The Museum of Contemporary Art San Diego (MCASD) has opened the exhibition "Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys." Featuring over 130 works drawn from the music power couple's private collection, the show spotlights Black American and diasporic artists and is on view from April 18 through August 9, 2024.
San Francisco's Asian Art Museum and San Francisco Museum of Modern Art will host major exhibitions of Korean art this fall. The Asian Art Museum will present the first North American museum retrospective of monochrome master Ha Chonghyun, featuring over 50 works spanning six decades. SFMOMA will debut a special exhibition showcasing the personal art collection of BTS leader RM, juxtaposing over 150 pieces from his holdings with works from the museum's own collection.
Pilar Corrias, a London gallerist, opened her eponymous gallery in 2008 during the global financial crisis, defying the trend of closures. She commissioned architect Rem Koolhaas to design the space and built a program with a strong intellectual focus and a diverse roster of artists.
Ha Chong-Hyun, a leading figure of the Korean Dansaekhwa (monochrome painting) movement, will receive his first North American museum retrospective at the Asian Art Museum of San Francisco. The exhibition, titled 'Ha Chong-Hyun: Retrospective,' opens on September 25 and will feature approximately 50 paintings spanning over 60 years of his career, including new works and pieces showcasing his signature 'Back Pressure Technique.'
Monochrome painting master Ha Chong-Hyun will have his first North American museum retrospective at the Asian Art Museum of San Francisco (AAM) from September 25, 2026, to January 25, 2027. The exhibition, titled "Ha Chong-Hyun: Retrospective," will feature about 50 works spanning over 60 years, including his early Art Informel experiments, his politically charged works, and his iconic "Conjunction" series created with his signature Back Pressure Technique.
David Kordansky Gallery in Los Angeles is presenting a two-person exhibition featuring the work of Elizabeth Murray and Betty Woodman, on view from March 19 to April 25, 2026. The show brings together paintings and ceramic sculptures from 1982 to 2015, highlighting the artists' shared exploration of the space between two and three dimensions, shaped canvases, and wall-mounted forms.
Alpha 137 Gallery has listed a unique 1955 work on paper by American modernist Dorothy Dehner titled "Drawing for Sculpture." The piece, executed in brown marker on found stationery from a New York manufacturer’s agent, represents a pivotal moment in Dehner’s career when she transitioned from painting to the abstract sculpture for which she became famous. The work is hand-signed and dated, reflecting her early exploration of three-dimensional forms through graphic media.
Everlyn Nicodemus presents 'Without History' at Goodman Gallery in Cape Town, marking her first solo exhibition with the gallery and a rare return to the African continent since the 1980s. The show, organized in partnership with Richard Saltoun Gallery, features major bodies of work including the 'Woman in the World' cycle and the 'Wedding' series. These works, created while Nicodemus lived across Europe, explore themes of trauma, gender, and spiritual survival through a practice that blends painting with deep archival research and social anthropology.
Veteran Indian artist Anjolie Ela Menon is currently presenting a career-spanning exhibition titled 'Revisitations' at Triveni Kala Sangam in New Delhi. Presented by Vadehra Art Gallery and curated by Uma Nair, the show features over 30 works ranging from the 1950s to new pieces created in 2025 and 2026. The exhibition highlights Menon’s steadfast commitment to figurative painting, Byzantine-inspired imagery, and recurring motifs such as the empty chair and the crow, which explore themes of presence and loss.
Sotheby's May 2025 evening auctions in New York generated $433.1 million, a 132.7% increase over the same sales last spring, despite offering fewer lots. The evening featured an 11-lot sale from the collection of the late banker-turned-dealer Robert Mnuchin, which alone brought in $166.3 million, led by Mark Rothko's "Brown and Blacks in Reds" (1957) selling for $85.8 million. The main contemporary art auction, including "The Now" sale, totaled $266.8 million, with over 80% of lots guaranteed. Four works went unsold and one was withdrawn, yielding a 91% sell-through rate.
The article reviews "Sophie Rivera: Double Exposures" at El Museo del Barrio, the first survey of the late Nuyorican photographer Sophie Rivera, who died in 2021. The exhibition spans her career, including her feminist conceptual series "Rouge et Noir" and "Bowl Study" (c. 1976–78), which depict intimate bodily waste like used tampons and feces, and her socially engaged "Latino Portraits" series from the late 1970s, which countered negative media stereotypes of Puerto Ricans with affectionate, mythologizing portraits. The review highlights a moment where the critic misidentifies abstract toilet photographs as pinhole or double exposures before learning their true subject.
Workers at the American Folk Art Museum in New York City, represented by UAW Local 2110, picketed the museum's annual gala at the Mandarin Oriental in Manhattan on May 6, 2026. They demanded higher wages and better benefits after contract negotiations stalled for nearly two years. Frontline workers earn $19 per hour, about $12,000 below the city's living wage, while the museum's CEO Jason Busch earned $321,882 in 2024. The union requested a three-year contract raising wages to $30 per hour, but management offered only $21.50 and refused to guarantee existing benefits, leading to the protest.
The 58th Carnegie International at the Carnegie Museum of Art in Pittsburgh looks back at its own 130-year history, featuring a gallery dedicated to past iterations. The exhibition includes Chris Ofili's "The Adoration of Captain Shit and the Legend of the Black Stars" (1998), which was originally shown in the 53rd International in 1999, the same year Ofili's more notorious "The Holy Virgin Mary" sparked controversy at the Brooklyn Museum. The article reviews how the current iteration captures the excitement of earlier exhibitions while providing commentary on authoritarianism and militarism.
Se ti presenti in costume da bagno entri gratis alla mostra di Cézanne. Succede in una delle istituzioni più serie della Svizzera
The Fondation Beyeler in Basel, Switzerland, is hosting a major monographic exhibition dedicated to Paul Cézanne, running until May 25, 2026. Curated by Ulf Küster, the show brings together around 80 works focusing on the artist's late career, including portraits, landscapes, variations on Mont Sainte-Victoire, and bather scenes. On May 1, 2026, the museum held a "Bathers Day" promotion inspired by Cézanne's bathers and Maurizio Cattelan's playful approach, offering free entry to visitors who came in swimwear. The event attracted families and individuals, with some even swimming in the foundation's garden pond afterward.
El Museo del Barrio has announced the curatorial team for the 2027 edition of La Trienal, its landmark survey of Latine contemporary art. The show will be organized by Susanna V. Temkin, interim chief curator at the museum; Zuna Maza, assistant curator; and guest curator Kaitlin Garcia-Maestas, formerly of Socrates Sculpture Park. In other biennial news, Amanda Carneiro and Raphael Fonseca were named chief curators of the 37th Bienal de São Paulo, the jury of the 61st Venice Biennale resigned after omitting Russia and Israel from awards consideration, and Marcello Dantas was appointed senior curator of the Vancouver Biennale. Hedwig Fijen will step down as director of Manifesta, with Emilia van Lynden and Catherine Nichols taking over in a new co-leadership model. Janne Sirén will resign as director of the Buffalo AKG Art Museum, Kate Kraczon was named chief curator at the Montclair Art Museum, and Charlie White was appointed dean of WashU’s Sam Fox School of Design & Visual Arts. Marina Abramović has designed wine labels for the Ornellaia estate, with limited-edition bottles to be auctioned by Bonhams to benefit the Guggenheim Pop exhibition.
The American Folk Art Museum (AFAM) in New York will present "Self-Made: A Century of Inventing Artists" this spring, a major exhibition examining the historical definition of the "self-taught artist" through authorship, agency, and self-representation. Featuring over 90 works spanning the early 20th century to today, the show is organized around three strategies—self-portraiture, alter egos, and autobiography—and includes pieces by Henry Darger, Clémentine Hunter, Martín Ramírez, Aloïse Corbaz, Adolf Wölfli, Nicole Appel, Susan Janow, and Joe Coleman, many on view for the first time.
The exhibition "Nigerian Modernism" at Tate Modern in London is the first show of its kind in the UK, surveying how Nigerian artists forged a postcolonial identity across the 20th century. It features works by pioneers such as Aina Onabolu, Benedict Enwonwu, and members of the radical Zaria Art Society, including Uche Okeke, Jimo Akolo, and Clara Etso Ugbodaga-Ngu, highlighting their break from British artistic traditions and embrace of local visual heritage.
The 2026 Venice Biennale's awards jury has announced it will not consider artists from countries whose leaders are charged with crimes against humanity by the International Criminal Court, specifically naming Israel and Russia. In other news, satellite imagery confirms Azerbaijan demolished an Armenian church in Artsakh, the World Press Photo of the Year was awarded to Carol Guzy for an image of ICE detaining a father, and Argentine abstract painter Ides Kihlen died at age 108. Hyperallergic also published a guide to the Biennale by Hrag Vartanian and reported on Lynda Roscoe Hartigan's appointment as director of the Smithsonian American Art Museum.
The National Gallery of Art (NGA) has received a historic $116 million donation from the Mitchell P. Rales Family Foundation to permanently endow its 'Across the Nation' lending program. This initiative loans artworks from the NGA's collection to smaller regional museums across the United States, covering all associated costs. In its pilot year, the program reached an estimated 900,000 visitors at ten institutions, bringing works by artists like Georgia O'Keeffe, Rembrandt, and Mark Rothko to communities from Alaska to Michigan.
The Victoria and Albert Museum (V&A) has opened its new V&A East museum and V&A East Storehouse in Stratford, East London. This expansion, part of a £660 million redevelopment, presents the museum's collection with a focus on community co-design, social justice themes, and local artists, aiming to be more accessible and democratic than its imposing South Kensington flagship.
A profile of 93-year-old artist Joan Semmel reveals her continued artistic vigor and rising market demand. The article details her recent studio visit, her philosophy of persistence, and her significant body of work focused on the female form.
La grande mostra su Cézanne e il collezionista Deodato Salafia ad Artbox su Sky Arte
The latest episode of Artbox on Sky Arte features a deep dive into the major Paul Cézanne retrospective at the Fondation Beyeler in Basel, curated by Ulf Küster. The program explores the French painter's late-career obsession with the act of seeing and his use of color patches to redefine nature on canvas. Additionally, the episode highlights the exhibition "Virtue and Grace: Female Figures in Baroque Painting" at La Galleria Bper in Modena, featuring insights from curators Sabrina Bianchi and Lucia Peruzzi.
The Metropolitan Museum of Art has announced a major summer exhibition titled "Giacometti in the Temple of Dendur," featuring 17 sculptures by the 20th-century Swiss master Alberto Giacometti. The show, organized in collaboration with the Fondation Giacometti, will place the artist's iconic slender bronze figures within and around the first-century BCE Roman Period Egyptian temple. The installation includes significant loans such as "Femme qui marche I" and "Femme de Venise I," marking a rare dialogue between modern existentialist sculpture and ancient architectural history.
The city of Detroit is experiencing a significant Harry Bertoia revival, centered around the rediscovery and restoration of a massive 26-foot suspended sculpture. Originally commissioned in 1970 for a Michigan mall and long presumed lost or destroyed during building demolitions, the steel-wire and brass work was found languishing in a basement in 2017. Following an extensive restoration process, the monumental piece has been installed in General Motors' new global headquarters at the historic Hudson’s site, a feat that required complex engineering and a five-story opening in the building's facade.
The Los Angeles County Museum of Art (LACMA) has unveiled its new David Geffen Galleries, featuring an unconventional open-plan design that encourages non-linear exploration. The building's layout, which eschews traditional chronological narratives in favor of free-floating associations, has sparked debate among critics regarding its navigability and the restoration of key works like Alexander Calder’s "Three Quintains (Hello Girls)."
"Die einen schreien Zensur, die anderen Antisemitismus"
A constitutional law scholar, Christoph Möllers, warns in an interview with Die Zeit about the dangerous escalation of cultural policy conflicts, sparked by Documenta 15, where accusations of censorship and antisemitism collide. In Poland, Adam Budak was removed as director of MOCAK in Krakow after just a few months, facing 79 allegations including mobbing and problematic leadership. Meanwhile, the New York spring auctions have launched, and Jason Farago's review of the Venice Biennale in the New York Times criticizes the shift from aesthetic innovation toward identity-driven art. Robin Pogrebin also reports on the merger of the Met and the Neue Galerie, described as a rare convergence of two museum models.
The Gropius Bau in Berlin has extended its evening opening hours by one hour, now open until 8 PM (closed Tuesdays), due to high demand for its exhibition of performance artist Marina Abramović. The show, titled "Balkan Erotic Epic," opened two weeks ago and drew long queues from the start. It features both new and older works, including performances where Abramović carved a star into her abdomen or lay in a burning installation until losing consciousness. The exhibition explores eroticism, politics, Balkan folklore, sexual energy, death, the political dimension of the body, and the Yugoslav wars.
Wie viel Berlin passt auf 230 Quadratmeter?
The Neue Nationalgalerie in Berlin has opened a compact exhibition titled "Ruin und Rausch: Berlin 1910–1930," featuring 35 works across just 230 square meters in a side cabinet of the lower floor. The show uses paintings, sculptures, film clips, and audio poems to tell the story of Berlin between World War I and the Nazi takeover, contrasting themes of excess and poverty, emancipation and extremism. It is structured in three chapters: "Berlin im Taumel" (Berlin in Frenzy), "Schatten der Großstadt" (Shadows of the Big City), and "Die Urbane Frau" (The Urban Woman), with works by artists such as Ernst Ludwig Kirchner, Otto Dix, and Otto Nagel.
Große Krise, kleine Gesten
The article reviews the second edition of the Klima Biennale Wien, which opened in early April in Vienna. It notes that while the biennale aims to address the urgent triple crisis of climate change, biodiversity loss, and pollution, its execution falls short. The exhibition features symbolic works such as a beached whale, a broken boat, and a compostable SUV sculpture, but these motifs feel repetitive and lack the necessary impact. The author contrasts these with historical precedents like Menashe Kadishman's 1978 Venice Biennale installation and Joseph Beuys' "7000 Eichen" (1982), arguing that the themes of nature and sustainability are not new, only the urgency has intensified.
Salon des Refusés 2.0
A group exhibition titled "we refuse_d" has opened at the Museum van Hedendaagse Kunst (M HKA) in Antwerp, bringing together 15 artists, many of whom faced cancellations or disinvitations from exhibitions following the October 7, 2023 attacks. The show, referencing the historic 1863 Salon des Refusés, aims to reclaim reputation and amplify marginalized voices, specifically focusing on Palestinian history and artists affected by the cultural fallout.