The article presents a selection of recently published art books, highlighting new releases on artists Tracey Emin, Beatriz González, and Lucian Freud, as well as a second volume on Arab Modernist artists. It details the content of each book, including personal reflections, career overviews, and connections to upcoming exhibitions.
This article is a curated guide to ten art exhibitions taking place across Upstate New York in February. It highlights a diverse range of shows, including Kim Tateo's abstract paintings at Context Collective, Barbara Todd's politically charged textile works at Opalka Gallery, Michael Salomon's photographic landscapes, and group shows celebrating creative courage and Hudson Valley artists. Other featured exhibitions include Sita Gómez's paintings of women at Hudson Hall and photography shows by Ocean Vuong and Nona Faustine at the Center for Photography at Woodstock.
Berkeleyside has published a guide to 17 museums and galleries in Berkeley, California, highlighting free and affordable arts and culture destinations. The list includes major institutions like the Berkeley Art Museum and Pacific Film Archive (BAMPFA), the Kala Art Institute, the Berkeley Art Center, the Magnes Collection of Jewish Life and Art, and the Lawrence Hall of Science, as well as smaller venues such as the Arts and Crafts Cooperative (ACCI), Shoh Gallery, 120710, and the Lacis Museum of Lace and Textiles. Each entry includes hours, admission details, and notable features, with an emphasis on free access and local artists.
French artist François Boisrond, a key figure of the 1980s Figuration libre movement, presents his new series "Ouvrages d'art" at Galerie Maïa Muller in Paris. The series reinterprets monumental architecture—including the Millau Viaduct, the Pont de Normandie, Mont Saint-Michel, Notre-Dame, and the Eiffel Tower—using drone-sourced images. Boisrond employs a new liquid acrylic technique that creates a matte, flat finish, producing works that appear hyperrealistic from a distance but dissolve into impressionistic or pixelated abstraction up close. The exhibition, extended through May 16, 2026, features large-format paintings priced between €25,000 and €50,000.
A roundup of current art exhibitions and calls for work in Taos, New Mexico, highlights shows such as "Nicolai Fechin: Figures, Nature, and Expression" at the Taos Art Museum, "Taos Reimagined: Modernist Experiments in the High Desert," and "Rag Made Quilts" at the Taos Public Library. Other featured venues include 203 Fine Art, Stables Gallery, Revolt Gallery, and the Wheaton Museum of World Artifacts, with openings and deadlines spanning through fall 2026.
Museums across the West are facing a severe funding crisis as governments slash public support. In the U.S., President Donald Trump’s deep cuts to the National Endowment for the Arts (NEA), National Endowment for the Humanities (NEH), and the Institute for Museum and Library Services (IMLS) have resulted in hundreds of millions of dollars in lost funding, while stock market volatility and increased endowment taxes further strain budgets. In Europe, Berlin cut €130 million from cultural funding in December 2024, and other countries face similar pressures, forcing museums to confront dwindling subsidies and shifting philanthropy.
The article, written by Chenoa Baker, critiques the art world's labeling system that categorizes artists as emerging, mid-career, or established. It argues that these labels are particularly harmful to Black artists, who are often kept in the "emerging" category for years despite significant achievements, collections, and decades of practice. The piece highlights the cases of Cheryl Miller, a self-taught analog photographer whose work is held by major institutions yet who had to "re-emerge" after relocating, and Ifé Franklin, a queer Black artist whose career was sidelined by systemic erasure and who is now being honored as an "elder" artist. The article connects these labels to ageism, lack of access to elite schools and galleries, and the undervaluing of self-taught artists and those working outside traditional art centers.
Colossal's May 2026 opportunities roundup lists multiple open calls, residencies, and grants for artists worldwide. Featured opportunities include the Scenerium 2026 Art Award (deadline May 7), the Hopper Prize offering $4,500 and $1,000 artist grants (deadline May 12), and the SaveArtSpace Billboard Art Open Call curated by Gigi Chen (deadline May 7). Other listings include the YICCA Art Prize, CIFRA Award, Cass Art Prize for the U.K. and Ireland, Sunshine Coast National Art Prize in Australia, an opportunity to get published in Artistonish magazine, and the Abbey Mural Prize.
New York City Mayor Zohran Mamdani and his wife Rama Duwaji will reportedly skip the 2025 Met Gala, breaking a long-standing tradition of mayoral attendance at the Metropolitan Museum of Art’s premier fundraiser. Sources suggest the decision stems from a conflict between Mamdani’s socialist political platform and the event's association with billionaire sponsors, specifically Jeff Bezos and Lauren Sánchez-Bezos.
The Getty Foundation has announced that the 2030 edition of its PST ART initiative will focus on the cultural and historical exchanges between Los Angeles and the Pacific Rim. Led by inaugural creative director Justine Ludwig, the fourth iteration of the massive regional collaboration aims to explore transpacific influences ranging from colonial-era Chinese porcelain to the contemporary global impact of Korean pop culture.
The Africa Museum in Tervuren, Belgium, a museum dedicated to the country's colonial history in Africa, is at the center of a dispute over access to its historical geological records from the Democratic Republic of Congo. The Congolese government and KoBold Metals, a mining company backed by billionaires like Jeff Bezos and Bill Gates, are seeking access to these documents, which detail rich mineral deposits, as part of a deal to digitize them and explore for critical minerals like lithium and cobalt.
UK Culture Secretary Lisa Nandy announced a £1.5 billion arts funding package on Wednesday, urging London-based national institutions like the British Museum and the National Portrait Gallery to extend their reach across the country. The package includes £600 million for national institutions, £425 million for a Creative Foundations Fund supporting capital projects at arts venues nationwide, £160 million for local and regional museums, £230 million for the heritage sector, £27.5 million for public libraries, and an additional £80 million for national portfolio organizations. Nandy praised the Royal Shakespeare Company’s outreach as a model and framed the investment as the largest reset in the arts for a generation, comparable to post-World War Two cultural rebuilding.
The British Museum is hiring a specialist to track down hundreds of stolen artifacts, primarily from its Greek and Roman collections, after thousands of items went missing in 2023. Tom Harrison, recently promoted to lead the department, is spearheading the recovery of treasures including gold jewelry, semiprecious stones, and glass dating back to the 15th century BCE. The museum has so far recovered 654 of an estimated 1,500 missing items, with efforts focused on private sales, catalogs, and historical archives, aided by open-source investigations and AI-assisted image matching. The scandal erupted when former curator Peter Higgs was sacked amid allegations of stealing, selling, and melting down artifacts over more than a decade; he denies the charges in an ongoing civil case.
Two arts funding nonprofits, United States Artists (USA) and Artadia, have announced a multi-year partnership. The collaboration will revive Assembly, USA’s annual gathering of artists and fellows that launched in 2015 but paused during the pandemic, now expanded to include Artadia award winners. The first reimagined Assembly events are scheduled for 2026 and 2027, featuring workshops, panels, and networking for recent fellows and awardees from both organizations.
The Cambodian government has formally requested the records and archival materials of Emma C. Bunker, a late art historian and former Denver Art Museum board member, from her family. This follows the museum's repatriation of 11 Asian artifacts to Vietnam, Cambodia, and Thailand, many of which were donated by Bunker, who had ties to Douglas Latchford, an antiquities dealer accused of smuggling looted Southeast Asian artifacts. Bunker died in 2021 without charges, but a 2022 Denver Post investigation alleged she helped Latchford use the museum as a "way station for looted art" and forged provenance records. The museum cut ties with Bunker in 2023, removing her name from its Southeast Asian gallery.
Artist Brittany Fanning has publicly accused London-based Pictorum Art Group of failing to pay her for works sold in a group show three years ago. She and other artists, including Finn Johnson who obtained a court judgment, claim they are owed money. Former staffers also report unpaid wages. The gallery, which operated on Portman Square, was dissolved in July, and attempts to reach its directors, brothers Jackson Navin and Matthew Navin, were unsuccessful. Fanning, who has shown at galleries like Mindy Solomon and Steve Turner, says she is owed around $9,140 total, including for the painting *Shark Lover*.
The Chicago History Museum has cut hours at its Abakanowicz Research Center by roughly 50%, reducing it to three days a week with limited hours, following staff reductions tied to a labor dispute. Employees voted to unionize in February under Chicago History Museum Workers United, and several organizers were later dismissed; remaining staff had their hours cut to part-time in July, losing health insurance and income. The cuts affect access to archival holdings including police records and personal papers of notable figures, which supported over 5,500 research requests in 2024.
NSCAD University (Nova Scotia College of Art and Design) in Halifax has reported a dramatic surge in applications and acceptances from US-based students for fall 2025, driven by tightening US immigration policies under the Trump administration. Undergraduate applications from the US spiked 220%, acceptances rose 186%, and student responses increased 66%, with interest coming from 23 different states. NSCAD president Jana Macalik noted that student feedback cited concerns over trans rights, disability, same-sex marriage, and women's freedoms as motivating factors. Similar trends are being seen at other Canadian institutions like the University of Toronto, University of British Columbia, and Alberta University of the Arts.
A long-lost portrait of Abraham Lincoln by American realist Ernest Wells has reemerged after more than a century. The painting, which hung in President Theodore Roosevelt’s office throughout his term and served as a source of personal inspiration, was recently identified in the collection of the descendants of antique dealers Ann and Jack Rouchaud. The work’s provenance was confirmed via a letter from Roosevelt’s friend and Lincoln’s former bodyguard, Colonel William H. Crook, which remains affixed to the back of the canvas.
Two Benin Bronzes looted by British troops in 1897 have been returned to Nigeria by a British pensioner, Mark Walker, whose grandfather participated in the raid. The artifacts—a long-beaked bird and a monarch's bell—were handed over during a ceremony in Benin City in June 2014. Following the return, Nigerian officials, including Prince Edun Akenzua, renewed calls for the British Museum to repatriate its collection of some 800 Benin Bronzes, which remain on display in London.
Kapopoulos Fine Arts is opening a new group exhibition at its Nicosia gallery on October 31, 2025, featuring works by internationally renowned artists including Damien Hirst, Salvador Dalí, Mr. Brainwash, and Richard Orlinski, alongside prominent Greek creators such as Alekos Fassianos and Yannis Gaitis. The three-day opening event runs through November 2, with the exhibition continuing until November 17, showcasing paintings and sculptures sourced directly from artists' studios.
Artist Miljohn Ruperto's exhibition at Stanford's Cantor Arts Center features works that critically engage with AI and technology. His piece *Fathoms (Tartarapelagic)* uses AI to generate images of deep-sea creatures from the Clarion-Clipperton Zone, while highlighting that mining the minerals essential for that same AI technology is destroying their real-world habitats.
The advisory board of Chicago's DePaul Art Museum has sent a strongly worded letter to DePaul University leadership, condemning the decision to permanently close the 40-year-old museum on June 30. The letter, signed by board chair Scott J. Hunter and members including artists Brendan Fernandes and former Expo Chicago head Tony Karman, expresses "anger, frustration, and deep sadness" over the abrupt closure and the university's unilateral plans for the museum's 4,000-object collection.
A conservation plan is underway to protect 26 square kilometers of New Mexico desert near Abiquiu that inspired Georgia O’Keeffe’s iconic paintings. The land, owned by a charitable arm of the Presbyterian Church, is being safeguarded through a partnership with the New Mexico Land Conservancy and the state government, with a $920,000 award from a state conservation trust. The protected area includes sandstone bluffs, grasslands, and views of Cerro Pedernal, while preserving access for film productions and ranchers.
A conservative legal group, the American Center for Law and Justice (ACLJ), has intervened after a teacher at Case Middle School in Watertown, New York, assigned 7th graders to visit the Keith Haring Foundation's website for an art project. The ACLJ claims students were exposed to "pornographic" imagery, though it did not specify which artworks. The school placed the art teacher on administrative leave and launched an investigation following parental complaints. The controversy has been amplified by conservative outlets like Libs of TikTok, with the ACLJ arguing that the school violated parents' constitutional rights.
The School of the Art Institute of Chicago (SAIC) laid off three of five staff members at the Video Data Bank (VDB), a renowned video art distribution organization, on November 12. Former director Tom Colley announced the dismissals of digital collection manager Elise Schierbeek and distribution assistant Nicky Ni, and stated that acquisitions and programming would cease. SAIC cited financial pressures from federal policy changes and enrollment declines, insisting the VDB is not closing but needs adjusted staffing to protect its teaching mission. The VDB, founded in 1976 and approaching its 50th anniversary, holds works by major artists including Nam June Paik, Pipilotti Rist, and Bruce Nauman, and has historically received NEA funding.
Artist Carlos Agredano, who grew up near the 105 Freeway in Lynwood, California, has created a traveling sculpture titled "FUME" (2025) that uses air quality sensors mounted on his 1992 Toyota Pickup to measure pollution from vehicle exhaust and ambient air. The work was exhibited at the Los Angeles Nomadic Art Division (LAND) and is part of Agredano's broader practice examining how the LA freeway system has harmed working-class communities of color through toxic drift and destructive urban planning. His research draws on sources including Eric Avila's book "Folklore of the Freeway" and studies from UCLA's Center for Occupational & Environmental Health.
A high-profile Hong Kong real estate family, the Parkview group, explored an art-backed loan with Sotheby’s earlier this year, offering over 200 works by artists including Andy Warhol, Pablo Picasso, Salvador Dalí, Yue Minjun, Qi Baishi, and Zao Wou-Ki. The deal collapsed due to logistical challenges around transporting and warehousing the large collection at Sotheby’s facilities. Parkview clarified that no agreement was reached and no loan is expected, while Sotheby’s did not comment.
A new public sculpture by Vietnamese American artist Tuan Andrew Nguyen has been installed on the High Line Plinth at Hudson Yards in Manhattan. Titled "The Light That Shines Through the Universe" (2026), the 27-foot-tall sandstone monument pays homage to the Buddhas of Bamiyan, the 6th-century colossi destroyed by the Taliban in 2001. The work features carved sandstone forms with two monumental steel hands cast from melted-down artillery shells sourced from Afghanistan, making gestures of fearlessness and compassion. It will remain on view through autumn 2027 and is accompanied by monthly lectures and meditation sessions.
Cultural strategist András Szántó has published the third and final volume of his trilogy on the future of museums, titled *What Is the Future of the Art World?*. The book features dialogues with a wide range of art-world figures—including gallerists José Kuri and Atsuko Ninagawa, collectors Alain Servais and Sylvain Levy, artists William Kentridge and Holly Herndon & Mathew Dryhurst, curator Fatoş Üstek, network scientist Albert-László Barabási, former Art Basel director Marc Spiegler, and Sheikha Al-Mayassa Al Thani—who discuss topics such as the definition of the art world, its rules, and its future trajectory. Szántó notes that there is no consensus on whether the art world is still expanding or entering a phase of slowdown, with different regions moving on divergent paths.