A new exhibition at the Museum of Contemporary Art in Zagreb is bringing renewed attention to the experimental work of Croatian artist Edita Schubert. The show, titled "Edita Schubert: The Logic of Disappearance," presents a comprehensive survey of her pioneering use of photography, film, and installation from the 1970s onward, highlighting her exploration of identity, memory, and the body.
Andrea Karnes, a longtime curator at the Modern Art Museum of Fort Worth, provides an inside look at the evolving role of a contemporary art curator. Having spent her entire career at the institution, Karnes describes the transition from being a traditional 'caretaker of objects' to an intellectual architect who constructs arguments through exhibitions. She details the multi-year process of organizing shows, which involves extensive studio visits, international travel to biennials, and complex negotiations with collectors to secure loans for major retrospectives.
Art historian Amy Lyford delivered a lecture exploring the artistic and personal relationship between Arshile Gorky and Isamu Noguchi. The talk, presented by the gallery Hauser & Wirth, examined their shared experiences as immigrants, their navigation of American modernism, and the cross-pollination of ideas between their practices.
The UC Davis College of Letters and Science is hosting a weekend event titled "Weekender: Music, Live Sound Installation, Art" at the Jan Shrem and Maria Manetti Shrem Museum of Art. The event features a live sound installation by artist and composer Pamela Z, alongside a performance by the UC Davis Symphony Orchestra conducted by Christian Baldini, which will include a piece by composer Gabriela Ortiz.
The article examines the complex and often fraught relationship between modern art and political power in Germany from 1910 to 1945. It details how avant-garde movements like Expressionism, Dada, and the Bauhaus initially flourished, only to be systematically suppressed and labeled "degenerate" by the Nazi regime after 1933.
Renowned artist Philippe Parreno joined Hans Ulrich Obrist for an artist talk at the Mori Art Museum in Tokyo, hosted by Fondation Beyeler and UBS. The conversation spanned Parreno's career, from his early projects like the manga-inspired 'Annlee' to his current role as Artistic Director of the 2025 Okayama Art Summit. Parreno detailed his shift into filmmaking, including a new project featuring Jennifer Lawrence, and his use of AI and technology to create 'living' art installations.
Christie’s has announced a major auction titled "SILSILA: Highlights from the Dalloul Collection," scheduled for November 6, 2025, in London. The sale features 20 exceptional works from the Beirut-based Dalloul Collection, a premier repository of Modern and Contemporary Middle Eastern art, alongside pieces from other private owners. Key highlights include masterpieces by Paul Guiragossian, Mahmoud Saïd, and Samia Halaby, with a specific focus on Lebanese and Palestinian artistic heritage.
The Brooklyn Museum has announced a $13 million renovation project to establish a permanent 6,400-square-foot home for its extensive African art collection. Scheduled to open in Fall 2027, the new Arts of Africa galleries will feature approximately 300 works ranging from ancient Meroitic ceramics to contemporary pieces. The architectural overhaul, led by Peterson Rich Office and Beyer Blinder Belle, will transform former storage spaces on the museum's third floor into four distinct gallery environments.
The traveling exhibition "Make Way for Berthe Weill: Art Dealer of the Parisian Avant-Garde" explores the legacy of the pioneering gallerist who first championed artists like Pablo Picasso, Amedeo Modigliani, and Diego Rivera. The show originated at New York University’s Grey Art Museum before traveling to the Montreal Museum of Fine Arts and finally to the Musée de l’Orangerie in Paris. Curators highlight the logistical complexities of such a tour, including the necessity of international partnerships to secure high-profile loans and the role of registrars and conservators in transporting delicate works.
The Eli and Edythe Broad Art Museum at Michigan State University has opened a new exhibition titled "Embracing the Dark." The show explores themes of darkness, the nocturnal, and the unseen through a diverse range of contemporary artworks, inviting visitors to reconsider their perceptions of light and shadow.
The Seattle Art Museum (SAM) has unveiled "A Room for Animal Intelligence," a landmark exhibition curated by Pam McClusky that draws almost exclusively from the institution's permanent collection. The show features a diverse array of works—some of which had never been previously unboxed or displayed—ranging from ancient artifacts to contemporary sculptures. A unique narrative device is employed throughout the gallery, where the animal subjects "speak" for themselves on wall labels to foster a direct connection with visitors.
British contemporary painter Jonathan Yeo is bringing his augmented reality exhibition, "Spectacular," to the United States for its debut at SXSW in March 2026. Utilizing Snap’s fifth-generation Spectacles, the installation transforms Yeo’s traditional portraiture into interactive, living digital experiences that respond to the viewer's movements in real time. The project, which premiered at the Centre Pompidou, represents a collaboration between the artist and Snap AR Studio’s Artist Residency Program.
The Harvard Art Museums have launched "Celtic Art Across the Ages," the first major exhibition of its kind in the United States. Spanning over 2,500 years, the show features nearly 300 objects including ceremonial pony caps, banqueting vessels, and jewelry crafted from amber and jet. The exhibition is organized into four thematic sections—Archaeology, Art, Encounters, and Reception—highlighting the functional nature of these highly decorative objects and their roles in trade and daily life from the first millennium BCE to the present.
Sudarshan Shetty’s seminal 2005 kinetic installation, "Party Is Elsewhere," has been restaged within the decaying remains of an abandoned nightclub in Delhi. The exhibition eschews the traditional "white cube" gallery space, instead utilizing a raw environment of peeling plaster and sagging ceilings to mirror the work's original debut in a fire-damaged Mumbai gallery. The installation features a mechanical system that rhythmically hammers a table of wine glasses beneath a neon sign, creating a sensory experience centered on fragility and deferred presence.
Umberto Allemandi, the influential Italian publisher and founder of 'Il Giornale dell’Arte', has died at the age of 88. After early career stints in advertising with Armando Testa and directing 'Bolaffi Arte', Allemandi launched his own publishing house in 1982. His most significant contribution was the creation of a monthly publication designed with the rigor and layout of a daily newspaper, dedicated entirely to the art world and modeled after London’s 'The Times'.
Artist Tomás Saraceno has begun construction on "El Santuario del Agua" (The Water Sanctuary), a monumental art complex in the Salinas Grandes salt flats of northern Argentina. Developed in collaboration with 11 Indigenous communities and the Red Atacama coalition, the project consists of five semicircular salt structures inspired by Andean cosmology. Scheduled to open in October, the site will function as a community-owned space where visitors can engage with the landscape through elevated viewing platforms while supporting a sustainable tourism model.
Houston is experiencing a significant surge in artistic activity this month, anchored by the 40th anniversary of FotoFest and major new installations at the city's leading institutions. The Museum of Fine Arts, Houston (MFAH) is hosting "Buddha/Nature," a dialogue between ancient sculptures and contemporary works, alongside the return of Ernesto Neto’s massive immersive crochet installation, "SunForceOceanLife." Meanwhile, the Menil Collection is showcasing recent gifts, and Artechouse has launched a technology-driven spring celebration featuring AI-assisted sculpting and digital floral environments.
The Pulitzer Arts Foundation is celebrating its 25th anniversary with a landmark exhibition titled “Dialogues and Conversations,” curated by its founder, Emily Rauh Pulitzer. The show features 70 works spanning from the late 19th century to the present, including pieces from Pulitzer’s personal collection, loans from the Museum of Modern Art, and works she previously handled during her tenure at the Fogg Art Museum and the St. Louis Art Museum. The exhibition juxtaposes familiar site-specific masterpieces by artists like Richard Serra and Ellsworth Kelly with unfamiliar works to spark new thematic connections.
Pierre Rosenberg, the 89-year-old honorary president-director of the Louvre, is set to release a definitive four-volume catalogue raisonné of the works of Nicolas Poussin. This monumental publication, weighing eight kilograms, represents over sixty years of scholarship and aims to provide a comprehensive update to the field, addressing previous research by figures such as Anthony Blunt and Louis Marin.
A polychromed wood relief by Paul Gauguin, titled 'Te Fare Amu', is set to undergo conservation to remove overpaint that has obscured the figure's genitals for seven decades. The sculpture was partially painted over in 1954 by American collector Henry Pearlman, who feared the work would be seized by US Customs as 'obscene' or 'indecent' upon its import from Paris. The piece is part of a major 63-work promised donation from the Pearlman family foundation to the Brooklyn Museum, LACMA, and MoMA.
Emma Roodhouse, curator of the upcoming exhibition "Constable: A Cast of Characters" at Christchurch Mansion, has curated a selection of five essential books to deepen public understanding of the British landscape master John Constable. The list spans from interactive activity books and comprehensive biographies to scholarly catalogs focusing on his late experimental period and his career-long rivalry with J.M.W. Turner.
The New Bedford Art Museum has unveiled its 2026 exhibition schedule, featuring a diverse range of programming that spans from historical masterpieces to contemporary social issues. The season began with "The Homecoming," a rare display of works by Mary Cassatt and Käthe Kollwitz from private SouthCoast collections, and will continue with a major survey of contemporary Mexican art titled "Resistance." Other highlights include an exploration of ecological anxieties in "Vanishing Ecologies" and a partnership with the American Visionary Art Museum to showcase self-taught artists.
The Fondation Alberto et Annette Giacometti has announced the 2028 opening of the Giacometti Museum and School in Paris’s 7th arrondissement. Housed in the former Invalides train station, the 6,000-square-meter facility will be the first museum dedicated entirely to the Swiss master, replacing the much smaller Institut Giacometti. The site will showcase a massive collection of over 10,000 items, including 400 sculptures and 100 paintings, many of which have never been exhibited.
Comment | Art is more than its original context
This commentary explores the tension between historical context and the immediate, physical experience of viewing art in the modern age. While art historians often focus on restoring works to their original origins—such as the rare, unmoved Giovanni Bellini altarpiece in Venice—the author argues that over-emphasizing biographical or political context can reduce a masterpiece to a mere illustration or a token in a power game.
New Orleans artists Dawn DeDeaux and Demond Melancon have been selected to participate in the 61st Venice Biennale in 2026. Curated by Koyo Kouoh under the title "In Minor Keys," the exhibition marks a historic moment as two artists from the city receive simultaneous invitations to the prestigious international forum. DeDeaux, a veteran multimedia artist known for her "MotherShip Series" and environmental themes, will bring her focus on post-anthropocene landscapes to the global stage.
Marie-Laure Bernadac’s new biography, 'Knife-Woman: The Life of Louise Bourgeois', provides a comprehensive look at the French-American artist’s prolific career and traumatic upbringing. The book explores how Bourgeois transformed childhood wounds—specifically her father’s infidelity and psychological cruelty—into a radical body of work spanning sculpture, installation, and textiles. From her early encouragement by Fernand Léger to her late-career fame with the 'Maman' spider sculptures, the biography traces her evolution from a painter to a boundary-defying sculptor who utilized materials ranging from latex to marble.
The Spencer Museum of Art at the University of Kansas is opening two major exhibitions on February 19: 'Street Nihonga: The Art of Jimmy Tsutomu Mirikitani' and 'Brush, Block, and Blood: Three Generations of Yoshida Women Printmakers.' The Mirikitani exhibition is the largest assembly of the Japanese American artist's work, featuring 145 pieces that document his life of displacement, incarceration, and homelessness, created using traditional Japanese techniques with found materials. The Yoshida exhibition presents prints by three generations of women from a renowned Japanese artistic family, marking the first U.S. display of their work together.
British artist Cathie Pilkington has created a new exhibition, 'Housekeeper,' at London's Freud Museum. The installation features sculptural interventions placed among Sigmund Freud's preserved study and home, channeling the spirit of the family's long-serving housekeeper, Paula Fichtl, as a 'poltergeist' subtly disrupting the order of Freud's antiquities and inserting subversive, uncanny figures.
The Smithsonian American Art Museum has unveiled "Nick Cave: Mammoth," a major new commission by artist Nick Cave. The exhibition, which opened on February 13, 2026, is the museum's largest-ever commission by a single artist and marks Cave's first solo show in Washington, D.C. It transforms a suite of galleries into immersive environments featuring a massive hand-beaded tapestry, towering sculptures incorporating mammoth skulls, and a large light table displaying thousands of found objects.
The Denver Art Museum will open an exhibition titled 'Knife Fork Spoon: Everyday Tools, Extraordinary Design' in May 2026. The show explores the history, artistry, and innovation of flatware, featuring over 200 objects from the 19th century to the present, including newly commissioned works by contemporary designers and architects.