Fight in the Museum: Q&A with Sean Carney

Sean Carney, a painter and longtime art teacher at Lawrence High School, discusses his artistic journey and evolving practice in a Q&A with Thomas Kelly. Carney, who works with water-based wood stains on wood panels, recently shifted his subject matter from cityscapes to iconic automobiles in his "Driven by Design" series, inspired by a visit to the Saratoga Automobile Museum. His work has been exhibited at Barsky Gallery in Hoboken and other venues, and he credits influences including professors Ray Statlander and Ben Jones, as well as artist Mel Leipzig.

Reaching for the stars: enduring symbols of Soviet science – in pictures

Photographer Eric Lusito documents Soviet-era scientific institutes across former USSR states in his book "Soviet Scientific Institutes," published by FUEL. The photo essay captures decaying facilities and enduring equipment at locations including the Institute of Radio Astronomy in Kharkiv, Ukraine; the Byurakan astrophysical observatory in Armenia; the Andronikashvili Institute of Physics in Tbilisi, Georgia; and the Fesenkov Astrophysical Institute in Kazakhstan, among others.

Ada: My Mother the Architect review – illuminating profile of brilliant builder balances work and family

Architect-turned-filmmaker Yael Melamede directs a documentary portrait of her mother, Israeli architect Ada Karmi-Melamede, who co-designed the Supreme Court of Israel building in Jerusalem in the early 1990s with her brother Ram Karmi and later created Ben Gurion Airport. The film explores Karmi-Melamede's architectural philosophy of "architecture of the ground and of the sky," her departure from her brother's brutalism, and a painful family split when she left her husband and children in New York after being denied tenure at Columbia University.

This is fucking Disneyland

"Das ist fucking Disneyland"

The article surveys recent German cultural commentary, highlighting three main stories: art historian Bénédicte Savoy's warning in the FAZ about the physical decay of German universities, particularly the Technical University of Berlin, as a threat to democratic culture; Berlin artist Charlie Stein's essay on anxiety as a pervasive contemporary condition and art's role in making it visible; and critic Rachel Wetzler's harsh review of the Venice Biennale in Artforum, calling it an overwhelming 'theme park' version of the art world. Additionally, Nikolaus Bernau defends expert juries in the Tagesspiegel, using the Biennale's jury crisis as a case study.

"Dispossessions in the Americas" Confronts the Colonialism That Invades All Territory

The article reviews "Dispossessions in the Americas," a group exhibition at Wrightwood 659 in Chicago curated by Jonathan D. Katz and Eduardo Carrera. Featuring works from 1960 to 2025, the show examines colonial legacies in the Americas, focusing on the forced dispossession of land, culture, and language from indigenous, Afro-descendant, queer, and trans communities. The review critically questions how a polished, architecturally prestigious venue can coherently display art about socially voiceless communities without falling into voyeurism or fetishization of pain.

Running from one image to another, from one time to another, from one hope to another: at Circolo, in Milan, an exhibition on the contemporary Lebanese scene

The article reviews "Shifting Crossroads. Beirut Contemporary," an exhibition at Circolo in Milan that surveys the contemporary Lebanese art scene. It features internationally recognized artists like Mona Hatoum and Simone Fattal alongside emerging talents, including works from the Saikalis Bay Foundation, founded in 2024 by Nicole Saikalis and Matteo Bay. The show spans historical-archival investigation, photography, installation, painting, and sculpture, with pieces such as Stéphanie Saadé's "Stage of Life" (2021), Catherine Cattaruzza's "I am Folding the Land" (2022), and Joana Hadjithomas & Khalil Joreige's "Waiting for the Barbarians" (2013) exploring themes of memory, fragility, and geopolitical instability.

Show White: Academy of Visual Arts, University of the Arts Sharjah exhibition

The Academy of Visual Arts at the University of the Arts Sharjah is presenting a faculty exhibition titled 'Show White,' curated by Tor Seidel and assisted by Maryam AlQassimi. The show, first hosted at Rawaq Gallery (April 8–23) and currently at XVA Gallery in Al Fahidi (April 25–May 21), explores the multifaceted concept of 'white' through diverse mediums and techniques. Participating faculty artists include Georgina Abood, Dr. Mohammed Yousif Alhammadi, Muatasim Alkubaisy, Alina Erimia, Muhammad Asad Iqbal, Thaier Helal, Dr. Iman Ibrahim, and Andreea Lonhardt-Muresan, each presenting works that engage with white as a symbol of minimalism, purity, emptiness, or cultural memory.

Between here and home

Carrie Haddad Gallery in Hudson, NY, presents "Between here and home," a group exhibition running from May 22 through July 12, with an opening reception on May 23. The show features works by Fred Cohen, Frank DePietro, Deb Lawrence, Olan Quattro, and ransome, exploring the concept of home as an evolving construct shaped by memory, material, and experience. The exhibition draws on the Welsh idea of hiraeth—a longing for a lost or imagined home—and includes paintings, collages, and mixed media works that reflect each artist's personal engagement with place, interior space, and inherited histories.

Metropolitan Museum of Art: Ultimate 2026 Guide for Travelers

The Metropolitan Museum of Art in New York City is drawing record crowds in spring 2026 with its latest exhibitions, including newly restored ancient artifacts. The article, written by travel editor Elena Müller, positions The Met as a top cultural destination for American travelers, highlighting its location on Manhattan's Upper East Side, its Beaux-Arts architecture, and its proximity to Central Park. It also covers the museum's founding in 1870, its expansion into a neoclassical landmark on Museum Mile, and its role as a cornerstone of New York's cultural landscape.

Interview with Pietro Vallone, new president of the Association of Modern and Contemporary Art Galleries in Italy

Intervista a Pietro Vallone nuovo presidente dell’Associazione delle gallerie d’arte moderna e contemporanea in Italia

Pietro Vallone, partner and financial director of Massimo De Carlo, has been elected the new president of ANGAMC (Associazione Nazionale Gallerie d'Arte Moderna e Contemporanea) for the 2026-2030 term. The election took place during the association's ordinary assembly at Triennale di Milano on May 25, 2026, where a new board of directors, including vice presidents Giovanni Bonelli and Claudia Ciaccio, was also appointed. In an interview following his election, Vallone addressed the challenges facing Italian galleries, including a structural slowdown in the global art market due to geopolitical instability, economic shifts, and changing patterns of cultural consumption and collecting.

Haiti goes to Venice: Artist Duval-Carrié selected to represent nation at Biennale expo | PHOTOS

Internationally acclaimed Miami-based artist Edouard Duval-Carrié has been selected to represent Haiti at the 2026 Venice Biennale, the 61st International Art Exhibition of La Biennale di Venezia. Ahead of the May 9 opening, Duval-Carrié hosted a behind-the-scenes preview event at his Little Haiti studio in Miami on April 24, 2026, where he discussed his conceptual approach. His installation draws on themes of history, politics, and spirituality in Haiti and the Caribbean, reflecting evolving perspectives on the nation's past and present. Duval-Carrié collaborated with Vanessa Selk, founding artistic director of the Tout-Monde Art Foundation, to frame Haiti's presence as both a national showcase and a reflection of diasporic influence and Caribbean identity. The exhibition runs through November 22, 2026.

Art News: A Preview Of The Lucas Museum Of Narrative Art and A Roberta Flack Auction at Julien’s

The Lucas Museum of Narrative Art, a 300,000-square-foot institution designed by Ma Yansong of MAD Architects with Stantec, will open in Los Angeles' Exposition Park on September 22. The 11-acre campus includes a park by Mia Lehrer of Studio-MLA and will feature over 1,200 objects across 30 galleries, showcasing narrative art from ancient sculptures to modern cinema, drawn from the museum's founding collection. Separately, Julien's Auctions will host "Roberta Flack: Style, Art & Music," a no-reserve auction celebrating the singer's life and cultural impact, including her Bösendorfer Imperial Concert Grand Piano.

Lucas Museum of Narrative Arts Adds ‘Star Wars in Motion’ Exhibit to Opening Lineup

The Lucas Museum of Narrative Art has announced a new exhibition titled "Star Wars in Motion" as part of its inaugural lineup, set to open on September 22, 2026, in Los Angeles's Exposition Park. The showcase will feature vehicle designs, props, costumes, and illustrations from the first six Star Wars films, including iconic items like Luke's Landspeeder and General Grievous's Wheel Bike. The museum, co-founded by George Lucas and Mellody Hobson, will open with over 30 exhibitions and more than 1,200 objects spanning visual storytelling from ancient sculptures to modern cinema.

See yourself within Andy Warhol's 'On Repeat' at Zimmerli Art Museum

The Zimmerli Art Museum at Rutgers University's College Avenue campus is hosting 'Andy Warhol: On Repeat,' an exhibition running through July 31st. The show features Warhol's Polaroids, Polacolor prints, 'Crosses' series (1982), and 'Screen Tests'—silent, looping film portraits that place visitors in an immersive, repetitive visual environment. An interactive element allows guests to sit before a camera and become part of the artwork, echoing Warhol's exploration of identity under observation.

The Lucas Museum of Narrative Art Announces First Exhibitions Curated by George Lucas

The Lucas Museum of Narrative Art, set to open on September 22, 2026, in Los Angeles's Exposition Park, has announced its inaugural exhibition schedule curated by George Lucas. The museum will showcase a wide range of narrative art, from Americana works by Thomas Hart Benton and Norman Rockwell to documentary photography by Gordon Parks, Dorothea Lange, and Robert Capa, as well as public murals by Diego Rivera and Judith F. Baca. The collection also includes production designs, props, and costumes from the Lucas Archives, alongside illustrations by Frank Frazetta, Maxfield Parrish, and N.C. Wyeth, children's literature art by Beatrix Potter and Jacob Lawrence, and comics and manga by Jack Kirby, Alison Bechdel, and Mœbius.

Lucas Museum unveils inaugural exhibitions curated by George Lucas himself

The Lucas Museum of Narrative Art in Los Angeles will open to the public on September 22, 2026, with about 20 inaugural exhibitions curated by George Lucas himself across more than 30 galleries. The $1-billion, 300,000-square-foot museum in Exposition Park, designed by Ma Yansong of Mad Architects, will display over 1,200 objects from Lucas's collection of more than 40,000 works, including manga, comics, children's illustrations, and narrative art by artists such as Norman Rockwell, Beatrix Potter, and Dorothea Lange, with only one exhibition focused on "Star Wars" memorabilia.

JUNKANOO IN VENICE ART MEMORY AND POSTHUMOUS COLLABORATION AT THE BAHAMAS PAVILION

The Bahamas Pavilion at the 2026 Venice Biennale presents "In Another Man's Yard," an intergenerational exhibition curated by Dr. Krista Thompson featuring works by the late John Beadle (1964–2024) and Lavar Munroe. The show explores Junkanoo, the biannual Bahamian festival, through collaborative artmaking, discarded materials, and posthumous collaboration—including Munroe's monumental 11-panel painting based on photographs by Jackson Petit and works incorporating materials from Beadle's studio.

Miami Politician Admits to Hiring ‘Jew Hater’ Billboard Trucks Targeting Pro-Palestinian Protesters at Art Basel Miami Beach

Miami City Commissioner David Suarez admitted to paying $4,000 for billboard trucks that targeted pro-Palestinian protesters outside Art Basel Miami Beach in December 2024. The trucks called Jewish Voice for Peace (JVP) an “extremist group” and labeled members Alan Levine and Donna Nevel as “Jew haters.” The protest, organized by JVP and three other groups, called for a boycott of UBS, Art Basel’s sponsor, over its ties to Israeli weapons manufacturer Elbit Systems. A lawsuit filed in Southern Florida District Court seeks documents from Suarez, Mayor Steven Meiner, and other officials related to the incident and a city ordinance that protesters claim was designed to discourage demonstrations.

Tra i mosaici di Ravenna parte una grande festa dedicata al fumetto

Ravenna is hosting the fifth edition of the Coconino Fest, a major Italian festival dedicated to contemporary graphic novels, running from May 30 to June 2, 2026, with a preview on May 29. The festival's headquarters will be the MAR – Museo d’Arte della città di Ravenna, featuring exhibitions by international artists including David Prudhomme, Olivier Schrauwen, Miguel Vila, and Japanese manga artist Yamamoto Miki. The Biblioteca Classense will host an exhibition by Lebanese artist and performer Mazen Kerbaj. The program includes talks, book signings, and interdisciplinary events blending comics with music, theater, and performance, such as a dialogue between Vinicio Capossela and David Prudhomme on Greek Rebetiko music, and a tribute to Miles Davis by trumpeter Paolo Fresu and cartoonist Paolo Parisi. A collaboration with the Ravenna Festival will present a theatrical adaptation of a graphic novel by Chiara Lagani and Mara Cerri.

Artribune Podcast: l’artista Vincenzo Schillaci parla nel suo Monologhi al Telefono

The latest episode of the Artribune Podcast features artist Vincenzo Schillaci (born 1984 in Palermo), recorded via telephone. Schillaci discusses his evolving artistic practice, where painting is an ongoing process of layering and erasure. His work spans painted surfaces, works on paper, and bronze interventions, forming an open system in which the artwork continuously transforms, challenging the boundaries between gesture, material, and form. The episode highlights his recent series inspired by Aristotle's concept of phantasma, and his exploration of materials like electrodeposited copper and bronze to capture different states of the image.

The Italian Way of Symbolism in the Exhibition at the Fondazione Magnani-Rocca

La via italiana del Simbolismo nella mostra alla Fondazione Magnani-Rocca

The Fondazione Magnani-Rocca in Mamiani di Traversetolo, Parma, recently made headlines due to a dramatic theft targeting its permanent collection. Despite the incident, the museum's temporary exhibition spaces remain unaffected, and the show "Simbolismo in Italia" (Symbolism in Italy), curated by Francesco Parisi, continues without disruption. The exhibition aims to update critical discourse on Symbolism, a movement that spread across Europe from the 1880s to the early 1900s and arrived in Italy with a distinct, often tradition-rooted character. It features works by artists such as Cesare Saccaggi, Giulio Aristide Sartorio, and Adolfo Wildt, organized into thematic sections exploring literary sources, mythological landscapes, and the dual nature of femininity.

Working in Art: Opportunities from Museo Novecento, Giudicesse 2030, Premio Combat and Fondazione Club Silencio

Lavorare nell’arte: opportunità da Museo Novecento, Giudicesse 2030, Premio Combat e Fondazione Club Silencio

This article from Artribune compiles five current job and grant opportunities in the Italian art world. It highlights a crowdfunding campaign by Museo Novecento for Agnese Galiotto's artwork "Sogni" in Empoli, an open call for the fourth edition of the Giudicesse 2030 residency for filmmakers and video artists in Sant'Antioco, a call for artists using AI from Associazione culturale 360° Creativity Events for PARMA 360 Festival, a paid internship at Blob Art ETS for Premio Combat in Livorno, and a search for a project manager by Fondazione Club Silencio ETS.

Genuflecting Before “Don Colossus”

A 15-foot-tall gold-leafed bronze statue of Donald Trump, titled "Don Colossus," was unveiled at his National Doral golf club in Miami, Florida, ahead of the G20 summit. The statue, funded by $450,000 raised by cryptocurrency moguls and sculpted by Alan Cottrill (founder of Four Star Pizza), depicts Trump raising a triumphant fist with a plaque reading "FIGHT, FIGHT, FIGHT!" The unveiling was organized by televangelist Mark Burns of "Pastors for Trump," who posted that the statue was "not a golden calf," and was attended by evangelical Christian leaders and reportedly some Hassidic rabbis.

Mafalda meets Pimpa. In Rome, the dialogue between two authentic comic icons: interview with the curators

Mafalda incontra Pimpa. A Roma il dialogo tra due autentiche icone del fumetto: intervista ai curatori

A new exhibition in Rome titled "Mafalda & La Pimpa" brings together two iconic comic strip characters for the first time. Created by Quino (1964) and Altan (1975) respectively, Mafalda and Pimpa represent different approaches to childhood: Mafalda critically questions adult society, while Pimpa explores a gentle, wonder-filled world. The show runs from May 14 to July 11 at the Instituto Cervantes, featuring over 120 original strips and plates, and is organized in collaboration with ARF! Festival and other partners. Curators Stefano Piccoli and Daniele Bonomo designed the exhibition to highlight both the contrasts and surprising analogies between the two beloved figures.

The Paradox of Contemporary Art: The World Is Violent, but the Works Are Correct and Inoffensive

Il paradosso dell’arte contemporanea: il mondo è violento, ma le opere sono corrette e inoffensive

The article examines a paradox in contemporary art: as the world grows more violent and chaotic, art has become increasingly 'correct,' morally irreproachable, and inoffensive. The author argues that over the past fifteen years, artworks have been judged primarily by their moral and identity credentials, with curators acting as moral gatekeepers and censors. This shift coincides with a period when geopolitics, history, and public behavior have spiraled out of control, creating a strange compensatory dynamic where art is expected to be perfectly controlled and polite while reality grows brutal.

L’antica certosa vicino Siena dove il disegno è diventato una performance condivisa. Il report

The third edition of the De Linea Art Festival took place on May 2-3 at the Certosa di Pontignano near Siena, Italy. Curated by Matteo Marsan and Riccardo Guasco, the event transformed the historic monastery into a living laboratory of drawing, illustration, and performance. Nine illustrators—including Marina Marcolin, Francesco Poroli, Elisa Macellari, Gianluca Folì, Ale Giorgini, Gloria Pizzilli, Matteo Berton, Giovanna Giuliano, and Daniele Caluri—participated in a week-long residency, producing works inspired by the site and the festival's theme "Crepe e spiragli" (Cracks and Glimmers), a contemporary interpretation of a Leonard Cohen quote. Over 500 visitors attended workshops, talks, and shared creative sessions, including a workshop by Fondazione Il Bisonte and performances by actress Daniela Morozzi and graphic poet Alessandro Valenti (Alvalenti).

At the Baths of Diocletian in Rome, a show by a Chinese artist is a hit. The curator explains why

Alle Terme di Diocleziano di Roma spopola la mostra di un’artista cinese. Il curatore spiega perché

Chinese artist Wu Jian'an (born 1980, Beijing) is the subject of a major solo exhibition at the Baths of Diocletian in Rome, part of the Museo Nazionale Romano. Titled "Metamorphoses. L'arte che trasforma," the show explores connections between Chinese and Italian cultures, as well as broader Eastern and European traditions. Curated by Umberto Croppi, president of the Accademia di Belle Arti di Roma, the exhibition features works such as the monumental leather installation "The Heaven of Nine Levels" (2008–2009) and the series "The Eternal Cycle – Running Through the Seasons" (2024–2025), which combines intricate paper cutouts, silk, wax, and cotton thread. The artist, who represented China at the 57th Venice Biennale in 2017, was inspired by the ancient Roman spaces, creating a dialogue between his contemporary pieces and the site's classical mosaics and architecture.

The project that brings Michelangelo's David to the Swiss Alps: a full-scale copy will be installed among the mountains

Il progetto che porta il David di Michelangelo sulle Alpi della Svizzera: verrà installata tra le montagne una copia a grandezza naturale

A full-scale marble replica of Michelangelo's David will be installed in the Swiss Alpine village of Klosters (Canton of Grisons) starting July 2, 2026. The copy, carved in 2017 from Michelangelo's preferred Polvaccio marble in Carrara, weighs over nine tons and was produced by Studi d’Arte Cave Michelangelo under Franco Barattini. The project is organized by Scultura Viva, a cultural initiative based in Klosters that focuses on reactivating sculptural heritage through public installations and educational programs.

A Roma fotoromanzi e cliché sono i protagonisti di una mostra femminista a Villa Medici

A retrospective exhibition titled "Fotoromanzo" by French artist Nicole Gravier (born 1949) is on view at Villa Medici, the French Academy in Rome. The show explores Gravier's semiotic dissection of Italian photo-romance magazines from the 1970s, using irony and staged self-portraiture to deconstruct the fabrication of femininity and patriarchal narratives. The exhibition runs concurrently with a separate show dedicated to filmmaker Agnès Varda at the same venue, highlighting parallel feminist inquiries into women's representation.

Evidence of Evolution at QUEUE Gallery, Miami

QUEUE Gallery in Miami is presenting 'Evidence of Evolution,' a two-person exhibition featuring Fharid LaTorre’s hand-carved wood and metal sculptures alongside Jamieson Pearl’s oil-on-linen paintings. LaTorre’s works, such as 'showing slivers & taking off skin for sake of dopamine layer of diophantine equations' (2026), use scavenged metal and burl wood to evoke surgical transformations and bodily stress, while Pearl’s paintings depict glitch-blocked internet microcelebrities and screenshots from LiveLeak pornos, rendered freehand in distorted blocks. The show runs at QUEUE’s new location above Tunnel Projects in Miami.