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America’s Largest-Ever Exhibition on Raphael Will Open at the Met Next Year

The Metropolitan Museum of Art in New York will host "Raphael: Sublime Poetry," the largest-ever U.S. exhibition dedicated to the Renaissance master, opening March 29, 2026. Featuring over 200 works, the show includes loans from major institutions such as the Uffizi, Prado, Galleria Borghese, British Museum, Louvre, and National Gallery of Art. Curated by Carmen Bambach, who previously organized the Met's blockbuster 2017 Michelangelo exhibition, the show spans Raphael's three career periods—Urbino, Florence, and Rome—and highlights recent scientific discoveries and his portrayal of women. A centerpiece is the reunion of Raphael's preparatory sketches with his painting *The Alba Madonna*.

Hunterdon Art Museum presents Annual Members Show

The Hunterdon Art Museum in Clinton, New Jersey, will host its Annual Members Show from September 21, 2025, to January 11, 2026, featuring 35 artists working in ceramics, sculpture, glass, wood, fiber, printmaking, painting, photography, and collage. The exhibition was juried by Donna Gustafson, a freelance curator and critic with a PhD in Art History, who selected works from 84 artists and nearly 400 slides, noting themes of nature, identity, community, and politics. An opening reception is scheduled for September 21.

Tour the Museum-Quality Art Exhibition Inside the Megayacht Carinthia VII

The luxury megayacht Carinthia VII, owned by the Austrian billionaire Heidi Goëss-Horten and designed by Tim Heywood, has been transformed into a floating museum this summer. Curated by Florencia Cherñajovsky, the yacht features approximately forty museum-quality works from her family's collection of around 500 artworks, including pieces by Tracey Emin, Wolfgang Tillmans, Rosemarie Trockel, Lutz Bacher, Petrit Halilaj, Louise Nevelson, Carol Rama, Sarah Lucas, and Brazilian women artists like Ana Maria Maiolino. The exhibition spans photography, painting, drawing, and sculpture, arranged to create dialogues between artists and the yacht's interiors, which include reclaimed 17th-century parquet floors and custom rugs from Cherñajovsky's brand Lalana Rugs.

See Ai Weiwei’s Largest-Ever U.S. Exhibition in Seattle Before It’s Gone

The Seattle Art Museum (SAM) has opened 'Ai, Rebel: The Art and Activism of Ai Weiwei,' the largest-ever U.S. exhibition of the Chinese-born artist-activist, featuring 130 works from the 1980s to the 2020s. Organized in three thematic sections—'Introducing the Rebel,' 'Material Disruptions,' and 'Watching Ai Watching Power'—the retrospective includes performance, photography, sculpture, and installations. Additionally, Ai Weiwei's 'Water Lilies' (2022), a Lego-based work referencing Monet, is on view at the Seattle Asian Art Museum. The exhibition runs through September 7, 2025.

Teiger Foundation gives grants totalling $7m to 85 curators

The Teiger Foundation, a US-based nonprofit supporting art curators, has announced its 2025 grantees, awarding a total of $7 million to 85 curators at institutions across the country. This nearly doubles last year’s grants as the foundation transitions to a biennial model, with individual grants ranging from $50,000 to $150,000 for exhibitions, research, touring shows, and three years of programming. Notable projects include a major survey of the late artist L.V. Hull organized by curators Ryan N. Dennis, Annalise Flynn, and Yaphet Smith, and a Theresa Hak Kyung Cha retrospective curated by Victoria Sung and Tausif Noor.

Fall and Winter 2025 Programming at the National Museum of Women in the Arts

The National Museum of Women in the Arts (NMWA) in Washington, D.C., has announced its fall and winter 2025 programming lineup. Highlights include the monthly after-hours series NMWA Nights, the landmark exhibition "Women Artists from Antwerp to Amsterdam, 1600–1750" opening September 26, and a mixed-media photography show by Baltimore-based artist Tawny Chatmon. The season also features hands-on workshops in paper-cutting with Janelle Washington, Pilates sessions in the museum's Great Hall, Fresh Talk discussions on fashion and the gender pay gap, Free Community Days, and a holiday Makers' Market.

Meet Elizabeth Catlett in 11 Facts

Elizabeth Catlett (1915–2012) was a sculptor, printmaker, feminist, and social activist whose art was inseparable from her life and politics. Born in Washington, DC, to parents who worked in education, she faced racial discrimination early on—denied a scholarship to the Carnegie Institute of Technology and paid less than white colleagues as a teacher. She became the first Black woman to earn an MFA from the University of Iowa, studying under Grant Wood, and later taught at the George Washington Carver School in Harlem, where she connected with Harlem Renaissance figures. Catlett moved to Mexico, married artist Francisco Mora, and created woodblock and linocut prints for 20 years. She was investigated by the House Un-American Activities Committee, declared an "undesirable alien," and became a Mexican citizen in 1962. Her work centered on Black and Mexican women, and she famously stated, "We have to create an art for liberation and for life."

Epic Palmer Museum exhibition explores 30 years of ecology and art

The Palmer Museum of Art at Penn State is opening "Mark Dion and Alexis Rockman: Journey to Nature’s Underworld" on August 30, the first survey of the two artists' work spanning three decades. The exhibition features sculptures, paintings, works on paper, and a new collaborative diorama, exploring themes of ecology, environmental collapse, invasive species, and climate change through scientific and artistic lenses. Both artists, who met in New York in the 1980s, combine intensive research, dark humor, and museum display methods to subvert traditional narratives about nature and humanity.

Artists and scholars respond to White House’s list of Smithsonian grievances

Over the weekend, artists, scholars, and concerned citizens responded to the White House's list of objectionable Smithsonian Institution exhibits and texts, released under the heading 'President Trump Is Right About the Smithsonian.' The list includes bullet points targeting exhibits on white culture, LGBTQ+ history, Afrofuturism, and works by artists such as Ibram X. Kendi, Ayana V. Jackson, Hugo Crosthwaite, Rigoberto A. Gonzalez, and Amy Sherald. Those singled out defended their work, with some comparing the administration's actions to Jim Crow-era censorship or Nazi Germany's 'degenerate art' campaigns, while others expressed pride in being included and vowed to continue making political art.

Hispanic art tour winds down in Texas

The Hispanic Society Museum and Library's traveling exhibition, "Spirit & Splendour: El Greco, Velázquez and the Hispanic Baroque," has reached its final stop at the Blanton Museum of Art in Austin, Texas. The show features 57 works from the Hispanic Society's permanent collection, including all three of its Diego Velázquez paintings, and runs from August 24. The Blanton iteration adds key pieces from its own collection, such as El Greco's 1570s Pietà and a sculpture by Luisa Roldán, to contextualize the Spanish and Latin American masterpieces.

Magnum Photos agency’s first exhibition, lost for a half-century, to make its North American debut

The Image Centre in downtown Toronto will stage the North American debut of Magnum Photos' first-ever exhibition, originally titled 'Gesicht der Zeit' (Face of Time) and shown in Austria in 1955-56. The show, lost for half a century, was rediscovered in 2006 in the basement of the Institut Français in Innsbruck, Austria, along with its original poster and hanging instructions. It features 83 original gelatin-silver prints by legendary Magnum photographers including Henri Cartier-Bresson, Robert Capa, Inge Morath, Ernst Haas, and Marc Riboud. The exhibition will run concurrently with 'Chim’s Children of Europe,' a show devoted to Magnum co-founder David 'Chim' Seymour's 1949 Unesco project on postwar European children.

Mickalene Thomas’s ex-fiancée accuses the artist of sexual harassment and stealing millions of dollars from her

Mickalene Thomas’s former fiancée, curator and model Racquel Chevremont, has filed a summons against the artist, accusing her of sexual harassment and claiming she owes at least $10 million in damages. The summons, signed in Manhattan on 8 August, cites breach of contract, unjust enrichment, conversion, and retaliation, alleging that Thomas created a hostile working environment and improperly diverted funds from their jointly-owned entity. Chevremont, who collaborated with Thomas for a decade and appeared in several of her works, claims she was underpaid despite a written agreement and that Thomas terminated her employment after she refused to resume their romantic relationship.

White House Bashes Smithsonian Museums, Exhibitions, as “Woke”

On August 21, the Trump administration published an unsigned article on the White House website attacking several Smithsonian museums and their exhibitions for promoting what it described as "woke" content. The article specifically called out the National Museum of African American History and Culture, the National Museum of American History, the National Portrait Gallery, the Smithsonian American Art Museum, and two planned institutions—the National Museum of the American Latino and the American Women’s History Museum. It cited exhibitions and artworks addressing race, transgender identity, and immigration, including Amy Sherald’s painting *Trans Forming Liberty* (2024), which led the artist to cancel her solo show at the National Portrait Gallery after the museum sought to remove the work to avoid provoking Trump.

Person of the Day | Chase Quinn Adopts Multi-Discipline Approach to Art-Museum Exhibits, Programs

Chase Quinn has been appointed as the inaugural creative director and curator of special projects at the Mississippi Museum of Art (MMA) in Jackson, starting in January 2025. In this newly created role, he oversees both curatorial and education departments, focusing on inclusive, cohesive content development and storytelling. Quinn, previously co-director of education and programs and curator of special projects at the Gibbes Museum of Art in Charleston, South Carolina, was inspired by Carrie Mae Weems’ series “From Here I Saw What Happened and I Cried” at Tate Modern in the mid-1990s, which shaped his approach to complicating narratives around race in museum exhibitions.

From PBS to Priceless: Bob Ross Paintings Smash Auction Records

Bob Ross paintings shattered auction records at Bonhams New York's American Art Online auction (July 28–August 7, 2025). Two mountain landscapes by the beloved "The Joy of Painting" host sold for $95,750 and $114,800, with the latter more than doubling its high presale estimate. The previous record of $69,300 had been set just weeks earlier at Eldred's auction house for a painting originally purchased for $250 at a PBS auction in the 1980s.

Trump accuses Smithsonian of being too focused on ‘how bad slavery was’

US President Donald Trump posted on Truth Social accusing the Smithsonian Institution of focusing excessively on negative aspects of American history, specifically citing exhibits about slavery and the struggles of marginalized groups. He claimed the organization is "out of control" and instructed his attorneys to review its museums, mirroring recent actions against universities. The White House has initiated a four-month review of eight Smithsonian museums, including the National Museum of African American History and Culture and the National Portrait Gallery, with a directive to replace "divisive or ideologically driven language" with "unifying, historically accurate" descriptions.

Trump administration’s anti-woke campaign targets Smithsonian museums

The Trump administration has launched a campaign targeting Smithsonian museums, accusing them of promoting an "anti-American agenda" through exhibits that focus on oppression rather than national achievements. A White House document, obtained by the Guardian, lists problematic exhibits at seven museums, including a Benjamin Franklin display linking his scientific work to slave ownership and a film about George Floyd's murder. The administration has demanded content corrections and threatened to remove what it calls "woke" ideology from the institution.

Never-before-seen landscape photos on display at Denver Art Museum

The Denver Art Museum has opened a new photography exhibition titled "What We've Been Up To: Landscape," featuring works acquired over the past 17 years that have never been publicly displayed before. The show, curated by the museum's photography department (established in 2008), includes a range of landscape photographs from historic images by Ansel Adams, Marion Post Wolcott, and William Henry Jackson to contemporary works by artists such as Abelardo Morell, Meghann Riepenhoff, and Steve Fitch. The exhibition occupies a few rooms on the sixth floor of the Martin Building and highlights the museum's recent acquisitions in photography.

This Week at LACMA

LACMA announces a week of programming from August 18–24, headlined by the opening of *Now Showing: Youssef Nabil’s I Saved My Belly Dancer*, an exhibition featuring the artist’s 2015 video starring Tahar Rahim and Salma Hayek, alongside related photographs and Egyptian movie posters. Member previews run August 21–23 before the public opening on August 24. Other highlights include a mindful evening with Buddhist art tied to the ongoing exhibition *Realms of the Dharma: Buddhist Art Across Asia*, plus concerts, workshops, and family programs.

Petala Ironcloud

Petala Ironcloud, a contemporary artist known for her multimedia works exploring Indigenous identity and environmental themes, has been announced as the subject of a major solo exhibition at a prominent museum. The show, scheduled to open next year, will feature a new series of sculptures and installations that draw on her Native American heritage and address issues of land rights and cultural preservation.

Iranian artworks sold at Bonhams' online auction of Modern and Contemporary Middle Eastern Art

Two works by Iranian artists were sold at Bonhams London's online auction of Modern and Contemporary Middle Eastern Art on August 14, 2025. The auction featured 45 pieces from Middle Eastern artists, including 10 by Iranian artists such as Sirak Melkonian, Ebrahim Olfat, Babak Kazemi, Marcos Grigorian, and YZ Kami. Only two works found buyers: an untitled 2020 oil on canvas by the late Sirak Melkonian (1930-2024) sold for $13,888, and Ebrahim Olfat's calligraphy painting "Eshgh (Hafez Poem)" (2012) sold for $5,207. The article provides extensive background on Melkonian, an Iranian-Armenian modernist pioneer and co-founder of the Azad Art Group, and on Olfat, a calligraphy specialist with a medical degree.

Landmark George Morrison show foregrounds Abstract Expressionism’s debt to Native art

A new exhibition at New York's Metropolitan Museum of Art, titled "The Magical City: George Morrison’s New York," showcases the largest-ever show of works by Ojibwe abstract painter George Morrison (1919-2000). Running until 31 May 2026, the exhibition features 25 works and archival materials, highlighting Morrison's Abstract Expressionist style and the tension between his life in New York City and his roots on the Grand Portage Chippewa reservation. The show includes pieces like "The Antagonist" (1956) and "Aureate Vertical" (1958), revealing his dual experiences of urban glamour and Native displacement.

Rediscovered David Wojnarowicz mural could disappear from view again

A large mural by David Wojnarowicz (1954-92), rediscovered in a Louisville, Kentucky building in 2022, is at risk of being concealed again behind drywall as the building is redeveloped into high-end residences. The site-specific work was created in 1985 for the group exhibition *The Missing Children Show: Six Artists from the East Village on Main Street*, organized by dealer Potter Coe to benefit the Kentucky Child Victims’ Trust Fund. The building's current developers plan to turn the mural's floor into a waiting room for a boxing gym, covering it with sheetrock, though they have guaranteed no damage. The artist's foundation and gallery, PPOW, have proposed covering it with transparent plexiglass instead, but the mural's removal is unlikely due to its size and brick surface.

Guggenheim Fellows Featured in Stockton’s Art Gallery

Stockton University’s Art Gallery in Galloway, New Jersey, will present a fall exhibition titled “Diverse Perspectives in Photography: Four Black Guggenheim Fellows in the Philadelphia Region,” running from September 4 to November 8. The show features works by four African American photographers who are Guggenheim Fellows: Donald E. Camp (1995), Ron Tarver (2021), William E. Williams (2003), and Wendel A. White (2003). The exhibition opens with a free reception and panel discussion moderated by Julie L. McGee, associate professor at the University of Delaware, and includes a lecture by Laura Auricchio, vice president of the John Simon Guggenheim Memorial Foundation, on the fellowship’s 100th anniversary.

National Museum of Asian Art Presents “Korean Treasures: Collected, Cherished, Shared”

The Smithsonian's National Museum of Asian Art will present "Korean Treasures: Collected, Cherished, Shared" from November 8, 2025 to February 1, 2026, marking the first U.S. exhibition of masterpieces from the Lee Kun-Hee Collection. Featuring over 200 works including a dozen Korean National Treasures, the exhibition spans 1,500 years of Korean art—from ancient Buddhist sculptures and ceramics to Joseon dynasty furnishings and 20th-century modern paintings. The collection, donated to the Republic of Korea in 2021 by the family of the late Samsung Chairman Lee Kun-Hee, comprises more than 23,000 works accumulated over 70 years. The exhibition is co-organized by the Art Institute of Chicago, the National Museum of Korea, and the National Museum of Modern and Contemporary Art, Korea, with additional loans from the Leeum Museum of Art shown exclusively in Washington, D.C.

Museum Exhibition Uses The Art Of Sports To Attract Visitors

The article reports on a museum exhibition that leverages the intersection of art and sports to draw in visitors. By showcasing works that explore athletic themes, movement, and sports culture, the exhibition aims to broaden the museum's audience beyond traditional art enthusiasts.

Visualizing a “god of queer liberation:” An interview with queer artist Daniel de Jesús about their new Philadelphia exhibition

Philadelphia-based queer artist Daniel de Jesús, also a cellist and composer, is featured in a group exhibition at the William Way LGBT Community Center that opened July 10, 2025. In an interview with Emma Cieslik, de Jesús discusses their paintings blending Catholic iconography, mysticism, and queer identity, drawing on symbols like Saint Sebastian and the unicorn. They describe how a Philadelphia Museum of Art exhibition on colonial Latin American art inspired their exploration of religious syncretism and the reclamation of Catholic imagery by queer and trans people.

Five new art books to look out for this autumn, including publications on US monuments and Vermeer close-ups

Five new art books are set for release this autumn, covering topics from US monuments and Vermeer's techniques to post-war British culture and contemporary Pakistani-American art. Titles include 'Closer to Vermeer' (Thames & Hudson), 'Monumental: How a New Generation of Artists Is Shaping the Memorial Landscape' (MIT Press), 'British Blonde' (Paul Mellon Centre), 'Art Is: A Journey into the Light' (Yale), and 'Shahzia Sikander' (Lund Humphries), each offering fresh scholarship or monographic depth.

Cranbrook Art Museum's "Eventually Everything Connects" Is Mid-Century Modern Design History

Cranbrook Art Museum has opened a new design exhibition titled “Eventually Everything Connects: Mid-Century Modern Design in the United States,” showcasing over 200 works by nearly 100 designers, including Harry Bertoia, Florence Knoll Bassett, and Charles and Ray Eames. The show draws from the museum's extensive collection of mid-century modern artifacts—furniture, textiles, ceramics, lighting, and graphic design—spanning 1945 to 1970, and is curated by director Andrew Satake Blauvelt and MillerKnoll Curatorial Fellow Bridget Bartal.

Yale University Art Gallery withdraws federal funding applications over anti-diversity regulations

The Yale University Art Gallery has withdrawn two federal grant applications submitted to the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH) for an upcoming exhibition on African art exploring the migration of Nguni peoples, scheduled for 2026. The gallery objected to new anti-DEI (Diversity, Equity, and Inclusion) restrictions imposed by the Trump administration, which require that funded projects do not promote certain ideologies based on race or gender. The gallery will instead use Yale University's $46 billion endowment to cover the $200,000 exhibition costs. This follows a previous instance where the gallery opted out of NEA funding, and a separate $30,000 NEA grant for the exhibition "Nusantara: Six Centuries of Indonesian Textile" was rescinded, though that show will proceed with support from the Robert Lehman Endowment Fund.