The Brooklyn-based art collective MSCHF concluded its two-year project 'Our Cow Angus,' in which the fate of a live cow was determined by token holders. Purchasers of tokens representing future hamburgers and leather had the option to return them via a 'remorse portal'; when over 50% were returned by the March 13 deadline, the cow was sent to a sanctuary instead of a slaughterhouse.
The Carnegie Museum of Art in Pittsburgh has announced the artist list for its 2026 Carnegie International exhibition. The largest edition to date features 61 artists from around the world, including the Indigenous Argentinian collective Silät, Indian artist Sanchayan Ghosh, and Peruvian painter Arturo Kameya. The show, titled "If the word we," will open on May 2 and includes 36 new commissions, organized by curators Ryan Inouye, Liz Park, and Danielle A. Jackson.
Devon Turnbull, also known as OJAS, has a dedicated listening room featuring his custom-built high-fidelity sound system as part of the "Art of Noise" exhibition at the Cooper Hewitt Smithsonian Design Museum in New York. The installation, titled HiFi Pursuit Listening Room Dream No. 3, occupies Andrew Carnegie's former personal library and features scheduled listening sessions with the artist or guests, including notable figures like filmmaker Josh Safdie, musician Laraaji, and artist Tom Sachs.
San Francisco Art Week is underway, anchored by the 12th edition of FOG Design and Art (January 21–25) on a historic former Army base. The event arrives amid flux for Northern California's art scene, with several prominent galleries closing and two major art schools—the San Francisco Art Institute and the California College of the Arts—recently shuttering. However, new free-admission fairs Atrium and Skylight Above (both January 22–25) signal fresh energy. The article highlights must-see museum shows across the city, including "Lee ShinJa: Drawing with Thread" at BAMPFA, "Rose B. Simpson: Lexicon" at the de Young Museum, "Rising Tides" at the Floating Art Museum, and "Earthseed Dome: Lily Kwong" at the Institute of Contemporary Art, San Francisco.
Volume Gallery, a Chicago gallery specializing in art and design, is tripling its size and moving to a new location in the West Town neighborhood. The gallery, founded by Claire Warner and Sam Vinz, will open a 3,500-square-foot space on February 13, marking its third location since its 2010 launch. The inaugural exhibition, "The Heresy of Legacy," will feature works by artists and designers including Selva Aparicio, Richard Artschwager, and Joyce Scott.
The Gordon Parks Foundation is celebrating its 20th anniversary in 2026, marking two decades since the founding of the organization dedicated to preserving the legacy of photographer and artist Gordon Parks. Executive Director Peter W. Kunhardt, Jr. reflects on the foundation's growth, including exhibitions, museum partnerships, publications, and fellowships that support emerging artists. The foundation was co-founded by Parks and Kunhardt's grandfather, Phil Kunhardt, in 2006. As part of the anniversary, the foundation is publishing a new edition of "Gordon Parks: Diary of a Harlem Family, 1967/1968" and will realize three gallery exhibitions, starting with "We Shall Not Be Moved" at Alison Jacques Gallery in London, curated by Bryan Stevenson.
The Frick Collection reopens to the public on April 17 after a five-year closure and a $220 million expansion and renovation by Selldorf Architects. The project adds 18,000 square feet, including 10 new galleries in the family's original second-floor living quarters, a marble staircase, cafe, gift shop, and a new auditorium. The percentage of the collection on view has increased from 25% to 47%, and Ukrainian artist Vladimir Kanevsky has created porcelain floral arrangements for the reopening. New director Axel Rüger, who joined from London's Royal Academy of Arts, welcomed journalists at a press preview.
The United States invaded Venezuela in a military operation that seized President Nicolás Maduro and his wife Cilia Flores, who will face federal charges in New York. The Trump administration has stated it will run the country until a favored government is installed, while Vice President Delcy Rodriguez has been sworn in as interim president. The operation has sparked global protests and mixed reactions among Venezuelans, with some celebrating Maduro's ouster and others condemning the violation of international law.
The article reflects on the state of Latinx art in 2025, a year marked by devastating wildfires in Los Angeles and the start of the second Trump administration, which has intensified ICE raids and targeted communities of color. Amid this crisis, artists have created poignant responses, including AMBOS's ceramics project at Frieze Los Angeles benefiting migrants awaiting asylum hearings, and Consuelo Jimenez Underwood's solo exhibition at Artpace in San Antonio, which explored borders both literal and cosmic. The piece also highlights a two-person show by Beatriz Cortez and rafa esparza at the Americas Society, titled "Earth and Cosmos," featuring works that challenge time and space.
Brown University terminated both curators at the David Winton Bell Gallery—Kate Kraczon, director of exhibitions and chief curator, and Thea Quiray Tagle, associate curator—on December 4, as part of broader layoffs and austerity measures amid a financial crunch. The university eliminated 55 vacant positions and laid off 48 staff across campus, but has not publicly commented on the curators' terminations, which were confirmed via an internal message shared with ARTnews. Faculty members expressed surprise and frustration, saying they received no clear explanation beyond budget cuts, and it remains unclear who will handle future programming at the gallery.
The article explores the challenge of articulating olfactory experiences in art, focusing on Norwegian artist Sissel Tolaas, who has dedicated her career to scent as a medium. Tolaas has collected over 15,000 smell molecules for her SMELL RE_searchLab in Berlin and invented a language called NASALO to describe scents more precisely. The piece also highlights the Kunstpalast Düsseldorf's exhibition "The Secret Power of Scents," which integrates smell into its permanent collection display, and references historical and contemporary artists like Ernesto Neto, Mike Kelley, and Oswaldo Maciá who have used scent in their work.
Art world insiders share their predictions for 2026, anticipating a market rebound after a turbulent 2025 marked by gallery closures and tariff announcements. Key developments include the launch of new art fairs by Art Basel and Frieze in Qatar and Abu Dhabi, the return of the Whitney Biennial and Venice Biennale, and a surge in estate-driven sales as the Great Wealth Transfer accelerates. Experts note a revival of interest in Old Masters and classic taste, with collectors returning to bidding and galleries seeing renewed activity.
Uruguay's only art fair, Este Arte, is preparing for its 12th edition from January 4-7 at the Vik Pavilion in José Ignacio. Founded by curator Laura Bardier, the fair features just 14 galleries, including returnees like Galería del Paseo and Xippas Galleries, and newcomers such as Almeida & Dale and Galerie Jocelyn Wolff. Despite its small scale, with works priced from $500 to $400,000 (most under $20,000), the fair has intentionally reduced its exhibitor list since its inaugural edition, focusing on quality over quantity.
Artissima, Italy's only contemporary art fair, closed its 32nd edition on November 2, 2025, at the Oval Lingotto Fiere in Turin, drawing 34,500 visitors and 176 galleries from 36 countries. Directed by Luigi Fassi for the fourth year, the fair ran from October 30 to November 2, featuring 63 monographic presentations and 26 first-time exhibitors. The edition introduced a new 5% VAT rate on artworks in Italy, awarded 13 prizes including the new Vilnius Residency Prize, and saw the Fondazione Arte CRT Acquisition Fund acquire 26 works for GAM Torino and Castello di Rivoli, marking its 25th anniversary. Special projects included "From Japan: Anonymous Art Project" and a film screening by Basim Magdy at Parco Michelotti.
Two concurrent exhibitions in New York explore the intersection of art and UFOs, paranormal phenomena, and extraterrestrial life. "Voice of Space: UFOs and Paranormal Phenomena" at the Drawing Center (through February 1, 2026) features some three dozen works from artists including René Magritte and Isa Genzken, with Magritte's 1931 painting "Voice of Space" as the conceptual centerpiece. Meanwhile, "Paintings Made for Aliens Above" at P.P.O.W (through December 20, 2025) presents new works by Romanian artist Hortensia Mi Kafchin, probing technofuturism's promises and failures. The shows include historical pieces like Paulina Peavy's multimedia works co-credited to her personal UFO, and contemporary works by Char Jeré that interrogate technology and consumerism.
The article highlights four must-see fall gallery shows in New York City for September-October 2025. It features Mercedes Matter's first solo show at Berry Campbell, reviving the overlooked Abstract Expressionist; Julio Torres's theatrical debut "Color Stories" at Performance Space New York; Gabrielle Garland's first New York solo exhibition at Miles McEnery Gallery, showcasing surreal suburban paintings; and Omar Ba's exhibition "Promises and Glory" at Templon, presenting fantastical mixed-media works.
This week's art industry moves include South Arts appointing Doug Shipman as its next president and CEO, departing his role as Atlanta City Council president to lead the regional nonprofit across nine Southern states. London gallery Alison Jacques now represents Cape Town–born painter Gina Kuschke, with a debut solo exhibition opening January 15. Gallery Wendi Norris in San Francisco will represent the Marie Wilson estate, while Berlin's Galerie Judin adds Jorinde Voigt to its roster in partnership with David Nolan, Dirimart, and Sicardi | Ayers | Bacino. Thaddaeus Ropac appoints John Utterson as director in London, and Aperture secures $2 million in gifts toward its new permanent home. A record $31.4 million was paid for François-Xavier Lalanne's 'Hippopotame Bar' at Sotheby's New York, tripling its high estimate. The article also notes a growing trend of consultancies—mostly US- and European-based—being hired to help the UAE, Qatar, and Saudi Arabia build their cultural sectors.
Darren Bader's first exhibition with Matthew Brown Gallery in New York, titled "Youth," features his signature conceptual works that blur the line between humor and philosophical inquiry. The show includes pieces like "jam on It," a mound of fruit spread placed on a Stephen King novel, and a bin soliciting sock donations, including a pair printed with Edgar Allan Poe's face and injected with Botox. Gallery director Jack Eisenberg describes the challenges of sourcing jam in New York, highlighting the absurd yet meticulous nature of Bader's practice.
Jack Shainman Gallery has formally responded to a lawsuit filed by artist Odili Donald Odita, who accused the New York gallery of refusing to return his artworks. Odita, whose work has been shown at the Venice Biennale and who recently painted the atrium of the Museum of Modern Art, claimed the artworks were worth $1.12 million. In a late November filing, the gallery countered that it holds far less inventory than Odita alleges and that the artist still owes money for production costs. The gallery disclosed that it had paid Odita a monthly stipend starting in 2016—$14,000 per month at its peak—which stopped in 2024, and that Odita had received $586,000 in loans. The gallery claims it has the right to retain five works valued at $650,000, which were consigned to David Kordansky Gallery, and that Odita must repay over $292,000 in outstanding loans.
who is alma allen us pavilion artist 2026 venice biennale
The US Department of State has confirmed that sculptor Alma Allen will represent the United States at the 2026 Venice Biennale. Allen, a Utah-born, Mexico-based artist known for abstract biomorphic sculptures, was selected after a fraught selection cycle that included updated guidelines requiring proposals to promote American values. He was approached directly by curator Jeffrey Uslip, who will organize the US pavilion, and accepted the offer despite reportedly being advised against it by his former galleries Mendes Wood DM and Olney Gleason, which subsequently cut ties with him.
Artnet News reports on the November 2025 day sales in New York, following the evening sales that signaled a market comeback. Hot lots included Gertrude Abercrombie's "Message for Mercy" (1950), which sold for $1.2 million at Sotheby's, setting a new auction record for the artist. Other strong performers were Julia Jo's "Rhyme or Reason" (2022) at Christie's for $203,200 and Mary Abbott's "Forest of Dak" (1965) at Phillips for $167,700. Top flops included Jacques Lipschitz's "Tete" (conceived 1915), which sold for $152,400 against a $300,000–$400,000 estimate at Sotheby's, and Sterling Ruby's "SP44" (2008), which underperformed at Christie's.
A long-unseen 12-foot-wide painting by Martin Wong, titled *Tai Ping Tien Kuo (Tai Ping Kuo)* (1982), will be exhibited at Art Basel Miami Beach next month courtesy of New York gallery P.P.O.W. The work, which features a rare nude portrait of the artist’s mother and stepfather, was last shown publicly in 1987 at the Asian Arts Institute in New York. It was kept in storage for decades because Wong’s mother, Florence Wong Fie, objected to its display out of modesty. The painting adopts a classical three-panel altarpiece format, blending Chinese American history with references to Western art, the Taiping Rebellion, and Wong’s own Lower East Side influences.
The United States Pavilion at the upcoming Venice Biennale faces an uncertain future after a proposal by artist Robert Lazzarini and independent curator John Ravenal collapsed. The proposal, selected by the US State Department in early September, fell through when the University of South Florida’s Contemporary Art Museum declined to sign the contract, citing a shortened timeline and financial obligations. Ravenal attributed the breakdown to bureaucratic misalignment rather than ideological disagreement, while the State Department declined to comment. The selection process also shifted this year, with the National Endowment for the Arts excluding itself due to staffing transitions, leaving the State Department to handle it alone.
The second edition of Taipei Art Week has drawn a large crowd, anchored by Art Taipei—Asia's longest-running art fair—and the 14th Taipei Biennale. Galleries have raised their ambitions, with pop-up shows, talks, and collectors' parties filling the city. However, Taiwan's art market faces significant headwinds: art imports fell 15.2% in 2024, Ravenel's spring auction sales plummeted from $14.6 million in 2020 to $3.6 million in 2025, and Taipei Dangdai announced it would cease operations after its sixth edition. Geopolitical tensions with China have reduced Chinese collector participation and visitor numbers at the National Palace Museum.
Racquel Chevremont, a model, curator, and reality TV star, has filed a 31-page lawsuit against her former romantic partner, artist Mickalene Thomas, in the Supreme Court of the State of New York. The suit expands on earlier harassment allegations from August, detailing claims of an abusive work environment and financial exploitation. Chevremont alleges that Thomas denied her promised compensation from sales of artworks featuring Chevremont, including a painting that sold for $1.83 million, and that Thomas paid herself significant sums while Chevremont received nothing from their joint company, MT Special Projects (also known as Deux Femmes Noires). Thomas has denied the allegations through a spokesperson, calling them false and a desperate attempt to profit from her reputation.
Olney Gleason, a new gallery founded by former Kasmin senior staff Nick Olney and Eric Gleason, has been appointed as the exclusive representative for the estates of Jackson Pollock and Lee Krasner through the Pollock-Krasner Foundation. The gallery, which opened earlier this year, succeeds Kasmin in handling the artists' work; Kasmin had represented Pollock since 2024 and Krasner since 2017. Olney and Gleason previously organized multiple Krasner exhibitions at Kasmin and supported major museum shows, including a 2019 Krasner retrospective at the Barbican Centre and a 2024 Pollock exhibition at the Picasso Museum in Paris.
The Isamu Noguchi Foundation and Garden Museum has announced the 2025 award honorees: architect-designer Mira Nakashima and sculptor Kan Yasuda, who will receive the 12th annual award at the museum's 40th anniversary benefit on November 17. In other industry moves, the Whitney Museum acquired digital artworks by Gretchen Andrew and Michael Mandiberg; Hesse Flatow added San Francisco-based artist Emily Harter to its roster; Alexander Gray Associates now represents Kamrooz Aram; Fong Chung-Ray joined Alisan Fine Arts; and Hakim Bishara was named editor-in-chief of Hyperallergic. Additionally, Ari Emanuel raised $2 billion in equity to fund Mari, a holding company that owns Frieze, tennis tournaments, and a majority stake in Barrett-Jackson auction house.
Actor Adrien Brody debuted a new exhibition titled "Made in America" at Eden Gallery in New York, featuring paintings that incorporate pop culture icons like Mickey Mouse, Donald Duck, and Marilyn Monroe alongside collage elements and text. The show has garnered significant media attention, including a profile in the New York Times and praise from Cultured and Interview magazine, partly fueled by the sale of one of Brody's paintings for $425,000 at the amfAR Cannes Gala. However, the art press, including Artnet News, has been highly critical, with ARTnews reviewer Alex Greenberger describing the works as ugly, derivative, and lacking nuance.
Independent 20th Century, a New York art fair held September 4–7 at Casa Cipriani, reported that 74% of buyers were new clients of participating dealers, with 100 works sold—up from 87 in 2024. The highest sale was Ilya Kabakov's *Colourful Noise #2* for $650,000 at Galerie Brigitte Schenk, a 65% increase over last year's top sale. Nine of 30 exhibitors sold out their booths, and institutions acquired 18 works, compared to three in 2024. The fair also announced its 2026 edition will move to Sotheby's new headquarters in the Breuer building, marking a first-of-its-kind collaboration between a contemporary art fair and an auction house.
Donald Moffett's latest exhibition, "Snowflake," opened at Alexander Gray Associates in New York, marking his first solo show in the city since 2019. The exhibition features extruded oil paintings created with cake-decorating tools, including works like "Lot 052525 (nature cult, melt 1)" and "Lot 061625 (nature cult, melt A)," which depict melting snow as a metaphor for the climate crisis. Moffett draws a parallel between this show and his 1989 exhibition "I Love It When You Call Me Names" at Wessel O’Connor Gallery, both titles reclaiming derogatory terms—"homo art" then, "snowflake" now—as acts of defiance. The palette is predominantly black and white, reflecting what Moffett describes as "dark times" and the stark choices of the current political climate.