The article presents a collection of notable Australian cultural events and announcements from March 2026. It highlights the addition of the viral 'Succulent Chinese Meal' speech to the National Film and Sound Archive, a profile of 'Squid Game' composer Jung Jae-il, pianist Jayson Gillham's announced tour with a Palestinian-Jordanian musician ahead of a court case, and Kylie Minogue's scheduled performance at the AFL Grand Final.
Thousands of worshippers gathered at Lakemba Mosque in south-western Sydney to celebrate Eid al-Fitr, marking the end of Ramadan. The event, one of Australia's largest Eid gatherings, saw families and individuals congregating at dawn for prayers and community festivities.
A new research paper reveals that Sydney's suburban front gardens are shrinking dramatically due to residential redevelopment, with the average front garden declining by 46% in areas where older homes have been replaced by larger modern houses. The study, analyzing 370 properties, found that driveway footprints and artificial surfaces increased by 57%, while tree canopy coverage was reduced by 62%.
Israel will officially participate in the 2026 Venice Biennale, two years after its pavilion closed amid protests. The pavilion will be located in the Arsenale rather than its usual Giardini site, which is under construction. Representing Israel is sculptor Belu-Simion Fainaru, a Haifa-based artist and Israel Prize winner, who previously represented Romania at the 2019 Biennale. His pavilion, titled "Rose of Nothingness," will feature an installation about water inspired by poet Paul Celan's concept of black milk, with 16 pipes dripping black water into a pool. The pavilion is curated by Sorin Heller and Avital Bar-Shay. However, the Art Not Genocide Alliance (ANGA) has renewed its protest, calling the pavilion the "Genocide Pavilion" on Instagram and demanding Israel's exclusion from the Biennale.
Artist Lee Hadwin creates elaborate drawings and paintings while sleepwalking, with no memory of making them. His nocturnal creativity began at age four and intensified at 15 when he produced three pencil drawings of Marilyn Monroe overnight. Now based in London, Hadwin has made hundreds of works while asleep, selling them for $1,500 to $10,000 each. His art is currently featured in a sleep-themed exhibition in Albury, Australia, and he is working on a book titled *The Awakening*.
On Monday, Australian Attorney General Michelle Rowland confirmed the federal government's rejection of a proposal that would have allowed tech companies to use text and data mining to train artificial intelligence models. The proposal, initially presented to the Productivity Commission in August, had been advocated by tech firms including Atlassian cofounder Scott Farquhar, who argued for copyright changes similar to those in the US and Europe. The decision follows backlash from Australian creatives, including rapper Adam Briggs, author Anna Funder, the Australian Council of Trade Unions, and the Australian Recording Industry Association.
The Australian government has conditionally approved a 40-year extension for Woodside Energy's North West Shelf gas plant on the Burrup Peninsula (Murujuga), home to an estimated one million petroglyphs dating back 50,000 years. Environment Minister Murray Watt announced the decision on May 28 after a six-year review, imposing strict conditions on air emissions and cultural heritage management, though the specific conditions remain confidential. Archaeologist Benjamin Smith of the University of Western Australia has warned that pollutants from the extended operations pose a grave risk to the rock art, which includes the world's earliest depictions of human faces.
Lebanese-Australian artist Khaled Sabsabi was nearly removed from his commission for the Venice Biennale after being accused of supporting terrorism, but was later reinstated. He is now arriving in Venice to present not one but two works at the prestigious international exhibition.
Artist Khaled Sabsabi and curator Michael Dagostino discuss their project 'conference of one’s self' for the Australia Pavilion at the 61st Venice Biennale. Sabsabi explains how the work draws on the twelfth-century Sufi poem 'The Conference of the Birds' by Farīd al-Dīn ʿAṭṭār, mapping its seven spiritual valleys and adding an eighth level of 'wholeness and completeness'. He also reflects on his childhood in Lebanon, migration to Australia, and how his return to Lebanon in 2002 reconnected him with his Sufi lineage, which informs his artistic practice focused on memory, displacement, and social justice.
The 19th International Encaustic Conference will take place May 29-31 at Edgewood Farm in Truro, Massachusetts, produced by the Truro Center for the Arts at Castle Hill. The three-day event brings together artists from around the world to celebrate encaustic painting, an ancient medium using pigmented wax, with technical demonstrations, educational programming, networking, juried exhibitions, and extended gallery hours in Wellfleet and Truro. Keynote speaker is artist Portia Munson, known for her maximalist installations exploring consumerism and identity. Pre- and post-conference workshops run May 26 to June 4.
Ngununggula, the Southern Highlands regional art gallery, has opened a major all-women exhibition titled 'Old Days, New Days | Arlta-imankinya, Arlta-errama.' The show features works from artists associated with Tangentyere Artists and Yarrenyty Arltere Artists, alongside celebrated artist Thea Anamara Perkins. It includes paintings, sculptures, video, textiles, and works on paper, exploring the role of women in family and community life across generations, and will be on view until June 14.
The National Gallery of Australia has officially opened 'Ngura Puḻka — Epic Country,' a landmark exhibition featuring 30 large-scale paintings by 49 First Nations artists from the APY Lands. The show, which features works predominantly measuring three-by-three meters, highlights the Tjukurpa (lore and ceremony) of the Aṉangu Pitjantjatjara Yankunytjatjara regions. The opening follows a significant three-year delay caused by an independent investigation into allegations of improper interference by non-Indigenous staff.
A new contemporary art gallery called Oxford Street Gallery is opening in Mount Hawthorn, Perth, in February. Founded by arts professional Abbey Telfer and her mother Lynette, the gallery's mission is to provide a permanent exhibition platform for emerging and mid-career Western Australian artists, who often lack such dedicated spaces. Its debut exhibition, 'DEBUT,' will feature works from 20 local artists.
Newcastle Art Gallery will open its fourth new exhibition space on December 19, 2025, featuring over 130 works of Australian art valued at more than $30 million. Highlights include pieces by Joseph Lycett, William Dobell, Grace Cossington Smith, and Margaret Preston. The opening will be celebrated with the return of the Friday Night Sounds after-hours event, featuring live music by Nina Romeru and a wildlife drawing workshop. The gallery has already welcomed nearly 11,000 visitors since partially reopening in September 2025, with the full reopening scheduled for February 2026.
Chinese dissident artist Badiucao has opened his first solo gallery show, titled “Disagree Where We Must,” at Goldstone Gallery in Melbourne, Australia, his adopted hometown. The exhibition features nearly three dozen works, including canvases and conceptual pieces that critique developments in mainland China and Hong Kong, as well as geopolitical tensions involving Russia and the Middle East. Badiucao, who has faced threats and censorship for his criticism of the Chinese Communist Party, previously held institutional exhibitions in Europe but had never before had a solo show at a commercial venue.
Anna Schwartz Gallery, a cornerstone of Australia’s contemporary art scene, will close in December after 40 years in Melbourne. It will be replaced by a new venture, Anna Schwartz Projects, which will focus on occasional, project-based exhibitions, conversations, and events across installation, performance, publishing, and music. The gallery’s stable has included artists such as Shaun Gladwell, Angelica Mesiti, and Marco Fusinato, each of whom represented Australia at the Venice Biennale.
The Art Gallery of Swan Hill in Victoria, Australia, will open three significant First Nations exhibitions on 29 May 2026. The shows are: 'JXSH MVIR: Forever I Live', the first major solo retrospective of the late Yorta Yorta, Gunditjmara and Barkindji artist Josh Muir, co-curated by his partner and mother; 'Gulgawarnigu | Thinking of Someone. Something', a touring digital portrait and landscape exhibition by young Indigenous artists from Roebourne, Western Australia, developed through a partnership with NEO-Learning and Big hART; and 'Big Place', a new exhibition drawn from the gallery's permanent collection featuring works from Western Australia, the Northern Territory, the Tiwi Islands and South Australia.
After a 43-day government shutdown, the National Gallery of Art in Washington, D.C., will reopen to the public on Friday, returning to normal business hours. The Smithsonian Institution will also begin reopening several of its museums and the zoo on a rolling basis, starting with the National Museum of American History, the National Air and Space Museum, and the Steven F. Udvar-Hazy Center on the same day. The shutdown, the longest in U.S. history, ended after President Donald Trump signed a spending package following a House vote.
The National Gallery of Art in Washington, D.C., announced it will close starting October 5 due to the ongoing government shutdown, becoming the first major museum in the capital to do so. The Smithsonian Institution, which operates several other museums, is using its own funds to remain open at least through Monday. The closure threatens upcoming programming, including a major exhibition of Australian Indigenous art scheduled to open October 18, which is currently still listed as planned.
The Denver Art Museum is presenting "The Stars We Do Not See: Australian Indigenous Art," an exhibition organized by the National Gallery of Victoria, Melbourne and the National Gallery of Art, Washington, in association with the Denver Art Museum, the Portland Art Museum, and the Peabody Essex Museum. The show features works from the National Gallery of Victoria's collection, including paintings by Indigenous Australian artists such as Mirdidingkingathi Juwarnda Sally Gabori, Thunduyingathi Bijarrb May Moodoonuthi, and others, with Bank of America serving as the North America Tour Sponsor.
Dr. Brian Corr, an associate professor at Hastings College and internationally recognized glass artist, is presenting his first solo museum exhibition at the Museum of Nebraska Art (MONA). Titled "Of Light and Shadow," the show serves as a 20-year retrospective of Corr’s career, featuring large-scale glass installations and sculptures that explore the interplay of light, shadow, and contemplative space. A highlight of the exhibition is the U.S. debut of "One," a significant architectural installation originally created in 2007.
The National Gallery of Australia is set to open the long-delayed exhibition "Ngura Pulka: Epic Country," but the show has been met with fresh controversy as a painting by a former executive of the APY Arts Centre Collective was mysteriously removed. The exhibition was originally postponed in 2023 following allegations of white staff members interfering with the work of Indigenous artists, and this latest withdrawal has prompted conflicting explanations from the involved parties.
The National Gallery of Australia has officially opened the 'Ngura Pulka – Epic Country' exhibition, a major showcase of works by 52 artists from the APY Art Centre Collective. The show was originally postponed in 2023 following allegations published in The Australian that white staff members had improperly interfered with the creation of the paintings. After multiple investigations by government bodies and a review by the NGA cleared the artworks of creative interference, the collective is moving forward with the exhibition while pursuing a $4.4 million defamation lawsuit against the newspaper.
The Museum of Nebraska Art (MONA) is hosting "Of Light and Shadow," the first solo museum exhibition for internationally recognized glass artist and Hastings College professor Dr. Brian Corr. The survey spans two decades of Corr’s career, featuring large-scale sculptures and installations that utilize light and shadow as primary materials. A highlight of the show is the U.S. debut of "One," a significant architectural installation originally created for his master’s thesis in Australia.
Kim Sajet has been appointed as the new director of the Milwaukee Art Museum, bringing an international perspective shaped by her birth in Nigeria, upbringing in Australia, and Dutch citizenship. In an introductory interview, Sajet discusses her extensive leadership background—having previously run two museums in Australia—and how her personal history, including her relationship with her disabled brother, influenced her path toward art history and museum studies.
The Church History Museum in Salt Lake City has opened a new exhibition titled “From Above: Aboriginal Australian Art From the Bird Family.” The show features works by Indigenous Australian artists from the Anmatyerr culture who are also members of The Church of Jesus Christ of Latter-day Saints. The artists, including Gary Bird Mpetyane, Maggie Bird Mpetyane, and Rose Coleena Wallace Nungari, traveled from Australia to attend the opening of the exhibit, which runs through August 1, 2026.
Yasmin Smith, an Australian artist described as an 'archaeological ceramicist,' presents her solo exhibition *Elemental Life* at the Museum of Contemporary Art Australia (MCA) in Sydney, running until June 8. The show features sculptural installations that use ceramics and glaze technologies to decode environmental and human histories. Key works include *Seine River Basin (2019)*, commissioned by the Centre Pompidou, which uses ash-glazed stoneware replicas of tree branches to reflect the chemical history of the River Seine, and *Chicxulub (2025)*, which draws on samples from the asteroid impact crater in Mexico to explore mass extinction. Smith’s practice involves extensive field research and collaboration with ecologists, archaeologists, and local communities, creating site-specific glazes that act as chemical records of place and time.
The article reports on several major arts and literary prize winners announced in November 2025. Swedish photographer Martina Holmberg won the £15,000 Taylor Wessing Photo Portrait Prize for her portrait 'Mel,' with other prizes awarded to Luan Davide Gray, Byron Mohammad Hamzah, and Hollie Fernando. Australian author Helen Garner won the Baillie Gifford Prize for Non-Fiction for 'How to End a Story.' The Forward Poetry Prizes named joint winners Vidyan Ravinthiran and Karen Solie for best collection, while Bogdan Ablozhnyy received the Camden Art Centre Emerging Artist Award. Historian Sunil Amrith won the British Academy Book Prize for 'The Burning Earth,' and the Women's Prize for Playwriting announced its longlist.
Newcastle Art Gallery in Australia has reopened its doors to the public for the first time after a major expansion project, unveiling new gallery spaces, a central atrium, and a foyer. The milestone event, held on 26 September 2025, featured a First Nations First ethos with major commissions and acquisitions on display, and was celebrated as part of the New Annual festival. The expansion has more than doubled the gallery's size, adding 1,600 square meters of exhibition space, with several areas named after major donors including Valerie and John Ryan, Margaret Olley, and Robert and Lindy Henderson.
The Northern Territory government is considering partial occupancy or lease-splitting for the near-complete State Square Gallery building in Darwin, after a cost blowout of $100 million. The government has opened expressions of interest for the facility, originally intended for the Museum and Art Gallery of the NT (MAGNT), and told bidders they can propose using single floors or galleries. Leading art critic John McDonald, former head of Australian art at the National Gallery of Australia, has called the plan 'pure madness' and accused the government of 'vandalising' a major cultural asset.