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‘They accomplished so much, even as they were dying’: the groundbreaking gay art of Peter Hujar and Paul Thek

Author and Frieze Magazine editor-in-chief Andrew Durbin has released a dual biography titled 'The Wonderful World That Almost Was,' chronicling the lives and creative partnership of Peter Hujar and Paul Thek. The book focuses on their relationship from the mid-1950s through the 1970s, detailing their collaborative influence and the development of their respective practices in photography and sculpture before both died of AIDS-related complications in the late 1980s.

As Cuban crisis deepens, diaspora artists have a message of compassion

Artists Antonia Wright and Ruben Millares are showcasing a salvaged, bullet-ridden Cuban migrant vessel at Miami’s Piero Atchugarry Gallery. The exhibition, titled 'Exile', serves as a visceral focal point for the escalating humanitarian crisis in Cuba, where citizens face systemic collapse, starvation, and political imprisonment. Through the concept of 'embodiment' rather than mere empathy, the artists confront the harrowing 93-mile journey across the Straits of Florida undertaken by those desperate to escape the island's dictatorship.

The Untold Story of Peter Hujar and Paul Thek’s Intimate—and Complex—Bond

Andrew Durbin’s new dual biography, *The Wonderful World That Almost Was*, explores the profound and volatile relationship between photographer Peter Hujar and artist Paul Thek. Spanning from their meeting in the late 1950s to their deaths from AIDS-related complications in the 1980s, the book details how their shared experiences—most notably a 1963 visit to the Capuchin Catacombs in Palermo—fundamentally shaped their artistic trajectories. While Hujar captured the mummified remains in haunting photographs, Thek translated the encounter into his visceral "meat pieces" and wax effigies.

See Inside the Long-Lost Lee Miller and Cecil Beaton Album Full of WW2-Era Photographs

The Bodleian Libraries at the University of Oxford has acquired a rare photographic "daybook" compiled by Roland Haupt, a former darkroom assistant at British Vogue. Created between 1943 and 1949, the annotated scrapbook contains hundreds of original photographs and clippings by legendary photographers Lee Miller and Cecil Beaton. The acquisition, brokered by dealer Michael Hoppen, ensures that the album—which includes iconic images of Miller in Hitler’s bathtub and portraits of Picasso—remains intact as a singular historical record rather than being sold piecemeal at auction.

Our pick of the best museum and gallery shows to see in Chicago this spring

Chicago’s spring art season features a diverse array of exhibitions, highlighted by Dabin Ahn’s solo debut at Document, which explores memory and grief through fractured canvases and Korean ceramics. The Art Institute of Chicago is hosting a tribute to the late Lucas Samaras, showcasing his experimental Polaroid self-portraiture, while the Museum of Contemporary Art Chicago (MCA) launches an ambitious group show examining the political and cultural impact of dancehall and reggaetón.

Bettina Pousttchi Recasts Steel Barriers as Poetic Sculptures at Rockefeller Center

German artist Bettina Pousttchi has unveiled a monumental steel sculpture titled "Vertical Highways V03" at New York’s Rockefeller Center. Crafted from repurposed roadway guardrails that have been bent and colored, the vertical installation stands in dialogue with the surrounding Art Deco architecture. The work, which has previously been exhibited in Paris, Berlin, and Istanbul, will remain on public display in Midtown Manhattan through April 17, 2026.

Wilhelm Sasnal review – his wild juxtapositions are almost obscene

Polish artist Wilhelm Sasnal's new exhibition at Sadie Coles HQ in London presents a disorienting array of paintings. The works juxtapose disparate and often disturbing images, including a grotesque depiction of the Oval Office, portraits of his family, album art for the industrial band Throbbing Gristle, and a forest scene linked to the Holocaust, creating a deliberate sense of fragmentation and broken connections.

melvin edwards sculptor dead

Melvin Edwards, the pioneering sculptor known for his powerful steel assemblages and "Lynch Fragments" series, has died at the age of 88 in Baltimore. Edwards was a trailblazer who reframed Minimalism by infusing it with political and cultural weight, becoming the first Black sculptor to have a solo exhibition at the Whitney Museum in 1970. His work utilized industrial materials like chains and barbed wire to address histories of enslavement, anti-Black violence, and global conflict while maintaining a sophisticated abstract language.

Comment | Cow in MSCHF project survives, but should the project have happened at all?

The Brooklyn-based art collective MSCHF concluded its two-year project 'Our Cow Angus,' in which the fate of a live cow was determined by token holders. Purchasers of tokens representing future hamburgers and leather had the option to return them via a 'remorse portal'; when over 50% were returned by the March 13 deadline, the cow was sent to a sanctuary instead of a slaughterhouse.

golestan palace tehran damaged us israel bombing

The Golestan Palace, a UNESCO World Heritage site in Tehran, has sustained damage following US-Israeli airstrikes targeting the Iranian capital. According to Iran’s cultural heritage minister, Reza Salehi-Amiri, the Qajar-era complex suffered damage to its historic windows, doors, and mirrors due to blast shockwaves and debris. The escalation of the regional conflict has further impacted cultural hubs across the Middle East, with debris falling near Abu Dhabi’s Saadiyat Island and major institutions in Qatar and the UAE temporarily closing their doors.

digital artist hot water ai generated works george condo

Digital artist Kevin Esherick's solo debut at New York’s Heft Gallery has sparked a legal confrontation with painter George Condo. The exhibition features AI-generated works trained to mimic the styles of prominent contemporary artists, including Beeple, Cindy Sherman, and Salman Toor. While most artists were receptive to the project, Condo’s legal team issued a cease-and-desist letter regarding three specific paintings, leading the gallery to shroud the disputed works in black velvet and display the redacted legal notice in their place.

yuko mohri sculptures sound venice biennale tanya bonakdar

Japanese artist Yuko Mohri has gained international acclaim for her kinetic, sound-based installations that utilize decaying organic matter and found objects to create unpredictable ecosystems. Her recent presentation at the 2024 Venice Biennale's Japanese Pavilion featured sculptures powered by the electrical currents of decomposing fruit and water systems that embraced the pavilion's porous architecture, even during torrential rain.

carnegie international 2026 artist list

The Carnegie Museum of Art in Pittsburgh has announced the artist list for its 2026 Carnegie International exhibition. The largest edition to date features 61 artists from around the world, including the Indigenous Argentinian collective Silät, Indian artist Sanchayan Ghosh, and Peruvian painter Arturo Kameya. The show, titled "If the word we," will open on May 2 and includes 36 new commissions, organized by curators Ryan Inouye, Liz Park, and Danielle A. Jackson.

boo the spookiest works in art history from samurai decapitations to ghoulish incubi

Artnet News has compiled a list of the spookiest, bloodiest, and most gruesome works in art history to celebrate Halloween. The selection includes Francisco de Goya's "Saturn Devouring His Son" (ca. 1820–23), Hermann Nitsch's blood-soaked "Schuttbild" (2013), Tsukioka Yoshitoshi's woodblock print of a samurai drinking from a severed head, and Théodore Géricault's macabre still lifes of body parts. Other entries feature Goya's "The Witches' Flight," Katsushika Hokusai's ghost story print "The Lantern Ghost, Oiwa-San," John Henry Fuseli's "The Nightmare," Vincent van Gogh's "Skull of a Skeleton with Burning Cigarette," and Utagawa Kuniyoshi's "Takiyasha The Witch and the Skeleton Spectre."

martial raysse profile galerie templon paris

Martial Raysse, the 89-year-old, reclusive giant of postwar French art, has debuted a new exhibition of recent paintings and sculptures at Galerie Templon in Paris. The show features 30 works, selected from over 50, and marks his first collaboration with the gallery, initiated by a handwritten letter from founder Daniel Templon.

rebecca salsbury james

Rebecca Salsbury James, an artist who mastered reverse painting on glass and colcha embroidery, is gaining renewed attention. Born in 1891 in London to parents involved in the Buffalo Bill Wild West Show, she later moved to Taos, New Mexico, where she lived until her death in 1968. She was married to photographer Paul Strand, a close friend of Georgia O'Keeffe, and exhibited at Alfred Stieglitz's gallery. Recent milestones include her inclusion in the 2025 Site Santa Fe International, a new acquisition by the Georgia O'Keeffe Museum, and a record auction price for her work at Christie's in 2016.

renovated frick expansion reopening highlights

The Frick Collection reopens to the public on April 17 after a five-year closure and a $220 million expansion and renovation by Selldorf Architects. The project adds 18,000 square feet, including 10 new galleries in the family's original second-floor living quarters, a marble staircase, cafe, gift shop, and a new auditorium. The percentage of the collection on view has increased from 25% to 47%, and Ukrainian artist Vladimir Kanevsky has created porcelain floral arrangements for the reopening. New director Axel Rüger, who joined from London's Royal Academy of Arts, welcomed journalists at a press preview.

venezuela cultural scene mauduro ouster

The United States invaded Venezuela in a military operation that seized President Nicolás Maduro and his wife Cilia Flores, who will face federal charges in New York. The Trump administration has stated it will run the country until a favored government is installed, while Vice President Delcy Rodriguez has been sworn in as interim president. The operation has sparked global protests and mixed reactions among Venezuelans, with some celebrating Maduro's ouster and others condemning the violation of international law.

year in latinx art 2025 artists museums

The article reflects on the state of Latinx art in 2025, a year marked by devastating wildfires in Los Angeles and the start of the second Trump administration, which has intensified ICE raids and targeted communities of color. Amid this crisis, artists have created poignant responses, including AMBOS's ceramics project at Frieze Los Angeles benefiting migrants awaiting asylum hearings, and Consuelo Jimenez Underwood's solo exhibition at Artpace in San Antonio, which explored borders both literal and cosmic. The piece also highlights a two-person show by Beatriz Cortez and rafa esparza at the Americas Society, titled "Earth and Cosmos," featuring works that challenge time and space.

amid ongoing layoffs brown university terminates both bell gallery curators rankling faculty

Brown University terminated both curators at the David Winton Bell Gallery—Kate Kraczon, director of exhibitions and chief curator, and Thea Quiray Tagle, associate curator—on December 4, as part of broader layoffs and austerity measures amid a financial crunch. The university eliminated 55 vacant positions and laid off 48 staff across campus, but has not publicly commented on the curators' terminations, which were confirmed via an internal message shared with ARTnews. Faculty members expressed surprise and frustration, saying they received no clear explanation beyond budget cuts, and it remains unclear who will handle future programming at the gallery.

power of scents delcy morelos madre

The article explores the challenge of articulating olfactory experiences in art, focusing on Norwegian artist Sissel Tolaas, who has dedicated her career to scent as a medium. Tolaas has collected over 15,000 smell molecules for her SMELL RE_searchLab in Berlin and invented a language called NASALO to describe scents more precisely. The piece also highlights the Kunstpalast Düsseldorf's exhibition "The Secret Power of Scents," which integrates smell into its permanent collection display, and references historical and contemporary artists like Ernesto Neto, Mike Kelley, and Oswaldo Maciá who have used scent in their work.

arnulf rainer dead

Arnulf Rainer, the Austrian artist known for his relentless experimentation and his signature "overpaintings" (Übermalungen), died on December 18 at age 96 at his home in Austria. His death was confirmed by his gallery, Thaddaeus Ropac. Over seven decades, Rainer produced abstract works tied to the Art Informel movement, layering dense pigment over existing images—first his own, then works by artists like Emilio Vedova. He also created "blind drawings" and overpainted photographic self-portraits in series such as "Face Farces" and "Body Poses." His career included major exhibitions at Documenta, the Venice Biennale, the Guggenheim Museum, and the Centre Pompidou, and he taught at the Academy of Fine Arts in Vienna from 1981 to 1995.

art green founding figure of chicago harry who obituary

Arthur “Art” Green, a key Chicago Imagist painter and original member of the Hairy Who, died at age 83 in April. The news was announced by Garth Greenan Gallery in New York, which represented him. Green rose to prominence in the mid-1960s alongside five fellow School of the Art Institute of Chicago graduates, exhibiting together as the Hairy Who from 1966 to 1969. Their work offered a humorous, hallucinatory take on American culture, blending Surrealism, Art Brut, and advertising conventions. Green developed a rich personal iconography featuring ice cream cones, wood grain, flames, and fingernails, and taught for decades, influencing a generation of artists.

gloria klein anat ebgi crisis management

Gloria Klein, a late New York-based painter known for anxious acrylic arrangements and methodical mathematical systems, is the subject of a new solo exhibition titled "Crisis Management" opening January 9, 2026, at Anat Ebgi New York. The show presents many of her later paintings for the first time, and coincides with the announcement that Anat Ebgi now represents her estate. Klein, born in Brooklyn in 1936, was a queer artist who participated in the feminist publication HERESIES, created portraits of critics Arlene Raven and Lucy Lippard, curated the 1977 exhibition "10 Downtown: 10 Years" at PS1, and was a member of the Criss Cross art cooperative. Despite a recent sale of her work for $30,000 at Frieze Los Angeles in 2023, she remains relatively unknown.

must see fall gallery shows new york

The article highlights four must-see fall gallery shows in New York City for September-October 2025. It features Mercedes Matter's first solo show at Berry Campbell, reviving the overlooked Abstract Expressionist; Julio Torres's theatrical debut "Color Stories" at Performance Space New York; Gabrielle Garland's first New York solo exhibition at Miles McEnery Gallery, showcasing surreal suburban paintings; and Omar Ba's exhibition "Promises and Glory" at Templon, presenting fantastical mixed-media works.

jack shainman gallery responds odili donald odita lawsuit

Jack Shainman Gallery has formally responded to a lawsuit filed by artist Odili Donald Odita, who accused the New York gallery of refusing to return his artworks. Odita, whose work has been shown at the Venice Biennale and who recently painted the atrium of the Museum of Modern Art, claimed the artworks were worth $1.12 million. In a late November filing, the gallery countered that it holds far less inventory than Odita alleges and that the artist still owes money for production costs. The gallery disclosed that it had paid Odita a monthly stipend starting in 2016—$14,000 per month at its peak—which stopped in 2024, and that Odita had received $586,000 in loans. The gallery claims it has the right to retain five works valued at $650,000, which were consigned to David Kordansky Gallery, and that Odita must repay over $292,000 in outstanding loans.

martin wong painting unseen art basel miami beach ppow

A long-unseen 12-foot-wide painting by Martin Wong, titled *Tai Ping Tien Kuo (Tai Ping Kuo)* (1982), will be exhibited at Art Basel Miami Beach next month courtesy of New York gallery P.P.O.W. The work, which features a rare nude portrait of the artist’s mother and stepfather, was last shown publicly in 1987 at the Asian Arts Institute in New York. It was kept in storage for decades because Wong’s mother, Florence Wong Fie, objected to its display out of modesty. The painting adopts a classical three-panel altarpiece format, blending Chinese American history with references to Western art, the Taiping Rebellion, and Wong’s own Lower East Side influences.

page nyc machteld rullens

Machteld Rullens, a Dutch artist based in The Hague, is presenting her second solo exhibition with Page (NYC) titled “Beacon Road,” jointly staged at Andrew Kreps Gallery in New York. The show features works created during a residency at the Josef and Anni Albers Foundation in Connecticut, using discarded cardboard boxes that Rullens collects from recycling bins and other sources. Her sculptures, which initially appear ceramic or metallic, are actually intricate assemblages of cardboard, exploring form, commodity, and waste. The exhibition marks a departure from her earlier work, with crushed and folded forms and exposed bolts conveying a sense of restrained energy.

5 latinx artists transforming everyday materials from cobijas to pinatas into statements on identity

Ballroom Marfa in Marfa, Texas, presents the exhibition “Los Encuentros,” on view through March 29, 2026, featuring five Latinx artists—Ozzie Juarez, Justin Favela, Antonio Lechuga, Narsiso Martinez, and Yvette Mayorga—who transform everyday materials like blankets (cobijas) and piñatas into works exploring Latinx identity. Curated by Maggie Adler, the show prioritizes local community engagement over the international art world, with works such as Juarez's "Coatzomaki" (2025) synthesizing LA street art and Aztec culture. The exhibition grew from Adler's existing relationships with the artists and her belief in working beyond institutional walls.

paris photo women photographers

The 28th edition of Paris Photo, which closed November 16, saw a surge in representation of women photographers, rising to 39 percent of artists on view from 20 percent in 2018. This shift is driven by the fair's Elles program, launched with France's ministry of culture, and a broader market appetite for rediscovered women artists. Notable sales included works by Ming Smith, whose vintage prints sold for up to €60,000 at M77 gallery, and offerings from Les Filles du Calvaire featuring Helena Almeida and Katalin Ladik. Richard Saltoun gallery returned after six years with a booth focused on women photographers.