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Made in LA biennial contemplates wildfires and immigrant arrests

The Hammer Museum in Los Angeles has opened the seventh edition of its Made in LA biennial, running until March 1, 2026. Curators Essence Harden and Paulina Pobocha selected 28 artists from over 200 studio visits, with no predetermined theme. The exhibition features works that respond to the city's recent challenges, including the January wildfires and ongoing ICE raids, as seen in pieces like Alonzo Davis's 'Eye on ’84' and Patrick Martinez's neon sign reading 'Agua Is Life; NO ICE'.

Minnesota Anishinaabe artists well-represented at major new exhibition in Detroit

A major new exhibition, “Contemporary Anishinaabe Art: A Continuation,” has opened at the Detroit Institute of Arts (DIA), marking the museum’s first major Native American exhibition in over three decades. The show features 90 works by more than 60 artists from the Great Lakes region of the U.S. and Canada, including a strong contingent of Minnesota-based painters, sculptors, designers, and filmmakers. Curated in collaboration with a panel of Anishinaabe artists—including Duluth-based painter and filmmaker Jonathan Thunder, Kelly Church, Jason Quigno, Monica Rickert-Bolter, and Jodi Webster—the exhibition spans painting, beadwork, fashion, film, and sculpture. Signage is translated into Anishinaabemowin, and QR codes offer language learning. The curators deliberately chose not to begin with historical works, asserting that Native American artists should not be required to provide a historical preamble.

Long Overlooked, Minnie Evans’s Mystical Landscapes Are Finally Getting the Spotlight

Minnie Evans (1892–1987), a self-taught African American artist who worked for 25 years as a ticket seller at Airlie Gardens in Wilmington, North Carolina, is experiencing a major resurgence. Long overlooked after her death, Evans created thousands of vibrant, kaleidoscopic drawings featuring florals, animals, and abstraction, often on scrap paper using affordable materials. A touring exhibition, "The Visionary Art of Minnie Evans," is currently on view at the Museum of Fine Arts, Boston, curated by Colton Klein, and a larger exhibition opens this November at the High Museum of Art in Atlanta before traveling to the Whitney Museum of American Art in summer 2026. Evans had a 1975 retrospective at the Whitney during her lifetime but faded from prominence afterward.

Kent Monkman at Akron Art Museum: Reimagining North American landscapes

Indigenous Canadian painter Kent Monkman, a member of the Fisher River Cree Nation, presents his exhibition "Kent Monkman: History is Painted by the Victors" at the Akron Art Museum, on view through August 16. The show features over 30 large-scale paintings that mimic 19th-century landscape works by settler artists like Albert Bierstadt and Frederic Edwin Church, but inserts Indigenous figures who were historically romanticized, stereotyped, or omitted. Monkman uses his two-spirit alter ego Miss Chief Eagle Testickle to challenge colonial narratives and reverse the artistic gaze. The exhibition was organized by the Denver Art Museum and the Montreal Museum of Fine Arts, with co-curators John Lukavic and Léuli Eshrāghi.

Art for Our Age of Chaos

The article reviews two major New York exhibitions opening in 2026: the Whitney Biennial at the Whitney Museum of American Art, featuring over fifty artists, and "New Humans: Memories of the Future" at the newly expanded New Museum, with over a hundred artists. Both shows are described as enormous and defiant, responding to a distracted public and financial pressures. The reviewer notes that both exhibitions juxtapose large-scale immersive works with tiny, intimate pieces, and finds the Whitney Biennial lacking urgency, while preferring the New Museum's historical narrative about technology and modernity.

LACMA's David Geffen Galleries invites visitors to get lost and move through art without a set path.

The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries building to the public. Designed by architect Peter Zumthor, the 900-foot-long structure features a non-linear, single-level layout with abundant natural light, intentionally encouraging visitors to wander without a set path. The inaugural exhibition, organized by 45 curators, abandons traditional art historical categories in favor of a thematic presentation centered on major bodies of water and global trade routes.

Tour LACMA’s new David Geffen Galleries – a radical departure

The Los Angeles County Museum of Art (LACMA) has unveiled the first look at its new David Geffen Galleries, a radical horizontal structure designed by Pritzker Prize-winning architect Peter Zumthor. Scheduled to open to the public in May 2026, the sinuous concrete and glass building is elevated thirty feet above the ground, spanning Wilshire Boulevard. The interior departs from the traditional "white cube" museum model, featuring 27 non-linear galleries that utilize natural light and custom-designed metallic curtains to showcase the museum's encyclopedic collection in a fluid, interdisciplinary environment.

An open letter to La Biennale di Venezia calls out inaction in the face of global atrocities

A group of 74 artists and curators invited to the 61st Venice Biennale have issued an open letter to the institution's president, Pietrangelo Buttafuoco. The signatories are protesting the decision to relocate the Israeli Pavilion to the Arsenale, placing it in close proximity to the central exhibition 'In Minor Keys' curated by the late Koyo Kouoh. The letter demands the exclusion of official delegations from countries accused of war crimes—specifically Israel, Russia, and the United States—and accuses the Biennale of complicity through its silence on global atrocities.

The Academy Museum Reclaims the Real Marilyn Monroe

The Academy Museum of Motion Pictures is launching a major exhibition to mark the centenary of Marilyn Monroe’s birth, seeking to re-examine her complex legacy. Moving beyond the simplified tropes of the tragic starlet, the show investigates whether Monroe was a passive victim of the Hollywood studio system or a savvy, self-aware architect of her own public persona.

Sir Peter Blake’s Studio Comes to Pitzhanger Manor in a Landmark West London Exhibition

Pitzhanger Manor & Gallery in West London has announced a major exhibition, "Peter Blake: In the Studio," scheduled to run from November 2026 to April 2027. The landmark show will feature a full-scale recreation of the artist’s Hammersmith workspace, providing an immersive look at the environment where the 'Godfather of British Pop Art' conceived his most famous works. The exhibition will span seven decades of Blake's career, showcasing paintings, collages, and sculptures alongside his personal collection of curiosities and memorabilia.

Andrea Karnes, Museum Curator

Andrea Karnes, a longtime curator at the Modern Art Museum of Fort Worth, provides an inside look at the evolving role of a contemporary art curator. Having spent her entire career at the institution, Karnes describes the transition from being a traditional 'caretaker of objects' to an intellectual architect who constructs arguments through exhibitions. She details the multi-year process of organizing shows, which involves extensive studio visits, international travel to biennials, and complex negotiations with collectors to secure loans for major retrospectives.

A look behind the scenes of the travelling exhibition on Berthe Weill

The traveling exhibition "Make Way for Berthe Weill: Art Dealer of the Parisian Avant-Garde" explores the legacy of the pioneering gallerist who first championed artists like Pablo Picasso, Amedeo Modigliani, and Diego Rivera. The show originated at New York University’s Grey Art Museum before traveling to the Montreal Museum of Fine Arts and finally to the Musée de l’Orangerie in Paris. Curators highlight the logistical complexities of such a tour, including the necessity of international partnerships to secure high-profile loans and the role of registrars and conservators in transporting delicate works.

Great Dunmow artist has painting featured in Harlow Open exhibition

Great Dunmow artist Mandy Whittick is among the selected participants in this year's Harlow Open exhibition at the Gibberd Gallery. Her acrylic painting, "Stocks and Tulips," was chosen from nearly 500 submissions by a panel of prestigious judges, including representatives from the Royal College of Art and the Cambridge School of Art. The annual showcase, organized by the Harlow Art Trust, features 205 works from regional creators and is curated this year by Laura Noble.

The Celts in Art and Imagination

The Harvard Art Museums have launched "Celtic Art Across the Ages," the first major exhibition of its kind in the United States. Spanning over 2,500 years, the show features nearly 300 objects including ceremonial pony caps, banqueting vessels, and jewelry crafted from amber and jet. The exhibition is organized into four thematic sections—Archaeology, Art, Encounters, and Reception—highlighting the functional nature of these highly decorative objects and their roles in trade and daily life from the first millennium BCE to the present.

The Great Indian Art Mafia

The Indian art market has undergone a dramatic transformation, shifting from a selective market with works priced between Rs 5-25 crore to a high-stakes arena where record-breaking sales are now common. Between 2023 and 2025, multiple works crossed the Rs 50-100 crore threshold, with M.F. Husain's 'Gram Yatra' (1954) achieving the highest price to date at approximately Rs 118 crore, acquired by the Kiran Nadar Museum of Art. The market has expanded to over Rs 3,000 crore, with projections of Rs 10,000 crore by 2030.

Gwen John: The 'reclusive spinster' artist who shunned conformity

A major retrospective of Gwen John, one of Britain's greatest 20th-century artists, is opening at National Museum Cardiff on the 150th anniversary of her birth. The exhibition, titled 'Gwen John: Strange Beauties,' brings together works from across the UK and the USA for the first time, including a significant collection acquired from her nephew Edwin in 1976 that has never been extensively researched or exhibited. John, born in 1876 in Haverfordwest, Pembrokeshire, was long overshadowed by her younger brother, the artist Augustus John, and was often dismissed as a 'reclusive spinster.' However, curators and biographers now challenge that myth, revealing her as a socially engaged, determined artist who pursued her own path despite Victorian-era constraints on women.

Inside Brussels's €230m Kanal-Centre Pompidou museum—opening in November

The Kanal-Centre Pompidou, a major new modern and contemporary art museum in Brussels, will open on November 28. Housed in a converted 1930s Citroën garage, the €230m institution will launch with ten exhibitions, including a 350-work show drawn from the Centre Pompidou's collection in Paris and installations by artists like Otobong Nkanga.

Your Guide To Art Week Singapore 2026’s Must-See Events

Singapore Art Week 2026 transforms the Lion City into a stage for contemporary creativity, featuring a packed programme of exhibitions, auctions, and symposia from January through March. Key events include Sotheby’s Modern and Contemporary Art auction (21–24 January) spotlighting works by Walter Spies, Raden Saleh, David Hockney, and Takashi Murakami; the Tanoto Art Foundation’s first exhibition 'Rituals of Perception' at New Bahru School Hall (21 January–1 March); the inaugural Print Show & Symposium at STPI (22–31 January) with artists like Yayoi Kusama and Jeff Koons; and Loy Contemporary Art Gallery’s 'Mosaic SG' showcasing contemporary Italian artists under the patronage of the Embassy of Italy in Singapore.

Art Notes: Hood Museum's exhibitions reflect on America's 250 years

The Hood Museum of Art in Hanover, New Hampshire, has mounted a dozen exhibitions drawn entirely from its own collection to mark the 250th anniversary of American independence. Curators began planning in 2022, opting for a series of smaller, collaborative shows rather than a single large exhibition. Highlights include "Always Already: Abstraction in the United States," featuring works by Frank Stella and Nampeyo; "American Pop," with Ed Ruscha's "Standard Station, Amarillo, Texas" and Jaune Quick-to-See Smith's "The Rancher"; and "Art Histories/Art Futures," which pairs May Stevens' "Big Daddy Paper Doll" with Michael Naranjo's "He's my brother." The exhibitions reflect the museum's ongoing effort to include art and artists historically left out of the art-historical canon.

Renovated Whitsell Auditorium reopens as a destination for PAM CUT programming in film, new media, and visual storytelling

The renovated Whitsell Auditorium at the Portland Art Museum will reopen on January 10, 2026, as PAM CUT @ The Whitsell, marking the final phase of the museum's $116 million campus transformation. The 293-seat auditorium features upgraded seating, cinema projection, sound, and streaming capabilities, and is paired with the new Blair Family Gallery, which opens with Marco Brambilla's exhibition "Maximalist Dreamscapes." The space will host weekly screenings curated by Amy Dotson and Joanna Sokolowski, with guest curators including Carrie Brownstein and Lance Bangs, and partnerships with Criterion.

An expert’s guide to late Pablo Picasso: five must-read books on the second half of his career

Pablo Picasso remains one of the most prolific and studied artists in history. This article presents a curated reading list of five essential books focused on the second half of his career, timed to coincide with the exhibition 'Late Picasso' at Stockholm's Moderna Museet. The books, selected by curators Dieter Buchhart and Anna Karina Hofbauer, include 'Picasso: Painting Against Time' (2006), 'A Life of Picasso: The Triumphant Years, 1917-1932' (2008), 'Picasso: Endlessly Drawing' (2024), 'Picasso's Animals' (2014), and 'Pablo Picasso: A Retrospective' (1980), each offering unique insights into his later works, personal life, and artistic evolution.

A vocabulary of touch: exhibition of sculpture by blind and partially blind artists opens in Leeds

The Henry Moore Institute in Leeds has opened "Beyond the Visual," the first major UK exhibition of sculpture centered on blind and partially blind artists and curators. Co-curated by Ken Wilder, Aaron McPeake, and Clare O'Dowd, the show features works by 16 international artists including Henry Moore, Barry Flanagan, Lenka Clayton, Emilie Louise Gossiaux, David Johnson, and others. The exhibition prioritizes touch, sound, and sensory engagement, with all objects available to handle, textured flooring mats, high-contrast signage, and audio descriptions. It includes new commissions such as David Johnson's "Nuggets of Embodiment" (2024-25), made of 10,000 stone-plaster Digestive biscuits with Braille text.

‘This is how art history is built’: unprecedented Mumbai exhibition unites works of Indian and Arab Modernism

A new exhibition titled 'Resonant Histories' has opened at Mumbai's Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) museum, running until 16 February 2026. It is the first show to focus on the relationship between Indian and Arab Modernism, featuring over 40 works lent by the Sharjah-based Barjeel Art Foundation alongside pieces from Mumbai's Jehangir Nicholson Art Foundation (JNAF). The exhibition highlights visual and thematic resonances between artists from both regions, such as Syrian painter Marwan Kassab-Bachi and Indian master Francis Newton Souza, and addresses shared post-colonial struggles through works by artists like Chittaprosad Bhattacharya, Krishen Khanna, Abdul Qader Al Rais, and Naim Ismail. It also explores direct cultural exchanges, for example Egyptian artist Nazek Hamdi's adaptation of Bengali folk-art.

Albuquerque exhibition depicts German art made during the tragic ascent of authoritarianism

The Albuquerque Museum has opened a landmark exhibition titled "Modern Art and Politics in Germany 1910–1945: Masterworks from the Neue Nationalgalerie, Berlin," featuring German and European art from the early 20th century. The show traces the trajectory from the German Empire through World War I, the Weimar Republic, Nazi rule, and World War II, including works by Max Beckmann, George Grosz, Hannah Höch, Ernst Ludwig Kirchner, Paul Klee, and others. Many pieces were originally condemned as "degenerate art" by the Nazis. The exhibition, which has three U.S. stops, is currently in Albuquerque after appearing at the Kimbell Art Museum in Fort Worth and will travel to the Minneapolis Institute of Art.

November Book Bag: from a tome of Japanese printmakers to the first Nina Chanel Abney monograph

The article reviews four new art books released in November. It covers 'Modern Japanese Printmakers: New Waves and Eruptions' by Malene Wagner (Prestel), a survey of 44 Japanese printmakers from the early 20th century to today; the debut monograph on Nina Chanel Abney (Monacelli) with contributions from Thelma Golden and Jazmine Hughes; 'Massimo Listri: Italian Palaces' (Taschen), a photographic tour of grand Italian palaces; and 'Strange Discoveries: The Art of Denton Welch' (John Swarbrooke Fine Art), a catalogue accompanying the first solo exhibition of Welch's work in over 40 years.

Comment | Fifty years on, John Berger’s writing is still relevant—and troublingly prescient

The article reflects on the enduring relevance of John Berger, the influential art critic and writer best known for his 1972 series and book "Ways of Seeing." It highlights two current cultural events that underscore his legacy: a new edition of his 1975 book "A Seventh Man," which examines migrant labor in Europe through text and photographs by Jean Mohr, and a dance-theatre collaboration between Nederlands Dans Theater and Complicité titled "Figures in Extinction," which draws on Berger's writings about humanity's relationship with nature and the economy of the dead.

Curator Conversation: Behind The Honest Eye

On October 25, 2025, co-curators Clarisse Fava-Piz, Claire Durand-Ruel Snollaerts, and Nerina Santorius will host a conversation at the Joslyn Art Museum in Omaha, Nebraska, offering a behind-the-scenes look at the exhibition "Pissarro’s Impressionism." The talk will explore Camille Pissarro’s life and legacy, from his Caribbean roots to his role in Impressionism, and detail how over 80 works were assembled for the first major U.S. retrospective of the artist in over 40 years. The event is sold out in person but will be livestreamed.

Weisman Art Museum shows rugs as the messengers of our stories

The Weisman Art Museum in Minneapolis is hosting "RugLife," a touring exhibition that transforms rugs into platforms for storytelling, history, and social commentary. Curated by Ginger Gregg Duggan and Judith Hoos Fox, the show features works by artists including Sonya Clark, Andrea Zittel, Nevin Aladağ, Ai Weiwei, and Ali Cha'aban, who use rug-making to address themes such as Black barber culture, climate change, political tensions, and the war in Ukraine. The exhibition originated at San Francisco's Museum of Craft and Design in 2023.

One Way to Shake Up Museum Curation? Hand the Keys to the Kids.

Museums across the United States are experimenting with youth-curated exhibitions, handing curatorial authority to teenagers and children. The Orange County Museum of Art's "Piece of Me" exhibition, part of its larger biennial, was organized by 15 members of the Orange County Young Curators program, who surveyed the museum's collection, selected a theme and artworks, collaborated with conservators and designers, and wrote wall text. Similar initiatives are underway at the Clyfford Still Museum in Denver and the Museum of Fine Arts, Boston, where young people are curating shows with staff guidance.

Art Fund Launches ‘Empowering Curators’ Program for Global Majority Professionals

Art Fund, a British charity, launched the Empowering Curators program, a five-year initiative creating twenty multi-year curatorial roles for senior to mid-career professionals from global majority backgrounds. Ten initial fellows have been announced, with placements at major institutions including Tate Liverpool, the Whitworth Art Gallery, and Royal Museums Greenwich, where they will develop exhibitions, installations, and academic programs.