Art Notes, May 20

This article, titled 'Art Notes, May 20,' is a roundup of local art events and exhibitions on Long Beach Island, New Jersey. It highlights Alexander Taylor's solo exhibit 'Washed Upon the Shore' at the Ocean County Library in Surf City, featuring his marine-life paintings created with purified ocean water. Other events include summer art classes by Jamie Jarka at multiple venues, the 'Art in Bloom' floral design event at the Long Beach Island Foundation of the Arts and Sciences, and ongoing shows at the Pine Shores Art Association's galleries. The article also announces a deadline for the LBIF 'Coast' exhibition.

Art Notes, May 13

Artist and teacher Jamie Jarka, creator of the popular Milo the Seagull mascot for Long Beach Island, has expanded her merchandise to Ron Jon Surf Shop in Ship Bottom, selling prints, stickers, magnets, and nightlights. Jarka will also teach weekly summer art classes at three Island venues: Bayview Park in Brant Beach, Firefly Gallery in Surf City, and Sea Shell Resort and Beach Club in Beach Haven, with schedules and pricing detailed for each location. Additionally, the article covers the 51st annual Art in Bloom movement, with events at Pine Shores Art Association's Stafford gallery and the Long Beach Island Foundation of the Arts and Sciences (LBIF), where garden club members create floral arrangements inspired by artworks. Other news includes the PSAA Tuckerton Art Center's "Blooming Spring" show, a "Glimpses of America" exhibition at Beach Haven Borough Gallery, and a call for South Jersey photographers to submit work for an LBIF photography exhibition and fundraiser celebrating LBI lifeguards.

Art Beat feature: A gallerist rooted in craft

Leana Hoadley has opened Hoadley Gallery West in downtown Edmonds, Washington, a boutique gallery specializing in handmade ceramics, jewelry, glass, and sculptural objects. The gallery builds on the legacy of the original Hoadley Gallery in Lenox, Massachusetts, founded over 40 years ago by her aunt and uncle, Stephanie and Thomas Hoadley. After a winding career that included studying at the School of the Museum of Fine Arts in Boston and working as a creative director for an AI company, a 2023 layoff prompted Hoadley to reassess her path and pursue opening her own gallery. The space features works including porcelain vessels by Thomas Hoadley made using the ancient Japanese Nerikomi technique, which are held in collections such as the Smithsonian American Art Museum's Renwick Gallery and the Museum of Fine Arts, Boston.

Lee Jong-gu turns 'Pensive' in self-reflective solo exhibition at Hakgojae Gallery

Veteran Korean artist Lee Jong-gu, a key figure in the 1980s minjung art movement, has opened a solo exhibition titled "Pensive" at Hakgojae Gallery in Seoul. The show features 38 paintings that mark a shift from his decades-long focus on social realism toward a more contemplative approach, centering on the bangasayusang (contemplative bodhisattva figures) from the National Museum of Korea. Lee blends these sacred images with nude bodies, flames, and crowd scenes, drawing on the Buddhist concept of non-duality to explore themes of life, death, and the sacred versus the profane. The exhibition runs through June 20.

Meet the Hawaiʻi creatives behind a workout video featured in a New York art exhibition

A satirical workout video titled "20 minute workout" created by the Hawaiʻi-based artist initiative kekahi wahi is featured at the Whitney Biennial in New York. The video shows dancers in spandex stretching in front of the Captain Cook Monument at Kealakekua Bay on Hawaiʻi Island, set to electronic music. The project was part of a larger effort to reimagine public space and challenge commemorative monuments in Hawaiʻi, drawing on the energy of debates over Confederate statues in the continental U.S.

ICYMI: From the Princeton Art Museum to the Present Day Club – Docents on the Wall

An exhibition titled "Docents on the Wall" was held at the Present Day Club in Princeton, NJ, featuring artwork created by docents from the Princeton University Art Museum. The show included paintings, photographs, weaving, and collage by participating artists Laura Berlik, Hetty Baiz, Dee Gozonsky, Judy Langille, Denise McDaniel, Elizabeth Quatrano, Ellen Rogers, Connie Shaffer, and Adria Sherman. Notable works included Denise McDaniel's "Nassau Hall" and Hetty Baiz's richly textured piece.

Art exhibition at P.E.I. Farm Centre features work of Wendy Jones

The P.E.I. Farm Centre in Charlottetown is hosting an exhibition titled "Chaos Corralled: Art Harvested from the Heart of Havoc" by Belle River artist Wendy Jones, running from May 20 to June 30. The show features paintings and photographs, with an opening reception on May 20 where Jones will demonstrate fluid art techniques and offer visitors a chance to create their own miniature pour paintings.

Para verte mejor, en todo tiempo

The Art Gallery of New South Wales in Sydney is presenting "Para verte mejor, en todo tiempo" (To see you better, at all times), a solo exhibition by Venezuelan-born artist Nadia Hernández. The show features an immersive textile collage, mural, and soundscape that draws on Venezuelan protest songs, musical traditions, and the artist's own diasporic experiences to explore memory, displacement, and resistance. It includes recent works such as "En todo tiempo (at all times)" 2024 and "El segundo verso (the second verse)" 2025, and is part of the gallery's Contemporary Projects series highlighting artists from New South Wales and wider Australia.

Winfred Gaul | May (1969) | For Sale

A screenprint titled "May (1969)" by German Abstract artist Winfred Gaul is being offered for sale through RoGallery Auctions on Artsy. The work, edition 6/100, was originally featured as the image for May in the 1969 Domberger calendar, which included screenprints by 12 prominent artists. The print is signed and numbered in pencil, with an estimated value of $600–$900 and a starting bid of $250. The listing includes a biography of Gaul, noting his studies at the University of Cologne and the Academy of Fine Arts in Stuttgart, his first solo exhibition in 1956 at Gurlitt Gallery in Munich, and his participation in Documenta 2 in 1959. His work is held in major museum collections including MoMA, the National Gallery of Art, and the Art Institute of Chicago.

Dive deep into creativity at AMSET’s Free Family Arts Day celebration Saturday

The Art Museum of Southeast Texas (AMSET) will host a Free Family Arts Day titled "The Art of H2O" on Saturday, May 16, 2026, from 10 a.m. to 2 p.m. in Beaumont, Texas. The event features hands-on art activities inspired by the museum's current exhibitions, "Julius Stockfleth: Dawn of a Century" and "Bill Pangburn: Printed Traces - A Neches River Journal," both celebrating water. Visitors can explore galleries, create art, and enjoy live entertainment from Sonny “The Birdman” Carlin, with treats from the IScream Ice Cream Truck available for purchase.

Art Gallery of Burlington opens vibrant spring exhibition you have to experience

The Art Gallery of Burlington (AGB) opens its spring exhibition "A material called Earth, Volume 1: The life of corners" on May 16th, featuring the immersive textile art of Argentinian artist Celina Eceiza. The installation transforms the main gallery with hand-dyed, stitched, and embroidered works, including sculptures ranging from palm-sized to near-monumental, and incorporates ceramics from the AGB's collection. A public opening on May 16th includes a talk and tour with curator Sylvie Fortin and the artist, plus free programming by artist Camila Salcedo and refreshments from local vendors.

St. Mary’s College Professor Of Art Sue Johnson Reveals D.C. Gallery Exhibition

Sue Johnson, professor of art at St. Mary's College, is presenting her second solo exhibition at gallery neptune & brown in Washington, D.C., titled “Blueprint for Happiness.” The show runs from May 16 through June 20, with an opening reception on May 16. Johnson debuts a new series, “My Teenage Years,” which builds on her earlier “Symmetrical Bodies” work and examines the pressures on women to conform to ideals of happiness and perfection in body image and domestic spaces, drawing on 1960s-70s material and commercial culture.

Exhibition | Dai Chenlian, 'Waxing and Waning of the Augustness III' at ShanghART, M50, Shanghai, China

ShanghART Gallery presents Dai Chenlian's solo exhibition 'Waxing and Waning of the Augustness III' at its M50 space in Shanghai from April 10 to May 29, 2026. The show is the final chapter of the artist's 'Mother Trilogy,' centering on his mother's life from 1954 to 2025. Through a reconstructed old house made from loom parts, along with painting, installation, performance, sound narration, and shadow puppetry, the exhibition explores themes of memory, migration, and female resilience, drawing on a line by Tang dynasty poet Li Shangyin.

Art Gallery of Burlington to host inaugural exhibition for emerging artists

The Art Gallery of Burlington (AGB) will host the inaugural Henry Goodman Exhibition for Emerging Artists starting May 21, presented by the arts charity FUSION. The traveling show features over 25 emerging artists working in ceramic and glass under the theme 'gathering,' curated by 2025 Sobey Award finalist Chukwudubem Ukaigwe. Artists include Laura Wagner, Thomas Paik, Deborah Hatanaka, and Ryan Nesbitt. The exhibition will later travel to Rails End Gallery in Haliburton and Neilson Park Creative Arts Centre in Mississauga.

AOY Art Center announces award winners of the 14th Annual Juried Show

AOY Art Center announced the award winners of its 14th Annual Juried Show, with David Orban taking first place for his oil on cradled wood panel, “Bi-plane and Blue Truck in Red.” Juror Amanda C. Burdan, senior curator at the Brandywine Museum, selected the piece for its surreal use of red. Second place went to Jean Burdick for “Silverton,” a silkscreen on vellum, and third place to Darlene Decker for “For the Monarchs,” an oil painting. The Frumi Cohen Memorial Award was presented to Cathy Hanville for her photograph “What’s for Dinner,” and honorable mentions were awarded to Scott Hoerl and Barbara Kaiser. The exhibition, featuring 135 works from over 425 entries by 150 local artists, is on view through May 3 at the AOY Art Center in Yardley, Pennsylvania, and online.

À Deauville, un vitrail monumental de Clara Rivault fête les cinq ans des Franciscaines

Les Franciscaines de Deauville, a former convent turned cultural center, celebrates its fifth anniversary by unveiling its first permanent commission: a monumental contemporary stained glass window by Clara Rivault. Titled "Ceux qui traversent," the double-sided work spans the entrance of the Grande Galerie, blending traditional glass techniques with photographic transfers, lead, and light. Rivault, born in 1991 and trained at Montpellier's École supérieure des beaux-arts, La Cambre in Brussels, and the Centre international d'Art verrier de Meisenthal, has previously created works for the Institut français in Paris and the church of Saint-Paterne in Saint-Pair-sur-Mer.

A View From the Easel

Brenda Zlamany returns to her ancestral village near Pollino National Park in Italy, where she paints in a converted sausage factory and grows her own olives. The 336th installment of Hyperallergic's 'A View From the Easel' series profiles her studio life in a remote, car-free village that her grandfather left as a cobbler 100 years ago.

Cultural workers at Venice Biennale to strike over Israel’s participation

Cultural workers and participants at the Venice Biennale plan to strike on 8 May during the opening week of the 61st edition, protesting Israel’s participation in the event. The strike, organized by the Art Not Genocide Alliance (ANGA) and supported by Italian trade unions, includes a rally near the Arsenale site. ANGA previously sent a letter signed by over 230 artists and curators demanding the cancellation of the Israeli pavilion, citing opposition to "genocide normalisation in culture" and precarious labor conditions. Israel is represented this year by sculptor Belu-Simion Fainaru, who opposes cultural boycotts.

The Death of the Art School

In a faculty meeting at Purchase College in New York, an administrator referred to students as "consumers," prompting the author to reflect on the pervasive corporatization and "administrification" of American higher education. The article argues that this language reflects a broader restructuring of universities as businesses, where students are customers, knowledge is a product, and faculty are service providers. It cites data showing that between 1976 and 2011, non-faculty professional positions grew by 369% while tenure-track faculty grew by only 23%, and at Purchase College, administrator salaries rose over 45% from 2016 to 2024 while assistant professor salaries rose just 14%, with inflation at 31%.

Venice Biennale jury quits amid row over participation of Russia

The entire jury of the Venice Biennale resigned just days before the 61st international art exhibition's opening on May 9, following a dispute over the decision to allow Russia to participate. The five-member panel, led by Solange Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, had previously stated it would not award prizes to artists from countries whose leaders face charges of crimes against humanity, a move seen as targeting Russia and Israel. The Biennale responded by postponing the award ceremony to November 22 and announcing it would give two awards, including one that could go to any national participation, citing its founding principles of openness and rejection of censorship.

Immersive art: museum-goers in bikinis dive into Cezanne

An immersive art experience centered on Paul Cézanne has drawn attention after visitors were photographed wearing bikinis while interacting with the installation, as reported by the Caledonian Record. The exhibition allows museum-goers to physically engage with Cézanne's works in a pool-like setting, blending digital projections with water elements.

After Going Through the Darkness Part 1: Kōta Takeuchi Exhibition "Nononononomatsuri" @ Ichihara Lakeside Museum

暗闇をくぐってみたら Part1 竹内公太展「のののののまつり」@ 市原湖畔美術館

The Ichihara Lakeside Museum, currently under renovation since late 2025, will partially reopen on May 1, 2026, with a theater-style series of solo exhibitions titled "Kōta Takeuchi: Nononononomatsuri" as its first installment. Artist Kōta Takeuchi, born in 1982 in Hyogo Prefecture and based in Fukushima, presents new video installations created during a four-month residency in Ichihara, where he visited over 70 stone monuments across the city—including horse-headed Kannon statues, Koyasu statues, and war memorials—to explore themes of parallel bodies and possession. The exhibition features works such as "Disassembly of the Sansha-za" (2013–2023), "Cement Thief" (2024), and "Sigh of the Ground" (2022), with a map showing the locations of the documented stone monuments.

art fair conductor powerhouse arts new york

Conductor Art Fair made its debut at Powerhouse Arts in Gowanus, Brooklyn, with a VIP preview night on April 29, ahead of its public run from April 30 to May 3. Led by Powerhouse Arts President Eric Shiner and Fair Director Adriana Farietta, the event drew over 800 guests, featuring installations by Juan Jose Barboza-Gubo, House of Silence by Vuslat, and Sana Frini, along with 28 gallery exhibitors and 20 special projects. A performance by Grammy-nominated artist Lido Pimienta highlighted the evening, and the fair showcased works by numerous artists and gallerists.

design salone del mobile 2026 milan raritas

Salone del Mobile 2026 in Milan debuted a new curated section called Salone Raritas, tucked into Pavilion 9 of the fairgrounds. Conceived by fair editorial and cultural director Annalisa Rosso with exhibition design by Formafantasma, the selective showcase brought together 28 exhibitors from 32 countries, featuring rare collectibles, antiques, limited editions, and high-end craft. Highlights included Saudi design house Zaza Maison, Marseille gallery 13desserts, Italian gallery Serafini with works by Indian designer Karan Desai, and live ceramic assembly by Officine Saffi Lab. Formafantasma’s sustainable design used reusable wooden dividers and drilling-free hanging systems.

Where It Doesn’t Reach at Lo Brutto Stahl

Lo Brutto Stahl presents "Where It Doesn’t Reach," a group exhibition featuring works by Bas Jan Ader, Hélène Janicot, and Park McArthur, running from March 27 to May 2, 2026, at both its Basel and Paris locations. The show brings together three artists whose practices explore absence, gesture, and the limits of perception, with the press release and floor plan available on the gallery's website.

In Monica Rohan’s Paintings, Tablecloths and Chairs Uncannily Perch in Remote Landscapes

Monica Rohan, a Brisbane-based artist, creates vibrant oil paintings in which domestic objects like patterned tablecloths and bentwood dining chairs appear in remote, natural landscapes. Her recent works, including those from her upcoming solo exhibition "Invitations" at Sophie Gannon Gallery in Melbourne this June, increasingly omit human figures, allowing the objects themselves to become stand-ins for people. The scenes are inspired by her hiking trip through Tasmania, featuring alpine summits, streams, and meadows.

Buhlebezwe Siwani “uYana umhlaba” at Consonni Radziszewski, Milan

Consonni Radziszewski inaugurates its Milan space with "uYana umhlaba," the first solo exhibition in Italy by South African artist Buhlebezwe Siwani. The show presents a new body of work that expands on research begun in 2020 with the Inkanyamba series, first exhibited at the Galeria Municipal de Almada in Portugal.

The Finale Cut: Lucio Fontana e la sua arte al cinema

A new documentary titled "The Final Cut" explores the life and artistic journey of Lucio Fontana, the Italian-Argentine artist famous for his slashed canvases (Concetti Spaziali). Produced by Good Day Films and Nexo Studios, directed by Andrea Bettinetti and narrated by Miriam Leone, the film will screen in Italian cinemas on May 25–27 as part of the "La Grande Arte al Cinema" season. It features archival footage, interviews with artists such as Doug Wheeler, Antony Gormley, Carsten Höller, Alfredo Jaar, Michelangelo Pistoletto, Heinz Mack, and scholars Luca Massimo Barbero and Daniela Alejandra Sbaraglia, highlighting Fontana's revolutionary approach and his first immersive installation, "Ambiente Spaziale a luce nera" (1949).

Story of Max Peiffer Watenphul, the Bauhaus painter who found his new homeland in Italy

Storia di Max Peiffer Watenphul, il pittore del Bauhaus che trovò in Italia la sua nuova patria

A major retrospective titled "Max Peiffer Watenphul. Pittore del Bauhaus" has opened at the Galleria Nazionale d'Arte Moderna e Contemporanea (GNAMC) in Rome, curated by Gregor H. Lersch, director of the Museo Casa di Goethe. The exhibition explores the complex artistic journey of Max Peiffer Watenphul (1896–1976), a German Bauhaus-trained painter who found a second home in Italy. It highlights his multidisciplinary approach, his troubled painting style marked by unusual materials and scratched surfaces, and his deep connection to Italy, where he fled after Nazi persecution and where he lived until his death.

In Venice two new cultural realities in the Civic Museums circuit: a contemporary art center is born in Mestre and the Wagner Museum enters the network

A Venezia due nuove realtà culturali nel circuito dei Musei Civici: nasce un centro d’arte contemporanea a Mestre e entra nella rete il Museo Wagner

The Fondazione Musei Civici di Venezia (MUVE) has opened a new contemporary art museum called MUVEC (Casa delle Contemporaneità) at the Centro Candiani in Mestre, inaugurated on April 24. Simultaneously, MUVE has signed an agreement with the Casinò di Venezia and the Associazione Richard Wagner to bring the Museo Wagner in Ca' Vendramin Calergi into its network starting in 2027, expanding the MUVE circuit to 14 museums (excluding MUVEC). MUVEC features a permanent collection spanning from 1948 to the present, drawn from the Galleria d'Arte Moderna di Venezia Ca' Pesaro, and will host temporary exhibitions including a 2026 show on Klimt, Schiele, Kokoschka and the body.