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Pictorial Foundation Opens New Gallery in Newburgh with “Foundations of Practice”

Pictorial Foundation, an organization born from the international photography magazine The Pictorial List, has opened a new gallery space at 105 Ann Street in Newburgh, New York. The 1,500-square-foot gallery, located within the ADS Warehouse complex, debuts on February 7 with the group exhibition “Foundations of Practice,” featuring 19 artists whose work emphasizes process over finished results. Founder Karen Ghostlaw Pomarico, a Pratt Institute-trained artist, collaborated with her husband, architect Michael Pomarico of Pomarico Design Studio, to create a flexible system of suspended partitions that can be reconfigured for each show. The gallery grows out of a desire to move beyond the limitations of online art visibility and create a physical space for slow, thoughtful engagement with art.

TIERRA FUTURA: Boricua Land Futures, a solo exhibition by Shey Rivera Ríos and a group exhibition of 22 Boricua artists

The WaterFire Arts Center in Providence, Rhode Island, is presenting "TIERRA FUTURA: Boricua Land Futures," a dual exhibition featuring a solo show by Shey Rivera Ríos and a group exhibition of 22 Boricua (Puerto Rican) artists from both Puerto Rico and its U.S. diasporas. The exhibition, curated by Rivera Ríos with co-curators Ruchika Nambiar and Anabel Vázquez Rodríguez, runs from March 5 to March 29, 2026, and explores themes of land-based memory, eco-feminism, queer joy, and cultural sovereignty through diverse media.

Spring Exhibitions at the Lilley Museum of Art

The John and Geraldine Lilley Museum of Art at the University of Nevada, Reno, has announced three new exhibitions for its spring 2026 program, running from January 27 to May 23. The shows include “Home Truth: Image Making in Absence, Photography by Steven Seidenberg,” co-curated by Stephanie Gibson and Carolyn L. White; “Ayana V. Jackson,” co-curated by Gibson and visual storyteller Iyana Esters; and “Homeland Security: Images from the Epicenter of the Cuban Missile Crisis,” featuring archival photographs from Prensa Latina. An opening reception will be held on February 19, with free parking and refreshments.

21c Museum Hotel Louisville hosting public opening for next exhibition

21c Museum Hotel Louisville is hosting a free public opening reception on January 17, 2026, for its new contemporary art exhibition, "Revival: Digging Into Yesterday, Planting Tomorrow." Curated by 21c Museum Director and Chief Curator Alice Gray Stites, the exhibition features 70 works by 47 international artists, including Isaac Julien, Yinka Shonibare, Myrlande Constant, Hew Locke, and Kehinde Wiley. The show explores how examining the past can clarify the present and reimagine the future, with themes of imperial legacies, colonialism, diaspora, and personal memory. It remains on view through December 2026, open 24/7 year-round.

Legends Come Alive: USU Art Museum Highlights Western Lure and Lore

The Nora Eccles Harrison Museum of Art at Utah State University will open a new exhibition titled "The Lure and Lore of the West" on January 20. The show examines the blurred boundaries between Western myth and history, featuring works from the late 19th century to the present, including a life-sized Bigfoot skeleton by artist Clayton Bailey. Themes include exploration, monsters, cowboy legends, and the Western sublime, with works by artists such as Roy De Forest and Ansel Adams drawn from the museum's collection and loans from several university archives and private collectors.

Red Carpet Reception proves new home’s a winner for Coors Western Art Exhibit & Sale | NONPROFIT REGISTER

The 34th Coors Western Art Exhibit & Sale held its Red Carpet Reception on Thursday night, drawing over 1,000 guests to its new venue on the second floor of The Legacy, the recently completed $100 million headquarters of the National Western Stock Show. The 2026 show features 93 participating artists and 354 works, including wildlife, landscape, sculpture, and plastics, with a sales goal exceeding $1 million to benefit the National Western Scholarship Trust. Featured artist Logan Maxwell Hagege of Ojai, California, presents works such as "Springtime in the Rockies" ($85,000) and "Indigo Stripes" ($18,500), while his piece "Hopeless Dreamer" was purchased for the Stock Show's Permanent Collection.

Theaster Gates to create giant frieze for Obama Presidential Center

The Obama Presidential Center has announced a new commission by Chicago-based artist Theaster Gates, who will create a large frieze made of photo-printed aluminum using images from the Johnson Publishing Company archives—the publisher of Ebony and Jet magazines—and the work of photographer Howard Simmons. The installation, set to open in 2026, honors the dignity of Black life and the vibrancy of Black culture throughout the 20th century. Gates has been working with 20,000 photographs from the archive since 2016, and the frieze will be visible from Stony Island Avenue, near his own Stony Island Arts Bank. Other high-profile commissions for the center include works by Julie Mehretu, Maya Lin, Lindsay Adams, Nick Cave, Aliza Nisenbaum, Jenny Holzer, and Idris Khan.

GMCVB’s Art of Black Miami rolls out major programming for 2025 Miami Art Week

The Greater Miami Convention & Visitors Bureau (GMCVB) has announced a full slate of programming for its Art of Black Miami (AOBM) initiative during 2025 Miami Art Week, marking the program's 11th year. The lineup includes exhibitions, performances, film screenings, culinary experiences, and artist talks, with highlights such as Asser Saint-Val's "Yellow Elder" sculpture in Coconut Grove and events at venues across neighborhoods including Historic Overtown, Little Haiti, and Little Havana. Featured events include the Peter London Global Dance Company, Woody De Othello's exhibition, the Point Comfort Art Fair, and the Museum of Contemporary Art North Miami's Art of Transformation program.

Bay Area Then

Yerba Buena Center for the Arts in San Francisco presents 'Bay Area Then,' an exhibition running from August 1, 2025, to January 25, 2026, that surveys the Northern California art scene between 1990 and 2005. Guest curated by Eungie Joo, the show features works by nineteen artists or collaborations, including Manuel Ocampo, Margaret Kilgallen, Bill Daniel, Ruby Neri, and Carolyn Castaño, mixing historical pieces with recent productions by artists who emerged during that era.

Wilson College unveils anti-war art show by Callot on Nov. 19

Wilson College in Chambersburg, Pennsylvania, will open a new art exhibition titled “Jacques Callot and Those Who Came After” on November 19, 2025, in the first-floor gallery of the John Stewart Memorial Library. The show features 18 etchings from Callot’s 1633 series “Les Grandes Misères de la Guerre,” widely regarded as the first anti-war statement in Western art, alongside works by artists he inspired, including Francisco Goya, Otto Dix, and Ernst Barlach. Curated by assistant professor Adam DelMarcelle, the exhibition was a collaborative effort involving students from multiple courses—Western Art History 1000–1800, Graphic Design II, Typography and the Letterform, and digital photography—who conducted research, designed the visual language, built the catalog, and contributed photographic elements.

“100 Years of Creative Visions”: Mills College Art Museum celebrates a century of diversity and community

The Mills College Art Museum in Oakland, California, has opened "100 Years of Creative Visions," a centennial exhibition running through April 26 that showcases major works from its permanent collection. The show highlights the museum's long history of supporting diverse artistic communities, featuring pieces such as Hung Liu's "White Rice Bowl" and works by Diego Rivera, Alfredo Ramos Martinez, and members of the f/64 photography group including Imogen Cunningham, Ansel Adams, and Tina Modotti. The exhibition emphasizes creative friendships and the museum's role as a laboratory for risk-taking, with artists like Young Suh and Weston Teruya discussing how the institution encouraged experimental approaches.

The Big Review | 36th Bienal de São Paulo ★★★★

The 36th Bienal de São Paulo has opened with a site-specific installation by Nigerian-American artist Precious Okoyomon, titled "Sun of Consciousness. God Blow Thru Me – Love Break Me" (2025), which features a spiraling path of moss-covered earth and waterfalls evoking Brazil's deforested Cerrado region. The biennial, curated by Bonaventure Soh Bejeng Ndikung with an international team, includes 125 artists—97 international and 28 Brazilian—with more than half of the works commissioned for the exhibition. Notable presentations include a career-spanning display of over 20 paintings by British artist Frank Bowling, alongside works by Brazilian artist Gervane de Paula, who has the largest presence in the show.

Turner Prize-winning artist Helen Marten stages epic opera during Art Basel Paris

Turner Prize-winning artist Helen Marten has created an epic opera-like exhibition titled "30 Blizzards." during Art Basel Paris, commissioned by fashion brand Miu Miu. The free exhibition at the Palais d'Iéna in Paris combines installation, video, and performance in a five-channel work activated by 30 performers, staged by theatre director Fabio Cherstich. The work features archetypal characters such as the Fox, the Mother, the Snail, and the Dog Walker, with a libretto written by Marten and music composed by Beatrice Dillon. This marks Marten's first foray into performance, expanding her sculptural and film practice into live, resonant bodies.

What happens at a tattoo auction?

JOOPITER, the platform founded by Pharrell Williams, has launched a new auction titled "INKED: Tattoos by Contemporary Artists," curated by Sharon Coplan. The auction features sixteen international artists—including Sarah Andelman, Derrick Adams, Thom Browne, Jeffrey Gibson, Titus Kaphar, Marilyn Minter, Mickalene Thomas, and tattoo artist Dr. Woo—who each created a unique, signed drawing intended to be tattooed on skin or displayed as standalone artwork on paper. Each piece comes with a certificate of authenticity, and the buyer may choose to have the design tattooed or keep it as a collectible print.

“Soy de Tejas” & Cheech Marin: Showcasing Texas Latinx Art in California

The third edition of "Soy de Tejas: A Statewide Survey of Latinx Art" opened at The Cheech Marin Center for Chicano Art & Culture in Riverside, California. Curated by Rigoberto Luna, the exhibition brings together Texas Latinx artists, including Tina Medina, Karla Garcia, Cande Aguilar, and Joe Peña, showcasing their work on a national stage after previous iterations in San Antonio and Fort Worth. The opening weekend highlighted the significance of presenting Texas artists outside their home state, with Cheech Marin himself engaging with the artists and their families.

Stone Gallery Show Explores What It Means to Be Not from Here, Not from There

Boston University's Faye G., Jo, and James Stone Gallery is presenting "Ni de Aquí, Ni de Alla" (Not from Here, Not from There), a solo exhibition by artist Victor Quiñonez, known as Marka27, running through December 10. The show features paintings, murals, sculptures, and large-scale installations that explore the intersection of opposing cultures, languages, and experiences, drawing on Quiñonez's neo-Indigenous aesthetic and his background as a graffiti artist. The exhibition was three years in the making and includes works that blend street art with references to Mexican masters like Diego Rivera and David Alfaro Siqueiros.

Naples, Marco Island, Everglades CVB pays tribute to local Hispanic cultures in a year-long celebration

The Naples, Marco Island, Everglades Convention and Visitors Bureau (CVB) has launched ¡ARTE VIVA!, a yearlong celebration honoring the Hispanic cultures that make up nearly 30% of the region's population. The 2025-2026 season includes Día de los Muertos events at venues like the Marco Island Center for the Arts, Naples Botanical Garden, and Artis—Naples, featuring Calaveras sculptures by Ricardo Soltero, photography by Lizette Morales, and performances by Ballet Folklorica Jaliscience. Visual arts highlights include a Joan Miró exhibition at Naples Art Institute, a permanent collection show at The Baker Museum, and a public art installation by Michelle Tricca at Lipman Farms. Musical programming features Gulfshore Opera's Carmen, Latin Grammy nominee Leslie Cartaya, and Opera Naples Festival under Ramón Tebar.

New City of West Hollywood ‘Moving Image Media Art’ Exhibition Series Artworks Debut October 1

The City of West Hollywood has announced the debut of the next exhibitions in its Moving Image Media Art (MIMA) program, featuring artworks by Isabel Beavers, Diana Thater, Maya Kell-Abrams and Adam Agostino, Sara Silkin, Nina McNeely, and Noper. Starting October 1, 2025, through January 31, 2026, these works will be displayed at the top of every hour on various digital billboards along Sunset Boulevard, with specific locations and schedules for each piece.

Luxury Art Gallery Debuts in Nashville, Launches Profound Exhibit Exploring Shared Culture

CASS Contemporary, a Tampa-based luxury art gallery, opened its new Nashville location in the Wedgewood-Houston neighborhood on September 12, 2025, with a grand opening event. The gallery launched its inaugural group exhibition, "CLTRL CNTXT," featuring eight artists from eight countries, including Florian Eymann, Michal Mraz, and Faith47, running through November 7. Founded by Cassie and Jake Greatens over a decade ago, CASS Contemporary has expanded from a gallery into art consulting and management, serving high-profile clients such as celebrities, athletes, and developers.

Man Ray: When Objects Dream

The article presents an extensive list of artworks by the avant-garde artist Man Ray, spanning from 1914 to the mid-1940s. It includes paintings, sculptures, photographs, and readymades such as "Cadeau (Gift)" (1921), "The Rope Dancer Accompanies Herself with Her Shadows" (1916), and "L’énigme d’Isidore Ducasse" (1920). Many entries are marked "Returned to lender," indicating these works were part of a loan exhibition that has now concluded, with pieces being sent back to their respective owners.

‘From Gaza to the World’: A Devastating Art Show Arrives in Brooklyn

A devastating exhibition titled 'From Gaza to the World' has opened at Recess, a nonprofit art venue in Brooklyn, as the first North American pavilion of the Gaza Biennale. Organized by the Forbidden Museum of Jabal Al Risan and launched in 2024, the show features 25 Palestinian artists, many still in Gaza or displaced. Due to the ongoing Israel-Gaza War, most works are documentation—printouts, facsimiles, and video—rather than original objects. Highlights include Malaka Abu Owda's 'When the Body Became a Message' (2024), Firas Thabet's tapestry 'Gaznica' (2025) adapting Picasso's Guernica, and Emad Badwan's docudrama 'Live Broadcast' (2024). The exhibition bears witness to life under bombardment, famine, and displacement, with wall labels including heartbreaking artist quotes.

Christie’s Quietly Deletes Digital Art Department

Christie’s has quietly dissolved its dedicated digital art department, laying off two staff members including vice president Nicole Sales Giles, as part of a strategic shift to fold digital art sales into its broader 20th and 21st Century Art category. The move follows a two-year contraction in the art market and a dramatic decline in NFT trading volume from $2.97 billion in 2021 to $197 million in 2024, mirroring similar downsizing at Sotheby’s and the shuttering of platforms like Async Art and KnownOrigin.

With its 36th edition, Bienal de São Paulo seeks to ‘exhibit silence’

The 36th Bienal de São Paulo, titled *Not All Travellers Walk Roads—Of Humanity as Practice*, takes its name from a poem by Afro-Brazilian writer Conceição Evaristo. Chief curator Bonaventure Soh Bejeng Ndikung, alongside curators Alya Sebti, Keyna Eleison, Anna Roberta Goetz, and Thiago de Paula Souza, has organized an edition featuring 125 artists, 28 of whom are Brazilian. The biennial includes a new performance program called Tributaries, created with the cultural center Casa do Povo, and debuts on September 5, 2025, with the public run from September 6, 2025 to January 11, 2026.

Marius Frank paints soul of the lake in first solo show

Marius Frank Ajuma opened his first solo exhibition, titled "Janam," at the National Museums of Kenya in Nairobi on August 4, 2025. The show explores life around Lake Victoria, where the artist grew up, featuring vibrant acrylic paintings that depict fishermen, beaches, and the cultural identity of the lake's communities. Ajuma's path to this milestone included training at Mwangaza Art School, a degree in microprocessor technology, a stint in music, and mentorship under artist Patrick Mukabi.

Art and Soul: Inside Madagascar’s Burgeoning Creative Scene

The article explores Madagascar's burgeoning contemporary art scene, centered on Hakanto Contemporary, a non-profit art space in Antananarivo founded by artist Joël Andrianomearisoa. It highlights the group exhibition "Lamba Forever Mandrakizay," featuring 21 Malagasy artists reflecting on the traditional lamba textile, and the innovative culinary-art fusion by chef Lalaina Ravelomanana. The piece also mentions the Musée de la Photo, founded in 2018, which preserves Malagasy photographic heritage.

Auction sales fall 6% in the first half, raising fears of an art market shift

Auction sales at Sotheby's, Christie's, and Phillips fell to $3.98 billion in the first half of 2025, a 6% decline from the same period in 2024 and the lowest total in at least a decade excluding the pandemic. Postwar and contemporary art, the traditional growth engine, dropped 19%. ArtTactic cites lingering concerns over global economic growth, inflation, and geopolitical tensions as dampening confidence, even as wealthy individuals' personal wealth and stock markets reach record highs.

New York’s Market Gallery evolves from Chinatown apartment to Soho pop-up

Market Gallery, founded by Adam Zhu, has been hosting intimate solo shows from a storage shed on his Chinatown apartment balcony for the past eight months. On July 17, the gallery opened its first group exhibition, "Revolve," in a pop-up space at 51 Mercer Street in Soho, formerly home to Virgil Abloh's Em Pty Gallery. The show, organized by Zhu and his friends Jack Irv and Andrew Kass, features works by emerging and established artists including Lorenzo Amos, Amanda Ba, Maggie Lee, Rene Ricard, and Mike Kelley, and runs until August 10.

How Private Art Collectors In Singapore Are Helping To Shape Our Artistic Future

Singapore entrepreneur Chong Huai Seng and his daughter Ning Chong are presenting "Artist's Proof: Singapore at 60," a landmark exhibition at Artspace @ Helutrans running until 17 August 2025. Featuring over 90 artworks from Chong's private collection, the show spans 1940 to 2025 and includes more than 50 artists, mostly Singaporeans, such as Cultural Medallion recipients Cheong Soo Pieng, Chua Mia Tee, and Lee Wen, alongside emerging talents. For the first time, Chong commissioned 11 new artworks and an original musical composition for the exhibition, which he describes as his "love letter to Singapore."

How Third-Party Guarantees Are Quietly (But Significantly) Rewriting the Rules of the Art Auction

The article reports that the New York Spring Marquee auctions in May 2025 generated $1.27 billion, an 8% decline from $1.38 billion in May 2024, followed by a 26% drop in London June auctions to £98 million. In response to this volatile market, auction houses like Christie’s and Sotheby’s are increasingly relying on third-party guarantees (or irrevocable bids), where a buyer agrees in advance to purchase a lot at a set price if no higher bid emerges. Data from Pi-eX Ltd shows that third-party guarantee coverage surged from near zero in 2021 to a record 73% in May 2025, with the Leonard & Louise Riggio collection being 99% backed by such guarantees.

The art market bites back as estimates fail to score

Sotheby’s, Christie’s and Phillips raised a combined $1.27bn from their May 2025 marquee auctions of Modern and contemporary art in New York, an 8% decline from the same period last year, according to data from London-based auction analysts Pi-eX. The highest-priced lot, Alberto Giacometti’s 1955 bronze bust *Grande tête mince (Grande tête de Diego)*, estimated at $70m, failed to sell, while Andy Warhol’s *Big Electric Chair* (1967), valued at $30m, was withdrawn before Christie’s auction to avoid a similar fate. The downturn is attributed to geopolitical uncertainty under Donald Trump’s presidency, including tariffs announced on April 2, which have unsettled buyer confidence.