Sotheby’s has announced the sale of the Jean and Terry de Gunzburg collection, a two-part auction series scheduled for April and May 2024 with a total estimate of $67 million to $99 million. The offering begins with a dedicated design sale featuring a historic ensemble of 15 Claude Lalanne mirrors commissioned for Yves Saint Laurent, followed by a selection of blue-chip modern and contemporary artworks.
High Line Art has announced its 2026 season of public art commissions for New York's elevated park. The program includes a billboard work by Katherine Bernhardt and three major installations by Patricia Ayres, Ximena Garrido-Lecca, and Derek Fordjour, alongside video works for the High Line Channel by Saba Khan and a film grouping by Marianna Simnett, Filip Kostic, and Ana Hušman.
An open letter demanding curatorial independence at the Art Gallery of Ontario (AGO) has gathered over 500 signatures after trustee Judy Schulich reportedly blocked the acquisition of Nan Goldin's moving-image work *Stendhal Syndrome* (2024), calling the Jewish American photographer “antisemitic.” The AGO had planned to acquire the work jointly with the Vancouver Art Gallery and the Walker Art Center, but the vote was 11–9 against acquisition. In response, curator John Zeppetelli resigned, two volunteer committee members stepped down, and Goldin herself criticized the decision as censorship driven by donor influence. The AGO has since announced a restructuring of its modern and contemporary curatorial committee, splitting it into two groups for 20th- and 21st-century art, effective in 2026.
Saudi Arabia's Royal Commission for AlUla (RCU) and the Centre Pompidou have revealed new details about the planned AlUla Contemporary Art Museum, designed by architect Lina Ghotmeh. The announcement was made at the opening of the "Arduna" exhibition, a collaborative preview show featuring over 80 works by regional and international artists.
The Christo and Jeanne-Claude Foundation has donated 14 artworks to two Parisian museums, the Musée Carnavalet and the Musée d'Art Moderne de Paris. The donation includes preparatory collages, silkscreens, lithographs, and a scale model related to both realized and unrealized projects by the artist duo, such as the wrapped Arc de Triomphe and Pont-Neuf, as well as early sculptures.
Icelandic artist Björn Roth, known for his collaborative installations and as a member of the artist collective The Roth Family, has died at the age of 64. His death was reported alongside other significant arts news, including the planned closure of the Kennedy Center for renovations and the permanent shuttering of Glasgow's Centre for Contemporary Arts due to financial difficulties.
52 Walker, the Tribeca kunsthalle-style space founded by Ebony L. Haynes under David Zwirner in 2021, has quietly transitioned from a standalone venue into a standard David Zwirner gallery space. The change followed Haynes's promotion to global head of curatorial projects last fall. The final exhibition at 52 Walker as a dedicated physical space was a presentation by Nicole Eisenman. Haynes will continue to curate under the 52W banner as a nomadic, project-based initiative across Zwirner's global locations, with the next show being an Isa Genzken exhibition titled 'Vacation' opening in March.
The Mauritshuis museum in The Hague has announced that Johannes Vermeer's "Girl with a Pearl Earring" will be loaned to the Nakanoshima Museum of Art in Osaka, Japan, for a temporary exhibition this fall. The loan occurs while the Dutch museum undergoes renovations in August and September. The painting was last lent to the Rijksmuseum in Amsterdam for its 2023 Vermeer retrospective. The Asahi Shimbun Company is underwriting the presentation and will serve as a project partner to the Mauritshuis for four years, funding a new education center slated for 2028.
Thomas Schlesser's novel *Mona's Eyes* has been named Barnes & Noble's book of the year for 2025, but its cover has sparked controversy online. The cover features Johannes Vermeer's *The Girl with the Pearl Earring*, even though the story is about a girl named Mona who visits Paris museums with her grandfather, and the painting is not held in Paris—it resides at the Mauritshuis in The Hague. A viral Reddit thread on an art history subreddit accused the publisher of "ragebait," noting the mismatch between the cover image and the book's content. Schlesser, an art historian who teaches at the École Polytechnique and runs the Hartung Bergman Foundation, defended the choice, saying he wanted an iconic work symbolizing light and darkness rather than highlighting any of the 52 artworks featured in the story.
Suzanne Landau, 80, will step down as director of the Israel Museum in Jerusalem, having informed staff at the museum’s end-of-year party. She has served as director since September 2023, initially as acting director after Denis Weil resigned amid board disagreements. The museum’s search for a new CEO is in advanced stages, and Landau will assist during a transition period. Her tenure included the installation of Anselm Kiefer’s "Ages of the World" and a restructuring that saw Dganit Sanker-Lange appointed deputy director.
New York's Performa biennial postponed a new work by artist Lina Lapelytė, titled *The Speech (NYC)*, just one day before its scheduled debut because the planned venue, Federal Hall National Memorial, was closed due to the U.S. government shutdown. The piece involves 100 children making primal sounds and was to be performed on Wednesday at the historic site, which is operated by the National Park Service. Performa rescheduled the performance for November 17 and is seeking an alternative venue.
Two activists from the climate group Futuro Vegetal were arrested on October 12 after throwing biodegradable red paint on José Garnelo's 1892 painting *First Tribute to Christopher Columbus* at the Naval Museum in Madrid. The protest occurred on Spain's National Day, which commemorates Columbus's arrival in the Americas. The activists unfurled a banner reading “October 12, nothing to celebrate. Ecosocial justice” and were charged with crimes against cultural heritage. Separately, about 20 activists from Marea Palestina staged a sit-in around Picasso's *Guernica* at the Reina Sofía Museum, demanding an end to “the genocide against the Palestinian people,” temporarily closing the gallery.
Solange has launched the Saint Heron Community Library, a new initiative making rare and out-of-print art books available to the public for free borrowing. The digital library, run through her Saint Heron platform, includes exhibition catalogs for artists such as Barbara Chase-Riboud, Henry Ossawa Tanner, Martin Puryear, Gary Simmons, and Pope.L, as well as texts like Cedric Dover's 1960 book *American Negro Art*. Books are loaned for 45 days, though most are already checked out. The collection also features works by Black thinkers and writers including Audre Lorde, Ntozake Shange, Octavia Butler, and Wanda Coleman.
The Rijksmuseum in Amsterdam has discovered that the dog in the lower right corner of Rembrandt's "The Night Watch" (1642) was inspired by a 17th-century drawing by Adriaen van de Venne. Curator Anne Lenders spotted the resemblance while visiting an exhibition at the Zeeuws Museum, and subsequent research confirmed the connection. The finding emerged from Operation Night Watch, an ongoing restoration project that uses scientific analysis to study the painting.
New research by the Metropolitan Museum of Art suggests that Johannes Vermeer may have hidden a self-portrait beneath his painting *A Maid Asleep* (1656–57). Using scientific analysis, the Met's team discovered an overpainted figure in the background—a man painting with his left hand, likely a reflection in a framed mirror. The image is too obscured to reveal facial features. The theory, first proposed by the Met in 2023, is bolstered by a comparison to Nicolaes Maes's *The Naughty Drummer* (1655), which similarly depicts an artist reflected in a mirror. The Met argues Vermeer likely knew Maes's work.
During the pandemic, the National Gallery of Art in Washington, D.C., used advanced imaging techniques to analyze four paintings attributed to Johannes Vermeer. Beneath the surface of *Girl with the Red Hat* (ca. 1669), conservators discovered an underpainting of a man in a wide-brimmed hat and tasseled collar, dated to 1650–55. Initially thought to be by an unidentified artist, further study suggests the underpainting may be Vermeer’s own work, making it his earliest known painting and his only known male portrait. However, specialists caution that the theory has not been proven or denied, and the hidden portrait could alternatively be by Carel Fabritius, with Vermeer painting over it.
Patrizia Sandretto Re Rebaudengo, a top European art collector and founder of a Turin-based foundation, is partnering with New York's New Museum for a series of commissions. The first commission will be realized by Italian artist Diego Marcon, known for his uncanny videos, with his work titled 'Krapfen'—a musical dance film blending American animation and Italian opera. The New Museum, currently undergoing a renovation and expansion with a seven-story annex, is set to reopen this fall. 'Krapfen' was also co-commissioned by Chicago's Renaissance Society, Paris's Lafayette Anticipations, and the Vega Foundation, run by Canadian collector Elisa Nuyten, and will debut at the Renaissance Society before its New Museum run.
America’s new ambassador to Britain, Warren Stephens, has transformed Winfield House, the official residence in Regent’s Park, into a private museum by installing works from his family’s art collection. The display includes several Cézannes, a Renoir, a Degas, and a centerpiece Monet painting, *Effet de soleil couchant sur la Seine à Port-Villez* (1883), hung above the drawing-room mantelpiece. Unlike most ambassadors who rely on loans from the State Department’s “Art in Embassies” program, Stephens draws directly on his own holdings, which were assembled in partnership with the Arkansas Museum of Fine Arts.
Sylvio Perlstein, the legendary art collector, patron, and impresario, died on August 6. Hauser & Wirth confirmed the news, calling him a visionary who shaped one of the most important art collections of the past century. In 2018, the gallery exhibited 380 pieces from his collection across its Chelsea and Hong Kong locations in the show 'The Sylvio Perlstein Collection – A Luta Continua'. Perlstein was born in Belgium in the 1930s, fled to Brazil with his family during World War II, and later joined the diamond business in Antwerp. His collection spanned Dada, Surrealism, American minimalism, and Land art, featuring works by Man Ray, René Magritte, Donald Judd, and many others. He maintained close friendships with artists and displayed works throughout his Paris home, which cultural critic Arthur Lubow described as 'a contemporary version of Ali Baba's cave'.
Robert Wilson, the influential playwright and artist known for his spare, slow-moving productions that blurred the line between performance art and theater, died Thursday at age 83 in Water Mill, New York. His death was announced by the Watermill Center, the arts center he founded, which stated he died of a brief but acute illness. Wilson's career spanned stage works like the landmark 1976 opera *Einstein on the Beach* (with Philip Glass and Lucinda Childs), video portraits of figures such as Lady Gaga and Brad Pitt, and sculptures, all characterized by stillness and a radical use of time.
Tim Blum, co-founder of the influential Blum & Poe gallery, is stepping away from the traditional gallery model after more than 30 years. He told ARTnews that the decision was driven by burnout with the relentless cycle of art fairs, openings, and obligations, not by financial strain. His Tokyo and Los Angeles locations will close after summer exhibitions, and a planned New York space may not open as a conventional gallery. Blum will instead pursue a more flexible model involving special projects and collaborations, while continuing to buy and sell art personally.
Diego Velázquez's 1656 painting *Las Meninas* is examined as one of the most conceptually complex works in Western art history. The article explores how the painting subverts Renaissance artistic conventions by playing with perspective, illusion, and the relationship between viewer and subject, depicting Infanta Margaret Theresa surrounded by her entourage in the Royal Alcázar of Madrid.
Crystal Bridges Museum of American Art and the Art Bridges Foundation in Bentonville, Arkansas, have acquired 90 works of contemporary Native art from the John and Susan Horseman Collection. The acquisition includes pieces by prominent Indigenous artists such as Kent Monkman, Jaune Quick-to-See Smith, Kay WalkingStick, and Cannupa Hanska Luger. Nine works will go to Crystal Bridges, while the remaining 81 will join Art Bridges' collection, which now totals around 250 works, with Native art making up a third. The works will be displayed in upcoming exhibitions at the Alice L. Walton School of Medicine and Crystal Bridges' expanded campus, with loans to partner institutions planned.
Kelly Reichardt's new film *The Mastermind*, starring Josh O'Connor as a carpenter and family man who turns art thief, premiered at the Cannes Film Festival and will be released by Mubi. The film follows O'Connor's character, J.B., as he plots a heist inspired by a real 1972 robbery of the Worcester Art Museum, targeting paintings by American modernist Arthur Dove. The movie blends suspense, humor, and meticulous visual storytelling, with Reichardt drawing on the aesthetic of 1970s America and the work of photographers Stephen Shore and William Eggleston.
The June 18, 2025 edition of ARTnews' Morning Links reports that Iran and Israel have taken protective measures for artworks and heritage sites amid escalating missile strikes. Iran's Cultural Heritage Organization moved artifacts to secure storage and closed museums, while Israeli museums transferred artworks to protected storage, with Suzanne Landau, director of the Israel Museum, noting the country's familiarity with such crises. Other headlines include a government watchdog finding that President Donald Trump illegally slashed funding to the Institute of Museum and Library Services, an interview with Pussy Riot co-founder Nadya Tolokonnikova about her performance at MOCA Los Angeles, earthquake damage to monasteries in northern Greece, and details about the Studio Museum in Harlem's inaugural exhibitions. The digest also covers TEFAF's cameo in the TV show 'And Just Like That', a Jenny Saville drawing heading to auction at Sotheby's, and a profile of previously unknown Surrealist painter Henry Orlik.
Vancouver-based art collector Bob Rennie has donated 61 artworks valued at C$22.8 million ($16.8 million) to the National Gallery of Canada in Ottawa. The donation includes works by Ai Weiwei, Mona Hatoum, Dan Graham, and Rodney Graham, and the museum has named a space after the Rennie family, with plans for at least one more. In other news, the Orange County Museum of Art is exploring a merger with the University of California, Irvine, and its director Heidi Zickerman will step down in December. Critics are blasting a digital projection of Christo and Jeanne-Claude's Wrapped Reichstag onto the German parliament, calling it an 'aesthetic outrage.' Additionally, Iván Argote's pigeon sculpture Dinosaur on the High Line Plinth inspired a Pigeon Fest in New York, and rare copies of Lincoln's 13th Amendment and Emancipation Proclamation are heading to auction at Sotheby's.
Adam Pendleton's exhibition "Love Queen" is on view at the Hirshhorn Museum and Sculpture Garden in Washington, D.C., through January 3, 2027. The show features his distinctive abstract works that blend mark-making, pictographs, and all-caps texts, including pieces from his "Untitled (Days)" series and "Black Dada" series, as well as a single-channel video titled "Resurrection City Revisited (Who Owns Geometry Anyway?)" that documents the 1968 Poor People's Campaign.
Sebastião Salgado, the acclaimed Brazilian photographer known for his powerful black-and-white images documenting worker exploitation, environmental destruction, and human rights abuses, has died at age 81. His death was announced by Instituto Terra, the organization he co-founded with his wife Lélia Wanick Salgado. Salgado had been in declining health since contracting malaria in the 1990s. His work spanned decades and continents, from the Sahel desert to the Amazon rainforest, and he was widely regarded as one of the most beloved photographers of his generation.
Suzanne Valadon, a self-taught French post-impressionist painter known for her brash, unflinching style and commitment to representation, is the subject of a major retrospective at the Centre Pompidou in Paris through May 26. The exhibition, simply titled "Suzanne Valadon," features 200 works and is part of a recent swell of attention that includes six major exhibitions in six years, highlighting her self-portraits, nudes, and depictions of the human body with unidealized realism.
The Art Newspaper reports on three notable museum acquisitions: a rediscovered Renaissance painting by Rosso Fiorentino acquired by the Metropolitan Museum of Art, a 16th-century silver gilt goblet by Hans Rappolt I acquired by the Siegerland Museum, and a circular painting by Salman Toor donated to the National Gallery of Art. The Rosso Fiorentino work, 'Madonna and Child with Saint John the Evangelist' (1512/13), was thought lost for centuries and was identified after cleaning revealed a hidden figure. The goblet, made around 1581, is a rare example of Nuremberg goldsmithing and was supported by a €75,000 donation from the German Federal Cultural Foundation. The Toor painting, 'Wandering Beggars' (2022), is the first by the artist to enter the NGA's collection, donated by the Bronzini-Vender family.