The J. Paul Getty Trust has appointed Glenn D. Lowry, former director of New York's Museum of Modern Art, and Lionel M. Sauvage, a French philanthropist and collector, to its board of trustees, effective in 2026. Lowry led MoMA for 30 years, overseeing major expansions and the integration of PS1, while Sauvage holds leadership roles at Les Arts Décoratifs and other cultural institutions.
More than 150 unionized workers at Britain's Tate museums, represented by the Public and Commercial Services Union (PCS), will strike from November 26 to December 2 over what they call inadequate pay raises. The strike follows a vote where 98% of members supported action, with 88% turnout. Staff at Tate Britain, Tate Modern, Tate Liverpool, and Tate St. Ives were offered a 2-3% salary increase, which the union argues is below the government's Civil Service Pay Remit Guidance maximum of 3.25%. The action coincides with the opening of the major exhibition "Turner & Constable: Rivals & Originals" at Tate Britain on November 27.
Italian fashion house Dolce & Gabbana announced that its exhibition “From the Heart to the Hands” will travel to the Institute of Contemporary Art, Miami, opening February 6, 2026, and running through June 14. Curated by fashion historian Florence Müller, the show features over 300 pieces from the brand’s archival and recent collections, including its Alta Moda, Alta Sartoria, and Alta Gioielleria lines, displayed in immersive rooms inspired by art, architecture, folklore, and the dolce vita. The exhibition also includes collaborations with visual artists such as Quayola, Alberto Maria Colombo, Obvious, Vittorio Bonapace, and Felice Limosani.
An Amoako Boafo painting, *Red Dress* (2017), has been consigned to Phillips’s upcoming modern and contemporary art day sale by actor and ARTnews Top 200 collector Jesse Williams. The work, estimated at $150,000 to $200,000, depicts Thelma Golden, director of the newly reopened Studio Museum in Harlem. It was previously featured in Boafo’s 2022 solo exhibition “Soul of Black Folks” at the Contemporary Arts Museum Houston. This marks another instance of a work from Williams’s collection appearing at Phillips, following a Noah Davis painting consigned by his ex-wife in 2024.
The Museum of Modern Art (MoMA) has opened a major retrospective of Afro-Cuban Surrealist painter Wifredo Lam, featuring over 200 works. The exhibition highlights Lam's masterpiece *Grande Composition* (1949), a 14-foot-wide painting recently acquired by MoMA after years of negotiation with a Paris collector. Curated by MoMA's new director Christophe Cherix and Beverly Adams, the show reexamines Lam's career, emphasizing his Afro-Cuban heritage and his use of hybrid figures like the femme-cheval, which reference Lucumí spiritual traditions.
The Wadsworth Atheneum Museum of Art in Hartford, Connecticut, has appointed Allison Blais as its new president and CEO, effective January 2026. Blais, currently executive vice president and chief strategy and operations officer at New York’s 9/11 Memorial & Museum, will succeed Jeffrey N. Brown, who held the role for five years. The announcement was made by board chair Duffield Ashmead IV MD, who praised Blais's experience with large-scale capital projects and stakeholder engagement. Blais, a Connecticut native, expressed her long familiarity with the Wadsworth and her enthusiasm for working with museum director Matthew Hargraves.
A painting of Saint Francis of Assisi, stolen from the Church of San Francisco de Asis in Teotihuacán, Mexico, in 2001, has been recovered and returned to the church. The six-foot-tall work, painted in 1747 by an unknown artist, was among 18 artworks taken in a nighttime theft. It resurfaced in 2018 when it was consigned to Mexico City auction house Morton Subastas, whose due diligence with the Art Loss Register flagged it as stolen. The painting, valued at 280,000 Mexican pesos ($15,000), was returned to the church in a ceremony led by Padre Teodoro García Romero.
Sotheby's hosted a lunch in Paris for billionaire collector Thomas S. Kaplan, who is selling a Rembrandt drawing titled *Young Lion Resting* (ca. 1638–42) from his Leiden Collection. The drawing, with a high estimate of $20 million, will be auctioned in New York in February, with all proceeds donated to Panthera, the wild cat conservation charity Kaplan founded. Kaplan acquired the work in 2005 from the Herring gallery and has kept much of his collection anonymous, but is now stepping forward to support conservation and public access.
Ed Ruscha has collaborated with Los Angeles-based boutique chocolatier andSons to create a limited-edition chocolate bar. The bar is molded to resemble California's Central Valley topography and contains Peruvian dark chocolate, sea salt from Tomales Bay, and blood orange olive oil from Sonoma County. Packaged in an orange box with a reproduction of Ruscha's 1971 lithograph *Made in California*, only 300 bars will be produced, priced at $295 each, available starting early December 2025.
Rosalía's fourth studio album, *LUX*, features a recording of Patti Smith from a 1976 interview on the closing track "La Yugular." The article describes Rosalía's admiration for Smith, recounting a meeting where Smith complimented her dress and discussed the song. Smith's influence is highlighted through her music, memoir *Just Kids*, and her artistic practice in photography and mixed media, including her first solo exhibition at the Wadsworth Atheneum Museum of Art in 2011. Smith also recently released a new memoir, *Bread of Angels*.
Artist George Condo has left Hauser & Wirth and will now be jointly represented by Sprüth Magers and Skarstedt, marking a return to galleries with which he had long-standing relationships. Condo first showed with Monika Sprüth in 1984 and was represented by Skarstedt from 2004 to 2019 before joining Hauser & Wirth in late 2019. Separately, a new BBC documentary titled *Turner: The Secret Sketchbooks* explores whether J. M. W. Turner's creative genius was shaped by childhood trauma and neurodivergence, featuring commentary from artists, actors, and a psychotherapist. The article also reports that Dana Awartani will represent Saudi Arabia at the 2026 Venice Biennale, and that the Trump administration has tightened H-1B visa rules, making it harder for arts institutions to hire foreign specialists.
Sotheby’s Paris raised €18.6 million ($21.5 million) from two live sales of the Manny Davidson collection this week, with a third online sale still ongoing. The collection, spanning nearly 500 lots, included rediscovered Old Masters, 18th-century gold enamel, and an automaton clock by James Cox. Highlights included Michael Sweerts’s *A young man wearing a turban holding an upturned roemer: the fingernail test* (1648–52), which sold for €1.6 million, and Joshua Reynolds’s *Self-Portrait, in doctoral robes* (ca. 1770), which fetched €838,200. The evening sale achieved 83% sell-through by lot, with most buyers from Europe and a third from the US.
The Philadelphia Art Museum (PAM) will mount an exhibition titled “Van Gogh’s Sunflowers: A Symphony in Blue and Yellow” from June 6 to October 11, 2026, bringing together two of Vincent van Gogh’s iconic “Sunflower” paintings: PAM’s own Sunflowers (1889) with a turquoise background and the National Gallery’s Sunflowers (1888) with a yellow background. The exhibition continues a collaboration between the two institutions, following a recent loan of PAM’s painting to the National Gallery’s “Van Gogh: Poets and Lovers” show, where the two works hung in a triptych with van Gogh’s Lullaby: Madame Augustine Roulin Rocking a Cradle (La Berceuse).
The Stedelijk Museum in Amsterdam has opened "Erwin Olaf—Freedom," a major retrospective of the late Dutch photographer Erwin Olaf, who died in 2023 at age 64. The exhibition spans over a dozen rooms, showcasing his diverse output from subcultural documentation and commercial work to staged tableaux, self-portraits, and club ephemera, alongside video and sculpture. It juxtaposes formally refined portraits, such as Queen Máxima, with provocative early works like "Joy" (1985), refusing to impose a single narrative on his career.
Actor Timothée Chalamet visited Michael Heizer's monumental Land art installation *City* in the Nevada desert for a profile in *Vogue*. The article, tied to Chalamet's upcoming film *Marty Supreme*, includes his brief remarks on the artwork and photographer Annie Leibovitz, who shot his portraits at the site. The piece also quotes art critic Kristen Swenson's reflections on the sensory experience of *City*, which opened in 2022 after decades of construction.
Multimedia artist Doug Aitken will present his first exhibition in India, titled “Under the Sun,” opening December 6 at the Nita Mukesh Ambani Cultural Centre (NMACC) in Mumbai. The site-specific show, commissioned by NMACC and curated by Roya Sachs and Mafalda Kahane of TRIADIC, spans three floors exploring past, present, and future through hand-carved wooden sculptures, embroidered textiles, a light installation, and Aitken’s film NEW ERA (2018), created in collaboration with over a dozen Indian artisans.
Sotheby's Paris is selling "The Manny Davidson Collection: A Life in Treasures and Benevolence," a multi-owner sale of nearly 500 lots spanning Old Masters, 19th-century British paintings, 18th-century gold enamel, and decorative objects. Highlights include a rediscovered Michael Sweerts portrait estimated at €800,000–€1.2 million, a Thomas de Keyser portrait of a silversmith, and a Joshua Reynolds self-portrait study. The sale, which includes an evening auction on November 5 and an online component, was previewed by Sotheby's global head of private sales, Old Masters, Chloe Stead.
London's Victoria and Albert Museum has announced that its new branch, V&A East Museum, will open to the public on April 18, 2026. The five-story building, designed by Irish architecture firm O'Donnell + Tuomey, is located in Queen Elizabeth Olympic Park and will feature exhibitions, live events, site-specific commissions, and performances. The V&A East Storehouse, designed by Diller Scofidio + Renfro, opened earlier this year and offers free behind-the-scenes access to over half a million objects and books from the V&A's collections. Artists Tania Bruguera, Carrie Mae Weems, Rene Matić, and Thomas J. Price have been commissioned to create new works for the museum.
Zohran Mamdani won the New York City mayoral election, prompting a wave of reactions from the art world. Artists, curators, and critics expressed hope and joy, with figures like Siddartha Mitter calling it a "beacon of civic renewal," while others like Jerry Saltz offered cautious support. Artists such as Aria Dean, Martine Syms, and Salman Toor were involved in his campaign, and El Museo del Barrio was the only institution to officially endorse him. However, some voices, like the market-oriented account Jerry Gogosian, criticized his socialist policies as potentially harmful to the art market.
Matthew Day Jackson, a multidisciplinary artist represented by Pace Gallery, has created 10 original artworks for a 23-piece luxury skiwear collection from Aztech Mountain, a ski brand based in Aspen, Colorado. Titled "Planet Aspen," the line includes ski jackets, pants, and innerwear adorned with Jackson's designs, with prices ranging from $101 to $1,850. Jackson, described as a passionate skier and adventurer, collaborated with Aztech Mountain on its first artist partnership, drawing inspiration from the quiet absurdity and fleeting joy of skiing.
Talladega College, a historically Black college in Alabama, has partnered with the Toledo Museum of Art, Art Bridges, and the Terra Foundation for American Art to share six monumental murals by artist Hale A. Woodruff. Painted between 1939 and 1942, the murals depict key moments in African American history, including the Amistad uprising and the Underground Railroad. Under the agreement, the Toledo Museum of Art acquired *The Underground Railroad* (1942), while Art Bridges and the Terra Foundation jointly acquired the three Amistad murals; the remaining two murals stay at the college. All six works will be periodically reunited on campus, ensuring their continued connection to the institution that commissioned them.
Mathaf: Arab Museum of Modern Art in Qatar has mounted a presentation of seven works by Palestinian artist Samia Halaby that were originally slated for a canceled survey at Indiana University’s Eskenazi Museum of Art in December 2023. The university cited “safety reasons” for the cancellation, which Halaby criticized as occurring amid the massacre of Palestinians in Gaza. The works are displayed in the first gallery of the exhibition “we refuse_d,” curated by Vasif Kortun, which also includes pieces by other artists whose shows were canceled, such as Jumana Manna. Halaby’s paintings span 1980 to 2024 and include the previously unseen “Worldwide Intifadah” (1989) and “Massacre of the Innocents in Gaza” (2024).
Miami's Frost Museum of Science has filed a lawsuit against the Florida Department of Transportation seeking the removal of a giant digital billboard on the grounds of the Pérez Art Museum Miami (PAMM). The 1,800-square-foot sign, which advertises luxury brands like Tiffany and Yves Saint Laurent alongside PAMM programming, was built under a 2023 city commission exception that allowed billboards nearly twice the legal size limit. That exception was later overturned amid controversy over campaign contributions from the billboard's operator, Orange Barrel Media, to the commissioner who introduced it. PAMM argues the sign was approved by all relevant authorities, while Frost Science claims it violates state law, degrades the museum environment, and jeopardizes federal highway funding.
The Kunstmuseum Basel has confirmed that a Paul Gauguin self-portrait, titled *Portrait de l’artiste par lui-même* (1903), is an authentic work by the French painter, despite decades of scrutiny. The painting, held by the museum since 1945, was subjected to scientific analysis—including pigment testing, radiography, and infrared reflectography—at the Bern Academy of the Arts after amateur art sleuth Fabrice Fourmanoir claimed it was actually painted by Gauguin’s friend Ky-Dong Nguyen Van Cam. The tests showed the pigments date to Gauguin’s era, but also revealed overpainting on the face, possibly done between 1918 and 1926, though the museum found no evidence of intentional forgery.
ARTnews has added 20 new collectors to its prestigious Top 200 Collectors list for 2025, reflecting the expanding global reach of serious art collecting. The new cohort includes figures from Latin America, the Gulf region, Southeast Asia, and the United States, such as Catherine Petitgas, Ariel Marcelo Aisiks, Sara Alireza, Faisal Tamer, Basma Al Sulaiman, Sheikh Hamad bin Abdullah Al Thani, Purat “Chang” Osathanugrah, Belinda Tanoto, Andreas Teoh, artist Rashid Johnson, Solomon R. Guggenheim Foundation president Wendy Fisher, Napster cofounder Sean Parker, Fanatics founder Michael Rubin, and Oscar L. Tang and Agnes Hus-Tang, who donated $125 million to the Metropolitan Museum of Art. Several new additions are second-generation collectors, and many have built private spaces to show their collections, such as Alexander Petalas’s Perimeter in London, Osathanugrah’s upcoming Dib Bangkok, and Basma Al Sulaiman’s virtual museum BASMOCA.
Altman Siegel, a key gallery in San Francisco's art scene, will close in November 2025 after 16 years. Founder Claudia Altman-Siegel attributed the closure to a challenging market for mid-size galleries, stating it became too difficult to scale in the current climate. The gallery's final show is a solo exhibition by Shinpei Kusanagi, ending November 22. Its roster included artists such as Simon Denny, Lynn Hershman Leeson, Trevor Paglen, and others. The closure follows a trend of galleries shutting down or scaling back, including Blum and LA Louver in Los Angeles, and Clearing and Venus Over Manhattan in New York.
German police have dismantled an international forgery ring attempting to sell fake artworks attributed to masters including Rembrandt, Pablo Picasso, and Frida Kahlo. The suspected ringleader, a 77-year-old German man from Bavaria, was arrested after trying to sell two counterfeit Picasso paintings, one a portrait of Dora Maar. Investigators, who code-named the operation “Dora Maar,” conducted raids across Germany, Switzerland, and Liechtenstein, seizing 19 fake works with asking prices ranging from $460,000 to $16 million. A 74-year-old accomplice is accused of producing forged expert reports to authenticate the fakes.
The Biennale of Sydney has announced the full artist list for its 2026 edition, titled 'Rememory,' which opens on March 14, 2026. The exhibition is curated by Hoor Al Qasimi, president and director of the Sharjah Art Foundation, marking her second major biennial after the Aichi Triennale. The show will feature over 60 artists and collectives, with a heightened focus on Indigenous art through a partnership with the Fondation Cartier pour l’art contemporain, facilitating 15 commissions by First Nations artists. Notable participants include Emily Jacir, Tuan Andrew Nguyen, and many others from diverse global backgrounds.
Artist and children's book illustrator Oliver Jeffers held a dip performance two days before the opening of his solo show at Praise Shadows gallery in Boston, where he destroyed a portrait of Japanese artist and cancer survivor Yuri Shimojo by submerging it in enamel paint. The invite-only audience watched in silence as the image disappeared, a ritual Jeffers describes as both a death and a birth, exploring themes of memory, loss, and hidden variables. His exhibition also features his "Disaster Paintings," which treat serious subjects like climate change and violence with absurdist humor.
British artist Rob Munday has filed a lawsuit against Chris Levine in the High Court, claiming he is the co-creator of two iconic holographic portraits of Queen Elizabeth II—Equanimity and Lightness of Being (2004). Munday alleges that Levine and his company Sphere 9 violated his moral rights by failing to credit him as a co-author, despite a 2005 agreement recognizing joint authorship. The works, commissioned by the Jersey Heritage Trust and held in London’s National Portrait Gallery, were created using holography technology. Levine denies the claims, calling Munday a "technical subcontractor," and says he will fiercely defend his sole authorship. The case follows a separate 2023 dispute between Levine and the trust over unauthorized copies, which was settled with a statement naming Levine as the sole artist commissioned.