Phallus, Vagina, Universum
Marina Abramović is presenting a major retrospective at the Neue Nationalgalerie in Berlin, shifting focus from her well-known explorations of physical pain to the erotic energy of the human body. The exhibition draws heavily on Slavic folklore and pagan traditions from her Balkan heritage, exploring how ancient rituals used sexuality and the body as tools for spiritual and cosmic connection.
"Ich glaube, ich habe viele Künstler nicht verstanden"
Adrian Searle, the long-standing chief art critic for The Guardian, is stepping down after three decades at the publication and nearly 50 years in art criticism. In a reflective interview, Searle discusses his transition from a practicing painter and educator to a critic, noting that his early interactions with students like Peter Doig and Isaac Julien helped him realize his true strength lay in writing rather than art-making. He recounts his experiences navigating the British art scene, from the decline of Greenbergian abstraction to his encounters with formidable figures like Richard Serra.
Christine Ruiz-Picasso mit 97 gestorben
Christine Ruiz-Picasso, the daughter-in-law of Pablo Picasso and a pivotal figure in the establishment of the Museo Picasso Málaga, has passed away at the age of 97 in her home in Provence. As the widow of Picasso’s eldest son, Paul, she was instrumental in fulfilling the artist's wish to have a dedicated museum in his birthplace. Alongside her son Bernard, she donated over 230 works to form the core of the institution's permanent collection.
L’histoire vraie du faussaire de César actuellement dans une série documentaire sur Canal+
The French documentary series on Canal+ explores the life of Éric Piedoie Le Tiec, a prolific art forger who flooded the market with thousands of fake works. Based in the French Riviera, Le Tiec specialized in creating pieces "in the style of" modern masters like Raoul Dufy and César Baldaccini. Following César's death in 1998, Le Tiec partnered with Jean-Charles Villa to mass-produce fake "compressions" using industrial car crushers, exploiting the artist's rising market value and lack of a definitive catalogue raisonné.
Alexander Calder, génial sculpteur de l’air et de la couleur célébré à la fondation Vuitton
The Fondation Louis Vuitton is hosting a major celebration of Alexander Calder, the American sculptor who revolutionized 20th-century art by introducing movement and play into the medium. The article traces Calder's formative years in Paris starting in 1926, where the young engineer-turned-artist gained avant-garde fame with his 'Cirque Calder'—a miniature circus of wire and fabric figurines. This period marked his transition from traditional painting to his signature 'drawings in space,' featuring wire sculptures of figures like Josephine Baker that projected dancing shadows and captured the kinetic energy of the era.
L’art vu par… Louise Bourgoin
French actress Louise Bourgoin discusses her deep-rooted connection to the visual arts, stemming from her studies at the Beaux-Arts de Rennes. She reflects on her first art purchase in the Czech Republic, her obsession with line drawing, and how the abstract works of Mark Rothko have informed her acting performances. Bourgoin also reveals her upcoming project: illustrating a children's book written by Arthur Dreyfus, set for release in September.
La belle renaissance du [mac] à Marseille
The [mac] (Musée d’Art Contemporain) in Marseille is undergoing a significant revival following years of stagnation and underfunding. Under the new leadership of Stéphanie Airaud, who was appointed in 2023, the museum has completed major renovations including updated storage facilities, a new rooftop terrace, and a reorganized gallery layout. The institution is leveraging its impressive but previously underutilized collection of over 1,000 works—featuring masters like Basquiat, Klein, and Saint Phalle—while actively working to correct historical gender imbalances and strengthen ties to Mediterranean contemporary art.
À la Tate Modern, la bouleversante renaissance de Tracey Emin
Tracey Emin has returned to the Tate Modern for a major retrospective titled "A Second Life," marking a poignant milestone in her career. The exhibition features over a hundred works, including the iconic and once-scandalous "My Bed," which first catapulted her to international fame during the 1999 Turner Prize. This survey explores her evolution from the "enfant terrible" of the Young British Artists to a Dame of the British Empire, showcasing her multidisciplinary practice across painting, sculpture, and installation.
Les vernissages cette semaine dans les galeries parisiennes
The Paris gallery scene is experiencing a surge of new activity this week with several high-profile openings across the city's major art districts. Highlights include Rosson Crow’s vibrant, chaotic landscapes at Galerie Nathalie Obadia, the inauguration of Galerie Sator’s new Marais space with sculptures by Kokou Ferdinand Makouvia, and a curated dialogue between historical avant-gardes and contemporary abstraction at Galerie Le Minotaure. Additionally, Gagosian is showcasing late works by Francis Bacon, while Esther Schipper presents the first Paris solo exhibition for Sojourner Truth Parsons.
Le marché asiatique porte Art Basel Hong Kong
Art Basel Hong Kong 2026 concluded with strong attendance and significant sales, demonstrating the fair's central role in the Asian art market. The event attracted over 91,000 visitors and featured 240 galleries, with a strong presence from the Asia-Pacific region, Europe, and the United States. Major international galleries like Gagosian, Hauser & Wirth, and David Zwirner reported multimillion-dollar sales of works by artists such as Louise Bourgeois, Liu Ye, and Marlene Dumas, alongside notable transactions for works by Tracey Emin and Antony Gormley.
Una mostra a New York riconfigura l’Espressionismo Tedesco. La curatrice ci spiega tutto
The Guggenheim Museum in New York has launched "Contours of a World," the first major U.S. retrospective of German Expressionist painter Gabriele Münter in nearly thirty years. Curated by Megan Fontanella, the exhibition features a significant selection of paintings and photographs produced between 1908 and 1920, including a rare loan from the Vatican Museums. The show follows a major 2025 retrospective in Paris and aims to present Münter as a primary figure of the avant-garde in her own right.
A major retrospective of Tracey Emin's work has opened at Tate Modern in London. The exhibition presents a comprehensive overview of the artist's career, featuring her confessional and often provocative works that have defined her public persona.
Tracey Emin's major retrospective, 'Tracey Emin / Edvard Munch: The Loneliness of the Soul,' has opened at the Royal Academy of Arts in London. The exhibition pairs Emin's deeply personal works, including her iconic 'My Bed,' with paintings by Norwegian expressionist Edvard Munch, exploring shared themes of love, loss, and existential anguish.
A retrospective of Tracey Emin's work at Tate Modern reveals how her art, frequently interpreted as raw personal confession, is deeply intertwined with the broader cultural and social forces of her time. The review argues that her oeuvre serves as a witness to a specific era, moving beyond purely autobiographical readings to reflect wider societal currents.
Art critic Paddy Johnson addresses the common dilemma faced by unrepresented artists regarding the necessity of attending major art fairs. While acknowledging that fairs can be physically exhausting and prohibitively expensive, Johnson argues that their true value lies in strategic information gathering and long-term career planning rather than immediate sales or representation.
The feminist art collective Hilma’s Ghost, founded by artists Dannielle Tegeder and Sharmistha Ray, is reclaiming the role of alternative spiritualities and the occult within art history. Sparked by the 2018 Hilma af Klint retrospective at the Guggenheim, the collective emerged during the COVID-19 pandemic as a research-based project that bridges artmaking with esoteric practices like tarot, witchcraft, and neo-tantric cosmologies. Through workshops and collaborative paintings, the duo explores how women and queer artists have historically been erased from the canon due to their unconventional, mystical methods.
Pat Steir, the influential abstract painter celebrated for her large-scale "Waterfall" works created by pouring paint down the canvas, has died at the age of 87. Her death was confirmed by family and her gallery, Hauser & Wirth.
Miles Davis, born in 1926 in Illinois, rose from a middle-class background to become a transformative figure in jazz. He left formal studies at Juilliard to play with Charlie Parker, but soon forged his own iconic sound characterized by intimate tone and phrasing, most famously on the seminal *Birth of the Cool* sessions. His career was defined by constant reinvention, pioneering multiple major movements from cool jazz and modal recording to jazz fusion, earning him the nickname "the Picasso of Jazz" from Duke Ellington.
ÓSCAR MURILLO: LA PINTURA COMO POZO DE ACUMULACIÓN
The article profiles Colombian-born artist Oscar Murillo and his expansive, socially-engaged practice. It details his rise to international prominence in the early 2010s with large-scale paintings that incorporate text, textiles, and studio detritus, and highlights his ongoing, collaborative project 'Frequencies,' which involves students from over thirty countries creating works on canvases attached to school desks. The piece also references his major solo exhibitions, including 'El pozo de agua' at kurimanzutto in Mexico City (2026), 'Masas' at WIELS in Brussels (2024), and 'The flooded garden' at Tate Modern (2024).
Art Basel Hong Kong 2026 showcased a vibrant array of talent, with standout presentations across its curated sectors like Discoveries and Insights. Highlights included Vin Gallery's ceramic skeleton shadow puppets by Ako Goto, Lucie Chang Fine Arts' case for the late painter Zhu Xinjian, and gdm's pairing of Kongkee's lightbox sculptures with abstract works by Thai modernist Tang Chang. The fair also featured a monumental, self-sabotaged neon sign by Kongkee reading "Price / Value."
Art Dubai has announced a significantly scaled-back 20th-anniversary edition, reducing its exhibitor list by 57 percent following regional conflict and logistical disruptions. Originally scheduled for April, the fair has been postponed to May 15–17 at Madinat Jumeirah and will now feature only 50 galleries, with a heavy emphasis on regional participants. To support dealers during this period of uncertainty, organizers have implemented a "risk-sharing" booth fee model where galleries pay a percentage of sales capped at their original fee.
The Parisian gallery Helene Bailly Marcilhac is hosting a comprehensive monographic exhibition dedicated to the Dutch-French painter Kees van Dongen. The show traces the artist's career from his early days as a leading figure of the Fauvist movement through his later developments in portraiture, still life, and genre painting. Spanning several decades, the exhibition highlights Van Dongen's evolution from the "terrifying" bold colors of his youth to the more nuanced, expressive works of his later years, such as his 1950s floral studies and racing scenes.
A New York Supreme Court judge has ruled that the estate of Jewish art dealer Oscar Stettiner is the rightful owner of Amedeo Modigliani’s 1918 painting "Seated Man With a Cane." The decision concludes an 11-year legal battle led by Stettiner’s grandson, Philippe Maestracci, against billionaire art dealer David Nahmad. The court found that the painting was unlawfully seized by the Nazis after Stettiner fled Paris in 1939 and that subsequent sales, including the 1996 purchase by Nahmad at Christie’s, did not extinguish the original owner's rights.
Waddington Custot gallery has opened a new Paris location in Saint-Germain-des-Prés with the inaugural exhibition "The Nabi Shock." The show presents works by key figures of the late-19th-century Nabis movement, including Émile Bernard, Pierre Bonnard, and Edouard Vuillard, alongside contemporary artists like Fabienne Verdier and Pierre Knop to illustrate the movement's ongoing influence.
Art Paris 2026 will take place from April 9–12 at the Grand Palais, featuring two major curated themes: "Babel – Art and Language in France," guest-curated by Loïc Le Gall, and "Reparation," curated by Alexia Fabre. The fair will include roughly 165 galleries, with sectors like Promises for emerging artists, Solo Show for monographic presentations, and French Design Art Edition.
American artist Liza Lou discusses her recent shift in practice, moving from her famous large-scale bead installations to a new body of work that fuses oil painting with glass beads. After years of collaborative work in South Africa and focusing on monochrome tones, Lou has returned to a solitary studio practice in a windowless warehouse in the San Fernando Valley. This new phase is defined by a "headlong love affair with colour," inspired by the hallucinatory palette of the Mojave Desert and a transition from logical drawing to a more intuitive, freestyle process.
The 2026 edition of EXPO Chicago opened at Navy Pier with a renewed sense of energy, marking its third year under Frieze ownership and its first under the leadership of director Kate Sierzputowski. Early reports from the VIP preview suggest a successful revitalization of the fair, which has successfully re-engaged longtime Midwestern collectors while simultaneously attracting a more robust international audience.
The Chicago art space Wrightwood 659 is hosting a major survey titled "Dispossessions in the Americas: The Extraction of Bodies, Land, and Heritage from La Conquista to the Present." Featuring over 35 contemporary Latin American artists, including Regina José Galindo and the late Ana Mendieta, the exhibition is the culmination of a multi-year research project funded by the Mellon Foundation. The show explores the historical and ongoing impacts of colonial dispossession on Indigenous, Afro-descendant, and LGBTQ+ communities through diverse media ranging from performance art to installation.
The Chicago art space Wrightwood 659 is hosting a major survey titled "Dispossessions in the Americas: The Extraction of Bodies, Land, and Heritage from La Conquista to the Present." Featuring over 35 contemporary Latin American artists, including Regina José Galindo and the late Ana Mendieta, the exhibition serves as the culmination of a multi-year research project funded by the Mellon Foundation. The show explores the historical and ongoing impacts of colonial dispossession on Indigenous, Afro-descendant, and LGBTQ+ communities through diverse media ranging from performance art to installation.
The Hole, a prominent gallery with locations in New York and Los Angeles, is facing significant financial distress characterized by shuttered spaces and mounting legal disputes. Following a period of rapid expansion fueled by the 2021–2023 art market boom, the gallery has permanently closed its West Hollywood location and is currently facing multiple lawsuits from Manhattan landlords alleging over $180,000 in unpaid rent and taxes. Founder Kathy Grayson attributes the crisis to a sharp decline in sales starting in late 2023, which has left the gallery struggling to pay artists, staff, and creditors.