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A Lucas Cranach the Elder Masterpiece Once Hung in Hitler’s Munich Apartment

A Lucas Cranach the Elder painting, *Cupid complaining to Venus* (1526–27), once hung in Adolf Hitler's Munich apartment, according to a report by the Art Newspaper. The work was identified in a 1940s photograph published in a 1978 furniture catalog and later in a 2023 article by art historian Birgit Schwarz, who confirmed Hitler's ownership via a 2006 discovery of an album at the Library of Congress. After World War II, American journalist Patricia Lochridge took the painting from a warehouse in Berchtesgaden and smuggled it to the US. The National Gallery in London acquired it in 1963 from A. Silberman Galleries, which falsely claimed it came from the 1909 auction buyer's heir; it had actually been purchased from Lochridge.

Famous Cranach painting spotted in rare photograph of Hitler’s apartment

A rare photograph from the early 1940s reveals that Lucas Cranach the Elder's painting *Cupid complaining to Venus* (1526-27), now a masterpiece in the National Gallery, London, once hung in Adolf Hitler's private Munich apartment. The image, previously published in Germany by provenance expert Birgit Schwarz, appears for the first time in an English-language publication. The painting was acquired by the National Gallery in 1963 from E. and A. Silberman Galleries in New York, which provided a false provenance. It had been taken from a warehouse of recovered art in 1945 by American journalist Patricia Lochridge, who smuggled it into the United States.

Portrait looted by Nazis found in home of Dutch SS leader’s family

An artwork looted by the Nazis from the renowned Goudstikker collection has resurfaced in the home of descendants of Hendrik Seyffardt, a notorious Dutch SS collaborator. The painting, *Portrait of a Young Girl* by Toon Kelder, was discovered by art detective Arthur Brand after a family member contacted him, revealing that the piece had hung for decades in the home of Seyffardt’s granddaughter. Brand traced the painting to a 1940 auction where part of the looted Goudstikker collection was sold, and lawyers for the Goudstikker heirs have confirmed the work was stolen and called for its return.

Rio’s Museum of Image and Sound finally opens after 16 years in development

The Museum of Image and Sound (MIS-RJ) on Rio de Janeiro's waterfront opens to the public on May 8 after 16 years of development. The 10,000-sq.-m building, designed by Diller Scofidio + Renfro, features eight floors with panoramic views of Copacabana Beach and a façade honoring Roberto Burle Marx. The project faced multiple delays, funding suspensions, and controversy over urban redevelopment, including backlash when a nightclub on the site was demolished in 2010. Work resumed in 2021, and the $62.5 million museum was completed with public and private funds from donors like Itaú, Vale, and Rede Globo.

Pedro Reyes’s new Lacma commission sparks criticism in Mexico

Pedro Reyes's new sculpture 'Tlali' (2026), a four-meter-tall Olmec-inspired volcanic-stone female face installed at the Los Angeles County Museum of Art (Lacma), has sparked criticism in Mexico. An open letter signed by nearly 80 cultural figures, published on the art criticism site Cubo Blanco, alleges the work is a new version of a 2021 project that was canceled after backlash. That earlier project, 'Tlalli', was meant to replace a Christopher Columbus statue on Mexico City's Paseo de la Reforma but faced opposition from over 300 cultural figures who argued a male, non-Indigenous artist should not represent Indigenous women. The site later became the 'Glorieta de las Mujeres que Luchan', an anti-monument against gender violence.

The art of politics: how global conflicts are playing out in this year's Venice Biennale

Israel is making a controversial return to the 2025 Venice Art Biennale after its pavilion was locked in 2024 with a note demanding a ceasefire in Gaza. The artist representing Israel, Belu-Simion Fainaru, will present his project "Rose of Nothingness" in the Arsenale, while Russia also returns to the Biennale after its Giardini pavilion was reassigned to Bolivia in 2024. The Art Not Genocide Alliance (ANGA) has renewed calls for a boycott and is organizing strike action to disrupt the event, accusing Israel of genocide.

Artists Spar Over Credit For A Dress Displayed In The Met’s ‘Costume Art’ Exhibition

London-based artist Anouska Samms has accused the Metropolitan Museum of Art's Costume Institute of exhibiting a dress that she claims is a counterfeit of her work in the ongoing "Costume Art" exhibition. The dress, titled Corpus Nervina 0.0, is credited solely to New York-based Israeli designer Yoav Hadari, but Samms alleges it closely resembles an earlier Nervina hair dress she co-developed with Hadari during their 2023 residency at the Lee Alexander McQueen Sarabande Foundation. Samms discovered the display via a social media post and has since spoken out, noting that a contract from their collaboration designated her as the sole owner of the intellectual property of the fabric. The Met has requested that the two parties resolve their dispute before the museum takes further action.

Chanel Will Launch New Culture Fund Fellowship With the Guggenheim

Chanel will launch an annual, one-year fellowship in fall 2026 in collaboration with the Guggenheim. The Chanel Culture Fund Fellowship will host a fellow in New York and at the Peggy Guggenheim Collection in Venice, targeting MA and PhD-level scholars dedicated to collection studies and curatorial research. The program complements existing Guggenheim fellowship and internship programs, aiming to nurture emerging talent in modern and contemporary art curation.

Selfie-Friendly Pedro Reyes Sculpture Sparks Controversy at LACMA

Nearly eighty Mexican cultural figures have signed an open letter condemning the installation of Pedro Reyes's sculpture 'Tlali' (2026) in the plaza of LACMA's new David Geffen Galleries. The work, described as a selfie-friendly monolithic face inspired by Olmec art, closely resembles a 2021 proposal for a Mexico City sculpture titled 'Tlalli' that was abandoned after protests from hundreds of cultural workers. Critics argue that Reyes, a male artist who does not identify as Indigenous, should not represent Indigenous womanhood, and that the new work perpetuates colonial stereotypes and nationalistic aesthetics. LACMA has defended the piece, claiming it is entirely different in purpose and meaning, while Reyes has not commented.

Montclair Art Museum Hires New Chief Curator Kate Kraczon

The Montclair Art Museum in New Jersey has hired Kate Kraczon as its new chief curator, replacing Gail Stavitsky. Kraczon previously served as director of exhibitions and chief curator at the David Winton Bell Gallery at Brown University, where she was terminated last December amid university layoffs. At the Bell, she organized the only US screening of "Prisoners of Love, 2025" by Palestinian artists Basel Abbas and Ruanne Abou-Rahme, and an exhibition of Julien Creuzet's work originally shown at the French Pavilion in the 2024 Venice Biennale. Before Brown, she worked as a curator at the Institute of Contemporary Art (ICA) in Philadelphia, where she organized the 2018 show "Ree Morton: The Plant That Heals May Also Poison."

The Netherlands is confronting its history of Nazi occupation – but many stolen objects remain unreturned

Arthur Brand, a Dutch art detective, was contacted by a man who discovered that his family descended from Hendrik Seyffardt, a high-ranking Nazi collaborator, and that a painting looted from Jewish art dealer Jacques Goudstikker remained in their possession. The painting, Toon Kelder's *Portrait of a Young Girl*, had hung in a relative's home near Utrecht for years. The family, who changed their name after WWII, handed the painting to Brand after the story broke in Dutch media, expressing shame and outrage over the silence surrounding their history.

Want to See a Variety Show With Barbara Kruger, Anne Imhof, Julio Torres, and More?

Performa, the New York City-based nonprofit dedicated to performance art, is hosting a one-night-only variety show fundraiser on June 10 at Midtown's Town Hall theater. The cabaret-style event will feature 12 acts blending comedy, dance, music, and acrobatics, with participants including visual artists Barbara Kruger, Laurie Simmons, and Marcel Dzama, performance artist Anne Imhof, dancer Yvonne Rainer, actor Julio Torres, and musicians Slauson Malone, Precious Renee Tucker, and Lonnie Holley. The fundraiser supports Performa's biennial, which takes place every other November.

The Guardian view on the legacy of the Festival of Britain: look to the future | Editorial

The Guardian editorial reflects on the 75th anniversary of the Festival of Britain, launched by King George VI on 3 May 1951 as a "tonic" for a war-weary nation. It highlights the festival's most enduring legacy: the construction of the South Bank, including the Royal Festival Hall, which later became the Southbank Centre—the UK's largest arts complex. This summer, commemorations include poems from London schoolchildren projected onto its walls and a mobile poetry library visiting coastal towns, recreating the journey of the repurposed naval ship Campania. The festival, a triumph for the Labour government, faced critics like Evelyn Waugh and Noël Coward, and much of its physical infrastructure was demolished by the incoming Conservative government, save for the Royal Festival Hall.

Au Mémorial de Caen, les artistes africains font face à l’histoire de la colonisation

The Mémorial de Caen, a museum dedicated to World War II and the Cold War, has opened a new exhibition titled "(Dé)colonisations: des artistes africains interrogent l'histoire" (Decolonizations: African Artists Question History). Curated by Ayoko Mensah and Jean-Yves Marin, the show features 80 works by contemporary artists of sub-Saharan African origin, including Omar Victor Diop and Roméo Mivekannin. Swiss collector Jean Claude Gandur, who is building a foundation adjacent to the museum, lent 23 works, and his foundation's curator Olivia Fahmy helped organize the exhibition. The show is a prelude to a planned permanent section on colonial history at the memorial.

Andy Warhol | Cow II.11A (1971) | For Sale

Andy Warhol's screenprint "Cow II.11A" (1971) is being offered for sale by Composition.Gallery, priced at $15,200. The work is a color screenprint on wallpaper, printed by Bill Miller's Wallpaper Studio, Inc., New York, and published by Factory Additions, New York, for a Warhol exhibition at the Whitney Museum of American Art from May 1 to June 13, 1971. It is part of a limited edition of 100, stamped by the artist's estate, and includes a certificate of authenticity.

Art Lender Accuses Maddox Gallery of Inflating Value of Art Used as Collateral—’Bizarre and Irrational’ Claim, Says Gallery

Luxury Asset Capital (LAC) has filed a civil complaint in the US District Court for the Southern District of New York accusing Maddox Gallery of inflating the value of artworks used as collateral for loans. The dispute stems from a 2023 deal in which Maddox provided substitute collateral—works by Duncan McCormick and Albert Willem—in exchange for a George Condo painting previously held by LAC. LAC alleges that Maddox engaged in a "pump and dump" scheme, artificially bidding up auction prices for McCormick and Willem works to 10–15 times pre-sale estimates, then using those inflated values to justify trades. After the alleged bid-rigging stopped, auction prices fell, and LAC claims it is left with works worth only a fraction of what Maddox represented. Maddox Gallery co-founder Nick Sharp denies the claims as "bizarre and irrational," calling the lawsuit a baseless attempt to unwind a voluntary agreement.

A skateboarder’s lament: the dismantling of San Francisco’s iconic and divisive fountain

San Francisco's Vaillancourt Fountain, a controversial concrete sculpture and centerpiece of Embarcadero Plaza since 1971, caught fire during its dismantling in early May 2025 after the city voted to potentially replace it with a grassy park. Designed by artist Armand Vaillancourt, the fountain was a landmark for the city's skateboarding scene in the 1980s and 1990s, but fell into disrepair and became a flashpoint in debates over modernist public art. The removal, costing $4 million for storage and assessment, was mourned by skateboarders and preservationists who saw it as a loss of cultural and architectural heritage.

“Adam Pendleton + Antoni Tàpies” at Alfonso Artiaco, Naples

Mousse Magazine reports on the two-person exhibition "Adam Pendleton + Antoni Tàpies" at Alfonso Artiaco in Naples, which pairs the contemporary American artist Adam Pendleton with the late Spanish master Antoni Tàpies. The show explores how both artists use painting as a site where language, materiality, and history converge, highlighting Tàpies's textured, sign-laden surfaces and Pendleton's conceptual engagement with abstraction and text.

Lily Stockman “A Grass Roof” at MASSIMODECARLO, Hong Kong

MASSIMODECARLO gallery in Hong Kong is presenting "A Grass Roof," the first solo exhibition of American artist Lily Stockman in the city. The show features new oil paintings inspired by the eighth-century Zen poem "Song of the Grass Roof Hermitage" by Shitou Xiqian, exploring themes of interior refuge and infinite expanse through collapsed perspective and dissolved boundaries.

Merlin Carpenter “Warning Signs” at Karma International, Zurich

Merlin Carpenter presents "Warning Signs" at Karma International in Zurich, featuring his latest paintings that evolve from his earlier "anti-painting" style. The artist reflects on how his early 2000s work, characterized by a semi-finished, indifferent aesthetic, had become decorative by the time of his 2013 POLICE show, prompting him to update his approach.

Arghavan Khosravi Breaks Through Gendered Restrictions in Her Architectural Portraits

Arghavan Khosravi's solo exhibition "What Remains" opens today at Uffner & Liu in New York, presenting a new body of sculptural paintings that fuse Persian architecture with Christian altarpieces. The works explore women's fight for equality under censorship and religious dogma in Iran, featuring figures restricted by domestic objects, hinged shutters, and suspended cords, with fragments of limbs or faces visible. Key pieces include "Suspended" (2026), "Bearing" (2026), and "The Whisper" (2026), running through July 2.

Three artists, three questions: Immersed in colors

Three Israeli artists—Vera Kunis, Avraham Kan, and Tal Tenne Czaczkes—are featured in a column exploring their use of color amid the ongoing war with Iran. Kunis, a data engineer and artist, opened her first solo exhibition, "Imagination Algorithm," at the Global Art Gallery in Tel Aviv on March 10, 2026, during the conflict. The interview was conducted remotely due to war conditions, with a siren interrupting the conversation. The artists discuss their inspirations, definitions of art, and what makes their work unique, emphasizing resilience and optimism through color.

'Something Borrowed, Something New' at Sarasota Art Museum features 85 works from 10 private collections

Ten art collectors from Tampa, St. Petersburg, and Sarasota have loaned 85 works from their private collections to the Sarasota Art Museum for the exhibition 'Something Borrowed, Something New.' The show features pieces by renowned artists including Kara Walker, Ai Weiwei, Alex Katz, Robert Mapplethorpe, Chuck Close, Hank Willis Thomas, and Yoko Ono, with many prints coming from Graphicstudio at the University of South Florida. The exhibition was conceived by executive director Virginia Shearer after visiting collectors' homes and was inspired by a trip to the Renwick Museum at the Smithsonian.

What to see at Canada’s largest photo festival

The Contact Photography Festival, Canada's largest photography event, opens Friday in Toronto with over 160 exhibitions across eclectic venues including artist-run centers, commercial galleries, cafes, and a laundromat. Highlights include a towering portrait by Haitian-born artist Thandiwe Muriu on Spadina Ave., and a multi-site exhibition by Turner Prize-nominee Sin Wai Kin, featuring billboards and a two-channel video titled 'The Time of Our Lives.' The festival lost its long-time lead sponsor Scotiabank in 2024, resulting in a reduced budget and less public programming, but organizers remain committed to championing lens-based art.

How Can Art Depict Everyday Violence?

Anuar Maauad and Roger Muñoz have cocurated the exhibition "La Alegría de Vivir" at Estudio Anuar Maauad in Mexico City, featuring works by Jorge de León, Benjamin Orlow, Miguel Ángel Rojas, Berenice Olmedo, Miguel Ventura, Paul McCarthy, and Teresa Margolles. The show confronts themes of necropolitics and systemic violence through sculptures, photographs, and installations that depict war, state power, and human suffering as ongoing, normalized conditions.

14 artists having major museum moments in 2026

The article previews 14 artists who will have major museum exhibitions in 2026, highlighting key shows such as a long-awaited US retrospective of Marcel Duchamp, a Calder exhibition in Paris, and a Rothko show in Florence. It also details concurrent auction highlights at Christie's New York, including works from the S.I. Newhouse collection by Brancusi, Lichtenstein, Matisse, and Pollock. Specific exhibitions covered include "Krasner and Pollock: Past Continuous" at the Metropolitan Museum of Art, a Roy Lichtenstein retrospective at the Whitney Museum, and multiple European shows for Constantin Brancusi's 150th anniversary.

Renowned Gallery Air de Paris Bankrupted, Closing This Week

Air de Paris, the Paris gallery known for its punk ethos and commitment to cutting-edge Conceptual art, will close this week after 36 years and more than 400 exhibitions, amid bankruptcy proceedings. Founded in Nice in 1990 by Florence Bonnefous and Edouard Merino, the gallery was named after Marcel Duchamp’s 50cc of Paris Air and became legendary for its inaugural show, “Les Ateliers du Paradise,” which featured artists living in the gallery and later influenced critic Nicolas Bourriaud’s theory of relational aesthetics. The gallery moved to Paris in 1994 and later to Romainville in 2019, showing artists such as Paul McCarthy, Raymond Pettibon, Liam Gillick, Pierre Huyghe, and Dorothy Iannone.

Thinking small and dreaming big in Isabel Nolan’s imaginary world

Dublin-born artist Isabel Nolan discusses her Ireland pavilion exhibition "Dreamshook" at the Venice Biennale, developed with curator Georgina Jackson. The show explores the liminal state between dreaming and waking, weaving a fictional narrative around Renaissance humanist Aldo Manuzio, who popularized portable books. Nolan draws on late Medieval and early Renaissance visual language, using intimate forms like textiles to tackle big ideas about cosmology, religion, and humanism. She describes her ambivalent relationship with European cultural inheritance and the need to recover occluded voices.

AMoA hosts exhibit of student artwork, to hold special reception

The Amarillo Museum of Art (AMoA) is hosting the Texas Panhandle Student Art Show, an annual exhibition showcasing student artwork from across the Texas Panhandle. A special reception will be held on May 15, 2026, to honor participating students and award winners. The show features a wide range of media including paintings, drawings, printmaking, computer art, collage, jewelry, ceramics, sculpture, and mixed media. Awards include Best of Show honors, scholarships from West Texas A&M University and Amarillo College, and Georgia O’Keeffe Excellence in Art & Creativity awards sponsored by Education Credit Union.

L.A. vs. N.Y. vs. UK punks and so much more at a sprawling new Skirball exhibit

The Skirball Cultural Center in Los Angeles opens a new exhibition titled "Outsiders, Outcasts, Rebels + Weirdos: Punk Culture 1976-86," tracing the evolution of punk music and culture over a decade. Featuring nearly 400 original fliers, posters, photographs, clothing, and pins, the show highlights punk's spread from New York to the UK and then to the West Coast, with a special focus on Los Angeles' contributions and the often-overlooked role of Jewish musicians and icons. The exhibition opens as punk celebrates its 50th anniversary, with events like the Sex Pistols' upcoming tour.