Seoul Auction is holding its 191st art auction on April 28th at its Gangnam Center, featuring 141 works of modern, contemporary, and antique art with a combined low estimate of approximately 8.8 billion won. The highlight is Nam June Paik's 1997 video portrait installation 'Helen Kim,' estimated between 150-300 million won, alongside significant works by Lee Bae, Lee Ufan, Yoo Youngkuk, and Chang Ucchin.
Alfabeto di pane e amore per gli animali. La mostra di Uri Aran al Museo Madre di Napoli
Uri Aran's solo exhibition at the Museo Madre in Naples, curated by director Eva Fabbris, explores language, communication, and connection through a range of works including video, sculpture, and an edible alphabet made of bread. The show, titled "Untitled (I love love)" after a video work, invites viewers into a space where meaning is fluid and inclusive, challenging rigid linguistic structures. Key pieces include the video "Untitled (I love you)" (2012), where Aran addresses plastic animals, and "Untitled (Bread Library)" (2025), a bread alphabet that visitors can rearrange to create new messages.
A new group exhibition titled 'An Ancient Ballad' opens at Emami Art in Kolkata on 22 May 2026, bringing together 12 artists across generations. The show examines recurring motifs of nature, the human body, and animal forms in modern and contemporary art through photography, painting, printmaking, textile, ceramics, and sculpture. Historical works by L. M. Sen and K. C. Pyne are displayed alongside contemporary artists including Arunima Choudhury, Ajit Kumar Das, Alakananda Sengupta, Raja Boro, and Rahul Sarkar, creating an intergenerational dialogue on memory, mythology, and lived experience.
The Paul W. Zuccaire Gallery at Stony Brook University hosted the opening reception of the ninth annual combined Senior Show and URECA Arts Exhibition on April 29, drawing about 300 attendees including students, faculty, staff, university leaders, and local museum curators. The Senior Show, a nearly 50-year tradition, features works by senior studio art majors and minors, while the URECA exhibition highlights undergraduate research-based art selected by faculty. This year's exhibition is noted for its diversity in subject matter and materials, from chalk painting to digital media, and runs through May 22.
Artist Pia Hinz creates sculptures of tools and objects from construction and farming sites using stained glass, transforming items like hammers, screws, and tractor doors into fragile, light-filled artworks. Her work, developed during a 2024 residency at La Menuiserie 2, subverts the utilitarian nature of these forms, exploring the interplay between strength and vulnerability, and questioning the use value and narrative potential of everyday objects.
ASA, an anonymous photographer, captured a candid iPhone X image in Bastia, Corsica, during the summer of 2018. The photograph shows a woman walking through strong sunlight, reduced to a silhouette against burned facades. ASA waited patiently for the right passerby, later imagining the woman might be heading to a romantic appointment, though they emphasize the work is about shape, movement, and contrast rather than identity.
Ocula, an online platform for contemporary art, has published a promotional piece highlighting its services: partnering with leading galleries to showcase artists and artworks, offering vetted gallery membership by application and invitation, and providing art advisory with access to influential galleries, collectors, and auction houses. The article also mentions Ocula's editorial content that celebrates people and ideas shaping contemporary art.
Third Space Art Foundation will present “1922 Revisited,” a live arts program curated by Dr. Janine A. Sytsma, from May 5–9, 2026 in Venice, Italy, during the preview week of the 61st Venice Biennale. The program brings together ten international artists to engage with the 1922 Venice Biennale exhibition of African sculpture through performances, a film screening, and a panel discussion, staged at venues including Hotel Monaco and the European Cultural Centre’s Marinaressa Gardens.
Royse Contemporary in Scottsdale, Arizona, will present "UNTITLED," a solo exhibition by Mexican American artist Gennaro Garcia. The show features recent works across multiple media, including paintings, monosilk prints, giclée works, and sculpture, drawing on Garcia's childhood in Mexico and blending traditional and contemporary techniques. The exhibition runs through May 24, 2026, at the gallery in the Scottsdale Arts District.
The Center for Art, Research and Alliances (CARA) in New York is hosting "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant," an exhibition traveling from the Instituto Tomie Ohtake in São Paulo. The show eschews traditional curatorial hierarchies, instead utilizing the theories of Martinican philosopher Édouard Glissant to present works by artists such as Gerardo Chávez and Eduardo Zamora. Rather than providing didactic labels, the installation encourages "errantry" and "relationality," allowing visitors to discover visual resonances and meanings through their own active engagement with the landscape of the gallery.
La Colombia degli Anni ’70 arriva a Milano con una mostra che pare un film
Ever Astudillo (Cali, 1948–2015) is the subject of a new exhibition at Velo Project in Milan, titled "Latin Fire." The show brings together photographs and drawings from the 1970s and 1980s, capturing the Colombian city of Cali as a silent theater of anonymous, often isolated figures. The installation also features kinetic sculptures by filmmaker Virgilio Villoresi (Fiesole, 1979), creating a dialogue between Astudillo's still images and Villoresi's fragile, hypnotic movement. The exhibition runs until May 16, 2026.
Lidija Khachatourian, founder of AKKA Project, discusses her gallery's evolution from Dubai to Venice, where it remains the only gallery dedicated to African and diasporic artists. In an interview with ART AFRICA, she explains her shift from a market-driven model toward a research-led, custodial approach that prioritizes long-term relationships and slowness over high-volume programming. The gallery, established in Venice in 2019, operates with a deliberate resistance to market pressures, focusing on care, continuity, and direct material support for its artists.
Paradise, an exhibition at Stove Works in Chattanooga, Tennessee, curated by Graham Feyl and J. Sova, presents works by thirteen artists centered on queer futurity and abundance. The show features installations, sculptures, paintings, and textiles, including Lisa Waud's artificial flower installation 'tread/tender' (2026), Nicholas Elbakidze's erotic Meissenettes (2026), Brian Smith's beaded nets, Aaron McIntosh's quilted 'Invasive Queer Kudzu' (2015-ongoing), and works by Yu Yan, E. Saffronia Szanton Downing, Angie Jennings, Michael Childress, and Hannah Banciella. The exhibition transforms the former foundry into a space of playful, erotic, and joyful refusal, drawing on Audre Lorde's definition of the erotic as a source of power.
Sri Lankan artist Shanaka Kulathunga presents 'Silent Stories,' a solo exhibition opening May 21–28, 2026, at the CCA Building, Bikaner House in New Delhi, India. Curated by Archana Khare-Ghose, the show features acrylic and oil paintings that explore memory, everyday life, and Sri Lanka's rural landscapes. The exhibition also marks the launch of a dedicated publication on the artist's practice, bringing together works that blend figuration and landscape to capture human emotion and social dynamics.
Flick Chafer-Smith, a First Nations artist, turned her life around after being incarcerated on her 18th birthday and spending six years in and out of prison due to drug addiction. Through the Victorian Indigenous arts program The Torch, she discovered painting as a means of expression and healing. She is now among 424 artists featured in Confined 17, an annual exhibition at Glen Eira Town Hall showcasing works by First Nations artists with lived experience of incarceration in Victoria. The exhibition includes paintings, weavings, ceramics, and carved emu eggs, with sales proceeds going directly to the artists.
Jess Self, a Decatur-based sculptor and educator, presents *Celestial Perspectives* at the Marietta Cobb Museum of Art, an immersive textile environment that explores autobiography through figurative form. The exhibition features works in resin, plaster, felted wool, fiber, and rope, including the large-scale installation *The Veil* and the compelling *She Who Ties Magic Knots*, a resin and plaster cast of the artist's pregnant torso. Self's practice draws on Jungian archetypes and spiritual traditions, and the show communicates themes of connectivity, motherhood, bodily experience, and transcendence without relying on wall text.
Houston Community College student Ruben Rodriguez, who also goes by Dario, created a large painting exploring the theme of good versus evil for the Juried Student Art Exhibition at HCC Spring Branch. The exhibition, hosted by HCC's Media, Visual, and Performing Arts department on April 30, featured works from level 1 and level 2 studio art students across the Spring Branch, Katy, and Alief campuses. Rodriguez's painting incorporates pop culture figures such as Kobe Bryant and Captain America on one side and villainous characters like Marvel's Thanos on the other, illustrating the paths of motivation and discipline versus addiction and greed, inspired by his Christian faith.
An exhibition titled "Ceija Stojka: Making Visible" at The Drawing Center in New York City highlights the persecution of Roma and Sinti people during the Holocaust, a lesser-known chapter of Nazi atrocities. The show features paintings and drawings by Ceija Stojka, a Romani artist, writer, and activist who survived the genocide and died in 2013 at age 79. Her works, described as acts of memory and imagination rather than documentary, depict her experiences and stories passed down to her, with the exhibition also including documentary films by Karin Berger and Stojka's writings, such as her 1988 memoir "We Live in Secrecy."
The MFA 2026 Exhibition at American University presents thesis works by eight Master of Fine Arts candidates: Michael Dodson, Julia Fouser, Ryan Kennedy, Kelvin He Hao Low, Lexi Moser, Austin Remetta, Brenay Spencer, and Sarah Bell Wilson. The show features a diverse range of media including screenprint on artist-made hobo bags, gelatin plate prints on hosho rice paper, large-scale graphite drawings, woven paper from upcycled grocery bags, oil paintings, archival pigment prints, and ceramics.
Shahin Norouzi's solo exhibition of paintings is on view at Negar Art Gallery in Tehran from October 20 to November 6, 2023, presented by Arena Fine Art Gallery. The show features 13 recent works, all titled "Untitled" and dated 2022, with prices ranging from $800 to $3,500, exploring gesture, rhythm, and repetition as performative and time-based practices.