessary to uphold its policies. In response, Sara Nadal-Melsió, associate director of the Whitney Independent Study Program (ISP), canceled a related critical studies symposium, and the ISP cohort alleged the museum surveilled and intervened in their work.

Elsa James’s exhibition in my home county, Essex, is a potent rejection of the erasure of history

Elsa James's exhibition "It Should Not Be Forgotten" at Firstsite in Colchester, UK, confronts Britain's role in the transatlantic slave trade through immersive installations. The show features a floor covered with larger-than-life photographs of the artist, recalling the diagram of enslaved Africans on the slave ship Brooks, accompanied by a cello soundscape by Kirke Gross. Other works give voice to enslaved women Phibbah and Molia, documented in the journals of their 18th-century owner Thomas Thistlewood, subverting historical narratives. The exhibition builds on James's earlier "Black Girl Essex" residency, which challenged the racist and sexist "Essex Girl" stereotype.

A New Generation of Gallerists Is Redefining Artist Representation

A new generation of gallerists is rethinking traditional artist representation models, moving away from rigid exclusivity clauses and transactional relationships. Figures like Bryce Watanasoponwong of The Charoen AArt in Bangkok, Storm Ascher of Superposition, and Lorraine Han of Unveil Gallery are adopting flexible, collaborative approaches that reflect the realities of contemporary artists, who often juggle multiple roles and prefer non-exclusive arrangements. These gallerists emphasize open dialogue, shared responsibility, and long-term relationship-building over strict contracts, as seen in Ascher's seven-year support of artist Haleigh Nickerson, which culminated in a solo show at NADA New York 2025.

9 must-see Seattle art exhibits for the next month

This article highlights nine visual art exhibitions in Seattle for June, curated as staff picks to embrace themes of change, regeneration, and healing. Featured shows include "Taking Care: Embrace with Tenderness" at Seattle University's Hedreen Gallery, which closes next year when the building is razed for a new museum; "Jill Kyong: Between Spaces" at SlipStitch Studio; "Mel Carter: bitter, the mourning" at Gallery 4Culture; "Gina Ariko: Ikebana and the Art of Resilience" at Gallery 110; "Healing Our Roots" at The Fishbowl gallery; and "Third Eye" at Base Camp Studios, among others. The exhibitions span photography, glass art, floral arrangements, and group shows, all free and open to the public.

John J. McDonough Museum of Art announces Summer Exhibitions

The John J. McDonough Museum of Art at Youngstown State University will open its summer exhibition schedule on May 30, running through July 19, featuring four shows: Ronald Jason Van Hoose's 'Time, The Earth and The Dream-A Retrospective,' Jeffrey S. Piper's 'col·lo·cate,' Mike Egan's 'Built By Death,' and an exhibition of work from the Inspiring Minds youth program. An opening reception will be held May 30 from 5-7 p.m.

SVAC to break ground on Orton collection wing in June

The Southern Vermont Arts Center (SVAC) will break ground in June on a $14.5-million, 12,000-square-foot addition to its historic Yester Building in Manchester, Vermont, with completion expected in June 2026. The new wing will house the Lyman Orton Collection, "For the Love of Vermont," featuring over 250 pieces of art from the 1920s to the 1960s, alongside contemporary exhibitions and traveling shows. The project also includes an ADA elevator, climate-controlled storage, an outdoor space, a roof terrace, and expanded dining at the curATE Cafe.

Gallery sharing event Constellations Warsaw brings international flavour to a quickly developing art scene

Eleven Warsaw galleries opened their doors to eleven international counterparts for the second edition of Constellations, a gallery-sharing event running until May 10. Organized by Piktogram, Dawid Radziszewski, Stereo, and Wschód, the initiative pairs galleries from Basel, Berlin, Bucharest, Frankfurt, London, Naples, Paris, Shanghai, Stockholm, and Vienna with Polish art spaces like Foksal, Raster, and experimental newcomer Turnus. Highlights included Iris Touliatou's installation "untitled (still not over you)" at Import Export, which won the Friends’ Art Prize, funding an acquisition for the Museum of Modern Art in Warsaw (MSN).

Sécurité dans les musées

This issue of Le Journal des Arts (No. 676, May 2, 2026) covers a range of visual art news: the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about scaling back the Bourges 2028 project, the opening of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and a profile of auctioneer Hubert L'Huillier.

L’architecte du Musée Gandur

The article covers several art news items from the May 2, 2026 issue of Le Journal des Arts, including the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about the resized Bourges 2028 project, the unveiling of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and a profile of auctioneer Hubert L'Huillier.

Ouverture du Musée des Tissus

The Musée des Tissus (Museum of Fabrics) has opened its doors, marking the return of a specialized textile museum in Paris. The article also covers several other art-world developments: American Rousseau works returning to Paris, the outsourcing of museum reception services as a growing model, the New Museum's expansion, and Art Brussels adapting to contemporary trends.

The New Entrance of the Louvre

La nouvelle entrée du Louvre

The article, titled "La nouvelle entrée du Louvre," reports on the upcoming redesign of the main entrance to the Louvre Museum in Paris. It also covers several other art-world stories: the return of American Rousseau works to Paris, the growing trend of outsourcing museum reception services, the New Museum's expansion, the troubled Musée des Tissus project, and Art Brussels adapting to contemporary trends.

entering tilda swinton's ongoing world of ghosts, garments, and artistic fellowship

Designboom revisits Tilda Swinton's iconic sleeping performance piece, originally staged with artist Cornelia Parker, as part of a new exhibition titled 'Flat 19' that reconstructs Swinton's former London apartment alongside filmmaker Joanna Hogg. The show also features 'A Biographical Wardrobe,' displaying garments from Swinton's films, performances, and personal archives, creating an immersive exploration of her artistic collaborations and personal history.

All you need to know about world’s highest art biennale 2026 that is set to be hosted in Ladakh

The sā Ladakh Biennale, billed as the world's highest art biennale, returns to Ladakh from August 1-10, 2026, after a previous edition. Held at 3,600 meters above sea level, the event transforms the corridor between Leh and Kargil into an open-air exhibition titled 'Signals from Another Star', curated by Vishal K Dar and Tsering Motup across eight locations including Basgo, Lamayuru, and Kargil. It features 24 artists, including international figures like Jitish Kallat, Anna Jermolaewa, Peter Kogler, and Agnieszka Kurant, alongside local artists such as Tundup Dorjay, Chemat Dorjey, and Stanzin Samphel. Works are created using natural materials like stone, clay, and wool, and are designed to eventually disintegrate, reflecting the fragile ecosystem.

In Kyoto, a photography festival unites artists on society's fringes

Kyotographie, an independent international photography festival in Kyoto, has announced 'The Edge' as its theme for the 2026 edition, following a focus on humanity in 2025. The festival will feature exhibitions exploring fringes, darkness, and extremes of life, including a posthumous show of Fatama Hassona's 'The Eye of Gaza', a focus on South Africa with works by Lebohang Kganye, Pieter Hugo, and a peripatetic library from A4 Arts Foundation, as well as Ernest Cole's 'House of Bondage' at the Kyoto City KYOCERA Museum of Art—his first exhibition in Japan. Other highlights include Linder Sterling's survey 'Goddess of the Mind' at the Museum of Kyoto Annex and Anton Corbijn's 'Presence' at the Shimadai Gallery.

Art Born of Pain: Frida Kahlo

This article is a promotional piece for the DW English program 'Arts Unveiled,' highlighting several upcoming segments. It announces the start of the 61st Venice Biennale, the world's largest art exhibition, and poses questions about its standout features and art's role in times of crisis. Other segments explore the American Dream as a nightmare on the 250th anniversary of US independence, and feature Indigenous artist Britta Marakatt-Labba, who creates embroidered polar landscapes reflecting Sámi culture.

Biennale, rules announced for Visitor's Lion. But dozens of artists withdraw

The Venice Biennale has announced the voting rules for the new Visitors' Lion awards, which replace the traditional Golden Lions after the original jury resigned before the opening. On the same day the popular voting opened, dozens of artists from the central exhibition 'In Minor Keys' and several National Pavilions announced their withdrawal from the competition in solidarity with the resigned jury, releasing a statement via e-flux on May 9, 2026. The voting system requires visitors to have attended both the Giardini and Arsenale venues, with anonymous voting open until November 22, 2026.

'a little theater of life': JR weaves monumental tapestry of community care in venice

French artist JR has unveiled a monumental tapestry titled 'Il Gesto' in Venice, a contemporary interpretation of Veronese's 'The Wedding at Cana'. The large-scale work is suspended above the Grand Canal as a kinetic installation, transforming the city's waterways into a choreography of silk, light, and movement. The piece is part of the broader programming surrounding the 61st Venice Art Biennale.

Venice Biennale in crisis: The controversies explained

The Venice Art Biennale's official awards ceremony, scheduled for May 9, has been canceled after the entire five-member jury resigned days before the event. The jury had previously announced they would not consider countries whose leaders face International Criminal Court charges, directly impacting Russia and Israel. Instead of jury-selected prizes, visitors will vote throughout the Biennale's run, with "Visitor Lions" awarded on November 22. The event, running from May 9 to November 22, features 100 national participations, including seven first-time countries, and a posthumous main exhibition titled "In Minor Keys" curated by the late Koyo Kouoh, the first African woman to lead the show. Iran withdrew on May 4 amid Middle East tensions, while Russia's return to the Biennale in 2026 has sparked EU threats to cut funding.