A groundbreaking study from Colorado State University reveals that Native Americans in the western Great Plains were using dice for gaming over 12,000 years ago. Researcher Robert J. Madden identified two-sided dice made of bone or wood from archaeological sites in Wyoming, Colorado, and New Mexico, pushing the known history of games of chance back significantly further than previously recorded.
The American Library Association (ALA) and the American Federation of State, County and Municipal Employees (AFSCME) have reached a settlement with the U.S. Department of Justice to halt the Trump administration’s efforts to dismantle the Institute of Museum and Library Services (IMLS). The agreement ensures the federal agency will continue its operations, reinstates previously terminated grants, and reverses staff reductions. This legal victory follows a period of significant uncertainty where the agency's budget was slated for a 98% reduction, threatening its role as the primary federal supporter of museums and libraries.
Author Bruce Pascoe and a new generation of Australian chefs are spearheading a movement to revive Indigenous agricultural practices and native ingredients. Drawing from Pascoe’s influential book *Dark Emu*, which challenges the colonial narrative of Aboriginal people as purely nomadic hunter-gatherers, the movement highlights sophisticated ancient systems of aquaculture, irrigation, and grain harvesting. From kangaroo grass to Kakadu plums, these native foods are being reintegrated into the Australian landscape and high-end culinary scene.
The Museum of Nebraska Art (MONA) is currently presenting a solo exhibition of works by artist Brian Corr, which will remain on view through September 20. The exhibition showcases Corr’s specialized approach to glass sculpture, highlighting his technical mastery and exploration of light and space within the medium.
The 16th edition of the Circulation(s) festival has launched at the Centquatre-Paris, showcasing the work of 26 emerging European photographers. Running from March 21 to May 17, 2026, the exhibition highlights contemporary projects that reflect the current intuitions, social commitments, and creative challenges facing the next generation of lens-based artists.
Russia has announced its intention to return to the Venice Biennale in 2026, marking its first participation since the full-scale invasion of Ukraine in 2022. The proposed pavilion, titled "The Tree is Rooted in the Sky," plans to feature 38 participants from Russia and several Global South nations. The announcement has sparked intense backlash from the European Commission and culture ministers across 22 countries, who argue that Russia’s presence undermines democratic values and serves as a tool for "dark cultural diplomacy."
India has announced its artist lineup for the 61st Venice Biennale, featuring Alwar Balasubramaniam, Sumakshi Singh, Ranjani Shettar, Asim Waqif, and Skarma Sonam Tashi. The national pavilion, located in the Arsenale, will showcase a diverse range of installations that explore themes of architectural memory, environmental sustainability, and the physical processes of nature. From Tashi’s recreations of Ladakhi homes using recycled materials to Singh’s spectral thread-based architectural fragments, the works collectively examine the fragility of heritage and the shifting relationship between humans and their environments.
The Museum of Art and Photography (MAP) in Bengaluru is hosting 'Paper Gardens,' an exhibition that re-examines the history of botanical art through the lens of British colonialism. While the show features visually stunning hand-coloured lithographs of rhododendrons and medicinal plants, it juxtaposes these aesthetics with the harsh realities of the East India Company’s surveys. The exhibition highlights how local Indian artists and knowledge keepers were often marginalized or left anonymous, even as their expertise was essential to the scientific and commercial success of the British Empire.
Tutta la poesia del cielo in mostra nel grand hotel di Roma per ricordarci la nostra stessa complessità
Artist Giovanni Ozzola has opened a solo exhibition titled 'Il Cielo Dentro' (The Sky Within) at the Galleria Continua's space within The St. Regis hotel in Rome. The show features works centered on the sky as a metaphor for the vastness both outside and within the human experience, exploring the tension between internal and external horizons through light and abandoned architectural spaces like bunkers.
Syrian-American artist Rama Duwaji discusses her evolving art practice and her new role as the First Lady of New York City following her husband Zohran Mamdani’s mayoral victory. Known for her distinct illustrations and animations for major institutions like the Tate Modern and the New Yorker, Duwaji is now transitioning into a more public-facing life while maintaining a studio practice at Gracie Mansion. Her work, which spans hand-drawn animation, ceramics, and paintings on found materials like cardboard, continues to blur the lines between commercial illustration and fine art.
Carrie Mae Weems has introduced a new photographic work titled 'Ocean Line' (2026). The piece is being presented in multiple dimensions, ranging from 11 x 14 inches to 20 x 24 inches, through a platform that partners with elite, vetted galleries to showcase contemporary artists to a global network of collectors and advisors.
The Smithsonian's National Museum of African Art has opened 'Here: Pride and Belonging in African Art,' an exhibition curated by Kevin D. Dumouchelle and Serubiri Moses. Developed through years of direct dialogue with LGBTQ+ artists across Africa and its diaspora, the show foregrounds self-representation and community, ensuring artists defined the terms of their inclusion. It features contemporary works alongside historical precedents, creating a continuum of queer presence in African art history.
EMERGING PRACTICES AND NEW LANGUAGES THIS IS HOW PINTA LIMA 2026 IS SHAPED
Pinta Lima has announced the details for its 13th edition, scheduled to take place from April 23 to 26, 2026, at Casa Prado. Under the artistic direction of Irene Gelfman, the fair will feature 45 galleries from 15 international cities, with nearly 70% of participants arriving from outside Peru. The event is structured into five specialized sections, including the Main Section, RADAR (curated by Ilaria Conti), NEXT (curated by Juan Canela), and dedicated spaces for video and special projects.
The Taft Museum of Art has named Cincinnati-based painter Ayana Ross as the 2026 Robert S. Duncanson Artist-in-Residence, marking the 40th anniversary of the prestigious program. Ross, known for her figurative realism and traditional oil painting techniques, will be featured in a solo exhibition titled "Beyond the Picturesque: The American Landscape as a Site of Memory, Identity and Continuity." The showcase includes seven paintings integrated into the Taft’s historic house and Sinton Gallery, with a specific installation placed alongside the museum's famous 19th-century murals by Robert S. Duncanson.
The de Young Museum in San Francisco has unveiled its completely reimagined Arts of Indigenous America galleries, featuring nearly 2,000 objects from across North, Central, and South America. Developed in close collaboration with Indigenous scholars and community advisors, the new installation moves away from traditional chronological or ethnographic displays. Instead, it integrates historical artifacts with contemporary works to emphasize the continuity and living nature of Indigenous artistic traditions across four regional sections.
Cultural institutions across Kenosha and Racine counties in Wisconsin have announced their exhibition schedules and public hours for the week of April 9, 2026. Featured venues include the Anderson Arts Center, the Carthage College Art Gallery, and the Kenosha Public Museum, which continues to showcase its permanent collection including "The Wisconsin Story" and "Mammoths at the Museum." Local galleries such as Lemon Street Gallery and OS Projects are also hosting open hours for the public to engage with regional contemporary art.
Phoenix-based painter Eliza McLamb is marking a quarter-century of artistic practice with a major retrospective at the Phoenix Art Museum. Titled "Eliza McLamb: 25 Years of Color and Emotion," the exhibition features over 40 abstract works produced between 1996 and 2021, showcasing her signature emotive style and deep connection to the Sonoran Desert.
The National Art Museum of Catalonia (MNAC) in Barcelona has failed to comply with a May 2025 Spanish Supreme Court ruling ordering the return of 13th-century Romanesque murals to the Sijena Monastery in Aragon. Despite the legal mandate ending a decade-long dispute, the museum continues to house the works, citing significant technical and conservation risks associated with transporting the delicate canvases.
The J. Paul Getty Museum in Los Angeles has acquired two significant 17th-century Dutch still life paintings. The first is Jan Davidsz. de Heem's 'Glass Vase with Flowers and Fruit' (c. 1673–74), a work the museum had sought for over twenty years, which recently emerged from a private German collection. The second is Pieter Claesz's 'Still Life with Assorted Fruit' (1597/98–1660), a 'fruitagje' painting purchased at a Sotheby's auction for $1.64 million.
A three-page letter written by archaeologist Howard Carter, which disputes the origins of the famous "Curse of the Pharaohs" linked to King Tutankhamun's tomb, has sold at auction for $16,643. In the letter, Carter explicitly blames journalist Arthur Weigall for inventing the sensationalist myth out of professional pique after being excluded from exclusive coverage of the 1922 discovery.
The UK government has exempted charitable and heritage organizations from new consumer regulations that would have allowed members to cancel and receive refunds within a two-week cooling-off period. The Digital Markets, Competition and Consumers Act (DMCCA), set to take effect next year, will not apply to membership schemes of qualifying cultural and heritage charities.
The Victoria & Albert Museum hosted a special Friday Late event in collaboration with the London Games Festival, transforming its historic galleries into a playground for interactive and independent video games. Visitors could play titles like the Bafta-winning 'Thank Goodness You’re Here!' and the comedic 'Sex With Friends' amidst the museum's permanent collection, while live-coding music performances and participatory art projects like 'Robot Karaoke' and 'The Line is the Game' emphasized communal, performative experiences.
Sculptor Lloyd Le Blanc has died at the age of 85. He was known for creating large-scale bronze works of flora and fauna and, with his wife Judith Holmes Drewry, established the Le Blanc Fine Art foundry and studios in Saxby, Leicestershire. Le Blanc was involved in every stage of his sculptures' creation and also cast works for other artists from his foundry.
The Solomon R. Guggenheim Museum has unveiled a new exhibition that juxtaposes iconic Pop Art works from the 1960s with contemporary pieces recently added to the museum's permanent collection. By placing historical landmarks of the movement alongside modern practice, the show traces the enduring influence of mass media, consumerism, and vernacular imagery on artists across different generations.
Hong Kong’s art auction market opened 2025 with significant momentum, characterized by a shift toward high-quality, museum-grade works and selective collecting. Major auction houses like Christie's, Bonhams, and Phillips reported strong results for blue-chip artists, highlighted by the sale of Pablo Picasso’s "Buste de Femme" for HK$196.75 million. While the market has become more deliberate, the demand for rare, impeccably sourced pieces by both Western masters and Asian contemporary icons remains robust.
French street artist Kaldea has unveiled a major solo exhibition titled "Identity" at Espace Cinko in Paris’s 2nd arrondissement. Hosted by Galerie Roussard, the immersive show transforms a 200-square-meter former printing press into a reconstructed Japanese landscape complete with sakura blossoms and paper lanterns. The exhibition features approximately forty works across five thematic narratives, ranging from porcelain animal figures to reimagined manga icons like Godzilla and Pikachu, blending Art Deco, futuristic, and Asian influences.
Sabbie e riti dagli antipodi. Da scoprire in una ex chiesa di Venezia
The Church of San Lorenzo in Venice, home to Ocean Space, is hosting "Tide of Returns," an exhibition by the Repatriates Collective. The installation transforms the historic nave with sand dunes populated by thousands of decorated shells known as Dadikwakwa-kwa, or shell dolls, from the Anindilyakwa people of Australia. The show also features a tripartite installation of video, textiles, and braids by German-Bolivian artist Verena Melgarejo Weinandt, exploring themes of ancestral connection and the universal significance of water.
A Milano la fiera che dedica un’intera giornata per riflettere sullo stato dell’arte italiana: 8 ore filate di conversazioni
The debut edition of Paris Internationale in Milan, scheduled for April 2026 at Palazzo Galbani, will feature a marathon eight-hour symposium titled "Aperto Italia." Organized in collaboration with the Fondazione Nicola Trussardi and curated by Massimiliano Gioni, the event brings together 35 international galleries and a significant roster of Italian artists. The program is designed as a continuous cycle of conversations to address the current state of contemporary art in Italy, paying tribute to the late Flash Art publisher Giancarlo Politi.
A Milano una mostra racconta la mitica Elisabetta Catalano, grande fotografa amica degli artisti
The Viasaterna gallery in Milan is hosting a comprehensive exhibition titled "Elisabetta Catalano: Cinema, Moda e Performance," curated by Laura Cherubini. The show explores the prolific career of the Roman photographer, featuring her iconic portraits of film stars on the sets of Federico Fellini and Luchino Visconti, her high-fashion photography for Vogue, and her deep collaborations with avant-garde artists like Fabio Mauri and Michelangelo Pistoletto.
Urban Signature has launched "BON PLAN," a pop-up group exhibition in Paris’s Marais district featuring over 30 street artists. Running from April 9 to April 12, 2026, the show presents nearly 60 original works that use the iconic Paris metro map as a creative canvas. Participating artists, including Louyz, Raf Urban, and Ardif, have produced small-format pieces specifically for this event, which also features a selection of serigraphs for sale in the gallery’s basement.