Slags, bings and pipelines: Edinburgh landscape offers fitting backdrop for exhibition on fossil fuel extraction

Jupiter Artland, a sculpture park and gallery near Edinburgh, Scotland, is hosting the exhibition "Extraction" (through July 26), which examines the impact of fossil fuel extraction on landscapes and culture. Set against a backdrop of historic shale oil bings, North Sea oil pipelines, and modern wind farms, the show features five artists who explore energy histories through nuanced, non-polemical lenses. Glasgow-born painter Siobhan McLaughlin uses earth pigments gathered from the nearby Five Sisters Bing to create works like "Date of Exhaustion" (2025) and "Pioneer Species" (2025), turning mining waste into art that reflects on memory, ecology, and regeneration.

The $53 M. Wingate Collection Comes to Sotheby’s, Led by a $25 M. Giacometti

The collection of modern and contemporary art assembled by David and Shoshanna Wingate over seven decades will be sold at Sotheby's in New York and London on May 19 and 20. The sale, comprising over 50 works by artists like Alberto Giacometti, Mark Rothko, and Wassily Kandinsky, is estimated to fetch between $37 million and $53 million, led by Giacometti's sculpture "La Clairière (Composition avec neuf figures)" with an estimate of $18 million to $25 million.

A Work Gifted to David Drake’s Descendants Is the Star of Theaster Gates’s Powerful Gagosian Show

Artist Theaster Gates has gifted a 19th-century vessel by enslaved potter David Drake to Drake's descendants and made this act of restitution the centerpiece of his solo exhibition at Gagosian in New York. The show, titled "Dave: All My Relations," features Gates's own artworks responding to Drake's legacy and the recently transferred pot, highlighting Gates's decades-long engagement with Drake as a foundational figure for his own practice.

Hampshire College, Whose Alumni List Includes Many Well-Known Artists, to Close After 51 Years

Hampshire College in Amherst, Massachusetts, has announced it will officially close following the fall 2026 semester, ending 51 years of operation. The decision follows a period of significant financial instability, including a reported $20 million debt and a failure to meet enrollment targets. The college has established agreements with regional institutions, such as Smith College and Bennington College, to allow current students to complete their degrees elsewhere.

Duchamp in New York

The Museum of Modern Art (MoMA) has launched a major solo exhibition dedicated to Marcel Duchamp, marking the artist's first comprehensive survey in New York City in over 50 years. The exhibition explores Duchamp’s revolutionary impact on modern art, featuring iconic works and archival materials that trace his history from the 1913 Armory Show to his later years in New York. The opening is complemented by a broader "Duchamp spring" in the city, including a forthcoming exhibition of his readymades at Gagosian.

Defiant women and daring paintings: Emin, Webster and Wylie create a buzz in the UK's exhibition calendar

The UK art scene is currently dominated by major survey exhibitions from three prominent female artists: Rose Wylie, Tracey Emin, and Sue Webster. Rose Wylie, at 92, makes history as the first woman painter to occupy the Royal Academy’s main galleries, while Tracey Emin presents a raw, thematic survey at Tate Modern reflecting on her life before and after cancer. Simultaneously, Sue Webster marks her institutional solo debut at Firstsite, showcasing a transition from her famous collaborative practice to deeply personal oil painting.

The Women Defining Printmaking at the 2026 IFPDA Print Fair

The 2026 IFPDA Print Fair opened at New York’s Park Avenue Armory, placing a significant spotlight on the contributions of women artists to the medium. High-profile offerings include a new release by Laura Owens from Crown Point Press, Louise Bourgeois’s "Spirals" woodcut series presented by Carolina Nitsch, and large-scale sculptural works by Joan Hall and Orit Hofshi. The fair demonstrates the technical breadth of modern printmaking, ranging from traditional woodcuts to unique, hand-embellished compositions and experimental collaborations between artists and master printers.

Process Is the Point at IFPDA Print Fair

The International Fine Prints and Drawings Association (IFPDA) Print Fair returned to New York’s Park Avenue Armory, featuring 80 global galleries, publishers, and print studios. The event showcased a diverse range of works, from 19th-century Japanese ukiyo-e masterworks by Hokusai to contemporary pieces by artists such as Kiki Smith, Julie Mehretu, and David Hockney. Notable highlights included Kiki Smith’s massive 12-foot watercolor "Wooden Moon" and Paula Rego’s influential abortion etchings, which were recently acquired by the Metropolitan Museum of Art.

A Dutch museum has just put its fake Van Gogh on show

The Kröller-Müller Museum in Otterlo has broken traditional museum protocol by placing a known forgery, "Seascape at Saintes-Maries-de-la-Mer," on public display. Acquired in 1928 by museum founder Helene Kröller-Müller from the notorious Berlin dealer Otto Wacker, the painting was eventually exposed as a fake created by Wacker’s brother, Leonhard. The exhibition, which runs until June 21, coincides with a new podcast detailing the history of the acquisition and the subsequent fraud trial that rocked the art world in the 1930s.

Chicago’s Obama Presidential Center has art at its core

The Obama Presidential Center is set to open on Chicago’s South Side on June 19, 2026. The $850m institution, designed by Tod Williams Billie Tsien Architects, features more than 25 site-specific contemporary art commissions integrated into its architecture and 19.3-acre campus. Ahead of the opening, the museum has partnered with Expo Chicago to preview these works, which include monumental contributions from artists such as Julie Mehretu, Mark Bradford, and Nick Cave.

Jasper Johns Marks Time

The art world is currently reflecting on the enduring legacy of Jasper Johns, highlighted by a new Gagosian exhibition focusing on his 1970s output. Critic John Yau explores Johns's career-long fascination with materiality and the inevitable decay of art, noting how the artist uses newsprint and wax to acknowledge that nothing remains static in time.

Jasper Johns Keeps Looking

Jasper Johns’s latest exhibition at Gagosian, 'Between the Clock and the Bed,' serves as a profound meditation on the artist's career-long investigation into the 'things the mind already knows.' By revisiting his signature motifs—including flags, targets, and crosshatch patterns—the show highlights Johns’s rejection of Abstract Expressionist spontaneity in favor of a deliberate, analytical process using encaustic and collage. The works document a transformation where familiar symbols are rendered into a complex visual language that bridges the gap between memory and physical presence.

The IFPDA Print Fair Returns to the Park Avenue Armory, Illuminating the Relationship Between Prints and Drawings

The IFPDA Print Fair is returning to the Park Avenue Armory from April 9–12, featuring 80 international exhibitors presenting 500 years of prints and drawings. The fair highlights the historical and conceptual relationship between the two mediums, with notable works including an Edward Hopper charcoal study and unique or hybrid pieces by artists like Françoise Gilot and Edgar Degas.

Revealed: the amazing frame once created for Van Gogh’s Sunflowers

A long-lost, custom-designed Art Deco frame for Vincent van Gogh's painting "Three Sunflowers" has been identified through archival research. The frame, which featured a dark lacquer finish, randomly placed gold circles, and angled outer edges, was commissioned by the Parisian couturier and collector Jacques Doucet shortly after he acquired the painting in 1912. Its existence was pieced together from a 1930s interior photograph, a 1967 family snapshot, and a frame sold at Sotheby's in 1989, allowing for a digital reconstruction of the complete artwork.

Theaster Gates gifts David Drake pot from his collection to enslaved ceramicist’s descendants

Artist Theaster Gates has gifted a 19th-century ceramic vessel by the enslaved potter David Drake, known as Dave the Potter, to Drake's descendants. The gesture is part of Gates's exhibition "Dave: All My Relations" at Gagosian in New York, which also features a second Drake pot recently restituted by the Museum of Fine Arts, Boston. Gates pulverized 45 of his own ceramic works to create a plinth for the vessel, framing the act as a "poetic justice" that elevates Drake's legacy above his own.

Monet and Van Gogh Masterpieces Hit the Shampoo Aisle

Beauty brand Dove has launched a limited-edition haircare collection called "The Art of Repair" featuring iconic artworks by Claude Monet, Mary Cassatt, and Vincent van Gogh on its product packaging. The shampoo, conditioner, and serum bottles display images of Monet's *The Japanese Footbridge*, Cassatt's *The Loge*, and Van Gogh's *Roses*, drawing a parallel between art conservation and hair repair. The collection is exclusively available at Walmart.

Australia Is Getting Its First Major Takashi Murakami Retrospective

The Art Gallery of New South Wales in Sydney will host Australia's first major Takashi Murakami retrospective, opening in December 2026. Titled simply "Takashi Murakami," the exhibition spans 30 years and features 150 works, including paintings, sculptures, video, and large-scale installations. It will occupy part of the gallery's Naala Badu building and will debut new works created specifically for the show in the vast Nelson Packer Tank space.

Emmanuel Di Donna Mounts Major Salvador Dalí Show as Final Exhibition in Madison Avenue Space

Emmanuel Di Donna is presenting a major Salvador Dalí exhibition, "Dalí: The Great Years, 1929–1939," at his Madison Avenue gallery from April 16 to June 13. The show features over two dozen paintings, sculptures, and works on paper from the artist's most formative decade, assembled with loans from major institutions like the Art Institute of Chicago and the Philadelphia Museum of Art. It will be the final exhibition in Di Donna's current space before he launches a new joint venture with Pace and David Schrader.

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Tilton Gallery, a fixture of New York’s Upper East Side for over 40 years, has announced it will close its physical space following an upcoming Ruth Vollmer exhibition to focus on private projects. The week also saw significant leadership shifts, including Lisa Phillips announcing her retirement as director of the New Museum after 26 years, and Ebony L. Haynes being promoted to the newly created role of global head of curatorial projects at David Zwirner. Meanwhile, legal tensions surfaced as a court dismissed Ronald Perelman’s $400 million insurance lawsuit regarding fire damage to his art collection.

Thomas J Price, Artist Behind Viral Times Square Sculpture, Unveils New Bronze in London

Thomas J Price, Artist Behind Viral Times Square Sculpture, Unveils New Bronze in London

Thomas J Price has unveiled a monumental new bronze sculpture, *A Place Beyond*, at the entrance to the V&A East museum in London. The 18-foot-tall figure, his tallest work to date, depicts a young Black woman in contemporary clothing holding a cell phone, created from a composite of many individuals rather than a single model. The sculpture will greet visitors when the new museum branch opens next month.

The story behind Iran’s only Van Gogh: ‘At Eternity’s Gate'

A rare, inscribed lithograph by Vincent van Gogh, 'At Eternity's Gate,' resides in the collection of the Tehran Museum of Contemporary Art. The work, one of only seven surviving examples, was acquired in 1975 by Farah Pahlavi, the wife of the Shah of Iran, for the museum. It passed through notable hands, including those of US Vice President Nelson Rockefeller, before arriving in Tehran just before the 1979 Iranian Revolution.

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Gagosian is set to present a solo exhibition of Nam June Paik’s work in Seoul, marking the first time in 25 years that a show in the artist’s home country has been organized in collaboration with his estate. Titled "Nam June Paik: Rewind / Repeat," the exhibition will be held at the APMA Cabinet and features approximately a dozen works, including rare early pieces from the 1960s such as "Media Sandwich" and the iconic "TV Bra for Living Sculpture."

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Marc Restellini’s Institut Restellini is set to release a definitive six-volume catalogue raisonné for Amedeo Modigliani after four decades of research. The publication, which includes 100 newly authenticated works, utilizes a rigorous methodology combining advanced scientific analysis—such as spectrometry and carbon-14 dating—with traditional stylistic evaluation and archival documentation. To mark the launch, Pace Gallery will host events in London and New York in April.

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Art Basel Qatar has launched its inaugural edition in Doha, marking a significant expansion of the Swiss fair brand into the Middle East. The event features 87 exhibitors in a unique, booth-less format spread across the M7 and Doha Design District, departing from traditional trade fair aesthetics in favor of a curated, biennial-style presentation. While the opening VIP day saw strong attendance from regional collectors and major international galleries like Hauser & Wirth, the atmosphere was tempered by light initial sales and significant regional geopolitical tensions.

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White Cube has announced the representation of Navajo artist Emmi Whitehorse, who will be represented alongside her New York gallery, Garth Greenan. The partnership follows Whitehorse’s successful solo exhibition at White Cube’s Paris space and her inclusion in the 2024 Venice Biennale. The gallery plans to debut new work, including the painting "Father Sky meets Mother Earth," at its Art Basel Hong Kong booth later this month.

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Conceptual artist Anicka Yi has joined Pace Gallery, where she will be represented in partnership with Gladstone Gallery, 47 Canal, and Esther Schipper. Known for her research-heavy practice that utilizes scents, bacteria, and robotics, Yi cited Pace CEO Marc Glimcher’s background in biology and the gallery's history with light and space pioneers as primary reasons for the move. Her work will be featured in the New Museum’s upcoming expansion inaugural exhibition, "New Humans: Memories of the Future."

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Olivia Barrett, co-founder of the Los Angeles gallery Château Shatto, is pivoting her business strategy to navigate a cooling art market and a post-boom landscape in Southern California. After moving to the Melrose Hill art corridor, Barrett is shifting away from the high-velocity art fair model to focus on a more curated, historical program. This includes integrating 20th-century estates and secondary-market works from artists like Alice Rahon and Emily Kam Kngwarray alongside contemporary voices like Aria Dean.

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The VIP opening of Frieze Los Angeles at Santa Monica Airport saw a surge of high-value transactions and heavy foot traffic from both local and international collectors. Major galleries reported multi-million dollar sales within the first few hours, including a $2.8 million work by Njideka Akunyili Crosby at David Zwirner and a sold-out booth of Conny Maier paintings at Hauser & Wirth. Dealers described the atmosphere as a "frenzy," noting that sales figures in some cases already tripled their performance at previous major fairs like Art Basel Miami Beach.

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Artist Amy Sherald has been named one of TIME magazine’s 2026 Women of the Year, a distinction honoring her leadership and commitment to equity. The recognition follows Sherald's high-profile decision to withdraw her solo exhibition, "American Sublime," from the National Portrait Gallery in Washington, D.C., after the institution attempted to censor or alter the presentation of her painting 'Trans Forming Liberty' (2024) due to political pressure. The Baltimore Museum of Art subsequently stepped in to host the show, where it has since shattered all-time attendance records for the institution.

Nan Goldin: Why The Ballad of Sexual Dependency is So Important

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Gagosian London is hosting an exhibition of all 126 photographs from Nan Goldin’s seminal work, "The Ballad of Sexual Dependency," to mark the 40th anniversary of the photobook's publication. The exhibition traces the evolution of the project from its origins as a DIY slideshow performance in New York nightclubs to its status as a cornerstone of contemporary photography, featuring intimate portraits of Goldin’s inner circle across New York, Berlin, and beyond.