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Art Review | Impressionist Field Day

The Santa Barbara Museum of Art (SBMA) is hosting a major traveling exhibition, "The Impressionist Revolution: Monet to Matisse from the Dallas Museum of Art," alongside its own companion show, "Encore: 19th-Century Art from the Santa Barbara Museum of Art." The exhibition features works by Monet, Matisse, Pissarro, Berthe Morisot, and others, including rare pieces from SBMA's permanent collection such as Monet's "Villas in Bordighera." The show marks the 150th anniversary of the first Impressionist exhibition and includes related movements like Post-Impressionism, Pointillism, and Fauvism.

4 notable art exhibitions opening around the world

Four major retrospective exhibitions are opening around the world in late 2025 and early 2026, celebrating the work of Robert Rauschenberg, Wes Anderson, Vivienne Westwood, Rei Kawakubo, and Wifredo Lam. At M+ in Hong Kong, "Robert Rauschenberg and Asia" explores the artist's collaborations with artisans in India, China, and Japan. The Design Museum in London presents "Wes Anderson: The Archives," featuring over 600 items from his film sets. The Museum of Modern Art in New York hosts "Wilfredo Lam: When I Don't Sleep, I Dream," the most extensive US retrospective of the Cuban-born artist. A creative conversation between designers Vivienne Westwood and Rei Kawakubo is also highlighted.

A Story of South Asian Art: Mrinalini Mukherjee and Her Circle

The Royal Academy of Arts in London presents "A Story of South Asian Art: Mrinalini Mukherjee and Her Circle," a visually thrilling exhibition running from 31 October 2025 to 24 February 2026. Curated by Tarini Malik, the show pivots around the work of Mrinalini Mukherjee (1949-2015), placing her in dialogue with key figures of the Indian cultural scene, including her parents Benode Behari Mukherjee and Leela Mukherjee, as well as artists Gulammohammed Sheikh and Nilima Sheikh. The exhibition highlights Mukherjee's hemp sculptures like 'Adi Pushp II' (1998-99) and bronze works such as 'Forest Flame IV' (2009), and emphasizes the importance of art schools and places—Santiniketan, Baroda (Vadodara), and New Delhi—in shaping her practice.

Portland exhibit shows off multifaceted artists’ personal narratives | Column - Portland Press Herald

Mauricio Muñoz and Andrew Roberts' installation "The Harvest" (2021) is featured in "otherwise," a thesis exhibition at the Institute of Contemporary Art at MECA&D in Portland, running through Dec. 13. The show also includes works by Ayana V. Jackson, whose project "From the Deep: In the Wake of Drexciya" was targeted by Donald Trump in his attacks on the Smithsonian Institution. The exhibition explores how artists use storytelling and worldbuilding to cope with difficult contemporary issues and imagine better futures, serving as a companion to the Ogunquit Museum of American Art's "Where the Real Lies."

‘Truly inspiring’: New Princeton University Art Museum opens its doors to all

The new Princeton University Art Museum opened its doors to the public on Oct. 31, 2025, with a 24-hour open house that drew 21,763 visitors. The event featured dancing, stargazing, artmaking, live performances, film screenings, and a trivia contest, with highlights including Claude Monet's "Water Lilies and Japanese Bridge" and Nick Cave's mosaic. Director James Steward welcomed the crowd, and the museum also hosted previews for students, faculty, staff, and tradespeople, attracting thousands more.

Opening date for London’s V&A East Museum announced

The V&A East Museum in London's Queen Elizabeth Olympic Park will open on 18 April 2026, completing the institution's east London cultural campus. Designed by O'Donnell + Tuomey, the five-story museum will feature two free permanent "Why We Make" galleries co-curated with local youth groups, showcasing over 500 objects from the V&A collection alongside contemporary works by artists including Yinka Ilori, Tania Bruguera, Carrie Mae Weems, and Thomas J. Price. The opening exhibition, "The Music Is Black: A British Story," will chart the influence of Black British music from 1900 to the present.

Exhibition explores two transformative decades of innovative art created in Japan, for the world

The exhibition "Prism of the Real: Making Art in Japan 1989-2010" at the National Art Center, Tokyo, examines two transformative decades of Japanese art framed by the death of Emperor Hirohito in 1989 and the 2011 Tohoku earthquake and Fukushima disaster. It features works by artists such as Yasumasa Morimura, Tadasu Takamine, Lieko Shiga, and Shimabuku, alongside international figures like Pierre Huyghe and Rirkrit Tiravanija, challenging fixed notions of national identity and highlighting global exchanges.

Miami collectors donate 36 works by African and diaspora artists to Tate

Miami-based collectors Jorge and Darlene Pérez have donated 36 works by 15 artists from Africa and the African diaspora to Tate. The gift includes photographs by Seydou Keïta, paintings by Cheri Samba, a hanging piece by El Anatsui, and works by Joy Labinjo, Wangechi Mutu, Rotimi Fani-Kayode, Buhlebezwe Siwani, Bruce Onobrakpeya, and Gavin Jantjes. The donation also comes with a multi-million dollar endowment to support curatorial research on African and Latin American art, funding a dedicated curatorial post currently held by Osei Bonsu.

Women in the Arts museum brings golden age artists into focus

The National Museum of Women in the Arts in Washington, D.C., has opened a new exhibition titled "Women Artists from Antwerp to Amsterdam, 1600-1750," which showcases works by largely forgotten female masters of the Dutch Golden Age, including Judith Leyster, Maria van Oosterwijck, Clara Peeters, and Rachel Ruysch. The show features over a dozen artists and highlights paintings rich in symbolism, such as van Oosterwijck's "Vanitas Still Life" and Leyster's "The Concert," while also addressing how many of these women were celebrated in their own time but later misattributed or omitted from art history.

Exhibition Celebrating Abstract Painter Joan Mitchell Features Work on Loan from the Hofstra Museum

Joan Mitchell's painting "Metro" (1965) from the Hofstra University Museum of Art's permanent collection is on loan to David Zwirner gallery in New York for the exhibition "To define a feeling: Joan Mitchell, 1960-1965," running from November 6 to December 13, 2025. The exhibition focuses on a transformative period in Mitchell's career, showcasing paintings and works on paper from public and private collections, including the Joan Mitchell Foundation, that trace her shift from structured abstractions to centralized, swirling forms inspired by travels along France's Côte d'Azur.

Seattle Art Museum exhibit explores France's food identity

The Seattle Art Museum has opened a new exhibition titled "Farm to Table: Food and Identity in the Age of Impressionism," featuring over 50 works by Impressionist artists such as Claude Monet and Paul Gauguin. The show explores how late 19th-century France, emerging from the Franco-Prussian War and social upheaval, turned to food imagery in art as a symbol of national pride and resilience. Curator Theresa Papanikolas highlights scenes of farmers, food workers, and markets like Les Halles, which also depict class interactions. The exhibition includes a dining table installation with prompt cards to encourage conversation, and Seattle is the final stop on its national tour, running through Jan. 18, 2026.

Performa brings digital doubles, kids reciting animal noises and more to New York

Performa, New York's performance art biennial, returns for its 20th anniversary edition with a main slate of eight commissions, seven by women artists and one by a male-female duo. Projects include Ayoung Kim's live motion capture choreography exploring body doubles and digital avatars at Canyon, Diane Severin Nguyen's remix of Vietnam War-era protest songs with an 11-person supergroup at Bric, and Tau Lewis's staging of the Sumerian epic 'The Descent of Inanna' using textile sculptures and experimental opera at Harlem Parish. The biennial also features a Lithuanian Pavilion with Augustas Serapinas's mobile wooden shack and Lina Lapelytė's piece 'The Speech,' in which 270 children perform animal vocalizations at Federal Hall.

Sasha Gordon Finds Beauty and Empathy in the Shadows of the Human Mind

Sasha Gordon, a rising young artist from New York's art scene, debuted her solo exhibition "Haze" at David Zwirner's 19th Street gallery in Chelsea. The show, which drew long lines and significant attention, features hyperrealistic paintings that explore identity, memory, and the subconscious through an Asian diasporic lens. Gordon, who rose to fame during the pandemic and is co-represented by David Zwirner and Matthew Brown (Zwirner's son-in-law), discusses her evolving technique and her shift away from explicitly autobiographical work toward more open-ended, timeless figures.

After reopening, Joslyn Art Museum breaks visitor records, earns national acclaim

The Joslyn Art Museum in Omaha, Nebraska, has broken visitor records and earned national acclaim in its first full year after reopening with a 42,000-square-foot addition. The new Rhonda & Howard Hawks Pavilion, designed by Snøhetta and Alley Poyner Macchietto Architecture, opened in September 2024 and added 16,700 square feet of gallery space, 15,400 square feet of public gathering space, and new gardens. Through September 2025, the museum welcomed 159,420 visitors, on track to surpass 200,000—a milestone only reached a few times before, typically due to blockbuster traveling exhibitions like the Tutankhamun Treasures or Dead Sea Scrolls shows.

Ojibwe artist George Morrison’s family relishes his first solo exhibit at The Met

The Metropolitan Museum of Art in New York is hosting the first solo exhibition of Ojibwe artist George Morrison, titled "George Morrison: An Ojibwe Artist in the Modernist World." The show features over 50 works spanning his career, including paintings, drawings, and sculptures, and is drawn from public and private collections. Morrison's family, including his son and grandchildren, have been deeply involved in organizing the exhibition and have expressed pride in seeing his work recognized at such a prestigious institution.

Pissarro Exhibition Guide At Home in Éragny

The article serves as an exhibition guide for 'The Honest Eye' show, focusing on Camille Pissarro's life and work after he moved to Éragny-sur-Epte, Normandy, in 1884. It details how Pissarro settled his family there after struggling to afford rent in Pontoise, painting in his garden, fields, and barn-turned-studio. The guide highlights specific paintings like 'The Delafolie Brickyard, Éragny' (1885), 'View from My Window in Cloudy Weather' (1886–88), and 'Vegetable Garden, Overcast Morning, Éragny' (1901), discussing his techniques, subjects, and personal challenges such as chronic eye infections. It also notes his relationships with neighbors like Delafolie and fellow Impressionist Claude Monet, as well as his role in his children's artistic education.

KAWS to take centre stage at second edition of Manar Abu Dhabi

The second edition of Manar Abu Dhabi, a public art initiative focused on light-based works, will launch on 1 November 2025, featuring 23 installations across four locations including Jubail Island and Al Ain. High-profile street artist KAWS will present a large-scale work showing his signature COMPANION figure reclining while lifting a lit moon. Other participating artists include Emirati sculptor Shaikha Al Mazrou, Dutch duo DRIFT, Maitha Hamdan, Ammar Al Attar, and Hamburg-based Christian Brinkmann, who will debut an interactive audio-visual piece called Floral Resonance.

Camille Pissarro, a Man Behind Impressionism, Gains Favor in Denver

The New York Times reports that Camille Pissarro, a pivotal but often overshadowed figure of Impressionism, is gaining renewed attention in Denver. The article highlights a growing appreciation for Pissarro's work, particularly through exhibitions and institutional focus in the city, positioning him as a key influence behind the Impressionist movement rather than merely a supporting player.

'It's about world-making': Tavares Strachan on his expansive new Lacma exhibition

Tavares Strachan's new solo exhibition, *The Day Tomorrow Began*, has opened at the Los Angeles County Museum of Art (Lacma), running until 29 March 2026. Co-organized with the Columbus Museum of Art, the show features 20 new works across neon, ceramics, bronze, painting, text, and performance, exploring invisible histories and challenging white-centric narratives. The exhibition includes a spotlight on his *Encyclopedia of Invisibility* (2018), bronze sculptures referencing the Haitian Revolution, and a neon piece contrasting James Baldwin and Mark Twain. Strachan, who trained as a cosmonaut and collaborates with MIT scientists, also unveils a permanent participatory speakeasy called *Bar Room* in Columbus.

Weisman Art Museum shows rugs as the messengers of our stories

The Weisman Art Museum in Minneapolis is hosting "RugLife," a touring exhibition that transforms rugs into platforms for storytelling, history, and social commentary. Curated by Ginger Gregg Duggan and Judith Hoos Fox, the show features works by artists including Sonya Clark, Andrea Zittel, Nevin Aladağ, Ai Weiwei, and Ali Cha'aban, who use rug-making to address themes such as Black barber culture, climate change, political tensions, and the war in Ukraine. The exhibition originated at San Francisco's Museum of Craft and Design in 2023.

Detroit Institute of Arts' new African American galleries open Saturday

The Detroit Institute of Arts opens its new African American art galleries, titled “Reimagine African American Art,” to the public on Saturday. The installation features 50 works displayed across four galleries in a central location adjacent to Rivera Court, organized by the museum’s Center for African American Art. The galleries present a chronological narrative of African American history from 1840 to 1986, covering key periods and themes such as the Harlem Renaissance, Social Realism, the Civil Rights era, and the Black Arts Movement.

Portland Art Museum celebrates opening of major expansion with four days of free admission

The Portland Art Museum will celebrate the opening of its major expansion and renovation with four days of free admission and activities from November 20 to 23, 2025. The centerpiece is the new Mark Rothko Pavilion, a nearly 22,000-square-foot transparent entrance that connects the museum's two campus buildings, adding nearly 100,000 square feet of new or upgraded public and gallery space. The transformed museum features a complete reinstallation of its collection with nearly 300 major new acquisitions by artists including Marie Watt, Simone Leigh, and Carrie Mae Weems, alongside thematic displays that emphasize place, community, and identity. Free tickets are available for reservation starting November 1, and the museum will also expand its regular hours beginning November 25.

LACMA Expands Local Access Initiative with New Museum Partners and Exhibitions

The Los Angeles County Museum of Art (LACMA) has expanded its Local Access program, adding three new museum partners: the California State University, Dominguez Hills (CSUDH) University Art Gallery, the Millard Sheets Art Center at the LA County Fair, and the Ontario Museum of History & Art. Supported by the Art Bridges Cohort Program, the initiative brings exhibitions sourced from LACMA's permanent collection to communities across Southern California. The program's latest exhibition, 'Act on It! Artists, Community, and the Brockman Gallery in Los Angeles,' opens at the Vincent Price Art Museum on September 27, exploring the legacy of the historic Brockman Gallery and its role in the Black Arts Movement.

A ‘town square for the arts and humanities’: The new Princeton University Art Museum shares opening details

The Princeton University Art Museum will open its new building to the public with a 24-hour celebration from 5 p.m. on Oct. 31 to 5 p.m. on Nov. 1, 2025. The event includes tours, artmaking, live performances, film screenings, poetry readings, and yoga, all free of charge. Planning began in 2012, and the museum has also scheduled preview days for Princeton students, faculty, staff, and members before the public opening.

With works by Munch and Mamma Andersson, the British Museum reveals the darkness of Nordic noir

The British Museum in London will open a free exhibition titled "Nordic Noir" on October 9, featuring over 150 works by 100 artists. The show begins with Edvard Munch, including his woodcut "Gammel fisker (Old fisherman, 1897)", and moves chronologically to explore how Nordic artists responded to political transformations since 1944. Curated by Jennifer Ramkalawon, the exhibition highlights works by contemporary artists such as Yuichiro Sato, Anna Zimmerman, Maria Nordin, Per Kirkeby, and the Norwegian radical collective GRAS, many of which have never been seen outside the Nordic region.

From royal visitors to extortionate eBay sales: new book offers rare behind-the-scenes glimpse of Vermeer blockbuster

The Rijksmuseum's 2023 Vermeer exhibition, widely considered the most successful show of the century, drew 650,000 visitors and assembled 28 of the artist's 37 known paintings. A new book, *Closer to Vermeer: New Research on the Painter and his Art*, reveals behind-the-scenes details: the initial plan for a broader thematic show was abandoned in favor of a focused Vermeer-only presentation; nine paintings could not be borrowed, including *The Concert* (stolen in 1990) and *The Astronomer* (on loan to Louvre Abu Dhabi); the Herzog Anton Ulrich Museum refused to lend *Girl with a Wine Glass*, even rejecting an offer of buses for schoolchildren. The book also discloses that the Dutch king and queen visited multiple times during regular hours, that a quarter of visitors felt context was missing, and that over 3,500 complaints were filed about photography. The most expensive resold ticket on eBay reached $2,724.

Former MoMA chief voices concern for future of non-profit US museums

Glenn Lowry, the influential former director of the Museum of Modern Art (MoMA) in New York, expressed deep concern that non-profit U.S. museums could lose their tax-exempt 501(c)(3) status under the Trump administration. Speaking on the podcast "The Art World: What If…?!" hosted by Charlotte Burns, Lowry warned that the federal government is prepared to exert significant power to achieve its ambitions, potentially revoking the tax exemption that he calls the "magic wand" behind America's robust cultural programming. His comments follow a House bill passed in November that would allow the Treasury Secretary broad powers to revoke non-profit status, though the bill has stalled in the Senate.

IMA’s 50th Anniversary Gala and Art Auction Promises a Bacchanalian Feast

The Institute of Modern Art (IMA) in Brisbane, Australia's longest-running independent contemporary art gallery, will celebrate its 50th anniversary with a surrealist-themed gala dinner and art auction on October 31 at The Calile Hotel. The event features a sit-down banquet, a benefit auction with works by leading artists including 2025 Archibald Prize winner Julie Fragar, a raffle with prizes from local venues, and live performances. Attendees are encouraged to dress in black tie with a surrealist twist, and artists will be present to interact with buyers.

Georges de La Tour, once a victim of the academy’s collective amnesia, can be seen in a new light in Paris

The Musée Jacquemart-André in Paris opens a new exhibition, "Georges de La Tour: From Shadow to Light," running from 11 September 2025 to 25 January 2026. This is the first Paris show dedicated to the 17th-century French painter in nearly 30 years, featuring about 20 original works and a dozen studio pieces. The exhibition explores La Tour's working practice and his influence from Caravaggio, highlighting how his oeuvre—now counted at only 48 known works—was rediscovered after centuries of misattribution, thanks largely to German art historian Hermann Voss in 1915.

Exhibitions Celebrate Mead’s 75th Anniversary

The Mead Art Museum celebrated its 75th anniversary with a fall installation featuring three distinct exhibitions: Swapnaa Tamhane's immersive textile work "Spaces That Hold," "A Contentious Legacy: Paintings from Soviet Ukraine," and "Re/Presenting: An Activity Gallery." The opening transformed the museum into an interactive space where visitors could lie down, sit, or sing among hanging block-printed textiles, challenging traditional gallery norms. Tamhane's "Mobile Palace" (2020–2021), created with artisans Salemamad Khatri and Mukesh Prajapati, reinterprets Le Corbusier's Mill Owners' Association building as an ornament, while the Soviet Ukraine exhibition presents paintings from the 1960s–1980s that navigated propaganda and creative expression under state censorship.