Performance artist Crackhead Barney, known for her viral street interventions and ambush interviews at protests and public events, is transitioning her work to the formal stage. Her new play, GOD IS RAPING ME, is having sold-out dates at the Pageant performance space in Brooklyn, marking a significant shift from her guerrilla-style, social media-driven practice to theatrical production.
The prints and multiples market is experiencing a significant transformation, driven by an influx of new collectors and a shift in taste toward historically significant works. Artnet Auctions data shows that 50% of prints and multiples lots sold between 2020 and 2025 went to first-time buyers on their platform. This surge in demand is coinciding with major events like the IFPDA Print Fair and Artnet's own Premier Prints and Multiples sale, which features works from modern masters like Frank Stella and Jeff Koons.
Veteran art advisor Patti Wong, who left Sotheby's after three decades to start her own firm, analyzes a significant recalibration in the auction market. She notes a new discipline among auction houses and buyers following the frothy post-pandemic years, with houses becoming more selective, relying heavily on third-party guarantees, and facing greater buyer scrutiny on provenance and estimates. She also highlights the industry's expansion into new geographies like Saudi Arabia and new categories like luxury goods.
Pharrell Williams launched his own auction platform, Joopiter, after finding traditional auction houses ill-suited to sell his collection of fashion, jewelry, and timepieces. The platform has rapidly expanded from single-owner sales into a multi-category auction house, handling luxury goods, sports memorabilia, pop culture artifacts, and contemporary art, with a recent headline lot being a $5 million Triceratops skeleton named Trey.
Brooklyn’s historic Green-Wood Cemetery has unveiled the 'Green-House,' a $34m welcome and education center centered around a meticulously restored 1895 Victorian cast-iron greenhouse. Designed by Architecture Research Office (ARO), the facility includes classrooms, research archives, and dedicated gallery spaces. The project transforms a formerly dilapidated commercial florist shop into a modern gateway that connects the 478-acre National Historic Landmark to its surrounding urban neighborhood.
Melissa Chiu has been appointed as the new director of the Solomon R. Guggenheim Museum in New York, transitioning directly from her decade-long tenure at the Hirshhorn Museum and Sculpture Garden. During her time at the Hirshhorn, Chiu was credited with doubling attendance, significantly increasing fundraising, and overseeing a major $68m garden renovation by Hiroshi Sugimoto. She will begin her new role on September 1, while Aaron Seeto steps in as interim director at the Hirshhorn.
Julius Bryant’s new book, the fourth volume in his history of the Victoria and Albert Museum, re-examines the 1851 Great Exhibition through its visual legacy. By analyzing paintings, prints, and ephemera—including the vast archive of Charles Wentworth Dilke—Bryant reconstructs the 'Crystal Palace' experience, highlighting the youth of its organizers and the staggering speed of its construction. The narrative shifts focus away from traditional social theory toward the actual visual evidence of the event, from David Roberts’s massive panoramic paintings to the 235 sculptures that defined the era's artistic output.
Artist Lorna Simpson joins the 'A Brush With...' podcast to discuss the vast array of cultural influences that inform her conceptual practice. From her early photo-text works to her recent large-scale paintings, Simpson details how she subverts conventional framing of identity and navigates the boundaries between reality, fiction, and historical archives. She highlights the impact of figures such as David Hammons, Francisco de Zurbarán, and filmmaker Chantal Akerman on her evolving visual language.
Artist Lorna Simpson joins the 'A Brush With...' podcast to discuss the vast array of cultural influences that have shaped her conceptual practice. From her early photo-text works to her recent large-scale paintings, Simpson details how she subverts conventional framing of identity and navigates the boundaries between reality, fiction, and historical archives. She highlights the specific impact of figures such as David Hammons, Francisco de Zurbarán, and filmmaker Chantal Akerman on her evolving visual language.
The Yale Center for British Art has unveiled the 'Lucknow scroll,' a monumental 37-foot-long early 19th-century watercolor, following an extensive two-year conservation project. Part of the exhibition 'Painters, Ports and Profits,' the scroll offers a panoramic view of Lucknow, India, during the reign of Ghazi-ud-Din Haidar Shah. Due to its immense size and fragility, the museum is displaying the work in two stages, unrolling different sections over the course of the exhibition to manage light exposure and space constraints.
Karen Archey, the head of curatorial at Düsseldorf's K20 and K21 museums, shares personal insights in an interview format. She reveals her obsession with painter Alice Neel, discusses a formative 2007 summer touring major European art events, and lists the poetry and audio currently occupying her attention.
German artist Anne Imhof will present her first solo exhibition in Asia at the Tai Kwun culture complex in Hong Kong from September 26, 2025, to January 3, 2027. The ambitious show will feature a survey of key works and a new commission, converging performance, image, sound, and architecture to create immersive encounters.
Donatello's monumental 1453 bronze equestrian statue, Gattamelata, has been moved from its outdoor plinth in Padua to a nearby indoor hall for a major €1 million restoration. This marks only the third time the statue has been moved indoors in nearly 600 years, prompted by severe corrosion known as "bronze cancer" and structural concerns about its stone pedestal. The restoration is funded by two American non-profit organizations, Friends of Florence and Save Venice.
Adrian Cheng, a key figure in Hong Kong's art world, identifies major trends shaping the city's art scene ahead of Art Basel Hong Kong. He highlights the convergence of major art fairs, auction house sales, and new gallery openings during the 'Art March' period, drawing a global audience with high-profile exhibitions by international artists like Mary Weatherford, Nicole Eisenman, and El Anatsui.
The art world mourns the loss of several influential figures, including photographer Nathan Farb, known for his large-format captures of the Adirondacks and 1960s Manhattan, and Christine Ruiz-Picasso, who was instrumental in establishing the Museo Picasso Málaga. Other notable passing include German interdisciplinary artist Thomas Zipp, prolific art forger William "Billy The Brush" Mumford, and Hassen Soufy, the last living member of the L'École de Tunis movement.
The Los Angeles County Museum of Art (LACMA) is set to open its new $724 million David Geffen Galleries, designed by Swiss architect Peter Zumthor. The massive concrete structure, which spans Wilshire Boulevard like a bridge, represents a twenty-year effort led by director Michael Govan to create a non-hierarchical, single-level museum space. The building's design features eight massive pavilions supporting a sprawling 110,000 square foot gallery floor, intended to house the museum's diverse permanent collection in a transparent, fluid environment.
Photographer Albert Scopin has released a new book through Kerber Verlag documenting his residency at New York’s iconic Chelsea Hotel between 1969 and 1971. The collection features rare, intimate portraits of the hotel's legendary inhabitants, including a young Patti Smith and Robert Mapplethorpe before their rise to global fame, alongside long-time manager Stanley Bard and avant-garde figures like Vali Myers and Holly Woodlawn. Scopin’s lens captures the 'creative chaos' of the era, from the art-filled lobby to the eccentric private quarters of residents like composer George Kleinsinger.
Adrian Chiles, a writer and broadcaster, recounts his acquisition of a whimsical figurine of a cheerful chef, which he named Bert after the reclamation yard owner from whom he bought it in the Black Country. He describes the personal joy and daily lift the statue brings him, contrasting it with a cuckoo clock whose novelty eventually wore off. Chiles details the statue's charming, slightly worn appearance and its role as a conversation piece, particularly due to the West Midlands slang word "bostin'" written on its menu board.
The group exhibition "Desperate, Scared, But Social" at the UC Irvine Langson Orange County Museum of Art (Langson IMCA) explores the complexities of contemporary social dynamics and collective anxiety. The show brings together diverse artistic perspectives to examine how individuals navigate a landscape defined by political instability, environmental concerns, and the pervasive influence of digital connectivity.
Artist Alex Heilbron presents a solo exhibition at the Los Angeles gallery as-is. The show is featured as a lead review in the February 2026 issue of Contemporary Art Review LA, highlighting Heilbron's continued exploration of painting and visual language within the Southern California art scene.
The Metropolitan Opera and the Museum of Modern Art (MoMA) have launched a rare cross-disciplinary collaboration centered on the life and work of Frida Kahlo. The project features a new operatic production at the Met, complemented by a specialized exhibition at MoMA conceived by the opera's set designer to provide visual and historical context.
The Getty Center in Los Angeles has announced it will close to the public for a full year starting in March 2027. This significant hiatus is required to facilitate a major infrastructure overhaul, primarily focusing on the replacement of its aging computer-operated tram system and the modernization of several gallery spaces within the Richard Meier-designed campus.
A heated controversy has erupted in Mexico following the decision to move a massive trove of Frida Kahlo and Diego Rivera artworks to Spain for a long-term loan. Protesters and cultural advocates are challenging the relocation of the Dolores Olmedo Museum collection, which includes some of Kahlo’s most iconic paintings, to a new private museum in Madrid. In response to the backlash, Mexican officials have issued public assurances that the collection remains national heritage and is legally required to return to Mexico by 2028.
The New York Times examines the enduring power of Felix Gonzalez-Torres's 1991 performance piece "Untitled" (Go-Go Dancing Platform), in which a go-go dancer performs on a pedestal for a brief, scheduled period each day. The work, currently on view at the Art Institute of Chicago, uses the dancer's absence as a central component, creating a poignant metaphor for queer presence and loss.
Taiwan is undergoing a significant cultural transformation with the opening of several major municipal art institutions, including the New Taipei City Art Museum, the Taoyuan Museum of Fine Arts, and the Taichung Green Museumbrary. The latter, designed by Pritzker Prize-winning architects SANAA, represents a new hybrid typology that merges a public library with an art museum within a sprawling urban park. These institutions are characterized by striking contemporary architecture and a mission to balance international prestige with deep-rooted local art histories.
Artist Jen Liu’s solo exhibition 'Pound of Flesh' at Silverlens New York explores the dehumanizing nature of digital labor through visceral imagery of raw meat. The show features paintings where human consciousness is replaced by butcher-shop cuts and an animated video based on Liu’s research into microworkers—individuals who perform repetitive, low-paid tasks to train AI models. By juxtaposing the biological reality of the body with the clinical extraction of data, Liu highlights the physical and psychological toll of the 'Agentic Age.'
Thai artist Rirkrit Tiravanija will headline the Qatar Pavilion at the 61st Venice Biennale with a collaborative project titled “Untitled (a gathering of remarkable people).” Curated by Tom Eccles and Ruba Katrib, the exhibition will be housed in a temporary tent in the Giardini on the site of Qatar’s future permanent pavilion. The presentation features a multidisciplinary roster including filmmaker Sophia Al-Maria, sound artist Tarek Atoui, sculptor Alia Farid, and chef Fadi Kattan, blending live performance, cinema, and Middle Eastern culinary traditions.
Art Cologne has officially relaunched its satellite fair in Palma, Mallorca, nearly two decades after its initial 2007 debut. The 2026 edition features 88 participating galleries and runs through April 12, showcasing a curated selection of international and local talent within the Balearic Islands' evolving cultural landscape.
The Centre Pompidou Hanwha is scheduled to open its doors in Seoul in June 2026, following a three-year construction period. Located within the iconic 63 Building in the Yeouido district, the 10,000-square-meter facility replaces a former aquarium with a four-story "box of light" designed to maximize natural illumination.
Erste Details zum deutschen Pavillon
The German Pavilion at the upcoming Venice Biennale will present an exhibition titled "Ruin," featuring works by the late Henrike Naumann and artist Sung Tieu. Curated by Kathleen Reinhardt, the exhibition explores historical ruptures and the lingering effects of political and social voids following German reunification. Tragically, Naumann passed away shortly after completing her contributions, and her studio team is now working to realize her final artistic vision for the prestigious international stage.