The New York Times article examines the artistic kinship between Michelangelo and Auguste Rodin, focusing on how both sculptors sought to animate stone with a sense of living spirit and emotional intensity. It explores their shared techniques, such as leaving surfaces unfinished to suggest movement and inner life, and highlights key works including Michelangelo's "Slaves" and Rodin's "The Gates of Hell."
A unique exhibition of engravings and lithographs based on the works of Renaissance master Raphael Santi has opened at the Vitebsk Art Museum, a branch of the Vitebsk Regional Museum of Local Lore in Belarus. The show features 92 works, including 30 engravings from the 1774 copper-plate series illustrating Apuleius's novel "Cupid and Psyche" (originally created 1530-1560), 52 toned lithographs of Raphael's Vatican Loggias frescoes executed in 1866 by Ludwig Gruner and Niccola Consoni, and a series of engravings from drawings of the Chigi Chapel dome. This marks the first time the complete set of 52 lithographs has been displayed together.
An exhibition titled 'Caravaggio | Revolution: Baroque Masterpieces from the Roberto Longhi Foundation' opens to the public on April 26 at Mint Museum Uptown in Charlotte, North Carolina. The show centers on Caravaggio's painting 'Boy Bitten by a Lizard' and includes 40 other works by leading Baroque masters from the Roberto Longhi Foundation. A section of the exhibition also explores Caravaggio's influence on modern visual storytelling through music videos, films, and photography, featuring works by artists such as David LaChapelle and Tom Hunter. Opening weekend includes a talk by Professor Cristina Acidini, president of the Roberto Longhi Foundation.
Bologna is set to host a diverse array of major art exhibitions throughout the spring 2026 season, spanning photography, street art, and contemporary installations. Key highlights include a photographic exploration of Frida Kahlo at Palazzo Pepoli, a retrospective of Italian Informal artist Mattia Moreni at MAMbo, and a significant showcase of Michelangelo Pistoletto’s Mirror Paintings at Palazzo Boncompagni. The city’s cultural institutions are also featuring international names like Banksy, Agnès Varda, and the influential German photography duo Bernd & Hilla Becher.
Art historian William E. Wallace explores the parallel lives and artistic philosophies of the two greatest masters of the Italian Renaissance, Michelangelo and Titian. The narrative examines the traditional art-historical divide between the Florentine emphasis on 'disegno' (structured drawing and design) and the Venetian mastery of 'colore' (spontaneous, painterly execution), while highlighting how these two titans influenced one another despite their distinct approaches.
The historic 200-year-old Kashi Hallegua House in Kochi's Jewish quarter has been transformed into Ishara House, hosting the exhibition "Amphibian Aesthetics" during the Kochi-Muziris Biennale season. Running from December 13, 2025, to March 31, 2026, the show features 12 international artists including Shilpa Gupta, Michelangelo Pistoletto, and Dima Srouji, with works responding directly to the building's architecture and maritime histories. The exhibition is organized by Ishara Art Foundation and curated with an "amphibian" lens, exploring themes of transition, climate crisis, and cultural displacement.
The St. Petersburg Museum of Art in Florida is hosting "In Caravaggio's Light: Baroque Masterpieces from the Fondazione Roberto Longhi," the first U.S. exhibition of 40 Baroque paintings from the private collection of art historian Roberto Longhi. The centerpiece is Caravaggio's "Boy Bitten by a Lizard," one of two Caravaggio works in the show, which runs until March 22. Curator Dr. Stanton Thomas notes the exhibition is designed to evoke a cinematic, dramatic experience of light and emotion.
Stephen J. Campbell, a professor of art history at Johns Hopkins University, has published a new book titled *Leonardo da Vinci: An Untraceable Life*, which he frames as an "anti-biography." The book aims to dismantle the mythology surrounding Leonardo da Vinci, arguing that the fragmentary archival record has led to speculative and often outlandish theories that portray him as a solitary genius ahead of his time. Campbell repositions Leonardo within the artistic and intellectual context of late 15th- and early 16th-century Europe, critiquing how media, the art market, and popular culture have commercialized his legacy.
The article introduces 'Art on Location,' a curated focus on outdoor art experiences, covering public art, sculpture parks, urban and rural artist trails, and location-specific technology. It highlights examples such as Caravaggio's Rome, John Constable's Dedham Vale, and public sculptures from the Colossus of Rhodes to Anish Kapoor's Cloud Gate. The piece also features a guide to all existing paintings by Leonardo da Vinci by expert Martin Kemp, a Vincent van Gogh artist trail by Martin Bailey, and discussions of exo-architecture, memorial art, land art, and virtual repatriation through location-specific technology.
Due fotografi hanno provato a raccontare la Toscana oltre i soliti cliché
The article profiles photographers Gioconda Rafanelli and August Kaciuruba, who are contributing to the "How Italy Feels" project curated by Marina Serena Cacciapuoti and Cesare Cacciapuoti of Italy Segreta. The project involves twenty local photographers capturing Italy beyond stereotypes. In the Tuscany chapter, Rafanelli and Kaciuruba present a lived, off-duty vision of the region, blending fashion, architecture, and cinematic influences. They discuss their collaborative process, their shared gaze, and how their work shifts between the fast pace of Milan and the slower rhythms of Tuscany, drawing inspiration from filmmakers like Wong Kar-wai, Stanley Kubrick, Luchino Visconti, and Michelangelo Antonioni.
Il progetto che porta il David di Michelangelo sulle Alpi della Svizzera: verrà installata tra le montagne una copia a grandezza naturale
A full-scale marble replica of Michelangelo's David will be installed in the Swiss Alpine village of Klosters (Canton of Grisons) starting July 2, 2026. The copy, carved in 2017 from Michelangelo's preferred Polvaccio marble in Carrara, weighs over nine tons and was produced by Studi d’Arte Cave Michelangelo under Franco Barattini. The project is organized by Scultura Viva, a cultural initiative based in Klosters that focuses on reactivating sculptural heritage through public installations and educational programs.
Valorizzare l’alta sartoria. Issey Miyake e Ensamble Studio insieme al Fuorisalone 2026
Satoshi Kondo, a director at the Miyake Design Studio, has partnered with the Madrid-based architecture firm Ensamble Studio to explore the creative potential of the Paper Log, a byproduct of Issey Miyake's signature pleating process. The collaboration will culminate in an exhibition titled 'The Paper Log: Shell and Core' during the 2026 Fuorisalone in Milan, featuring prototype furniture and sculptural forms made from the compressed paper rolls and unfolded pleated paper.
Michelangelo’s Sistine Chapel: The Exhibition has officially opened at the Garden State Plaza in Paramus, New Jersey. This immersive showcase features life-size, high-definition replicas of all 34 frescoes from the Vatican’s famous ceiling and altar, including the iconic "The Creation of Adam" and "The Last Judgment."
Life models at the Accademia di Belle Arti di Firenze (Florence Academy of Fine Arts) are threatening legal action and a nude protest in the academy's courtyard over poor working conditions. They describe their work as “exhausting,” involving eight-hour sessions with minimal breaks, and say their renewable annual contracts—offering 500 hours over 11 months—lack insurance, paid leave, sick days, or a digital timecard. The dispute centers on Italy’s ministry of universities and research rules introduced last year, which the academy interprets as excluding models hired more than three years ago under simplified procedures from permanent contracts. Union president Giancarlo Iacomini has met with academy director Gaia Bindi to seek a resolution, while the academy says it will publish a new public recruitment notice that counts previous contracts as qualifications.
A painting recently attributed to Caravaggio, *Mary Magdalene in Ecstasy*, has been brought to India through a partnership between the Cultural Centre of the Italian Embassy and the Kiran Nadar Museum of Art (KNMA). The work was unveiled on 11 April at the Italian Embassy Cultural Centre in Delhi and will be on public display at KNMA's mall outlet in Saket from 18 April to 18 May. The painting, authenticated in 2014 by Caravaggio scholar Mina Gregori, was previously known only through copies and was the subject of debate when exhibited in Paris in 2018 alongside another version.
“Lo straniero” di François Ozon. Un film tra estetica delle superfici e rilettura politica
Director François Ozon has adapted Albert Camus’s existentialist masterpiece 'The Stranger' into a new feature film, premiering at the 82nd Venice Film Festival. Shot in stark black and white by cinematographer Manuel Dacosse, the film departs from the 1967 Luchino Visconti adaptation by leaning into a cold, clinical aesthetic inspired by Michelangelo Antonioni. The narrative follows Meursault, an emotionally detached clerk in colonial Algiers, whose impassive reaction to his mother's death and the subsequent senseless murder of an Arab man leads to his legal and moral condemnation.