agustina ferreyra joins mexico city gallery omr

Agustina Ferreyra, a prominent Mexico City-based dealer known for championing young Latin American artists, has been appointed director of OMR, a leading gallery in Mexico City. Ferreyra founded her own gallery in San Juan, Puerto Rico in 2013 before relocating it to Mexico City, and will shutter that eponymous space on April 30. She previously collaborated with OMR during Mexico City Art Week in February through Bodega, a joint initiative that featured a solo exhibition by Argentine artist Ad Minoliti. In her new role, Ferreyra will continue to lead Bodega as artistic director.

kaws victory counterfeit art lawsuit

Artist Brian Donnelly, known as KAWS, won a $900,000 damages award from a U.S. District Court on May 2 against Dylan Joy An Leong Yi Zhi and two Singapore-based companies, the Penthouse Theory and the Penthouse Collective, for counterfeiting replicas of KAWS's signature "Companion" figure, toys, skateboards, and artworks. The court also ordered the defendants to stop producing the knockoffs, with KAWS's attorney Aaron Richard Golub calling it a significant international case that can now be enforced globally, including in Singapore.

Curators Announced for 16th Baltic Triennial

The Contemporary Art Center (CAC) Vilnius has appointed artist Nikita Kadan and curator Natalia Sielewicz as curators of the 16th Baltic Triennial, scheduled for 2027. Kadan is a Kyiv-based artist, while Sielewicz is chief curator at Warsaw's Museum of Modern Art. The duo has proposed "grief and resurrection" as the triennial's theme, framing despair and mourning as spaces for careful listening and potential renewal.

2026 Spring Arts Preview: The top visual art exhibitions we’re excited about this season

The article previews the spring 2026 visual arts season in San Diego County, highlighting a diverse range of exhibitions and events. It announces the return of Art Gallery Month, a collaborative effort involving 11 local galleries aimed at boosting the visibility of the commercial gallery ecosystem and encouraging local art collecting. Key exhibitions featured include Ruben Ulises Rodriguez Montoya's first California solo museum show, 'In the Garden of Earthly Delights: I Bend to Paradise,' at the Institute of Contemporary Art, San Diego, and the La Jolla Historical Society's 'Space Maker,' which explores the intersection of art and architecture. The preview also notes Richard Allen Morris's work at R.B. Stevenson Gallery and lists numerous participating commercial galleries.

Opinion: In galleries across Canada, too much art is being hidden away

Don LePan, a novelist, book publisher, and painter, argues that public art galleries across Canada are failing to display their permanent collections, using the MacKenzie Art Gallery in Regina as a prime example. During a visit in early March, LePan found that none of the gallery's extensive permanent collection—which includes works by Group of Seven artists, European masters like Picasso and Gauguin, and modernists such as Agnes Martin—was on view. Instead, the entire exhibition space was devoted to three special shows: a photographic and conceptual art exhibition by Plains Cree artist Joi T. Arcand, a selection of works by 2025 Governor General’s Awards in Visual and Media Arts recipients, and an Indigenous art exhibition. LePan praises these exhibits but criticizes the gallery's decision to completely exclude its permanent collection.

Wem die Glocke schlägt

The Kunsthalle Wien has revived its recurring exhibition format "Lebt und arbeitet in Wien" (Lives and Works in Vienna) for the fifth time since 2000, presenting 56 artists selected from a pool of 700 local practitioners. Curated by Daniel Baumann, Monika Georgieva, and Michelle Cotton, the show spans two venues—the Museumsquartier and Karlsplatz—featuring works in painting, sculpture, installation, film, and video that reflect the city's diverse artistic landscape. The exhibition marks a return after a decade-long hiatus, filling gaps left since the previous edition under the curatorial collective WHW.

The Pain Behind the Colors

Der Schmerz hinter den Farben

Henry Taylor is the subject of a major exhibition at the Musée Picasso in Paris, where his monumental paintings addressing racism, poverty, hope, and pain are displayed in dialogue with art history. The article describes a key work featuring Martin Luther King Jr. in a park scene, with small adult-faced figures and a limousine of white men watching, highlighting Taylor's narrative style.

Faces of Russian Art

Gesichter der russischen Kunst

On the Venice Biennale, the Russian Pavilion presents itself as a space for dialogue, while simultaneously a major exhibition in St. Petersburg titled "Russischer Imperativ" (Russian Imperative) opened on May 8 at the Manezh exhibition hall, glorifying war as a historical imperative of Russian identity. Curated by Anton Belikov, a Moscow artist and former Russian soldier who fought in Ukraine, the show features works from state museums like the Tretyakov Gallery, blending historical battles with the current war in Ukraine, and includes a monumental, fascistoid design with a ten-meter-tall installation of a soldier's head. The exhibition has sparked outrage on social media and in Russian exile media for its militaristic propaganda.

Exhibition at Bellevue Palace: Rush causes server crash

Ausstellung im Schloss Bellevue: Ansturm legt Server lahm

Berlin's Schloss Bellevue, the official residence of German President Frank-Walter Steinmeier, is being transformed into a pop-up art gallery from June 13 to 28 before undergoing a multi-year renovation. The exhibition, titled "Freiraum Kunst," features works by artists including Katharina Grosse, Wolfgang Tillmans, and Monica Bonvicini. However, the ticket booking system crashed due to overwhelming demand, causing delays and prompting the Akademie der Künste to work on resolving the technical issues, assuring the public that tickets are still available.

Stühle, die zum Reden zwingen

The article examines a peculiar three-seat sofa called the "Indiscret" on display in the Louvre, designed in 19th-century France under Napoleon III to force conversation among sitters. This "Conversation Chair" reflects an era when furniture was deliberately crafted to create social intimacy and control guest behavior, in stark contrast to modern public seating that often discourages lingering through hostile architecture.

Christie's and the Arts Council Collection to present Close Encounters celebrating 80 years of the Arts Council Collection - Christie's

Christie's London will host 'Close Encounters: Figuration, Painting and Landscape in the Arts Council Collection' from 3 to 23 June 2026, in partnership with the Arts Council Collection to mark its 80th anniversary. The exhibition brings together historical works by artists such as David Hockney, Sonia Boyce, Peter Doig, Lynette Yiadom-Boakye, Michael Armitage, and Claudette Johnson alongside new acquisitions by Christina Kimeze and Vanessa Raw, exploring themes of gender, sexuality, landscape, and Black British women's representation.

Free tickets now available for temporary exhibition at Bellevue Palace

Ab sofort kostenlose Karten für temporäre Schau im Schloss Bellevue

Berlin's Bellevue Palace, the official residence of German President Frank-Walter Steinmeier, will transform into a pop-up gallery for two weeks from June 13 to 28. Free timed-entry tickets become available from 3:00 PM on the website of the Akademie der Künste. The exhibition will feature works by artists including Katharina Grosse, Wolfgang Tillmans, and Monica Bonvicini, displayed in rooms emptied ahead of a multi-year renovation.

Watching the Great Form Shatter

Der großen Form beim Zerbrechen zuschauen

Marc Brandenburg, a Berlin-based artist born in 1965, is the subject of a comprehensive survey exhibition titled "20th Century Debris" at the Berlinische Galerie. The show presents his meticulous pencil drawings on paper, which invert light and dark and are viewed under blacklight to create ghostly, dissolving images. Brandenburg's works fragment urban spaces, faces, and everyday objects into shimmering, unstable forms, drawing on photography and photocopying to produce a sense of eerie stillness and motion. The exhibition also includes his first films, tracing his stylistic evolution from early 1990s fragmented portraits to large-scale panoramic works with metallic surfaces.

On High Heels into the Museum

Auf High Heels ins Museum

The Los Angeles County Museum of Art (LACMA) closed its newly opened David Geffen Galleries just days after their official debut to host a Dior fashion show. The show, designed by Dior creative director Jonathan Anderson, featured a Cruise collection inspired by Hollywood glamour, with models walking through the museum's outdoor spaces amid vintage cars and historical lamps. The event highlighted the ongoing tension between the museum's architectural ambitions—Peter Zumthor's amoeba-like concrete structure has drawn both criticism and praise—and its use as a venue for luxury brand marketing.

Was in den Museen läuft

Munich's art festival "Various Others" kicks off this week with major city museums participating. The Pinakothek der Moderne presents "Reflexion," a group show of 100 works across fine art, architecture, graphic design, and design by artists including Isa Genzken, Ludwig Mies van der Rohe, Piet Zwart, and Ettore Sottsass. The Alexander-Tutsek-Stiftung celebrates its 25th anniversary with a glass-focused exhibition featuring Monica Bonvicini, Tony Cragg, and Laure Prouvost. The Villa Stuck reopens after renovation with four shows: Philipp Messner's sculptures, Ilit Azoulay's macro-film installation, a returning Franz von Stuck painting, and Delschad Numan Khorschid and Jan-Hendrik Pelz's migration-themed "Zehn Leben." The Lenbachhaus presents "Ein Ferngespräch. Szenen aus der Weimarer Republik" with works by Jeanne Mammen, Gabriele Münter, and Christian Schad. Museum Brandhorst's "Carrying" addresses the history of the Maxvorstadt art district, once site of a military barracks built by Ottoman prisoners. The Eres Stiftung continues "Seeing the Unseen" on quantum physics. The Flux meeting space, designed by Morag Myerscough, moves indoors at the Pinakothek der Moderne.

Überraschende Begegnungen

The ninth edition of the "Various Others" festival in Munich brings together institutions, off-spaces, and galleries for a city-wide series of exhibitions in May. Highlights include Walter Storms Galerie presenting Anselm Reyle's first Munich solo show with Istanbul's Dirimart; Kraupa-Tuskany Zeidler collaborating with Rome's T293 to show Simon Denny's tech-critical works; Max Goelitz pairing Lukas Heerich and Rindon Johnson with Eva Hesse in dialogue with Hauser & Wirth; Lohaus Sominsky and Paris's Mennour featuring Ilit Azoulay and Alicja Kwade; and Rüdiger Schöttle hosting Milena Muzquiz and Elif Saydam. A new parcours exhibition, "Vectors," inspired by Jan Hoet's "Chambres d'Amis," places contemporary art in tech company offices across Munich.

"Man besitzt Kunst nicht, man ist nur ihr Verwalter"

The 61st Venice Biennale opened on Saturday without ceremony or an opening celebration, amid political turmoil over the participation of Russia and Israel. Italy's Culture Minister Alessandro Giuli criticized Biennale director Pietrangelo Buttafuoco for not informing the government about Russia's participation request, suggesting it could have been used as leverage for a ceasefire in Ukraine. The entire jury resigned after attempting to exclude both Russia and Israel from prize awards, leading to the cancellation of the traditional jury decision in favor of a public vote, which over 70 participating artists have protested by withdrawing from this year's prizes. Separately, a rare photograph from the early 1940s has surfaced showing Lucas Cranach the Elder's painting "Venus with Cupid as Honey Thief" in Adolf Hitler's Munich apartment, raising unresolved questions about whether the work was looted from Jewish owners before 1935.

10 Highlights You Shouldn't Miss in Venice

10 Highlights, die Sie in Venedig nicht verpassen sollten

The article presents ten must-see highlights of the 61st Venice Biennale, curated by the editors of Monopol magazine. It covers the main exhibition at the Arsenale, national pavilions, and collateral events, including Sandra Knecht's beehouse installation, Isabel Nolan's Irish Pavilion exploring dreams and late medieval humanism, Chiara Camoni's Italian Pavilion blending ceramics and found materials, and Asim Waqif's bamboo construction in the Indian Pavilion. Other featured works include a church filled with surveillance cameras and the new Fondazione Dries Van Noten.

34 Of The Best London Art Exhibitions To See In May 2026

The article highlights 34 of the best London art exhibitions to see in May 2026, focusing on three major shows: the V&A's 'Schiaparelli: Fashion Becomes Art', the first UK exhibition dedicated to designer Elsa Schiaparelli; Tate Modern's 'Tracey Emin: A Second Life', the largest retrospective of the YBA artist's 40-year career; and the Design Museum's 'NIGO: From Japan with Love', a retrospective of Japanese creative NIGO spanning over 700 objects. These exhibitions showcase fashion, contemporary art, and street culture, with the V&A show running until November, Tate Modern until August, and the Design Museum until October.

How Tech Billionaires Turn Couture into Content

Wie Tech-Milliardäre Couture zu Content machen

The Met Gala, long considered the premier event for fashion and cultural influence, has become increasingly dominated by tech billionaires. This year, Jeff Bezos and Lauren Sánchez Bezos purchased their role as co-hosts, sparking protests in New York and raising questions about whether money alone now buys entry into the highest echelons of fashion. Individual tickets cost $10,000 and a table $350,000, with sponsors including OpenAI, Snapchat, and Meta. The event, organized by Anna Wintour to raise funds for the Costume Institute at the Metropolitan Museum of Art, raised $31 million last year but has transformed from a benefit into a spectacle optimized for viral moments and algorithmic appeal.

Here You Have the Feeling That Reality Is a Different One

"Man hat hier das Gefühl, dass die Realität eine andere ist"

Austrian artist Erwin Wurm discusses his exhibition at the Museo Fortuny in Venice, where he confronts the overwhelming collection of the 19th-century polymath Mariano Fortuny. In an interview, Wurm describes the venue as a historic atelier house filled with tapestries and artifacts, and reflects on how his contemporary sculptures and performances will engage with the dense, time-capsule atmosphere of the space.

Master of Madonnas and the Market

Meister der Madonnen und des Marktes

A major exhibition titled "Raphael: Sublime Poetry" has opened at the Metropolitan Museum of Art in New York, exploring how the Renaissance master Raphael's work was deeply intertwined with money, prestige, and patronage. The show traces his career from early mentorship under his father and influences from Leonardo da Vinci to his rivalry with Michelangelo, highlighting commissions from wealthy supporters like the aristocrat Elena Duglioli and Pope Leo X, who commissioned Raphael's extravagant tapestries for the Sistine Chapel.

How much Berlin fits on 230 square meters?

Wie viel Berlin passt auf 230 Quadratmeter?

The Neue Nationalgalerie in Berlin has opened a compact exhibition titled "Ruin und Rausch: Berlin 1910–1930," featuring 35 works across just 230 square meters in a side cabinet of the lower floor. The show uses paintings, sculptures, film clips, and audio poems to tell the story of Berlin between World War I and the Nazi takeover, contrasting themes of excess and poverty, emancipation and extremism. It is structured in three chapters: "Berlin im Taumel" (Berlin in Frenzy), "Schatten der Großstadt" (Shadows of the Big City), and "Die Urbane Frau" (The Urban Woman), with works by artists such as Ernst Ludwig Kirchner, Otto Dix, and Otto Nagel.

Schloss Bellevue wird temporär Ausstellungshaus

Schloss Bellevue, the official residence of German President Frank-Walter Steinmeier in Berlin, will be transformed into a temporary pop-up gallery for two weeks from June 13 to 28, before undergoing a major renovation expected to last around eight years. The exhibition, organized in cooperation with the Akademie der Künste, will feature works by artists including Katharina Grosse, Wolfgang Tillmans, and Monica Bonvicini, taking advantage of the emptied rooms ahead of the president's move-out before the summer break. Free timed-entry tickets will be available from May 18 via the Akademie's website.

"Du bist nun in die ewigen Jagdgründe der Kunst entschwunden"

This week's art news roundup covers several stories: Jonathan Meese publishes an obituary for his mother Brigitte Meese in Der Spiegel, describing her as a central figure in his life and work. Pussy Riot seeks to take over the Russian Pavilion at the Venice Biennale. The European Media Art Festival (EMAF) in Osnabrück faces controversy over antisemitism allegations linked to Palestinian-American filmmaker Basma al-Sharif, leading the city and state government to distance themselves from the festival. In the NZZ, Christian Wildhagen reports on conflicts over official political portraits, citing examples like Swiss councilor Martin Neukom rejecting paintings and Donald Trump criticizing his portrait. Art historian Horst Bredekamp pays tribute to Italian philosopher Federico Vercellone (1955–2026) in the FAZ, highlighting his theory of the 'self-activity of form.'

RC Foundation Project Space Exhibition Series 2025–27

The Hayward Gallery in London, in partnership with the RC Foundation in Taiwan, has announced a new exhibition series for its HENI Project Space running from October 2025 to March 2027. The series features five solo exhibitions by artists Val Lee, Samuel Laurence Cunnane, Kulpreet Singh, Musquiqui Chihying, and Andrius Arutiunian, each exploring themes ranging from political violence and surveillance to climate change, ritual, and alternative cosmologies. The exhibitions are curated by a team including Yung Ma, Rachel Thomas, and others.

Salon des Refusés 2.0

Salon des Refusés 2.0

A group exhibition titled "we refuse_d" has opened at the Museum van Hedendaagse Kunst (M HKA) in Antwerp, bringing together 15 artists, many of whom faced cancellations or disinvitations from exhibitions following the October 7, 2023 attacks. The show, referencing the historic 1863 Salon des Refusés, aims to reclaim reputation and amplify marginalized voices, specifically focusing on Palestinian history and artists affected by the cultural fallout.

Because the Ego Suddenly Dissolves

"Weil das Ego sich plötzlich auflöst"

The art world is facing significant structural and political shifts, highlighted by the merger of Artnet and Artsy which has resulted in mass layoffs, particularly within the Artnet News editorial team and its Berlin operations. Simultaneously, tensions are rising in German cultural policy as gallery owner Rupert Pfab raises concerns over government interference in the Stiftung Kunstfonds jury selection, reflecting a broader climate of unease that includes recent controversies at the Berlinale.

How Alexander Calder Set Sculpture in Motion

Wie Alexander Calder die Skulptur in Bewegung setzte

The Fondation Louis Vuitton in Paris has launched a major retrospective titled "Rêver en Équilibre," dedicated to the American sculptor Alexander Calder. Featuring over 300 works, the exhibition traces Calder’s journey from his 1926 arrival in Paris to his invention of the "mobile," a term coined by Marcel Duchamp. The show includes iconic large-scale hanging sculptures like "Rouge triomphant," wire figures from his famous "Cirque Calder," and rarely seen private loans, alongside paintings and jewelry that highlight his engineering background and poetic approach to abstraction.

Imitations of a Mediocre Teenager on Tranquilizers

"Nachahmungen eines mittelmäßigen Teenagers auf Tranquilizern"

The Victoria & Albert Museum has reportedly censored exhibition catalogs following pressure from Chinese printing firms, removing images and maps related to sensitive topics like Tibet and Tiananmen Square. This editorial roundup also highlights artist Molly Crabapple’s sharp critique of generative AI as a massive intellectual property theft and a profile of Rirkrit Tiravanija’s communal home in Thailand, which functions as a social sculpture.