A rare, clamshell-shaped VOLU Dining Pavilion designed by architect Zaha Hadid and Patrick Schumacher is heading to auction at Hermitage Fine Art in Monaco. The prefabricated outdoor structure, originally created for the 2015 Design Miami fair, is expected to fetch between €900,000 and €1.1 million. This marks only the second time a completed edition of this pavilion has been offered at auction.
The article reports strong sales across Miami art fairs, particularly at Art Basel Miami Beach, where Beeple's "Regular Animals"—robotic dogs with hyper-realistic heads of billionaires—were a major attraction in the new digital art section Zero10. It also notes that three art-world heavyweights are launching a new gallery focused on secondary market sales, and that the Art Dealers Association of America is launching a new art fair after canceling its long-running Art Show.
The Bakehouse Art Complex in Miami’s Wynwood district is celebrating its 40th anniversary and the 100th anniversary of its Art Deco building, which originally opened as a bakery in 1926. Founded in 1985 by a group of artists who purchased the abandoned industrial bakery for $10, the nonprofit has provided studio space to over 1,500 local artists. The celebration kicked off with an exhibition titled “Bakehouse at Forty: Past, Present, Future,” attended by more than 1,000 guests, and included a gala fundraiser with affordable ticket prices. The organization is now planning to build 60 units of affordable artist housing as part of a revitalized campus.
Emerging artist F V T, the alias of American artist Alexandra Wallery (b. 2000), is set to present her abstract works at the 2026 edition of Art Palm Beach with Ccucu Gall-Art of Miami. Wallery, who holds a master's degree from Vanderbilt University and a background in biological science from the University of Miami, creates highly experimental paintings and sculptures that blend gestural abstraction, scientific curiosity, and humor. Notable works include the large-scale canvas *Busy Night in the City – Lightning* (2025) and the monumental sculpture *MIA CHEESE* (2025), a playful nod to Miami.
Miami's Contemporary Art Modern Project (CAMP) Gallery has opened the seventh edition of its series program, titled “Women Pulling at The Threads of Social Discourse: Don’t be Absurd.” The group exhibition features dozens of artists who created circular, tondo-like fiber works inspired by absurdist philosophers and writers such as Albert Camus, Franz Kafka, Simone de Beauvoir, Samuel Beckett, and José Saramago. Works include RemiJin Camping's cyanotype in an embroidery hoop referencing Kafka's *The Metamorphosis* and Mychaelyn Michalec's hand-tufted wool piece *The Pietà and The Swan*. The show runs through December 20, 2025.
Miami Art Week has concluded, but several exhibitions remain on view for locals to enjoy. The article highlights shows at venues including Collective 62, El Espacio 23, Fifth & Biscayne Micro Gallery, KDR Gallery, Spinello Projects, and Locust Project, featuring artists such as Tara Long, Susan Kim Alvarez, and Jennifer Basile. These exhibitions range from text-based art and photography to large-scale installations, with closing dates extending through early 2026.
Martin Wong's monumental 12-foot-wide triptych *Tai Ping Tien Kuo (Tai Ping Kuo)* (1982) sold for $1.6 million to a US museum during Art Basel Miami Beach. The work, shown publicly for only the second time ever, was displayed at the booth of New York gallery PPOW. It had previously been exhibited in 1987 at New York's Asian Arts Institute and remained in storage for decades. The painting will next travel to Wrightwood 659 in Chicago for a forthcoming Wong exhibition.
Design Miami celebrates its 20th anniversary with the theme "Make. Believe.," curated by Glenn Adamson, emphasizing the evolving possibilities of collectible design. The fair features the 10th anniversary of the Curatorial Lab Annual Design Commission, including a mirrored carousel by ceramicist Katie Stout, alongside works by artists such as Bea Pernia, Pia-Maria Raeder, Joyce Billet, Teemu Salonen, Jennifer Trask, Roham Shamekh, and Clotilde Ancarani. Pieces range from a chrome-and-stone chair inspired by marine life to benches that double as planters, reflecting a pervasive focus on flora and fauna.
Kat Lyons has opened her first US institutional solo show, "Full Earth," at Marquez Art Projects (MAP) in Allapattah, Miami. The exhibition features newly commissioned large-scale oil paintings that draw on the ecology, history, and mythology of the Florida Everglades, blending personal narrative with environmental commentary. Lyons, who rarely depicts humans, instead populates her canvases with native and invasive animal species, using them as protagonists in visual fables that explore humanity's relationship with nature.
The first phase of the Reefline project, an underwater sculpture park off the coast of Miami Beach, has been installed with 22 submerged concrete cars created by Argentine artist Leandro Erlich. The sculptures, titled "Concrete Coral" (2025), sit 20 feet below the surface and are designed to support coral regeneration and marine biodiversity. The project was developed by cultural placemaker Ximena Caminos with a masterplan by architect Shohei Shigematsu of OMA, and will expand over ten years to reach seven miles in length. Visitors can access the site via swimming, diving, or electric paddleboards, and a floating marine learning center is anchored nearby during Miami Art Week.
Miami International Airport's Gate D31 Gallery has opened 'Curious Geometries,' a solo exhibition by local textile artist Regina Durante Jestrow. The show, on view through March 9, 2026, features large-scale sewn and quilted artworks made from repurposed fabrics sourced from the airport and other Miami locations. The pieces blend geometric abstraction with organic forms, drawing on the city's layered ecologies and the artist's improvisational dyeing and piecing techniques.
Miami International Airport has opened a new art exhibition titled "Curious Geometries" at the Gate D31 Gallery, featuring large-scale quilted artworks by local textile artist Regina Durante Jestrow. The exhibition, on view until March 9, 2026, showcases sewn compositions and free-form art quilts made from repurposed fabrics sourced from various Miami locations, including the airport itself. Jestrow employs improvisational dyeing and piecing techniques inspired by Gee's Bend quilters, Anni Albers, Rosie Lee Tompkins, and Gego, blending organic geometry with tropical color palettes to explore the relationship between craft and fine art.
The CAMP Gallery in North Miami is hosting "Under the Red Tent," an immersive fiber art exhibition presented in collaboration with Red Thread Art Studio Miami. Featuring over 20 women artists, the show transforms the gallery into a monochromatic red environment where threads are suspended, woven, and draped to create a tactile sanctuary. The exhibition launched on International Women’s Day and functions as an evolving space that integrates a living oral history archive alongside physical textile works.
14-year-old artist Andres Valencia will open his first solo exhibition, "Profiles in Color," at the Nassau County Museum of Art on March 21, 2026. The show features his Cubist-inspired large-scale portraits, which blend bold colors and geometric forms. Valencia, who began painting at age five, first gained attention at Art Miami in 2021 and has since published an art book, launched a limited-edition print collection with Mourlot Editions, and been collected by celebrities including Eva Longoria and Sofía Vergara.
Art Basel Miami Beach's new digital art section, Zero 10, featured a heavily subsidized presentation curated by Eli Scheinman, bypassing the fair's usual selection process. The centerpiece was Beeple's installation "Regular Animals" (2025), which displayed dog-like robots with humanoid masks of figures including Kim Jong-un, Elon Musk, and Beeple himself, which critics argue lacks substantive critique and relies on shallow satire.
Digital artist Mike Winkelmann, known as Beeple, is presenting a new installation titled *Regular Animals* (2025) at Art Basel Miami Beach's Zero 10 digital art section. The work features robotic canines with hyper-realistic heads resembling tech billionaires Elon Musk, Jeff Bezos, and Mark Zuckerberg, as well as historical figures Pablo Picasso and Andy Warhol, and Beeple himself. Each robot costs $100,000 (in an edition of two plus one artist's proof), and all were sold during the VIP preview, except the Bezos piece. The robots excrete certificates of authenticity that include QR codes for purchasing accompanying NFTs, and they continuously photograph their surroundings, with images reinterpreted in the style of each dog's humanoid counterpart.
The Brickell Key Gallery (BKG), also known as Ccucu Gall-Art, is set to make history as the first art gallery to open on Miami’s Brickell Key. The inaugural event, scheduled for March 13th, features a solo exhibition by artist Ricardo Garcia, whose contemporary works are heavily influenced by the techniques and aesthetics of the Old Masters.
This article presents Jorge Nava's 2022 painting "Untitled," an oil-on-linen work measuring 180 × 180 cm, offered by Arma Gallery in Madrid. Nava, a Spanish artist born in Gijón in 1980, studied at the University of the Basque Country and Kunsthochschule Berlin Weissensee under Professor Katherina Grosse. His career includes participation in international fairs such as ARCO, CIRCA in Puerto Rico, Scope Art Fair in New York, and Photo Miami Art Basel, as well as exhibitions at Alzueta Gallery and the Barjola Museum. His work belongs to collections including the María Cristina Masaveu Peterson Foundation and private collections across Europe and North America.
The 45th edition of Arco Madrid, Spain’s premier contemporary art fair, is set to host 206 galleries from 36 countries at the Ifema convention centre. While the fair remains a vital commercial hub, it is currently overshadowed by a nationwide protest from Spanish galleries against the country's 21% VAT on art purchases. This tax rate is among the highest in Europe, significantly outpacing neighbors like Portugal and France, leading to concerns about international competitiveness and the classification of contemporary art as a luxury elite product.
Guadeloupean artist Kelly Sinnapah Mary has won the CPGA-Villa Albertine Étant Donnés Prize at Art Basel Miami Beach, awarded annually to a French artist exhibiting at the fair. Her work *The Book of Violette: Marie-Anne* (2025) was displayed at James Cohan's booth and sold for $80,000 to a US-based foundation. The prize is presented by France’s gallery association, the Comité Professionnel des Galeries d'Art (CPGA), in partnership with Villa Albertine.
Nine emerging galleries from around the world are showing in the Positions sector of Art Basel Miami Beach 2025, a dedicated platform for up-and-coming exhibitors. The article profiles several of these gallerists, including Allann Seabra and Ian Duarte of Verve in São Paulo, and Mauricio Aguirre of N.A.S.A.L. in Mexico City and Guayaquil. They discuss their gallery's growth, key milestones such as artists participating in the 36th Bienal de São Paulo, and their hopes for gaining international exposure and deepening understanding of their local art scenes.
The Gallerist, a new satire directed by Cathy Yan, premiered at the Sundance Film Festival. The film follows struggling gallerist Polina Polinski (Natalie Portman), who is betting everything on a one-artist debut at Art Basel Miami Beach. After an obnoxious art influencer, Dalton Hardberry (Zach Galifianakis), dies accidentally by impalement on a sculpture titled The Emasculator, Polina and her assistant Kiki (Jenna Ortega) conspire to pass off his corpse as part of the artwork, duping wealthy clients. The ensemble cast also includes Catherine Zeta-Jones as a legendary dealer reminiscent of Marian Goodman, Da'Vine Joy Randolph as the earnest artist Stella Burgess, and Sterling K. Brown as Polina's ex-husband.
Art Basel has introduced booth-fee discounts for first- and second-time exhibitors at its fairs, offering 20% off for first-year participants and 10% for second-year participants. The policy, confirmed by chief artistic officer Vincenzo de Bellis, has been in place since Art Basel Miami Beach in 2021 and applies to all Art Basel fairs in Switzerland, Hong Kong, and Miami Beach, with a new edition launching in Qatar. Starting in 2026, discounts will increase to 25% and 15% respectively.
Artist Ektor Rivera has created a painting titled "The Discovery of Americans" (2025) that reimagines Emanuel Leutze's "Washington Crossing the Delaware" to celebrate Puerto Rican cultural figures, with Bad Bunny at the center. The work was commissioned by Miami art collector Seth Goldberg as a response to conservative criticism over Bad Bunny being selected to perform at the Super Bowl halftime show. The five-by-eight-foot painting places George Washington in the background while Puerto Rican icons including Jennifer Lopez, Ricky Martin, and Roberto Clemente take center stage, with Bad Bunny draped in the Puerto Rican flag. The artwork has garnered over 2.3 million views on Instagram and Facebook.
Santina Semadar Panetta, a progenitor of Neo-Pointillism, recently exhibited her vibrant, brushstroke-driven works at Art Miami. In an interview with Artnet News, she discussed her debut at the fair, showing two key pieces—'Souls Connection' (2022) and 'Ciel et Terre' (2023)—chosen to reflect Miami's dual nature of boldness and introspection. She also described her practice as 'emotional architecture,' evolving to engage more deeply with classical art philosophy and contemporary themes like identity and the fluidity of time.
Cartier has opened a theatrical pop-up exhibition titled "Into the Wild" in Miami during Art Week, showcasing its archive of animal-themed jewelry and objets. The exhibition guides visitors through five staged "worlds" featuring the iconic Panthère motif alongside other fauna and flora, with vintage pieces from the 1970s, 1980s, and 1990s, and a finale by Berlin-based artist Clare Celeste. The experience concludes with golf carts transporting guests to Cartier's newly renovated Miami flagship boutique.
The John S. and James L. Knight Foundation has announced the five recipients of its 2026 Arts + Tech Fellowships. Administered by United States Artists, the program awards $50,000 in unrestricted funds to artists LIZN’BOW, Miguel Novelo, Rhonda Holbertson, Taeyoon Choi, and Wesley Taylor. These creators, based in California, Detroit, and Miami, utilize diverse technologies including computer vision, game engines, and custom code to explore the intersection of digital systems and human experience.
La recette d’art d’Alain Passard : un îlot de goûts emballé façon Christo et Jeanne-Claude
Michelin-starred chef Alain Passard pays tribute to the monumental environmental installations of Christo and Jeanne-Claude through a culinary creation. The article highlights the duo's 1983 project 'Surrounded Islands,' where they encircled eleven islands in Miami's Biscayne Bay with 600,000 square meters of floating pink polypropylene fabric, a work that exemplified their commitment to self-funded, accessible, and ephemeral public art.
Elliot and Erick Jiménez, twin photographers from Miami, have debuted their first museum exhibition, 'El Monte,' at the Pérez Art Museum Miami (PAMM). The immersive installation transforms the gallery into a hybrid chapel-forest, drawing conceptual inspiration from Cuban ethnographer Lydia Cabrera's seminal 1954 book of the same name, which explores Afro-Cuban spiritual traditions. The artists present staged photographs featuring anonymous 'shadow figures' adorned in paint and costumes, creating archetypal representations of spiritual forces.
Alserkal, a Dubai-based cultural enterprise, and Design Miami have announced a multi-year partnership to launch a new regional platform for collectible design in Dubai. The initiative, centered on a flagship fair and year-round programming, will debut in early 2027, marking Design Miami's first expansion into the Middle East. The collaboration leverages Alserkal's 15-year history in developing Dubai's contemporary art scene and Design Miami's two decades of experience in Miami and Paris, aiming to create a network that connects these hubs and elevates Middle Eastern design globally.