Blaffer Art Museum Terminates Curator; Artist Cancels Exhibition

The Blaffer Art Museum at the University of Houston terminated curator Erika Mei Chua Holum in July 2025, following a series of leadership changes and the cancellation of a planned outdoor sculpture exhibition by Guadalupe Maravilla. The museum's new director, Dr. Laura Augusta, cited conservation issues and campus construction as reasons for canceling Maravilla's 'Mariposa Relámpago,' a decision Chua Holum publicly disagreed with. Subsequently, artist Ja'Tovia Gary also canceled her scheduled solo exhibition, citing a breakdown in negotiations with Augusta over scope and budget.

Guggenheim Fellows Featured in Stockton’s Art Gallery

Stockton University’s Art Gallery in Galloway, New Jersey, will present a fall exhibition titled “Diverse Perspectives in Photography: Four Black Guggenheim Fellows in the Philadelphia Region,” running from September 4 to November 8. The show features works by four African American photographers who are Guggenheim Fellows: Donald E. Camp (1995), Ron Tarver (2021), William E. Williams (2003), and Wendel A. White (2003). The exhibition opens with a free reception and panel discussion moderated by Julie L. McGee, associate professor at the University of Delaware, and includes a lecture by Laura Auricchio, vice president of the John Simon Guggenheim Memorial Foundation, on the fellowship’s 100th anniversary.

David Klein Gallery opens new Ferndale headquarters with grand opening celebration

David Klein Gallery, a prominent contemporary art space in Michigan, is relocating to a new 3,000-square-foot headquarters at 678 Livernois Ave. in Ferndale. The move consolidates its previous Birmingham and Detroit operations into a renovated warehouse with natural lighting and dedicated parking. A grand opening celebration is scheduled for July 11-12, 2025, featuring an evening reception with wine and music, followed by an open house and artist talk. The inaugural exhibition will showcase new works by Ferndale-based artist Susan Goethel Campbell and Detroit-based ceramicist Ebitenyefa Baralaye, with both shows running through August 23.

Sally Tallant, director of New York’s Queens Museum, to lead London’s Hayward Gallery

Sally Tallant, currently director of the Queens Museum in New York, has been appointed director of the Hayward Gallery and visual arts at the Southbank Centre in London. She will succeed Ralph Rugoff, who steps down in spring after 20 years. Tallant previously worked as an assistant curator at the Hayward in 2001 and later led the Liverpool Biennial from 2011 to 2019. She will begin her new role in July, while Rugoff will oversee a major Anish Kapoor retrospective opening in June.

Come for the Jeff Koons living sculpture, stay for the wine: A map of LACMA's David Geffen Galleries

The Los Angeles Times has published a guide to the new public park surrounding LACMA's David Geffen Galleries, designed by architect Peter Zumthor. The 3.5-acre campus features outdoor dining, a sculpture garden, and a 300-seat theater, with free public art including Jeff Koons' topiary "Split-Rocker," Chris Burden's "Urban Light," and works by Alexander Calder, Pedro Reyes, and Shio Kusaka. The article provides a detailed map of installations, amenities, and nearby attractions like the La Brea Tar Pits.

After Five Years of Community Building, Social Practice CUNY Initiative to End in 2027

The Social Practice CUNY (SPCUNY) initiative, a major program fostering the intersection of art and social justice across the City University of New York’s 25 campuses, will officially sunset in February 2027. Co-directed by artists Chloë Bass and Greg Sholette, the program will conclude following its final 2025–26 fellowship cohort. The decision to end the project stems from the directors' personal transitions, including Sholette’s upcoming retirement and Bass’s shift away from full-time teaching to focus on her studio practice.

Portland Museum of Art Buys New Building For $14 M., Freeing Up Space For Exhibitions

The Portland Museum of Art (PMA) has finalized a $14 million acquisition of a downtown building and two adjacent parking lots from MaineHealth. Located on Free Street next to the museum's current campus, the facility will house administrative offices, allowing the museum to convert existing office space into new public galleries.

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Police in Queensland, Australia, arrested a 52-year-old man suspected of stealing ancient Egyptian artifacts from the Abbey Museum of Art and Archaeology in Caboolture. The suspect was apprehended on Russell Island after police found part of the stolen haul, including a 2,600-year-old wooden cat figure, a 3,300-year-old necklace, and a mummy mask, in a camper van at a ferry terminal. The items were recovered and returned to the museum within two days of the brazen break-in.

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Egyptian archaeologist Zahi Hawass has renewed his demand for the return of the ancient bust of Nefertiti from Berlin's State Museums, citing the recent full opening of the Grand Egyptian Museum (GEM) near Giza as proof that Egypt can properly safeguard its artifacts. The bust, dating to ca. 1351–1334 BCE and discovered in 1912 by German Egyptologist Ludwig Borchardt, has been on display at the Neues Museum since 2009. Hawass, who has shifted his position over time—calling the bust not looted in 2010 but “brazenly stolen” in 2024—argues that Western museums can no longer claim Egyptian institutions lack adequate climate control and display standards.

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New York City Mayoral-Elect Zohran Mamdani has signed an open letter supporting roughly 1,000 workers at the Metropolitan Museum of Art who filed a petition with the National Labor Relations Board to form a bargaining unit. The vote is scheduled for January 13 and 15, 2026, and if approved, the Met would become the largest unionized museum in the country. The letter, released December 18 by the United Auto Workers (UAW), was also signed by Comptroller Elect Mark Levine and Manhattan Borough President Elect Brad Hoylman-Sigal, among other officials. The proposed union would cover curators, conservators, educators, and retail staff, citing long-term pay inequities, lack of job protection, and increasing workloads.

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The American Numismatic Society (ANS), a 166-year-old organization dedicated to coin collecting and research, is relocating from Lower Manhattan to the Toledo Museum of Art in Ohio. The move, set for 2028, will see the ANS occupy a four-story Art Deco building on the museum's campus, where it will establish a new home featuring a library, auditorium, and education center. The partnership will integrate the ANS's collection of 800,000 coins, medals, and monetary objects into the museum's reinstallation of its collection galleries in 2027, with the ANS mounting its own exhibitions starting the following year.

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New York City Mayor Eric Adams has permanently designated the Elizabeth Street Garden in Manhattan's Nolita neighborhood as public parkland, blocking plans for affordable housing on the site. The move comes just weeks before Mayor-elect Zohran Mamdani takes office, who had campaigned on building affordable housing for older adults on the lot. The garden, a one-acre green space managed by executive director Joseph Reiver since 1991, had previously faced eviction under Adams before he abandoned the housing project in June. Mamdani now needs state legislature approval to pursue any development on the land.

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Joanna Mytkowska, director of the Museum of Modern Art in Warsaw (MSN Warsaw) since 2007, discusses the museum's first year in its new building designed by American architect Thomas Phifer. Located in Warsaw's Central Square near the Palace of Culture and Science, the white modernist structure opened last fall with performances and the collection exhibition "The Impermanent." Mytkowska reflects on the museum's controversial reception among local audiences, its role in Poland's political debates—including being mentioned during the recent presidential election campaign—and the institution's long-standing ambivalence toward artistic canons rooted in its close ties to Warsaw's progressive artistic community.

Dartmouth Students Renew Calls to Remove Leon Black’s Name From Arts Center

Students at Dartmouth College have intensified their campaign to remove billionaire collector Leon Black’s name from the school’s visual arts center. The renewed push follows the release of Department of Justice files detailing Black’s extensive financial ties to the late sex offender Jeffrey Epstein, including $170 million in payments for tax and estate advice. While Black has denied all allegations of misconduct and his legal team maintains he was unaware of Epstein’s criminal activities, student leaders are citing the college's recent decision to strip César Chávez’s name from a fellowship as a precedent for moral accountability.

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Over 600 artifacts were stolen from a storage building housing the Bristol Museum’s British Empire and Commonwealth collection in the early hours of September 25. The items included an ivory Buddha, copper medallions from the Emancipation campaign of 1838, a carved elephant ornament, and a copper and brass ship lantern. Local authorities have released descriptions of four suspects and images of stolen objects, appealing to the public for help in recovering the items and identifying the thieves.

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Miami's Contemporary Art Modern Project (CAMP) Gallery has opened the seventh edition of its series program, titled “Women Pulling at The Threads of Social Discourse: Don’t be Absurd.” The group exhibition features dozens of artists who created circular, tondo-like fiber works inspired by absurdist philosophers and writers such as Albert Camus, Franz Kafka, Simone de Beauvoir, Samuel Beckett, and José Saramago. Works include RemiJin Camping's cyanotype in an embroidery hoop referencing Kafka's *The Metamorphosis* and Mychaelyn Michalec's hand-tufted wool piece *The Pietà and The Swan*. The show runs through December 20, 2025.

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Former U.K. Prime Minister Liz Truss and right-wing group Great British Pac have sent a letter to current Prime Minister Keir Starmer, Culture Secretary Lisa Nandy, and British Museum trustees, threatening legal action against an alleged "covert" deal to return the Parthenon Marbles to Greece. The letter, signed by 34 individuals including historian David Starkey, claims the British Museum is engaged in an "accelerating campaign" to remove the sculptures and warns of seeking an injunction to halt negotiations. The British Museum confirmed receipt of the letter but stated that discussions with Greece about a Parthenon partnership are "ongoing and constructive."

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Cambridge University has removed a Benin bronze statue of a cockerel, known as an “okukor,” from display at Jesus College after students campaigned for its removal. The bronze was looted by British colonizers from what is now Nigeria in the 19th century, and students voted for the artwork to be returned to Nigeria. The college is now considering repatriation and has permanently removed the statue from its dining hall, with students proposing that a new commissioned piece replace it.

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Artist Jill Magid has transformed her solo exhibition at Various Small Fires in Los Angeles into a platform for her dealer Esther Kim Varet’s congressional campaign. The show, titled “Heart of a Citizen,” features a replica of the White House Press Briefing Room podium, which Kim Varet uses to deliver stump speeches. Other works include a neon sign quoting a stenographer’s note and concrete casts of Magid’s heart, inspired by the White House Rose Garden. Magid emphasizes the show is not an endorsement but an exploration of power, free speech, and democracy.

Chelsea Exhibition Reviews: Rosebud Contemporary, Paula Cooper, Fredericks & Freiser, Berry Campbell and more

This article reviews several Chelsea gallery exhibitions, focusing on Mary Ann Unger's monumental sculpture show 'Across the Bering Strait' at Berry Campbell, which features her hydrocal-over-steel works exploring themes of feminism, anthropology, and the natural world. It also covers 'En Route' at Rosebud Contemporary, a group exhibition of abstract painters Rifka Milder, Meg Hitchcock, and Ketta Ioannidou, each reflecting on artistic journeys through their work.

Mark Bradford and Carrie Mae Weems Among Latest Artists Commissioned for Obama Presidential Center

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The Obama Presidential Center in Chicago has announced its latest cohort of commissioned artists, featuring high-profile names such as Mark Bradford and Carrie Mae Weems alongside local Chicago talents like Tyanna J. Buie and the duo Sam Kirk + Dorian Sylvain. These site-specific installations will be integrated across the center's 19-acre campus, including a three-story atrium collage by Bradford and a jazz-inflected photo mural by Weems. The project, which has already engaged over two dozen artists including Maya Lin and Julie Mehretu, is overseen by art program leaders Louise Bernard and Virginia Shore with direct input from the Obamas.

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The Obama Foundation has commissioned artist Theaster Gates to create an expansive frieze for the Pendleton Atrium of the Obama Presidential Center (OPC), set to open on Chicago’s South Side in 2026. The installation will draw from the Johnson Publishing Company image archive and the Howard Simmons photographic collections, celebrating the visual archives of Ebony and Jet magazines. Gates, who founded the Rebuild Foundation in 2009, will join nine other artists—including Kiki Smith, Nick Cave, Marie Watt, Jenny Holzer, and Idris Khan—whose works were announced in September for the OPC campus.

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A new biography titled *Barnett Newman: Here*, written by art historian Amy Newman, reveals that the Abstract Expressionist painter Barnett Newman ran for mayor of New York City in 1933—long before he became a famous artist. At age 28, with no paintings to his name, Newman campaigned on a vague, socialist-utopian platform that included a free city-run art school, waterfront parks, cleaner waters, and public ownership of utilities. He ran specifically to oppose the spread of Communism among intellectuals, but he admitted he did not expect to win. He lost, and his candidacy became a family joke.

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A memorial for the late theater visionary Robert Wilson was held at the Brooklyn Academy of Music (BAM) Harvey Theater, featuring a 30-minute period of silence as requested by Wilson before his death at age 83. The gathering drew luminaries including Philip Glass, Rufus Wainwright, Laurie Anderson, ANOHNI, Christopher Knowles, Joan Jonas, and Paula Cooper, none of whom spoke during the main program. The silence was punctuated by shifting lighting and a recorded ringing telephone, followed by remarks from William Campbell, chairman of Wilson's Watermill Center, and Joseph Melillo, former BAM executive producer.

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The Obama Presidential Center in Chicago has announced nine new commissions by ten artists for its 19.3-acre campus, set to open next spring. The commissioned works include a text-based sculpture spelling 'HOPE' by Jack Pierson, a bronze sculpture by Kiki Smith, a digital mural by Jules Julien, a textile-and-sound installation by Nick Cave and Marie Watt, paintings by Jenny Holzer and Idris Khan, a sculpture by Nekisha Durrett, a mural by Aliza Nisenbaum, and an outdoor bronze by Alison Saar. These join five previously announced commissions, with plans for over 25 site-specific works total.

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The Hepworth Wakefield and Art Fund have successfully raised £3.8 million to acquire Barbara Hepworth’s sculpture *Sculpture with Colour (Oval Form) Pale Blue and Red* (1943). The wood and string artwork, previously in private hands and rarely seen publicly, was sold at Christie’s in London last March for £3.5 million. A temporary export bar imposed by the UK government gave the museum time to raise funds, with the deadline set for August 27. The funding came from over 2,800 donations and major grants, including £1.89 million from the National Lottery Heritage Fund and £750,000 from the Art Fund, along with private support.

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At the 2025 Glastonbury Festival in the UK, Turner Prize-winning artist Mark Wallinger presented an anti-fascist installation titled "Jungle Gym" at the Terminal 1 Stage, curated by Oriana Garzón as part of the exhibition "No Human is Illegal." The work, built with chainlink fencing and using only Unicef blue, highlights the suffering of children in Gaza and the bureaucratic challenges faced by migrants. Festivalgoers entered by answering a British citizenship test question, with incorrect answers sending them to the back of the line, before passing through a cabin styled as a refugee camp to reach the installation.

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The former San Francisco Art Institute (SFAI) campus has been transformed into a privately funded nonprofit arts center called the California Academy of Studio Arts (CASA). Backed by philanthropist Laurene Powell Jobs, who purchased the Chester Street campus for $30 million last year, CASA will host 30 emerging artists annually in an unaccredited studio program. Artists will have access to private studios, shared workspaces, and professional mentors, with no tuition fees. The center is led by director Abbye Churchill and plans seminars for participants. SFAI, one of the oldest art schools in the U.S., suspended operations in 2022 and filed for bankruptcy after a failed merger with the University of San Francisco.

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Crypto billionaire Justin Sun and entertainment mogul David Geffen are locked in an escalating legal battle over Alberto Giacometti's sculpture *Le Nez*. Sun purchased the work for $78.4 million at Sotheby's in 2021, but claims his former art adviser Sydney Xiong fraudulently sold it to Geffen for $10.5 million in cash and two paintings, using forged documents and fictitious lawyers. Sun filed suit in New York in February; Geffen countersued in April, calling the allegations "bizarre and baseless" and accusing Sun of "seller's remorse." Sun's legal team now asserts that Xiong has been detained in China since February, while Geffen's camp points to inconsistencies in Sun's story and his broader financial and legal troubles.

Dartmouth Students Renew Efforts to Rename Leon Black–Funded Arts Center

Dartmouth College students have reignited a campaign to rename the Black Family Visual Arts Center, a campus facility funded by billionaire investor Leon Black. The movement, led by freshman Oscar Rempe-Hiam and supported by student government, criticizes the administration's lack of urgency in distancing the institution from Black, whose long-standing ties to Jeffrey Epstein and personal allegations of sexual misconduct have sparked years of controversy.