A major retrospective of Hawai‘i-born ceramic artist Toshiko Takaezu opens at the Honolulu Museum of Art on February 14, 2026. Titled 'Worlds Within,' the exhibition features over 100 works, including her signature closed ceramic forms, textiles, paintings, and a bronze bell, and marks the final stop of a two-year national tour that began at The Noguchi Museum in New York in 2024.
The Reina Sofía Museum in Madrid has closed its garden for maintenance and temporarily closed its two satellite buildings, the Glass Palace and Velázquez Palace in El Retiro Park, for renovation. The main museum remains open, showcasing its renowned collection of modern and contemporary art, including Picasso's Guernica and works by Dalí, Miró, and Bourgeois.
The Intuit Art Museum in Chicago has received two major gifts totaling 61 works, significantly expanding its collection of art by self-taught artists. The first gift is a bequest of 47 works from the late collector and early museum supporter Jan Petry, featuring pieces by artists like Emery Blagdon, James Castle, and Martín Ramírez. The second gift comprises 14 works from the collection of scholar Gordon W. Bailey, focusing on African American artists such as Sam Doyle and Mose Tolliver.
The Los Angeles County Museum of Art (LACMA) will open its new David Geffen Galleries building on April 19. Designed by architect Peter Zumthor, the 900-foot-long structure spans Wilshire Boulevard and will house the museum's permanent collection, featuring a non-hierarchical, single-level display of approximately 2,500-3,000 objects. The opening will be marked by a ribbon-cutting ceremony and two weeks of priority access for members.
The San Francisco Bay Area's spring art season features a robust lineup of exhibitions highlighting local artists, history, and community resilience amid a challenging cultural climate. Shows include Cece Carpio's first solo exhibition at SOMArts blending street art and folklore, a major Theresa Hak Kyung Cha retrospective at BAMPFA, and Trina Michelle Robinson's two-venue exploration of Black migration at 500 Capp Street and Root Division.
A landmark exhibition of Welsh artist Gwen John, titled "Gwen John: Strange Beauties," has opened at Amgueddfa Cymru (National Museum Wales) to celebrate the painter's 150th birthday. It is the most comprehensive retrospective of her work in 40 years, spanning two floors and featuring previously unseen sketches, watercolours, and intimate paintings of recurring subjects like cats, St Thérèse of Lisieux, and the artist's own room. The exhibition is curated by Lucy Wood and runs until June 28th.
The Cincinnati Art Museum (CAM) is hosting the exhibition “What, Me Worry? The Art and Humor of MAD Magazine,” which opened on November 21, 2025, and runs through March 1, 2026. The show features over 150 original artworks spanning MAD Magazine’s 70-year history, from its comic book origins to its satirical magazine heyday. On January 30, 2026, CAM held a special “CAM goes MAD!” event as part of its monthly “Art After Dark” series, offering free admission, live music, local food, and activities such as caricature drawing by artist Joni Fleming and tabling by local comic sellers. The exhibition was organized by Stephanie Haboush Plunkett, chief curator of the Norman Rockwell Museum, and satirical artist Steve Brodner.
Banco Santander announced on 21 January that it will manage 160 works from the Gelman Collection of 20th-century Mexican art, following a long-term agreement with the Zambrano family, which acquired the collection in 2023. The newly branded Gelman Santander Collection will debut this summer at Faro Santander, the bank's new venue in Cantabria, Spain. The collection, started by Russian-born film producer Jacques Gelman and his wife Natasha, includes major works by Frida Kahlo, Diego Rivera, Rufino Tamayo, and others, but has been largely out of public view since 2008 amid inheritance disputes. The agreement is complicated by Mexican law, which designates many works as National Artistic Monuments, restricting their permanent export and requiring oversight by the Instituto Nacional de Bellas Artes y Literatura (INBAL).
The National Museum Cardiff is mounting a major survey exhibition of Gwen John (1876-1939), one of the most famous artists in its collection, titled "Gwen John: Strange Beauties." The show marks the 150th anniversary of John's birth in Wales and will be the most comprehensive exhibition of her work in decades, featuring major loans from institutions such as Tate and the Museum of Modern Art in New York. It will travel to Scotland and the US, emphasizing John's interest in form, materials, and color theory, including late watercolours she never sold or exhibited. The exhibition draws on the museum's extensive archive of over 900 drawings, letters, and photographs acquired in 1976, and aims to shift focus from John's biographical narrative—her relationship with Auguste Rodin and reputation as a recluse—to her artistic dedication and technical innovations.
The Art Newspaper's podcast covers the inaugural Art Basel Qatar art fair in Doha, discussing its impact on Qatar and the Middle East art scene. It also examines a debate over a Dürer portrait in London's National Gallery, long considered a copy but now argued to be an autograph work by a new catalogue raisonné author. The episode features a double-header exhibition at the Albertinum in Dresden pairing Paula Modersohn-Becker and Edvard Munch, with co-curator Andreas Dehmer discussing key works.
LACMA has announced that its David Geffen Galleries, the centerpiece of a two-decade campus transformation, will open to the public on April 19, 2025, with a ribbon-cutting ceremony and priority member access, followed by general admission starting May 4. Designed by Pritzker Prize-winning architect Peter Zumthor, the $720-million Brutalist building spans Wilshire Boulevard and houses 110,000 square feet of exhibition space across 90 galleries, organized thematically rather than by medium or chronology. The inaugural installation will use global bodies of water as an organizing framework, featuring works such as Georges de La Tour's "The Magdalen with the Smoking Flame," Vincent van Gogh's "Tarascon Stagecoach," and Henri Matisse's "La Gerbe." The project was funded largely by private donors, including a record $150-million donation from David Geffen, with $125 million from L.A. County.
The Los Angeles County Museum of Art (LACMA) has announced the opening schedule for its long-awaited David Geffen Galleries, a new single-building replacement for its eastern campus. A ribbon-cutting ceremony on April 19, 2026, will kick off two weeks of previews for members and donors, with general public access beginning on May 4. The building, designed by architect Peter Zumthor, will feature a mix of returning collection highlights, recent acquisitions, and new commissions.
A major controversy has erupted at the Art Gallery of Ontario (AGO) following the revelation that trustee Judy Schulich led a successful effort to block the acquisition of a new work by photographer Nan Goldin. The museum's Modern and contemporary curatorial working committee voted 11-9 against jointly purchasing Goldin's video piece *Stendhal Syndrome* (2024) with two other institutions, after Goldin was reportedly labeled antisemitic and compared to Nazi propagandist Leni Riefenstahl for her criticism of Israel's actions in Gaza. The decision prompted the resignation of the AGO's curator of modern and contemporary art and two volunteer committee members.
A major exhibition titled 'El Galeón Acapulco – Manila Somos Pacífico: El Mundo que emergió del Trópico' has opened at the Colegio de San Ildefonso in Mexico City. It features 300 works, including 80 from Singapore's national collections, exploring the centuries-old cultural and economic exchange between Asia and the Americas facilitated by the Manila Galleon trade route. The show was launched to coincide with the 50th anniversary of Mexico-Singapore diplomatic relations and a state visit by Singapore's president.
A series of significant artworks are heading to auction in February, led by an early Artemisia Gentileschi self-portrait making its auction debut at Christie's New York with an estimate of $2.5m-$3.5m. Other highlights include Rembrandt's last privately-held animal drawing, 'Young Lion Resting', at Sotheby's New York ($15m-$20m estimate), a Judy Chicago print of Mary, Queen of Scots at Phillips, and an Odilon Redon work on paper at Artcurial Paris.
The University of Richmond Museums has launched a new season with three exhibitions at the Harnett Museum of Art. The centerpiece is 'Politics of Place,' a rotating film program curated by professor Jeremy Drummond, featuring works by nine contemporary filmmakers and two collectives exploring identity and power through geography. Other shows include a newly commissioned installation by sculptor Abigail DeVille examining Black mental health care, and 'Black Work: Absence/Absorption,' a group exhibition investigating the material and conceptual nature of the color black.
A series of major exhibitions are on view in Doha, coinciding with the Art Basel Qatar event. These include Rirkrit Tiravanija's interactive bakery installation at MIA Park, two major surveys of architect I.M. Pei's work at AlRiwaq Gallery and the Museum of Islamic Art, and a group show titled "we refuse_d" at Mathaf: Arab Museum of Modern Art.
The Milwaukee Art Museum is opening the 2026 Scholastic Art Awards: Wisconsin Exhibition, showcasing over 350 award-winning works by students in grades 7–12 from across the state. The exhibition, which runs from January 31 to March 15, marks the 50th anniversary of the museum hosting this prestigious student competition.
The Kanal-Centre Pompidou, a major new modern and contemporary art museum in Brussels, will open on November 28. Housed in a converted 1930s Citroën garage, the €230m institution will launch with ten exhibitions, including a 350-work show drawn from the Centre Pompidou's collection in Paris and installations by artists like Otobong Nkanga.
The New Orleans Museum of Art (NOMA) will debut "Hayward Oubre: Structural Integrity," the first monographic exhibition dedicated to American modernist Hayward L. Oubre, Jr. (1916–2006). Organized by the Birmingham Museum of Art, the show features 48 sculptures, paintings, and prints, including Oubre's notable wire coat hanger sculptures, and runs from January 30 through May 3. Oubre, a New Orleans-born artist, was the first BFA graduate of Dillard University and later chaired art departments at Alabama State University and Winston-Salem State University, shaping a network of Black artists in the South.
The Birmingham Museum of Art (BMA) opens "Monet to Matisse: French Moderns, 1850–1950" on January 30, featuring over 100 masterworks from iconic artists including Monet, Matisse, Cézanne, Cassatt, Degas, Renoir, and Pissarro. The traveling exhibition, curated by the Brooklyn Museum, has been significantly expanded by BMA with over 40 works from its own collection, making it a unique venue on the tour. The show runs through May 24 and coincides with the museum's 75th anniversary, with thematic sections on Landscape, Still Life, Portraits and Models, and The Nude.
The Smithsonian’s National Portrait Gallery in Washington, DC, has announced Brooklyn-based artist Kameron Neal as the winner of its 2025 Outwin Boochever Portrait Competition. Neal was honored for his two-channel video installation *Down the Barrel (of a Lens)* (2023), which incorporates surveillance footage from the 1960s and 70s obtained during his residency at New York City’s Department of Records. The work explores the relationship between police and protesters, displaying footage of Vietnam War protesters, the Black Panthers, Martin Luther King Jr., and John F. Kennedy alongside images of police filming. Neal receives $25,000 and a commission to create a portrait for the museum’s permanent collection. Second prize went to photographer Jared Soares, and third prize to painter David Antonio Cruz; the exhibition featuring all 35 finalists runs from January 24 to August 30, 2025.
Albert Barnes, the pioneering US collector who built the Barnes Foundation in Philadelphia, twice declined the opportunity to acquire Vincent van Gogh's iconic 'Starry Night' paintings. Unpublished correspondence in the Barnes Foundation archives reveals that in 1923, agent Frank Washburn Freund offered Barnes *Starry Night over the Rhône* (1888), but Barnes did not pursue it; the painting later went to the Musée d'Orsay. In 1936, the Van Wisselingh gallery offered Barnes *Starry Night* (1889), but he again passed; it was eventually acquired by the Museum of Modern Art in New York. Despite these missed chances, Barnes was the first American to buy a Van Gogh, ultimately owning seven works by the artist, including *The Postman* and *Still Life*.
Artist Jan Tichy has created a major exhibition titled "Darkness" at the Broad Art Museum at Michigan State University, opening January 30, 2026, and running through late July. The exhibition transforms the museum's main floor galleries by blacking out Zaha Hadid's iconic angular windows and entrances, using projections and modulated lights to simulate a 24-hour day-night cycle. Tichy, who previously worked with the museum on a Flint water crisis project in 2017, collaborated with MSU researchers—including the Department of Entomology—to create works inspired by academic studies, such as photographic prints made from insects collected on the museum grounds over a year.
The article reviews the exhibition 'Still Glasgow' at the Gallery of Modern Art in Glasgow, running from November 29, 2025, to June 13, 2026. Curated from the Glasgow Life Museums collection, it features around 80 photographic works from the 1940s to the present, including pieces by Bert Hardy, Oscar Marzaroli, Alan Dimmick, Iseult Timmermans, Joseph McKenzie, and Eric Watt. The show documents Glasgow's people and urban change, moving from earlier male documentary photographers to contemporary perspectives, and includes both still and moving images.
The article highlights five notable artworks heading to auction in January 2025, spanning sales at Christie’s, Sotheby’s, Bonhams Skinner, and Heritage Auctions. Featured lots include Winslow Homer’s *A Mountain Climber Resting* (est. $1.5–2.5M) from the Max N. Berry Collection, Otobong Nkanga’s tapestry *The Pursuit of Bling: The Transformation* (est. £20,000–30,000), Bob Ross’s *Valley View* (est. $30,000–50,000), and Claes Oldenburg’s lithograph *Three Way Plug* (est. $3,000+). Each work comes with distinct provenance—from a Standard Oil heiress to a hardware pioneer—and reflects diverse market segments from blue-chip American painting to contemporary African art and pop-culture collectibles.
The Smithsonian’s National Air and Space Museum has announced that its newly renovated Flight and the Arts Center will open on July 1, 2026, with two inaugural exhibitions: “The Ascent of Rauschenberg: Reinventing the Art of Flight” and “The Art of Air and Space: Interpretations of Flight.” The Rauschenberg exhibition, timed to the artist’s centennial, will present 30 of his artworks related to flight, including the monumental lithograph “Sky Garden (Stoned Moon)” (1969), and will run for one year. The exhibition is curated by Carolyn Russo and features loans from the Hirshhorn Museum, Smithsonian American Art Museum, National Gallery of Art, and the Robert Rauschenberg Foundation.
The Smithsonian’s National Museum of African American History and Culture (NMAAHC) will open a new traveling exhibition titled “At the Vanguard: Making and Saving History at HBCUs” on January 16, 2026. The show features artifacts, artwork, historical documents, and multimedia from five historically Black colleges and universities (HBCUs): Clark Atlanta University, Florida A&M University, Jackson State University, Texas Southern University, and Tuskegee University. Highlights include first editions of Margaret Walker’s works, Tuskegee Institute pottery, early scientific journals, archival photographs by Doris Derby and Chester Higgins, and a rare color video of George Washington Carver.
The New Museum on Manhattan's Lower East Side will reopen to the public on March 21, 2025, after a two-year closure for an $82 million expansion designed by OMA's Shohei Shigematsu and Rem Koolhaas with executive architect Cooper Robertson. The expansion adds 61,930 square feet—including 9,600 square feet of gallery space, education facilities, artists' studios, and event spaces—bringing the total footprint to 119,600 square feet. The new building will be named after the late philanthropist and curator Toby Devan Lewis. The reopening will feature site-specific commissions by Tschabalala Self, Sarah Lucas, and Klára Hosnedlová, and a building-wide thematic exhibition, 'New Humans: Memories of the Future,' with works by over 200 modern and contemporary artists.
The Brooklyn Museum in New York City has opened a blockbuster exhibition titled "Monet and Venice," showcasing 37 canvases Claude Monet painted during his 1908 trip to Venice. The exhibition includes over 100 artworks, books, and ephemera, alongside works by Canaletto, J.M.W. Turner, and Pierre-Auguste Renoir, and features an original symphonic score inspired by field recordings from Venice. It highlights Monet's two-month stay, during which he painted iconic sites like the Palazzo Ducale and San Giorgio Maggiore, with letters from his wife Alice Hoschedé revealing personal insights into his creative process.