A rope used to pull down the statue of slave trader Edward Colston in Bristol during a 2020 Black Lives Matter protest, along with a Banksy T-shirt given to one of the 'Colston Four' defendants, is being auctioned by Auctioneum Ltd. The lot is expected to fetch between £10,000 and £15,000 in a specialist sale on December 29, 2025. The four protestors were acquitted of criminal damage in 2022 after a jury trial.
Maria "Masha" Alyokhina, a member of the protest group Pussy Riot, recounts her life-changing meeting with Icelandic performance artist Ragnar Kjartansson at the opening of the GES-2 art centre in Moscow in late 2021. In an extract from her new book *Political Girl: Life and Fate in Russia*, she describes their encounter, during which Kjartansson praised her group's "Punk Prayer" as one of the greatest performances in art history. The book charts her years of dissent, including her 2012 imprisonment with fellow Pussy Riot founder Nadya Tolokonnikova and her 2022 escape from Russia disguised as a food courier, allegedly facilitated by Kjartansson.
The first phase of the Reefline project, an underwater sculpture park off the coast of Miami Beach, has been installed with 22 submerged concrete cars created by Argentine artist Leandro Erlich. The sculptures, titled "Concrete Coral" (2025), sit 20 feet below the surface and are designed to support coral regeneration and marine biodiversity. The project was developed by cultural placemaker Ximena Caminos with a masterplan by architect Shohei Shigematsu of OMA, and will expand over ten years to reach seven miles in length. Visitors can access the site via swimming, diving, or electric paddleboards, and a floating marine learning center is anchored nearby during Miami Art Week.
The HOPE Outdoor Gallery in Austin, Texas, will open its new purpose-built location at 741 Dalton Lane near the airport on November 28, following a six-year closure after its original site off Lamar Boulevard shut down. The 8-acre space, sponsored by the Nouns DAO Community, features over 30 street artists including Miles Starkey, Emily Ding, and Kimie Flores, and is designed as a free, accessible laboratory for both budding and established artists. The opening weekend includes a special limited-edition print by Shepard Fairey for the first 50 daily visitors.
The Barbican in London has opened two new exhibition spaces in a redesigned former restaurant, showcasing the work of Alberto Giacometti alongside contemporary artists Huma Bhabha and Mona Hatoum. Curated by Shanay Jhaveri and Émilie Bouvard, the shows pair Giacometti's sculptures with Bhabha's and Hatoum's works, drawing formal and thematic connections without forcing comparisons. The exhibitions highlight shared preoccupations with the human body, vulnerability, and resilience, while allowing each artist's distinct approach—Giacometti's figuration versus Hatoum's found-object manipulation—to remain clear.
The St. Louis Art Museum has opened "Anselm Kiefer: Becoming the Sea," the first American survey of the German-born artist's work in 20 years. The exhibition features five monumental 30-foot-tall paintings, including the 2024 work "Lumpeguin, Cigwe, Animiki," inspired by Kiefer's 1991 visit to St. Louis and his memories of the Mississippi River. Museum Director Min Jung Kim curated the show, which explores Kiefer's signature use of texture, sculpture techniques, and themes of ruin and resurrection.
DATALAND, the world's first museum dedicated to AI art, has announced it will open in spring 2026 at the Grand L.A. complex in Downtown Los Angeles, a delay from its original 2025 target. Founded by artist Refik Anadol and his wife Efsun Erkılıç, the 25,000-square-foot venue will feature five galleries, including an Infinity Room that incorporates AI-generated scents drawn from the studio's Large Nature Model, trained on data from 16 rainforests. DATALAND will also partner with Google Arts & Culture for an artist residency program, selecting three artists for six-month collaborations culminating in public displays.
Today the Brave, an independent creative agency, has opened Gallery Brave, a street-facing gallery and activation space in Sydney. The gallery launched with original works from American contemporary artist and activist Shepard Fairey, alongside pieces from local and emerging creatives. It will host an evolving program of exhibitions, installations, and immersive experiences across art and design, aiming to become a cultural contributor beyond advertising.
The sixth edition of the Aichi Triennale, titled "A Time Between Ashes and Roses," opened in Japan in September and runs until 30 November. Curated by Hoor Al Qasimi, the first non-Japanese artistic director of the triennial, the exhibition confronts themes of war, displacement, memory, and environmental collapse. Works include Kubo Hiroko's tapestry marking the 80th anniversary of the Hiroshima atomic bombing and a video installation by Palestinian duo Basel Abbas and Ruanne Abou-Rahme. Al Qasimi explicitly linked the triennial to the situation in Gaza, stating, "Free Palestine," during a press conference. Controversy erupted over the Aichi-Israel Matching Program, a separate prefectural initiative pairing Israeli startups with local companies, leading to protests and the resignation of vice chairman Hideyuki Tomita from the organizing committee.
A massive fire destroyed Claudia Kaatziza Cortínez's Brooklyn studio in the Beard and Robinson Stores building in Red Hook on September 18, just days before her solo exhibition "Salt and Bone" opened at the Furnace: Art on Paper gallery in Falls Village, Connecticut. The blaze, which required 250 firefighters and a barge to contain, consumed 15 years of archives, tools, and equipment, leaving only the 10 works in the exhibition as the entirety of her art practice. The cause remains under investigation, and the building is off-limits.
Philadelphia’s bankrupt University of the Arts (UArts) sold off rare books and manuscripts from its library at a Freeman’s | Hindman auction on September 10, 2024. The 38 lots from UArts’ collection fetched $163,328, nearly 20% of the sale’s $806,519 total. Top lots included a deluxe first edition of Andre Level’s 1928 monograph on Pablo Picasso, signed by the artist, which sold for $35,200; a complete portfolio of Josef Albers’s 1965 *Die Oberflache*, which brought $21,760; and a limited edition of James Joyce’s *Ulysses* illustrated by Robert Motherwell, which sold for $16,640. UArts closed abruptly in June 2024, citing financial fragility and declining enrollments, and later filed for Chapter 7 bankruptcy, selling its real estate holdings for nearly $75 million.
The sixth edition of the Aichi Triennale, Japan's largest recurring contemporary art exhibition, opens under the title "A Time Between Ashes and Roses," featuring around 60 artists from 22 countries across venues in Nagoya. Artistic director Hoor Al Qasimi, president of the Sharjah Art Foundation, has curated a program that addresses themes of destruction and renewal, drawing on a poem by Syrian poet Adonis written after the 1967 Six-Day War. The exhibition references both the ongoing conflict in Gaza and the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki, with participating artists including John Akomfrah, Simone Leigh, Wangechi Mutu, Michael Rakowitz, and Hiroshi Sugimoto.
A devastating exhibition titled 'From Gaza to the World' has opened at Recess, a nonprofit art venue in Brooklyn, as the first North American pavilion of the Gaza Biennale. Organized by the Forbidden Museum of Jabal Al Risan and launched in 2024, the show features 25 Palestinian artists, many still in Gaza or displaced. Due to the ongoing Israel-Gaza War, most works are documentation—printouts, facsimiles, and video—rather than original objects. Highlights include Malaka Abu Owda's 'When the Body Became a Message' (2024), Firas Thabet's tapestry 'Gaznica' (2025) adapting Picasso's Guernica, and Emad Badwan's docudrama 'Live Broadcast' (2024). The exhibition bears witness to life under bombardment, famine, and displacement, with wall labels including heartbreaking artist quotes.
Christie’s has quietly dissolved its dedicated digital art department, laying off two staff members including vice president Nicole Sales Giles, as part of a strategic shift to fold digital art sales into its broader 20th and 21st Century Art category. The move follows a two-year contraction in the art market and a dramatic decline in NFT trading volume from $2.97 billion in 2021 to $197 million in 2024, mirroring similar downsizing at Sotheby’s and the shuttering of platforms like Async Art and KnownOrigin.
A pro-Palestine mural at the University of North Carolina (UNC) in Chapel Hill was boarded over overnight on August 17 by university administration without warning to the art department. The mural, created by students and community members in a course taught by artist Hồng-An Trương, had been displayed in the Hanes Art Center lobby for over a year. It features collaged prints in the colors of the Palestinian flag and the text “I told you I loved you and I wanted genocide to stop.” University officials cited the need to remove the artwork after its one-year display period and to repair the wall, but faculty and students have condemned the action as censorship.
The West Island Art Studio Circuit (WIASC) is presenting a free café-exhibition titled "Circuits" at Studio 77 in Pointe-Claire Village, Quebec, from September 1 through 30, 2025. The show features works by 11 local artists who participated in the WIASC's inaugural Open Studio Day on August 16, 2025, including pieces such as "Colors of the Autumn" by Preetha Mitran, "Pain Waves" by Sandra Woods, and "Flight Paths" by Donna McGee. A special public vernissage will be held on September 21.
A limited-time art exhibition titled "UNSEEN: 14 Artists on Resilience and Rights of Women in North Korea" will open in New York City's Tribeca neighborhood from September 20 to 27 at Lume Studios on Broadway. Curated by Dr. Stephanie Seungmin Kim, the show features 14 international artists alongside video testimonies from North Korean escapees, coinciding with the 80th session of the UN General Assembly.
The "Chihuly in the Botanic Garden" exhibition at Adelaide Botanic Garden concluded after seven months, drawing 1.4 million visitors and generating $55.7 million in economic benefits for South Australia. The show featured Seattle-based artist Dale Chihuly's glass sculptures, including ticketed experiences like "In Full Colour: Dale Chihuly" and "Chihuly Nights," which attracted over 200,000 attendees. Key artworks, including the Glacier Ice and Lapis Chandelier and the Jet and Crimson Fiori, will remain as permanent fixtures thanks to donations from local philanthropists.
Two forged Pablo Picasso prints from his Suite Vollard series, sold at a Stuttgart auction house, have been recovered as part of an international police operation led by Italian authorities. The Baden-Württemberg State Criminal Police Office (LKA) announced that an Italian national, believed to be a professional art restorer, is suspected of consigning four forged works to the auction house over several years. Two prints were recovered—one in Germany's Rhineland region and one in Austria—while two others were seized before delivery. The operation, code-named "Minotauro bis," began in 2022 and has led to the seizure of 104 fake contemporary artworks, the dismantling of a forgery laboratory in Rome, and the freezing of bank accounts and vehicles. Forgers used complex methods including fake watermarks, scanned images, and aging paper with coffee or tea.
Merc Tenorio, a self-taught artist, poet, former teacher, and veteran, presents her eighth solo exhibition titled “/liminal/” at the Council on the Arts and Humanities Agency (CAHA) Gallery. The show features acrylic paintings exclusively in monochrome, stripping away color to challenge both herself and viewers to focus on texture, shape, light, and shadow. Tenorio draws inspiration from Vincent van Gogh and describes her limited palette as emancipating, emphasizing that her intent is not commercial viability but emotional expression and personal evolution.
Boston University Art Galleries presents "Ni de Aquí, Ni de Allá (Not From Here, Not From There)," a solo exhibition by Victor “Marka27” Quiñonez, curated by Kate Fowle, running from September 5 to December 10, 2025, at the Faye G., Jo, and James Stone Gallery. The show features original paintings, immersive installations, 3D sculptural works, and a curated soundscape that blend street culture with Indigenous tradition, exploring themes of identity, immigration, incarceration, and resilience through the artist's signature "Neo Indigenous" style.
This article from the Saskatoon StarPhoenix highlights five cultural and artistic activities to enjoy in Saskatoon over the weekend of August 8-10. These include a Filipino culture festival, a comedy competition, a local history tour, an Indigenous cultural site visit, and the ongoing exhibition "The Art of Banksy 'Without Limits'" at Scotia Centre, which runs until September 21, 2025. The piece also mentions the Saskatoon Fringe Festival and Shakespeare on the Saskatchewan as additional options for residents and visitors.
Clifford Ward, a longtime artist-in-residence at Grounds for Sculpture in Hamilton Township, New Jersey, has opened his first solo exhibition at the venue, titled 'I'll Make Me A World.' The show, on view in the Museum Building through January 11, 2026, features his 'Animism' series—24 large-scale figures standing six to nine feet tall, created over twelve years using plaster bandage. Ward, who began his art career around age 40 and has been at Grounds for Sculpture since 1997, draws inspiration from indigenous cultures, the African diaspora, Native American traditions, and the Māori people of New Zealand.
POP Mart's iconic Mega Space Molly character is the star of a new exhibition titled 'Hello, Moon' at ION Art Gallery in Singapore, running from July 30 to August 24, 2025. The show features exclusive merchandise including a 1000% Hello, Moon figurine with a glowing moon orb, a ball-jointed Molly action figure in a furry spacesuit, lifestyle items like lamps and rugs, and a Singapore-exclusive Vanda Miss Joaquim-themed doll. Blind boxes, archival pieces, and a special anniversary collection dropping on August 1 are also highlights. The exhibition will travel to multiple Asian locations including Korea, Malaysia, Thailand, Vietnam, Indonesia, and the Philippines through October 2025.
Hotels are increasingly transforming their spaces into dynamic platforms for contemporary art, moving beyond generic decor to embed curation into their operational core. The article highlights 21c Museum Hotels, which operates nearly 80,000 square feet of free exhibition space across seven U.S. locations, featuring works by artists such as Xenobia Bailey, María Magdalena Campos-Pons, Natia Lemay, and Xavier Daniels. Chief Curator Alice Gray Stites emphasizes radical accessibility, removing barriers like ticket prices and elitism, and fostering partnerships with institutions like Artadia to support local artists.
Sotheby’s, Christie’s and Phillips raised a combined $1.27bn from their May 2025 marquee auctions of Modern and contemporary art in New York, an 8% decline from the same period last year, according to data from London-based auction analysts Pi-eX. The highest-priced lot, Alberto Giacometti’s 1955 bronze bust *Grande tête mince (Grande tête de Diego)*, estimated at $70m, failed to sell, while Andy Warhol’s *Big Electric Chair* (1967), valued at $30m, was withdrawn before Christie’s auction to avoid a similar fate. The downturn is attributed to geopolitical uncertainty under Donald Trump’s presidency, including tariffs announced on April 2, which have unsettled buyer confidence.
Art Macao 2025, the Macao International Art Biennale, will run from July to October 2025, featuring nearly 30 exhibitions across six sections. Chief curator Feng Boyi has themed the Main Exhibition around the everyday question "Hey, what brings you here?", showcasing nearly 80 works by 46 artists from 13 countries at the Macao Museum of Art. The event is organized by the Cultural Affairs Bureau and co-organized by major casino-resort operators including Galaxy Entertainment Group, Melco Resorts & Entertainment, MGM, Sands China Ltd., SJM Resorts, and Wynn Resorts Macau.
A partnership exhibition titled "Layered Medium: We Are in Open Circuits" has opened at Manarat Al Saadiyat in Abu Dhabi, featuring 29 Korean contemporary artists from the Seoul Museum of Art (SeMA) collection. Organized with the Abu Dhabi Music & Arts Foundation (ADMAF), the show includes works by Nam June Paik, Haegue Yang, Lee Bul, and others, and runs until 30 June. A reciprocal exhibition of Emirati artists, "Intense Proximities," will open at SeMA in December 2025. The curators, Maya El Khalil and Kyung-hwan Yeo, chose to present each country's art scene separately to allow full appreciation on its own terms.
The Cleve Carney Museum of Art at the College of DuPage has opened "Hokusai & Ukiyo-e: The Floating World," an immersive exhibition exploring Japanese ukiyo-e art from the Edo period. The show features woodblock prints and scrolls, including Hokusai's iconic "The Great Wave Off Kanagawa," drawn from the collection of 19th-century Italian engraver Edoardo Chiossone. Many prints are on view in the U.S. for the first time. The exhibition extends beyond traditional display with an outdoor garden, manga and anime rooms, and a recreated Edo village built by the college's theater department.
Three art exhibitions opened simultaneously at Kochi’s Durbar Hall Art Gallery on June 27, 2025. The shows include 'The Whispering Walls' by C. Unnikrishnan, featuring kiln-baked soil blocks that explore indigenous folklore; 'Liminal Continuities' by Abhijith Udayan, an introspective look at sabbaticals; and 'Axiomatic Ipso Facto' by Sajeesh Pallikkara, which examines the intersection of dream and reality. The exhibitions were inaugurated by painter Riyas Komu and MLA P V Sreenijan.