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Rose Finn-Kelcey review – flying puns, smart pranks and prayers for 20p

The Guardian reviews "Rose Finn-Kelcey: House Rules," a posthumous exhibition at the new Arts Collective in Northampton, UK. The show features works by the British conceptual artist (1945–2014), including her 1972 flag installation "Power for the People" at Battersea Power Station, a prayer vending machine titled "It Pays to Pray," and pieces exploring permission, spirituality, and societal restrictions. The exhibition is presented as a homecoming for Finn-Kelcey, who was born in Northampton.

Genuine Fake Premium Economy review – brilliantly obnoxious millennial rage at a rigged financial world

The exhibition "Genuine Fake Premium Economy" at a London gallery features works by American artists Jenna Bliss, Buck Ellison, and Jasmine Gregory, all born in the mid-1980s. Their pieces—including Bliss's shaky videos of New York's financial district, Ellison's fictional bank advertisements pairing classical paintings with cynical taglines, and Gregory's luxury watch ads stripped of watches—collectively express millennial rage at a rigged financial system and the aftermath of the 2008 crash.

Somali artists and culture workers express concern over Somalia Pavilion in Venice

Somali artists, cultural workers, and organizations have published multiple open letters and statements expressing concern over the Somalia Pavilion at the Venice Biennale. The pavilion, announced in March for the 2026 edition, is titled 'SADDEXLEEY' and features Somali-Swedish artist Ayan Farah, Somali-Danish poet and filmmaker Asmaa Jama, and Somali-British writer Warsan Shire, curated by Stockholm-based Mohamed Mire and Italian project manager Fabio Scrivanti. Critics, including the Somali Arts Foundation and the queer collective Warbixinta Cidda, allege that the pavilion was organized without meaningful consultation of artists and organizations based in Somalia, and object to the appointment of an Italian co-curator given Italy's colonial history in Somalia. An anonymous open letter further alleges intimidation and coercive pressure against critics, and demands Scrivanti's removal, calling for a boycott if demands are not met.

Sung Tieu on Representing Germany at the 61st Venice Biennale

Sung Tieu, who is co-representing Germany at the 61st Venice Biennale alongside Henrike Naumann, responds to a questionnaire from ArtReview about her plans for the German Pavilion. She describes her inspiration as her mother and childhood home, a site built for foreign contract workers in the GDR that later became a refuge for the diaspora. Tieu states that her work relates to the Biennale theme "In Minor Keys" through the lens of Gehrenseestrasse, a concrete record of collective memory. She also expresses skepticism about the Biennale's importance, noting that the German Pavilion's fascist architecture compels artists to work against it, and that national pavilions reveal how much work remains in undoing nationalism.

Miet Warlop on Representing Belgium at the 61st Venice Biennale

Miet Warlop, the artist representing Belgium at the 61st Venice Biennale (2026), discusses her plans for the Belgian Pavilion in the Giardini in an interview with ArtReview. Her installation, inspired by the Belgian motto 'L'union fait la force' ('unity makes strength'), aims to create a space between a workspace, exhibition, and performance that brings people together in introspection. She cites time spent with Venice's artistic communities, including students at the Accademia, as influential, and notes that her work engages with the Biennale's theme 'In Minor Keys' by incorporating minor-key music to evoke nuanced, introspective emotions.

Marina Xenofontos on Representing Cyprus at the 61st Venice Biennale

Artist Marina Xenofontos will represent Cyprus at the 61st Venice Biennale in 2026. Her exhibition, centered on an animatronic sparrow titled 'Passer' and incorporating folk songs recorded by her grandmother and great-aunts, explores themes of memory, endurance, and the quiet persistence of culture.

Somali Cultural Organizations Unhappy With Somalia Pavilion at the Venice Biennale

Somali artists and cultural organizations are protesting the Somalia pavilion at the 2024 Venice Biennale, arguing it excludes artists based in Somalia and relies on diaspora figures and an Italian co-curator, which they view as colonial. The Somali Arts Foundation issued a statement condemning the lack of consultation, while the queer arts collective Warbixinta Cidda criticized the appointment of Italian curator Fabio Scrivanti. Somali American poet Ladan Osman boycotted the pavilion, calling it "anti-indigenous."

Arts Collective to Open New Arts Center in Northampton England

Arts Collective will open a new arts center in Northampton, England on May 1st, following a £5.2m renovation of the city's municipal offices and town hall annex. The complex will feature 17 artist studios, community spaces, a gallery, and "The Northampton Rooms," a series of public spaces designed by artist Giles Round as a "living work of art." The inaugural exhibition will showcase Northamptonshire-born artist Rose Finn-Kelcey.

Nikita Kadan Questions Whether War Ever Ends

Ukrainian artist Nikita Kadan, in an interview with Frieze, reflects on his practice and the ongoing psychological and physical toll of war, questioning whether conflict ever truly ends. He discusses his recent works, which grapple with the persistent state of war in Ukraine, the transformation of urban spaces, and the collective trauma that outlasts active hostilities.

AT THE ART GALLERIES

The article announces a series of May art exhibitions across multiple galleries in Key West, Florida. The Studios of Key West opens four solo shows: Tim Marshall Curtis's "Giants Among Us" featuring towering sculptures, Carole Faye's "Reverence/Irrelevance" with works made from scavenged materials, Andree B. Carter's "Roots of a City" textile paintings, and Wayne Garcia's "Once There Was a Railroad" hand-carved reliefs. Other venues include the Key West Collective featuring Steve Bikis and Brad Gruss, Harrison Gallery showcasing Santa Fe artist Melinda K. Hall, Gallery on Greene honoring Peter Vey, and Shade and Shutter Gallery highlighting Mark Klammer's pottery.

Gabrielle Goliath Sounds a Call to Action in Venice

Gabrielle Goliath’s exhibition "Elegy" is presented as South Africa’s unofficial pavilion at the 61st Venice Biennale, after the country’s Culture Minister Gayton McKenzie overrode an independent committee’s selection of Goliath, citing her proposed inclusion of a memorial for Palestinians killed in Gaza. The installation features three video works in which singers sound a single note in tribute to victims of violence: a South African femicide victim, two women killed in Germany’s colonial genocide in Namibia, and Palestinian poet Heba Abunada. The show occupies the Chiesa di Sant'Antonin in Venice, curated with Ingrid Masondo, after a legal challenge against McKenzie was dismissed.

“Containers Love Disorder” at Kunst Halle Sankt Gallen

The group exhibition "Containers Love Disorder" at Kunst Halle Sankt Gallen brings together seven artists and collectives active in Switzerland: Michèle Graf & Selina Grüter, Dominic Michel, Mathis Pfäffli, Matthias Sohr, Kelly Tissot, Paulo Wirz, and the collaborative project La Bibliothèque des Ready-Mades, initiated by Anaïs Wenger. The show explores strategies of arrangement, classification, and situatedness through a range of works.

A Guide To May 2026 Photography Festivals & Exhibitions

A diverse array of international photography festivals and exhibitions are scheduled for May 2026. Key events include Bieler Fototage in Switzerland, focusing on vulnerability as a social condition; Photo London, which is relocating to the Olympia and introducing new curated sections; Hard Copy New York at the ICP, exploring photocopied imagery; Fotofestival Lenzburg, an open-air exhibition in Switzerland; and several other events across Europe and the US.

Karl Ullger in Berlin exhibition with artist collective Cane-Yo

Artist Karl Ullger is participating in a group exhibition titled 'Running with Scissors' at Anders Galerie in Berlin. The show features over 40 artists from the global online collective Cane-Yo, including six of Ullger's figurative oil paintings, three of which are new works created specifically for the event.

GABRIEL CHAILE DESPLIEGA SU ARQUELOGIA DE LO MIGRATORIO EN LONDRES

Argentine artist Gabriel Chaile has opened a new commission titled "Archaeology of Memory" at the Whitechapel Gallery in London. The site-specific installation transforms a large gallery space into an archaeological excavation site, incorporating everyday and decorative objects sourced from the surrounding East End neighborhood. These objects are embedded into monumental adobe sculptures that draw on the forms and material traditions of Indigenous communities from northwest Argentina, where Chaile originates. The artist acts as both anthropologist and storyteller, exploring a "genealogy of form" that traces recurring motifs across cultures and time.

Go big or go home: how The Lost Giants revived the ancient art of goliath-making

The Lost Giants (TLG), an art collective based in Lostwithiel, Cornwall, is reviving the British tradition of making processional giants—large, community-built figures made from wood, cloth, and papier-mâché. Founded three years ago by theatre designer Ruth Webb and her sister-in-law Amy Webb, the group has created giants for events ranging from local lantern parades to a harvest procession at Hauser & Wirth’s Somerset gallery. This New Year’s Eve, environmentalist Lisa Schneidau joined a massive procession of these giants in Lostwithiel, describing it as an extraordinary experience. The collective recently issued a public callout for an environmental group to collaborate on making a new beastie.

Total Museum's 'Somebody Has to Collect It' examines collecting as a responsibility

The Total Museum of Contemporary Art in Seoul has opened "Somebody Has to Collect It," an exhibition featuring works from the collection of French art collectors Catherine and Renato Casciani. Running from April 30 to May 31, the show marks the couple's first major presentation in Korea and inaugurates the museum's new "Collector/tion" project, which reframes collectors not as buyers but as actors at the intersection of capital, memory, and value-making. The exhibition includes 22 artists and collectives, with a focus on video art addressing themes such as precarious labor, state violence, colonial inheritance, climate crisis, and queer intimacy. It is also an official program of the 140th anniversary of diplomatic relations between Korea and France.

The Bronx Museum of the Arts hosts Seventh AIM Biennial open house

The Bronx Museum of the Arts hosted its Seventh AIM Biennial Open House on April 18, a free family day that combined hands-on art-making activities with the ongoing biennial exhibition. Visitors participated in button-making, print-making, screen printing, and memory box creation, led by AIM artists including Skip Brea, Hedwig Brouckaert, Ricki Dwyer, Leekyung Kang, Juyon Lee, lauren mcavoy, Piero Penizzotto, Motohiro Takeda, and V Yeh. The day also featured a critique session with artist V Yeh and a panel discussion titled “Tender Monuments,” moderated by co-curator Nell Klugman, exploring themes of personal, communal, and environmental grief.

Meriem Bennani, the artist who went viral during the pandemic

Meriem Bennani, a New York-based artist known for her shape-shifting practice of videos, installations, and immersive environments, gained viral fame during the COVID-19 lockdown in March 2020. She co-created the animated series '2 Lizards' with fellow artist Orian Barki, which depicted surreal, humorous conversations between anthropomorphic reptiles navigating the first weeks of the pandemic in New York City. The series, posted on Instagram, resonated widely and led to eight episodes. Bennani's broader work, including 'Life on the CAPS' (2018–2022) and 'Mission Teens' (2019), blends digital animation, live-action footage, and cultural critique, often exploring themes of diaspora, post-colonialism, and migration through dystopian, supernatural narratives.

World-class contemporary art exhibition coming to four North Yorkshire venues

A major exhibition celebrating the 20th anniversary of the Aesthetica Art Prize will be presented across four venues in North Yorkshire, England. The show, featuring works by 50 leading contemporary artists, will be divided into four thematic parts and staged at Skipton Town Hall, the Mercer Art Gallery in Harrogate, Scarborough Art Gallery, and Scarborough’s Woodend Gallery from late April through September.

Major world -class exhibition launches in Skipton this weekend

The Aesthetica Art Prize is launching a major touring exhibition across four venues in North Yorkshire, starting in Skipton Town Hall this weekend. The exhibition, celebrating the prize's 20th anniversary, features works by 50 contemporary artists, including environmental artist Steve Messam, and is split into four thematic parts across different galleries until September.

Major exhibition creates world class art trail across the county

The Aesthetica Art Prize is launching a major 20th-anniversary exhibition across four venues in North Yorkshire, creating a county-wide contemporary art trail. The exhibition, featuring works by 50 leading artists including environmental artist Steve Messam, will be staged at Skipton Town Hall, the Mercer Art Gallery in Harrogate, Scarborough Art Gallery, and Scarborough's Woodend Gallery from April to September.

At Joy Machine, ‘Feel Free’ Plumbs the Tension Between Chaos and Control

Joy Machine presents 'Feel Free', a group exhibition featuring new works by Rachel Hayden, Paulina Ho, Hanna Lee Joshi, and Jeremy Miranda. The show opens with a reception on May 15, 2026, and runs through June 27, 2026. Each artist explores the tension between chaos and control, using diverse media—from acrylic and gouache to Japanese indigo on thrifted textiles—to capture moments of impermanence and unexpected harmony.

Collectors' collective: Private art enthusiasts work together to bring world-renowned artists to Daejeon

Fourteen Korean collectors have formed a collective called Arche II to jointly acquire and display works by world-renowned artists in Daejeon, a city 140 km from Seoul. Their exhibition "Tracing the Unfinished" at the multidisciplinary complex Heredium features 30 works, including 14 jointly owned pieces, by artists such as Le Corbusier, Robert Longo, Olafur Eliasson, David Hockney, Yang Hae-gue, Anicka Yi, and Choi Byung-so. The group, founded in 2017 by business leaders including a radiologist and a former prosecutor, contributes a fixed annual budget to purchase three to five works at major art fairs, focusing on emerging artists rather than established names.

WHO ARE THE CURATORS THAT WILL LEAD THE NEXT BIENAL DE SAO PAULO

The Fundação Bienal de São Paulo has appointed Amanda Carneiro and Raphael Fonseca as chief curators for the 37th Bienal de São Paulo, scheduled for 2027 at the Pavilhão Ciccillo Matarazzo in Ibirapuera Park. Carneiro, a curator at MASP since 2018 and an artistic organizer for the 2024 Venice Biennale, and Fonseca, a visual arts curator at Culturgest and curator-at-large at the Denver Art Museum, will lead the largest visual arts event in Latin America.

Due giovani artisti in una mostra a Matera si confrontano sulle tracce della memoria

The article reports on "Remain(s)," a dual exhibition at Momart Gallery in Matera, Italy, featuring young artists Luca Granato and Michela Rondinone. Curated by Antonella Marino, the show explores the aesthetics of fragments and memory through installations, sculptures, and video works. Granato's pieces address loss, migration, and climate change, while Rondinone's works focus on childhood, play, and relational practices. The exhibition runs until May 26, 2026.

Meet the Hawaiʻi creatives behind a workout video featured in a New York art exhibition

A satirical workout video titled "20 minute workout" created by the Hawaiʻi-based artist initiative kekahi wahi is featured at the Whitney Biennial in New York. The video shows dancers in spandex stretching in front of the Captain Cook Monument at Kealakekua Bay on Hawaiʻi Island, set to electronic music. The project was part of a larger effort to reimagine public space and challenge commemorative monuments in Hawaiʻi, drawing on the energy of debates over Confederate statues in the continental U.S.

Para verte mejor, en todo tiempo

The Art Gallery of New South Wales in Sydney is presenting "Para verte mejor, en todo tiempo" (To see you better, at all times), a solo exhibition by Venezuelan-born artist Nadia Hernández. The show features an immersive textile collage, mural, and soundscape that draws on Venezuelan protest songs, musical traditions, and the artist's own diasporic experiences to explore memory, displacement, and resistance. It includes recent works such as "En todo tiempo (at all times)" 2024 and "El segundo verso (the second verse)" 2025, and is part of the gallery's Contemporary Projects series highlighting artists from New South Wales and wider Australia.

Art Gallery of Burlington opens vibrant spring exhibition you have to experience

The Art Gallery of Burlington (AGB) opens its spring exhibition "A material called Earth, Volume 1: The life of corners" on May 16th, featuring the immersive textile art of Argentinian artist Celina Eceiza. The installation transforms the main gallery with hand-dyed, stitched, and embroidered works, including sculptures ranging from palm-sized to near-monumental, and incorporates ceramics from the AGB's collection. A public opening on May 16th includes a talk and tour with curator Sylvie Fortin and the artist, plus free programming by artist Camila Salcedo and refreshments from local vendors.

Exhibition | Dai Chenlian, 'Waxing and Waning of the Augustness III' at ShanghART, M50, Shanghai, China

ShanghART Gallery presents Dai Chenlian's solo exhibition 'Waxing and Waning of the Augustness III' at its M50 space in Shanghai from April 10 to May 29, 2026. The show is the final chapter of the artist's 'Mother Trilogy,' centering on his mother's life from 1954 to 2025. Through a reconstructed old house made from loom parts, along with painting, installation, performance, sound narration, and shadow puppetry, the exhibition explores themes of memory, migration, and female resilience, drawing on a line by Tang dynasty poet Li Shangyin.