filter_list Showing 582 results for "DEFINE" close Clear
search
dashboard All 582 museum exhibitions 306article culture 64trending_up market 47candle obituary 44article news 37rate_review review 26article local 25person people 22article policy 8gavel restitution 2article museum 1
date_range Range Today This Week This Month All
Subscribe

gallery climate coalition carbon five year report

The Gallery Climate Coalition (GCC), a London-based organization with 2,000 members across 60 countries, released a report titled "Five-Year Review of Climate Action in the Visual Arts" during London Art+Climate Week, timed with the UN climate summit Cop30 in Brazil. The report reveals that 80 percent of members who began tracking their carbon footprint in 2019 have reduced their impact by 25 percent, and are on track to cut emissions by 50 percent by 2030. Key sources of emissions include shipping, air travel, and energy use, accounting for 80 to 95 percent of members' carbon output. Christie's London, which hosted a launch event, reported a 69 percent reduction in emissions from 2019 to 2024 through renewable energy and reduced catalog publishing.

design artist housing hell real estate

The article examines the severe affordable housing crisis facing artists in major art capitals like New York, Berlin, London, Los Angeles, Paris, and Hong Kong. It draws parallels between the satirical portrayals of housing struggles in Tama Janowitz's *Slaves of New York* (1986) and Jane DeLynn's *Real Estate* (1988) and the contemporary reality, where median rents have tripled since the 1970s while artists' median earnings remain critically low. The author maps artists' precarious housing situations onto Dante's nine circles of Hell, illustrating the creative but often desperate workarounds artists employ, such as subletting, living in storage units, or having no permanent address.

Inside LACMA’s Visionary New Galleries Floating Above Los Angeles

The Los Angeles County Museum of Art (LACMA) has unveiled the David Geffen Galleries, a $724 million concrete-and-glass structure designed by Pritzker Prize-winning architect Peter Zumthor. Spanning Wilshire Boulevard, the 110,000-square-foot horizontal gallery space floats 30 feet above ground and features a non-chronological layout intended to encourage wandering. The interior is characterized by pigment-infused concrete walls, floor-to-ceiling windows with specialized metal curtains by Reiko Sudō, and a lack of traditional white-cube galleries.

Want to check out LACMA’s new building? Here’s how you can get tickets—for free

The Los Angeles County Museum of Art (LACMA) is set to open its highly anticipated David Geffen Galleries to the public on May 4, 2026, following a members-only preview starting April 19. Designed by Swiss architect Peter Zumthor, the $724 million, 110,000-square-foot concrete structure spans Wilshire Boulevard and houses the museum's permanent collection in a single-floor layout. The opening will be celebrated with a public block party on June 20, featuring free admission, tours, and live performances.

LACMA New David Geffen Galleries Open 4/19... Installation of Do Ho Suh's 'Gyeongbokgung Jagyeongjeon'

LA카운티미술관(LACMA) 뉴 데이빗게펜 갤러리 4/19 오픈...서도호 작 '경복중 자경전' 설치

The Los Angeles County Museum of Art (LACMA) has announced the official opening of the David Geffen Galleries on April 19, 2026. Designed by Pritzker Prize-winning architect Peter Zumthor, the 900-foot-long horizontal structure spans Wilshire Boulevard and features a single elevated exhibition level for the museum’s permanent collection. The inaugural installation, curated by a collaborative team of 45 specialists, rejects traditional chronological or geographical hierarchies in favor of a thematic approach centered around global oceanic frameworks.

Strong sales and cross-market demand define Art Basel Hong Kong opening

Art Basel Hong Kong opened with robust sales and high energy, signaling a strong recovery for the Asia-Pacific art market. Blue-chip galleries reported several seven-figure transactions early on, including a $4 million Picasso at Bastian and a $3.8 million Liu Ye painting at David Zwirner. The fair's debut of the digital-focused 'Zero 10' initiative and a significant presence of regional collectors underscored a diverse appetite for both postwar masters and contemporary digital works.

Henry Moore and Dorothea Tanning set records at Christie's triple-header sale in London

Christie’s London achieved a robust £197.4 million total across three evening sales, representing a 52% year-on-year increase for the season. The marathon auction was defined by a high 96% sell-through rate and record-breaking prices for major artists, most notably Henry Moore, whose sculpture "King and Queen" sold for £26.3 million. The evening demonstrated a strong appetite for "fresh to market" works and Surrealist masterpieces, even as some lots hammered at the lower end of their estimates.

LACMA’s David Geffen Galleries Will Open on April 19, 2026

The Los Angeles County Museum of Art (LACMA) announced that its David Geffen Galleries, designed by architect Peter Zumthor, will open on April 19, 2026, with a ribbon-cutting ceremony. The opening will be followed by two weeks of priority member access and a free day for NexGenLA youth members on May 3. The 900-foot-long building spans Wilshire Boulevard and will house LACMA's permanent collection, featuring approximately 2,500 to 3,000 objects across 110,000 square feet of gallery space. The inaugural installation is organized around the Pacific, Indian, and Atlantic Oceans and the Mediterranean Sea, emphasizing cultural exchange and migration, and includes works by Georges de La Tour, Henri Matisse, Francis Bacon, Vincent van Gogh, and new commissions by artists such as Todd Gray and Lauren Halsey.

1+1. Relational Art: at MAXXI a major exhibition reflects on the legacy of Nicolas Bourriaud's critical revolution

The MAXXI museum in Rome has opened a major exhibition titled "1+1. Relational Art," which examines the legacy of Nicolas Bourriaud's influential 1998 book "Relational Aesthetics." The show brings together works by artists from the 1990s generation—including Maurizio Cattelan, Douglas Gordon, Pierre Huyghe, Philippe Parreno, Liam Gillick, and Dominique González-Foerster—who pioneered art based on human interactions and social contexts rather than traditional autonomous objects. The exhibition reflects on how Bourriaud's theory, developed from studio visits with these young artists, redefined art criticism by proposing that artworks be judged by the interhuman relations they produce or evoke.

A vocabulary of touch: exhibition of sculpture by blind and partially blind artists opens in Leeds

The Henry Moore Institute in Leeds has opened "Beyond the Visual," the first major UK exhibition of sculpture centered on blind and partially blind artists and curators. Co-curated by Ken Wilder, Aaron McPeake, and Clare O'Dowd, the show features works by 16 international artists including Henry Moore, Barry Flanagan, Lenka Clayton, Emilie Louise Gossiaux, David Johnson, and others. The exhibition prioritizes touch, sound, and sensory engagement, with all objects available to handle, textured flooring mats, high-contrast signage, and audio descriptions. It includes new commissions such as David Johnson's "Nuggets of Embodiment" (2024-25), made of 10,000 stone-plaster Digestive biscuits with Braille text.

Stefan Edlis and Gael Neeson built an unforgettable collection defined by humanity and humour

Christie's will auction over 40 works from the collection of the late Stefan Edlis and his wife Gael Neeson, beginning with the 21st Century Evening Sale on 19 November and the Post-War & Contemporary Art Day Sale on 20 November in New York, with additional offerings continuing through 2026. The collection, housed in the couple's Chicago residence, includes iconic pieces by artists such as Ed Ruscha, Urs Fischer, Jeff Koons, Cindy Sherman, and Diego Giacometti, reflecting a blend of avant-garde, Pop, and Art Deco design.

Mary Boone Stages a Triumphant Return With the Art Titans of 1980s New York

Mary Boone has co-curated "Downtown/Uptown: New York in the Eighties" at Lévy Gorvy Dayan in New York, a sprawling exhibition of over 60 works by artists who defined the 1980s art scene, including Andy Warhol, Jean-Michel Basquiat, Keith Haring, Cindy Sherman, and Julian Schnabel. The show, running until December 13, 2025, features Warhol's portraits of Boone's former stable of artists and highlights the cross-pollination of Neo-Expressionism, street art, and political critique that made New York the epicenter of the art world.

New exhibition highlights work from '80s art superstars

The Lévy Gorvy Dayan Gallery on Manhattan's Upper East Side has opened "Downtown/Uptown: New York in the Eighties," an exhibition co-curated by Brett Gorvy and legendary downtown gallerist Mary Boone. The show features works by iconic 1980s New York artists including Andy Warhol, Jean-Michel Basquiat, Keith Haring, Julian Schnabel, Barbara Kruger, Jeff Koons, Francesco Clemente, Kenny Scharf, the Guerilla Girls, Robert Mapplethorpe, Cindy Sherman, and Louise Lawler. Admission is free, and the exhibition runs through December 13.

Agnes Gund, collector and philanthropist who helped transform MoMA, has died, aged 87

Agnes Gund, the influential American arts philanthropist and collector, has died at age 87. Gund was a transformative figure at the Museum of Modern Art (MoMA) in New York, serving on its board from 1976, as president from 1991 to 2002, and later as president emerita. She helped raise funds for MoMA's $858m expansion, donated around 100 works to the museum, and pushed for acquisitions of women and artists of color. Beyond MoMA, she founded Studio in a School in 1977 to bring art education to New York City public schools and co-chaired a Sotheby's auction to support Miss Porter's School. Her death was first reported by The New York Times; she is survived by four children.

A first glimpse (and listen) inside Lacma’s $720m new building

The Los Angeles County Museum of Art (Lacma) opened its new $720 million David Geffen Galleries building to 2,000 members and guests for previews on June 27, 2025, before its official opening in April 2026. Designed by Swiss architect Peter Zumthor, the elevated concrete structure spans Wilshire Boulevard with 110,000 square feet of gallery space, floor-to-ceiling windows, and a 300-seat theater. Musician Kamasi Washington organized a "sonic preview" with 100 jazz musicians performing his six-part suite *Harmony of Difference* throughout the empty space. The building sits adjacent to the preserved Japanese Pavilion (designed by Bruce Goff, 1988) and features Tony Smith's sculpture *Smoke* (1967) in a courtyard.

Remembering Pope Francis, for 12 years head of the Catholic church and proprietor in trust of the Vatican's library and art collections

Pope Francis, the 266th pope and the first from the Americas and the Global South, has died. He was the spiritual leader of 1.3 billion Catholics, head of state of the Vatican, and proprietor in trust of the Vatican's vast art and architectural collections. Born Jorge Mario Bergoglio in Argentina, he was the first Jesuit pope and the first to take the name Francis, signaling a commitment to austerity and social justice. His papacy, beginning in 2013 after Benedict XVI's resignation, addressed theological controversies, church culture wars, interfaith relations, Vatican financial reform, the clergy sexual abuse crisis, and cultural restitution from the Vatican's holdings.

risd design aesthetics recession

A writer revisits the Rhode Island School of Design (RISD) alumni magazine after being assigned to explore how a group of RISD graduates from the late 2000s helped shape contemporary American material culture. The article focuses on the cohort that studied at RISD during the 2008 financial crisis, a time of institutional dysfunction and curricular drift, and includes figures like fashion brand Eckhaus Latta (co-founded by Mike Eckhaus and Zoe Latta), designer Adam Charlap Hyman, artists Katie Stout, Misha Kahn, F Taylor Colantonio, and Martine Gutierrez. The author reflects on shared memories and the unique conditions that produced this influential group.

Georg Baselitz, German Neo-Expressionist Painter, Dies at 88

Georg Baselitz, the German Neo-Expressionist painter known for his provocative, upside-down figurative works, has died at age 88. Along with contemporaries like Anselm Kiefer, Baselitz led a frontal assault on the dominant Minimalist and Conceptualist art movements of the 1970s, reviving expressive, gestural painting in postwar Germany.

The artist Fabien Verschaere, creator of joyful shambles, has passed away at age 50

L’artiste Fabien Verschaere, auteur de joyeux capharnaüms, s’est éteint à l’âge de 50 ans

The French contemporary artist Fabien Verschaere has passed away suddenly at the age of 50. Known for his dense, colorful, and highly personal visual language, Verschaere was scheduled to receive the Chevalier des Arts et des Lettres distinction just days after his death. His work, which drew heavily from childhood imagery and his own experiences with chronic illness, created a bridge between dreams and nightmares through a cast of recurring characters like ghosts, superheroes, and hybrid creatures.

In Belgio inaugura BRUSK. A Bruges un nuovo museo ibrido dall’arte antica all’AI

A new hybrid cultural center called BRUSK has opened in Bruges, Belgium, designed by Robbrecht en Daem and Olivier Salens. Part of the Musea Brugge network, the venue blends ancient art with contemporary and AI-driven works, featuring two inaugural exhibitions: "Bigger Picture. Connected Worlds of Bruges 900–1550," a historical survey co-curated with historian Peter Frankopan, and "Latent City," the first Belgian solo show of digital artist Refik Anadol. The building offers free ground-floor public spaces, including a café and a permanent mural by Laure Prouvost, aiming to attract both tourists and locals.

The Last Interview with the Great Artist Georg Baselitz on the Occasion of His Exhibition in Florence

L’ultima intervista al grande artista Georg Baselitz in occasione della sua mostra a Firenze

Georg Baselitz, the German artist born in 1938, is the subject of a major retrospective titled "Avanti!" at the Museo Novecento in Florence, featuring 170 works including paintings, works on paper, and sculptures, with a strong focus on his graphic output. The exhibition, curated by Sergio Risaliti and Daniel Blau (Baselitz's son and an artist himself), spans three floors and traces the evolution of Baselitz's practice, culminating in a dialogue with the work of Italian artist Ottone Rosai. The show is accompanied by a prequel exhibition honoring the 120th anniversary of Villa Romana, where Baselitz once held a fellowship, and will be followed by another exhibition at the Fondazione Giorgio Cini in Venice in May, which together with the Florence show form the artist's testament. Artribune published Baselitz's last interview in its new bimonthly issue.

Beyond the prompt: when the medium is generative AI, the artist becomes a systemic director

Oltre il prompt: quando il medium è l’AI generativa l’artista diventa regista sistemico

The article argues that as AI-generated images become more spectacular, the role of the artist is often misunderstood as merely writing prompts. Instead, the author contends that the most significant generative artworks are systems—predetermined rule-based environments where the artist designs the conditions for images to emerge. Works like Hans Haacke's "Condensation Cube" (1963-1965) and Refik Anadol's "Unsupervised" (2022) exemplify this shift from object to process, where the artwork is the behavior or architecture itself.

Edward Weston Unveiled: The American Photographer on Display in Turin

Edward Weston senza veli. Il fotografo americano in mostra a Torino

CAMERA – Centro Italiano per la Fotografia in Turin is hosting a major retrospective of the American photographer Edward Weston. The exhibition explores Weston’s mastery of 'straight photography,' showcasing his iconic nudes, still lifes of organic forms like peppers and shells, and sweeping Californian landscapes. Through absolute precision and tonal control, the show highlights how Weston transformed physical matter into timeless, sculptural images that defined a new visual language of the 20th century.

The New Victoria & Albert Museum Opens in April: Once Again in East London

Ad aprile inaugura il nuovo museo del Victoria&Albert. Ancora una volta nell’East London

The Victoria & Albert Museum has announced the official opening date for the V&A East Museum, a new five-story cultural landmark in London’s Queen Elizabeth Olympic Park. Designed by architects O’Donnell + Tuomey, the museum will debut on April 18, 2026, featuring two permanent galleries titled "Why We Make" that showcase over 500 objects ranging from Renaissance paintings to contemporary fashion by Vivienne Westwood. The entrance will be anchored by a monumental bronze sculpture by Thomas J Price, marking the start of a robust contemporary commission program.

Phillips Collection’s new ‘Miró and the United States’ exhibit focuses on transatlantic cultural exchange rather than conflict

The Phillips Collection in Washington, D.C., has opened a new exhibition titled 'Miró and the United States,' curated by Elsa Smithgall. The show features 75 works by Joan Miró alongside pieces by more than 30 other artists, including Alexander Calder, Rufino Tamayo, and Arshile Gorky. Rather than framing the relationship as a cultural clash between European modernism and American art, the exhibition emphasizes transatlantic artistic exchange during the mid-20th century, particularly in the shadow of World War II and the Spanish Civil War. Key works include Miró's 'Constellations' series and 'Still Life with Old Shoe' (1937), which are presented in dialogue with American contemporaries who responded to his visual language.

Ed Ruscha | Ed Ruscha Records 1971 (1st edition) (1971) | Art & Prints

This article presents Ed Ruscha's artist book "Records" (1971), a photographic survey of thirty vinyl records from his personal collection, offered by Lot 180 Gallery New York. It describes the work as a first edition offset printed book in good vintage condition, measuring 7 x 5.5 inches, from an edition of approximately 2,000 unsigned copies published by Heavy Industries Publications in Los Angeles.

A Tribute to Asher Remy-Toledo

Asher Remy-Toledo, a visionary gallerist, curator, and collector, has passed away after a career spanning over three decades. He founded influential initiatives including Remy Toledo Gallery in Chelsea (2004), Hyphen Hub (2013), No Longer Empty (2009), and Yuanfen Gallery in Beijing, the first new media gallery in mainland China. Remy-Toledo was a tireless champion of women artists, supporting figures such as Carolee Schneemann, Judy Chicago, Mary Beth Edelson, and Ana Mendieta, as well as emerging international artists. He also amassed significant private collections, including works by the article's author and Schneemann's Infinity Kisses series.

Toronto art gallery hosting free party ahead of new exhibit

The Power Plant Contemporary Art Gallery in Toronto is hosting a free opening party on April 24 for its new exhibition, 'Colourful Parachutes: Imagining Alternative Futures Through the Power of Play.' The exhibition features interactive installations by ten international artists, including Temitayo Ogunbiyi, Leisure, Robin Rhode, and Claire Greenshaw, designed to be touched, climbed on, and altered by visitors.

New Chrysler exhibition at NSU puts Black identity front and center

The James Wise Gallery at Norfolk State University has unveiled "Define Yourself!", a traveling exhibition organized in partnership with the Chrysler Museum of Art. Inspired by James Baldwin’s "The Fire Next Time," the show features 15 works by artists including Kara Walker, Emma Amos, and Carl Van Vechten that explore themes of Black identity, media representation, and double consciousness. The initiative is part of the Atlantic Coast Cohort, a program funded by the Art Bridges Foundation to share museum collections with historically Black colleges and universities (HBCUs).

New Exhibition Explores the 60 Artists At the Forefront of Contemporary Fiber Art

The Golden Thread 2, a new exhibition organized by Karin Bravin and John Lee of BravinLee Programs, showcases the work of 60 contemporary fiber artists at an 18th-century mercantile building in Manhattan’s South Street Seaport neighborhood. Running until May 16, 2025, the show features a wide range of techniques including weaving, crochet, knitting, embroidery, tufting, and quilting, with pieces by artists such as Julia Bland, Lucia Engstrom, Mark Fleuridor, Sammy Bennet, Ali Dipp, Ana Maria Hernando, and Ellie Murphy. This second iteration is larger and longer than the first, which coincided with Frieze New York in 2024.