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'It was my job to create the view': US artist Liza Lou on making colourful works in her windowless warehouse

American artist Liza Lou discusses her recent shift in practice, moving from her famous large-scale bead installations to a new body of work that fuses oil painting with glass beads. After years of collaborative work in South Africa and focusing on monochrome tones, Lou has returned to a solitary studio practice in a windowless warehouse in the San Fernando Valley. This new phase is defined by a "headlong love affair with colour," inspired by the hallucinatory palette of the Mojave Desert and a transition from logical drawing to a more intuitive, freestyle process.

Artists respond to the continuing toll of colonialism in the Americas

The Chicago art space Wrightwood 659 is hosting a major survey titled "Dispossessions in the Americas: The Extraction of Bodies, Land, and Heritage from La Conquista to the Present." Featuring over 35 contemporary Latin American artists, including Regina José Galindo and the late Ana Mendieta, the exhibition is the culmination of a multi-year research project funded by the Mellon Foundation. The show explores the historical and ongoing impacts of colonial dispossession on Indigenous, Afro-descendant, and LGBTQ+ communities through diverse media ranging from performance art to installation.

mia westerlund roosen nunu fine art exhibition 1234773658

Artist Mia Westerlund Roosen is currently presenting a solo exhibition titled "Then and Now" at Nunu Fine Art in New York, on view through February 21. The show spans her work from the 1970s to the present, featuring sculptures and drawings that explore materiality and the human body, including her notable 1981 phallic forms *Heat* and *Conical*.

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Galerie Michael Haas in Berlin is presenting "André Thomkins: Lackskins," a focused exhibition on the Swiss artist's experimental technique developed in the 1950s. Thomkins (1930–1985) created these works by dripping varnish onto water and transferring the floating pigment to paper, a process blending controlled manipulation with chance. The show, running through March 6, 2026, highlights a body of work rediscovered only in the last 15 years, including pieces like "Astronauten" (1962).

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The 12th edition of Uruguay's Este Arte fair took place last week in José Ignacio, featuring 14 exhibitors and attracting 5,000 visitors over four days. Notable works included Vanderlei Lopes's aluminum installation resembling a silver leak, Germán Tagle's liquid landscapes paired with altered New York Times front pages, and Diego Bianchi's chimeric sculptures. The fair favored abstraction, with strong sales reported across galleries such as Almeida & Dale, Aninat Galeria, Galerie Jocelyn Wolff, Piero Atchugarry Gallery, and Black Gallery.

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New York-based artist Dana James presents her third solo show with Hollis Taggart, titled “Ink Moon,” at the gallery’s Lower East Side location. The exhibition marks a significant shift in her practice, moving from her signature soft pastels and feminine sensibility toward bolder, more gestural works featuring near-black hues, intense primary colors, and expressive mark-making. James created the new body of work while navigating an advancing pregnancy, which she says pushed her work in a more intense direction rather than the expected softer style.

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Chinese artist Yun-Fei Ji presents a new body of work in the exhibition “Riding the Tiger” at James Cohan Gallery in New York. The paintings draw on archetypes from Chinese folklore and the 16th-century novel *Journey to the West*, blending fantastical imagery with recognizable human scenes to explore the psychological and spiritual dimensions of migration. Works such as *The Sweep Up of Animal Spirits* and *The Round Up #1* directly reference the persecution of immigrants by government agencies, using symbols like tigers, buddhas, and livestock to critique power structures.

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Japanese artist Mariko Mori presents "Radiance," a new body of work at Sean Kelly Gallery in New York, exploring ancient Japanese cosmologies and spiritual traditions through ultra-contemporary materials. The exhibition features a shrine-like installation with hanging white silk, faceted dichroic sculptures such as *Oshito Stone III* and *Kamitate Stone I* (both 2025), and a series of "Unity" photo paintings that blend art, science, and spirituality. The show runs through December 20, 2025.

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Ayoung Kim's video "Delivery Dancer's Sphere" (2022) captures the experience of delivery workers during the Covid-19 pandemic in Seoul, following two female riders navigating the city via app-based systems. Kim shadowed real delivery workers to create the work, which blends documentary footage, anime-style animation, and AI-generated imagery. The video is part of a series that will be featured in Kim's first US solo exhibition at MoMA PS1 in New York, opening this week, and she will also debut a new motion-capture piece at the Performa festival later this month. Kim recently won a $100,000 award from the Guggenheim Museum and LG.

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During New York Art Week, two smaller art fairs—Esther II and Conductor—offer alternatives to the major events like Frieze and TEFAF. Esther II, now in its second edition, takes place at the Estonian House in Murray Hill, featuring 25 galleries from 17 cities with site-specific installations and performances. Conductor debuts at Powerhouse Arts in Gowanus, focusing on artists from the Global South and its diasporas, with a unique model that allows artists to fabricate work on-site using the venue's production facilities.

Soft armour, pert nipples: how London design team made Kim Kardashian’s Met Gala breastplate

Kim Kardashian wore an orange fibreglass breastplate to the 2024 Met Gala, created by the east London design duo Whitaker Malem (Patrick Whitaker and Keir Malem) in collaboration with British pop artist Allen Jones. The breastplate was cast from a mould derived from Jones's 1969 sculpture "Hatstand," finished by car bodyshop MPS Body and Paint in Kent, and paired with a hand-painted leather skirt. Kardashian directly contacted the duo in early April, flew to the UK for fittings, and chose the piece to interpret the gala's "fashion is art" dress code, which explored the dressed and undressed human body.

‘I wanted my work to be shameless’: 93-year-old artist Joan Semmel on her trailblazing nudes

Nonagenarian painter Joan Semmel is preparing for a major career moment with a retrospective at the Jewish Museum and a dual-city exhibition, 'Continuities', at Alexander Gray Associates in New York and Brussels. At 93, Semmel continues to produce large-scale, vibrant works from her SoHo studio that focus on the aging female nude, using her own body as a primary reference. The new works, including 'Here I Am' (2025), maintain her lifelong commitment to depicting the female form through a non-idealized, authentic lens that rejects the traditional male gaze.

Notes from New York: Rotting Meat

Artist Jen Liu’s solo exhibition 'Pound of Flesh' at Silverlens New York explores the dehumanizing nature of digital labor through visceral imagery of raw meat. The show features paintings where human consciousness is replaced by butcher-shop cuts and an animated video based on Liu’s research into microworkers—individuals who perform repetitive, low-paid tasks to train AI models. By juxtaposing the biological reality of the body with the clinical extraction of data, Liu highlights the physical and psychological toll of the 'Agentic Age.'

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Richard Hambleton, the Canadian street artist known as the "Godfather of Street Art," is the subject of a new feature by Sphere Gallery, which has championed his legacy. The gallery, founded in New York in 2015 and now based in Laguna Beach, California, specializes in artists who shaped contemporary visual culture, including Hambleton. The article highlights Hambleton's early "Image of Mass Murder" body outlines from the 1970s and his iconic "Shadowman" paintings from the early 1980s, which appeared in cities worldwide. It also discusses his relationships with Andy Warhol, Jean-Michel Basquiat, and Keith Haring, as seen in his 2016 work *The Four Friends*. Gallery founder Philippe Hoerle-Guggenheim shares his personal encounters with Hambleton's work and explains why the "Shadowman" series remains significant for its raw, psychological intensity and its embodiment of 1980s New York City.

Dear Mary, For Chicago, Sincerely Nathaniel Mary Quinn

The National Public Housing Museum in Chicago opened its doors on April 4, 2025, becoming the only museum in the United States dedicated to the histories of public housing and its residents. Located on the site of the historic Jane Addams Homes, the museum was remodeled by architect Peter Landon and features permanent installations, artist residencies, and temporary exhibitions. Current initiatives include Open Mike Eagle's residency as 'Artist as Instigator,' building on his album 'Brick Body Kids Still Daydream' (2017) about life in Robert Taylor Homes, and the art-glass frieze 'Resilient Hues' by Amanda Williams and Olalekan Jeyifous. The museum is led by executive director Lisa Yun Lee and has earned third place on USA Today's list of 'Best New Museums.'

Figurative Painter Solo Exhibitions

The Lisa Yuskavage exhibition has opened at David Zwirner's 533 West 19th Street location in New York, running from May 14 through June 26, 2026. The show features new and recent paintings, works on paper, and a body of collages made on green Color-aid paper, incorporating pastel, egg tempera, gouache, and pasted elements. Many paintings expand on the theme of the artist's studio, with recurring figures appearing across compositions. This marks Yuskavage's tenth solo exhibition with David Zwirner, twenty years after her first show with the gallery in 2006. The exhibition follows her first comprehensive museum presentation of works on paper, 'Lisa Yuskavage: Drawings,' at The Morgan Library and Museum in New York from June 2025 through January 2026.

Firelei Báez paintings at Hauser & Wirth New York

Firelei Báez presents her first New York exhibition with Hauser & Wirth, featuring a constellation of new paintings, works on paper, and large-scale bronze sculptures across two floors of the gallery's 22nd Street location. The show includes 'View of Nature' (2026), an eight-panel painting based on John Emslie's 1852 engraving, alongside bronze ciguapa figures from Dominican folklore and a series of monumental works on paper that explore atmospheric and cosmic themes.

Inside New York’s Rogue Project Spaces

A digital cover story profiles New York City's rogue project spaces—artist-run venues like U-Haul Gallery, Desnivel, Spielzeug, Catbox Contemporary, and 95 Gallon Gallery—that operate in unconventional locations such as trash bins, moving trucks, bodegas, laundromats, buses, and cat towers. The article features interviews with founders including Maria De Victoria (Desnivel), James Sundquist and Jack Chase (U-Haul Gallery), and others, highlighting how these spaces counter the bureaucracy of institutional exhibitions by prioritizing artist freedom, intimacy, and community engagement.

Everything You Need to Know About LACMA’s New David Geffen Galleries

LACMA has opened its new David Geffen Galleries, a single-story building spanning Wilshire Boulevard that houses the museum's permanent collection spanning 6,000 years of art. The galleries feature a revolutionary curatorial approach organized around bodies of water—Atlantic, Mediterranean, Indian, and Pacific—creating nonhierarchical displays that mix works across time and geography, such as 17th-century Dutch paintings alongside 20th-century photography. The building also includes 3.5 acres of shaded public space below, outdoor sculptures by artists like Alexander Calder and Jeff Koons, and a 220,000-square-foot pavement artwork by Mariana Castillo Deball.

Dallas Museum of Art acquires six works at 2026 Dallas Art Fair

The Dallas Museum of Art acquired six works from the 2026 Dallas Art Fair, held April 16–19 at the Fashion Industry Gallery in the Dallas Arts District. The acquisitions, made possible by the Dallas Art Fair Foundation + Dallas Museum of Art Acquisition Fund, include pieces by Nicole Eisenman, Gloria Klein, Caroline Monnet, Hasani Sahlehe, and Raymond Saunders. Selections were made by DMA curators including Dr. Vivian Li, Ade Omotosho, Dr. Emily Friedman, Dr. Nicole R. Myers, and director Brian Ferriso. This marks the tenth year of the fund, which has added 78 works to the museum's permanent collection since 2016 through over $1 million in donations.

FAD News: Serpentine x FLAG Art Foundation Prize Announces Star-Studded Selection Committee

The Serpentine x FLAG Art Foundation Prize has announced its selection committee for the inaugural award, the largest contemporary art prize in the UK given to a single artist. The five-person jury includes Michelle Kuo (Chief Curator at Large and Publisher at MoMA), Venus Lau (director of Museum MACAN), Hans Ulrich Obrist, Jon Rider, and artist Rirkrit Tiravanija. The committee met in London on 23rd April to select the first recipient, who will be announced on 12th May. The prize awards £200,000 biennially over ten years, totaling £1 million across five artists, with each recipient developing a new body of work culminating in exhibitions at Serpentine in London and The FLAG Art Foundation in New York.

Antony Gormley: ‘Put a sculpture on the moon? No, that would be a bad idea’

Renowned British sculptor Antony Gormley is preparing for a major creative season, marked by two upcoming exhibitions at the Royal Museum of Fine Arts in Antwerp and Galleria Continua in San Gimignano, alongside the release of a new book dedicated to his drawings. Speaking from his David Chipperfield-designed studio in London, the artist reflects on his rigorous daily practice and his background in art history, contrasting his own ascetic, industrial aesthetic with the fleshy opulence of Flemish masters like Rubens.

Tate Modern opens largest ever exhibition of Tracey Emin's work

Tate Modern has launched "Tracey Emin: A Second Life," the largest survey exhibition of the British artist’s work to date. Spanning 40 years of her career, the show features over 100 works including her iconic 1998 installation "My Bed," early textile pieces, and recent bronze sculptures. The exhibition, supported by Gucci, traces Emin’s journey from the Young British Artists (YBA) era to her contemporary practice, which addresses her recent experiences with cancer and disability.

New York Galleries: Openings and Closings (03/03-03/08)

The New York City gallery scene is experiencing a significant surge of activity for the first week of March 2026, with dozens of new exhibitions scheduled to open across Manhattan. Major highlights include a survey of Edouard Vuillard’s early interiors at Skarstedt, Sigmar Polke at VeneKlasen, and a comprehensive Robert Mapplethorpe presentation at Gladstone. The week also features high-profile institutional and blue-chip gallery shows, including Carol Bove at the Guggenheim and new works by Daniel Arsham and Gelitin at Perrotin.

‘My paintings are always really kitchen sink, everything’s thrown into them’: Christina Quarles on her new solo show in Los Angeles

Artist Christina Quarles has launched her first solo exhibition with Hauser & Wirth in Los Angeles, titled "The Ground Glows Black." The new body of work features her signature fluid, elastic depictions of bodies, but introduces a more "untethered" and monochromatic aesthetic influenced by recent personal trauma. The paintings and works on paper were created in the aftermath of the Eaton fire, which destroyed the artist's home and community in Altadena.

Michael Joo: Sweat Models 1991–2026

Space ZeroOne in New York will present "Michael Joo: Sweat Models 1991–2026," a solo exhibition of early and newly realized works by Korean American multimedia artist Michael Joo, organized by guest curator Christopher Y. Lew. The show focuses on Joo's 1990s works, which engaged with issues like the AIDS crisis and information technology, and will feature a newly realized large-scale installation, *Concatenations*, first conceived in 1990.

One Fine Show: “Anselm Kiefer, Becoming the Sea” at the Saint Louis Art Museum

The Saint Louis Art Museum has opened “Anselm Kiefer: Becoming the Sea,” an exhibition featuring 40 works by the German artist from the 1970s to the present, including over 20 pieces made in the last five years and five monumental site-specific paintings. The show highlights Kiefer's 1991 journey up the Mississippi River during a visit to St. Louis, a formative trip that inspired new works such as the 30-by-27-foot painting *Missouri, Mississippi* (2024), which depicts the artist encountering the Melvin Price Lock and Dam in Alton, Illinois. The exhibition also includes pieces like *Die Milchstraße* (1985-87) and two works dedicated to beat poet Gregory Corso, whose lines about eternal life gave the show its title.

Out of the wrapper and into the gallery: the art of chocolate

Artist Anya Gallaccio discusses her use of chocolate as an art material, tracing her first experiments in 1992 at Rodolphe Janssen gallery in Brussels, where she commissioned chocolate guns, and her 1994 solo show "Brown on White" at Galerie Krinzinger in Vienna, where she painted gallery walls with melted couverture chocolate. The work invited visceral audience reactions, including licking the walls, and engaged with themes of desire, decay, and the colonial and class histories of chocolate consumption.

A brush with... Cliff Lauson

Cliff Lauson, a curator, participates in 'A brush with...' and shares his personal connection to art, citing Rodney Graham's self-portrait 'My Late Early Styles (Part I, The Middle Period)' as the single work he would live with. He reflects on formative cultural experiences, including working with Northwest Coast First Nations communities at the UBC Museum of Anthropology and seeing the ballet 'Tree of Codes' by Wayne McGregor with Olafur Eliasson and Jamie xx, which inspired his later collaboration on the exhibition 'Infinite Bodies'. Lauson also discusses his recurring engagement with Brian O'Doherty's book 'Inside the White Cube' and his unusual background as a curator who worked on a Star Wars film during his Clore Fellowship at Industrial Light and Magic.

8 Must-See Museum Shows Celebrating Overlooked Women Artists

This article highlights eight museum exhibitions scheduled for fall 2025 that focus on historically overlooked women artists. Featured shows include "Nancy Elizabeth Prophet: I Will Not Bend an Inch" at Spelman College, "Toshiko Takaezu: Worlds Within" at the Chazen Museum of Art, and "Edmonia Lewis: Indelible Impressions" at the Cantor Arts Center, among others. Each exhibition aims to bring renewed attention to artists who faced racial and gender barriers, such as Afro-Indigenous sculptor Nancy Elizabeth Prophet, ceramicist Toshiko Takaezu, and 19th-century sculptor Edmonia Lewis.