Film Notes has published a new essay by scholar Tiago de Luca, drawn from his research on environment and cinema. The essay focuses on the conceptual and aesthetic role of the background in film, tracing its technical history and examining its relation to power, marginalization, and environmental crisis.
Hyperallergic's ongoing series "A View From the Easel" features two artists describing their unconventional studio practices. Georgina Arroyo works in a shared academic space at Purchase College, compartmentalizing her process-intensive mold-making and casting work around her job schedule. Linda Jacobson, based in her Venice, California studio for 17 years, works on multiple pieces simultaneously, currently focusing on a large commissioned painting.
Hong Kong Art Week 2026 features several new art fairs offering alternative models to traditional events. ArtHouse Tai Hang, led by former Christie's executive Jacky Ho, displays works across ten locations in a residential neighborhood with a pay-only-if-sold financial model. Check-in, organized by Alex Chan, requires all artworks to be suitcase-sized and includes daily performances. Pavilion, founded by Ysabelle Cheung and Willem Molesworth, presents a boutique, curated alternative to high-pressure fairs.
The article titled "Helen McNicoll: An Impressionist Journey" appears to be about the Canadian Impressionist painter Helen McNicoll, likely focusing on her life, work, and artistic legacy. However, the actual content of the article is inaccessible due to a security verification page from the National Gallery of Canada's website, which blocks access to the full text. The page displays a security challenge requiring JavaScript and cookies to proceed, preventing any substantive information from being extracted.
Local artist Regina Losinger, a retired SUNY Broome administrator, opens her exhibition "Follow the Water" at Cooperative Gallery 213 in Binghamton, New York, on First Friday. The show features 50 works of painting and photography inspired by her kayaking and canoeing trips in the Adirondacks, Florida, and Canada, alongside her boat and paddling maps. Losinger, who returned to art after retiring a decade ago, will greet visitors during the opening reception from 6:30 to 8 p.m.
The New York City Department of Cultural Affairs (DCLA) has inducted five new members into its Cultural Institutions Group (CIG), an exclusive program that provides long-term operational subsidies to private arts organizations operating on public land. The new members—Bric (Brooklyn), Pregones/Puerto Rican Traveling Theater (Manhattan), the Bronx Children’s Museum, the Noble Maritime Collection (Staten Island), and the Louis Armstrong House Museum (Queens)—represent each of the city’s five boroughs. This is the largest expansion of the program, now totaling 39 members, since the 1970s. A celebratory event was held at Bric on September 30, featuring remarks from DCLA Commissioner Laurie Cumbo and Deputy Mayor Adolfo Carrión Jr., along with musical performances by each institution.
The Coburn Art Gallery at Ashland University in Ashland, Ohio, will host a regional exhibition featuring 70 works by members of the Ohio Collage Society from May 29 through July 24. The free opening reception takes place on May 29 from 6 to 7:30 p.m., showcasing two-dimensional and three-dimensional collages that explore diverse materials and techniques. Featured artists include Anita Burgess, Nancy S. Sotka, Mary Ann Sedivy, and others.
Fondazione Marconi and Gió Marconi present 'Man Ray: M for Dictionary,' a comprehensive survey of Man Ray's work organized around his linguistic experiments. The exhibition, marking the fiftieth anniversary of the artist's death, is curated by Yuval Etgar and Deborah D’Ippolito and spans photography, painting, sculpture, and drawing. It includes a second display titled 'In Other Words' featuring contemporary artists Alex Da Corte, Simon Fujiwara, Wade Guyton, Allison Katz, and Tai Shani, whose work engages with language in visual art.
The San Francisco neighborhoods of the Marina and West Portal are set to host "The Art of Place," a three-month exhibition featuring 24 local artists. Organized by Ingleside Gallery founder Shrey Purohit in partnership with the BarbCo real estate group, the fair will showcase cityscapes, sculptures, and photography across two commercial offices starting April 17. The initiative aims to integrate art into everyday community spaces, featuring works by artists like Sarah Horowitz and Rhonel Roberts that capture the unique geometry and secret views of the city.
Danny McBride’s production company, Rough House Pictures, has announced a partnership with Charleston-based art space Hed Hi Studio to launch a series of unconventional, short-lived art exhibitions throughout 2026. The collaboration kicks off in April with a showcase of hand-painted Ghanaian movie posters from Deadly Prey Gallery, followed by exhibitions featuring Brooklyn artist Jake Plissken and animator Jay Howell. These events are designed as "ephemeral" experiences, often lasting only four hours to emphasize the beauty of impermanence.
The Middle East Institute (MEI) in Washington, D.C., is presenting an exhibition titled "Arab Pop Art: Between East and West," featuring works by Arab artists who remix global Pop Art with local voices and political commentary. The exhibition includes a closing celebration with a live performance by Syrian-American rapper and poet Omar Offendum, an artist talk with participating artist Marwan Chamaa and co-curators Lyne Sneige and Laila Abdul-Hadi Jadallah, and a film screening of "A Thousand and One Berber Nights" (2023) with director Hisham Aidi. The show is part of MEI's broader programming and has been highlighted in multiple media outlets including YUNG Magazine, Hyperallergic, Vogue Arabia, and Washington City Paper.
V. Sanjay Kumar's novel *This Garden of Weeds* explores the Indian art world through a murder mystery centered on the death of a mythic artist, Maya. The story follows her daughter Tara as she uncovers Maya's past through flashbacks involving former art-school classmates—an art critic, a reporter, and a performance artist—while also weaving in subplots about a wealthy family's entry into art collecting, a gallerist's shady dealings, and a reality show for artists. The novel satirizes the fusion of gossip, celebrity, and commerce that defines contemporary art culture.
A new exhibition at the Givat Haviva Art Gallery in northern Israel revisits a landmark 1972 conceptual art project called Metzer-Meiser, which took place along the seamline between Kibbutz Metzer and the Arab village Meiser. The original project involved four Israeli artists—Dov Or-Ner, Moshe Gershuni, Avital Geva, and Micha Ullman—who created actions exploring Jewish-Arab coexistence, including burying personal items, parcelling land, scattering books, and exchanging soil between the two communities. The contemporary exhibition, "Metzer-Meiser: Take 2," co-curated by Anat Lidror and Tali Tamir, includes two of the original artists (Geva and Ullman) alongside ten contemporary Jewish and Palestinian artists, responding to the original project's themes of connection, fear, and trust.
The Spori Art Gallery opened a new exhibition titled "Behold the Lamb" on Thursday evening, featuring artwork depicting Jesus Christ. The gallery was filled with students, faculty, and community members who viewed paintings such as "Jehovah Creates the Earth (Jesus Christ Creates the Earth and the Heavens)" by Walter Rayne, "For Unto Us a Child Is Born" by Lynne Millman-Weidinger, and works by Kristen M. Yee, Rose Datoc Dall, J. Kirk Richards, Rembrandt van Rijn, and Peter Paul Rubens. The exhibit is free and open to the public through December 19.
The Little Prince: The Journey of Stars, an immersive exhibition retelling Antoine de Saint-Exupéry's classic children's book, is now open at Parkview Square in Bugis, Singapore, hosted by the GROUNDSEESAW SINGAPORE art gallery. The experience runs through 31 July 2025 and features a film recap, interactive zones, and 3D projections of iconic characters like The Fox and The King, with sessions lasting about an hour. Tickets start at $15 for children and $22 for adults, with an early bird 50% discount available until 7 July 2025.
The hot dog ascended from a humble street food sold by German immigrants in 19th-century New York to a symbol of American culture, famously served to King George VI at a 1939 presidential picnic. Its journey was propelled by vendors on Coney Island's boardwalk and its introduction to massive crowds at events like the 1893 Chicago World's Fair, eventually becoming a staple at ballparks and backyard gatherings.
The 61st Venice Biennale opened under heavy protest as Russia returns to the event for the first time since its 2022 invasion of Ukraine. Ukrainian feminist collective Femen and Russian punk band Pussy Riot demonstrated outside the Russian pavilion, with activists accusing Russia of using art as a weapon in a hybrid war. Meanwhile, pro-Palestinian protesters gathered outside Israel's pavilion, holding banners reading 'No artwashing genocide' and demanding Israel's exclusion over the war in Gaza. The Biennale's international jury resigned last month, refusing to award prizes to countries led by figures subject to ICC arrest warrants, namely Vladimir Putin and Benjamin Netanyahu. EU foreign policy chief Kaja Kallas called Russia's participation 'morally wrong' and threatened to cut €2 million in funding, while culture ministers from 22 European countries urged organizers to reconsider.
Art House Productions has unveiled "In The Wind," a large-scale public art installation in Lincoln Park, Jersey City, featuring artist-designed flags with original works by Hudson County artists. Curated by Tina Maneca, the exhibition celebrates the organization's 25th anniversary and includes over 80 artists who live, work, or maintain studios in Hudson County. The flags are installed around Edgewood Lake, moving with the wind to create a dynamic, ever-changing exhibition. All flags are priced at $500 and available for purchase. The installation runs from June through November 2026, with an opening reception on June 5, 2026, during ACCESS JC Fridays.
Surrey Art Gallery in British Columbia is hosting a series of events throughout May 2026, centered on the exhibition "In the Shadow of the Pavilions: Expo 86 and Contemporary Art." Highlights include a Family Art Jam on May 3, an artist talk with Leah Murray on May 7, a symposium titled "Expo Lines: Expo 86 and Contemporary Art" on May 9, and a curator’s tour with Jordan Strom on May 28. The events explore the artistic legacy of Vancouver’s 1986 world’s fair, which drew 22 million visitors, and feature works by over 50 artists including Bill Reid, Robert Davidson, Debra Sparrow, and Paul Wong.
The City of West Hollywood is presenting a free exhibition titled 'FXLK PLAY: Artists-in-Mischief, Devotion, and Mythmaking' at Plummer Park's Long Hall. The show, running from February 19 to March 19, 2026, is a survey of works by over 60 LGBTQ+ artists who have participated in the Tom of Finland Foundation's Artist-in-Residence Program, featuring painting, sculpture, and video.
Interior designer Michelle R. Smith has collaborated with Scandinavian textile maker Nordic Knots on its debut flatweave rug collection. The collaboration, born from a decade-old friendship between Smith and Nordic Knots co-founder Liza Laserow Berglund, features four rugs—three flatweaves and one all-natural jute—inspired by vintage Esprit pocket squares from the 1980s. Smith describes the rugs as subtle, flexible, layered pieces meant to complement a room without dominating it, drawing on her signature neutrals-focused palette of sludge greens, dusty blues, khakis, and browns. The collection reflects influences from designers Madeleine Castaing and Jacques Grange, as well as old-school men's suiting patterns.
The Swiss Institute in New York has opened a new exhibition titled “De Anima,” pairing sculptor Elizabeth King and painter Louise Bonnet. Curated by director Stefanie Hessler, the show explores the boundaries between the living and the lifelike, featuring King's intricate automata and stop-motion films alongside Bonnet's large-scale oil paintings of fleshy, gestural figures. The artists, introduced by Hessler at an opening last year, discovered a shared fascination with involuntary bodily movements—twitching eyes, clenched jaws—and the invisible labor of artistic craftsmanship.
Days before Argentina’s Congress approved an amendment to the glacier law that weakens protections for glacial regions to facilitate mining, President Javier Milei’s government removed a monumental painting of the Perito Moreno Glacier from the Casa Rosada presidential palace. The work, Helmut Ditsch’s photorealist *The Triumph of Nature* (2006), had been on loan and on display since 2012. The government cited “maintenance reasons” and “structural damage,” but the artist says he was not notified and has contacted lawyers. A portrait of Juan Domingo and Evita Perón was also removed the same day, with the same vague explanation.
Lorena Bradford, the first head of Accessible Programs at the National Gallery of Art, has left the institution after pioneering numerous initiatives to make museums more inclusive. Her work included launching American Sign Language tours, creating programs for individuals with memory loss, and spearheading the Short Description Project to provide detailed online artwork descriptions.
Artnet News editor Kate Brown hosts a podcast roundtable with three gallerists ahead of the 2025 edition of Art Basel in Basel, Switzerland. The fair features over 200 galleries and is set against a backdrop of a softening art market, with declining sales and cautious demand. The guests are Robbie Fitzpatrick of Fitzpatrick Gallery (who also founded the Art Basel Social Club), Lisa Offermann of LC Queisser (with spaces in Tbilisi and Cologne), and Freddie Powell of Ginny on Frederick (making its Art Basel debut). The discussion focuses on the challenges and strategies for emerging and mid-tier galleries selling works under $250,000.
The Museum of Fine Arts Boston has launched a playful social media campaign inserting hot dogs into famous historical paintings from its collection. The initiative aims to engage younger audiences by juxtaposing a modern, everyday food item with classic artworks, creating humorous and shareable content.
This article is a local arts listings roundup for the week of May 21, 2026, in Ventura County, California. It announces theater productions including "Firebringer," "Mrs. Doubtfire," "Zapalooza," and "The Wolves," along with art exhibitions at venues such as the Beatrice Wood Center for the Arts, Camarillo Art Center, Dama Gallery, the Mexican Consulate in Oxnard, the Ronald Reagan Presidential Library and Museum, and UBS. It also includes a call for artists from the Arts Council of the Conejo Valley and an open call from Dama Gallery.
Danielle SeeWalker, a Húŋkpapȟa Lakȟóta artist from the Standing Rock Sioux Nation, presents her solo exhibition *Uŋči Said So* at All My Relations Arts in Minneapolis, running through June 6. The show features vibrant expressionist portraits of grandmothers and matriarchs, neon signs with Lakȟóta words, and painted buffalo-hide drum heads, all inspired by memories, stories, and the artist's own heritage. SeeWalker incorporates distinctive motifs such as obscured faces with one realistic eye, braided hair symbolizing Native identity, and censored sections representing the repression of Native voices.
Two Hyderabad galleries are hosting long-duration summer exhibitions this year, breaking from the city's traditional lean season. Kalakriti Art Gallery in Banjara Hills opened "Prakriti: A Quiet Continuum," a group show of contemporary artists including Lal Bahadur Singh and Sumanto Chowdhury, alongside "Living Lineages," featuring folk and indigenous artists such as Bhuri Bai and Venkat Raman Shyam. Meanwhile, Srishti Art Gallery in Jubilee Hills is presenting the fifth edition of its annual exhibition "Triloka," with works by Moumita Basak, Nayanjyoti Barman, and Nirmal Mondal that explore everyday materials and social change.
The Ashmolean Museum in Oxford has opened a new exhibition titled "In Bloom: How Plants Changed our World," timed for spring. The show draws from Oxford University's collections, featuring 17th-century flower paintings, preserved plant specimens, and contemporary artworks to explore the role of plants in art and science.