Artist Hu Yuehua presented a large-scale textile installation titled "Weaving Nature" at the 13th edition of Design Shanghai. The work is a dense, wall-like garden composed of stitched and dyed cotton and linen elements in indigo and ochre, forming leaves, blooms, and growths that highlight the artist's hand through loose threads, raw edges, and pleats.
Jungeun Park, an artist based between New York and Seoul, creates sculptures that blend glass, ceramics, and textiles to evoke raw biological forms and alien organic matter. Her 2025 graduate presentation at the Rhode Island School of Design featured works like *Skin Mite (demodex)* (2024), sewn from old pillowcases, and *Period Chalice* (2024), made from resin, metal chain, metal ring, water, and strawberry syrup, which transform the repulsive into something tender and strange.
Encore d'autres dessins pour Versailles
The Palace of Versailles has acquired several drawings during the Paris Drawing Week sales in March 2026, including a rare study by Charles de La Fosse for the royal chapel's dome decoration. The drawing, depicting a reclining nude man for "The Resurrection of Christ," was purchased at the Rossini auction of Paul and Florence Vercier's collection for €3,800. This acquisition adds to Versailles' growing collection of La Fosse works, following earlier purchases of an angel study in 2016 and a ceiling project in 2023.
Ugandan artist Acaye Kerunen presents her first solo museum exhibition in Germany, titled 'Apoi,' at the Kunstmuseen Krefeld. The show, installed across the modernist spaces of Haus Lange and Haus Esters, features handwoven textiles, sculpture, sound, and film that draw on Indigenous knowledge systems and intergenerational exchange. It is part of the museum's ongoing 'HL HE Dialog: What Comes After Art' series.
Peterson Kamwathi's exhibition 'Tabula Rasa: The Geometry of the Collective' opened at the Nairobi Contemporary Art Institute. The show features his work exploring how individual bodies accumulate and dissolve into larger social and political formations, mapping the dynamics of crowds, protests, and collective identity.
Curator Simon Njami discusses his exhibition 'NAFRICA–MASCHERE' at the Museo e Real Bosco di Capodimonte, which juxtaposes the fascist anthropological archives of Lidio Cipriani with contemporary artworks. The show utilizes the metaphor of the mask to explore the tension between how individuals are perceived and how they project themselves, specifically addressing the persistence of colonial logic in the modern world. By including artists from Africa, America, and Italy, Njami seeks to move beyond a binary 'colonizer vs. colonized' narrative toward a broader inquiry into human representation and power.
Michaela Yearwood-Dan has unveiled her first major UK institutional exhibition, 'The Practice of Liberation,' at the Whitworth. The immersive installation integrates fourteen new paintings with ceramic vessels and soundscapes, reimagining traditional religious motifs through a contemporary, secular lens. By deconstructing elements like stained glass and the Stations of the Cross into abstract forms, the artist creates a sanctuary that explores themes of ritual, memory, and personal identity.
Deborah Roberts’s solo exhibition, 'Consequences of Being,' at The FLAG Art Foundation showcases a significant evolution in her practice, featuring new large-scale paintings, works on paper, and her debut in ceramic sculpture. Her signature collage-based figures are presented as fragmented, composite bodies that challenge fixed notions of Black identity and subjecthood. By blending archival imagery with vernacular signage, Roberts explores how colonial legacies and historical narratives continue to influence the perception of Black bodies across the globe.
The Museum of Modern Art of Rio de Janeiro (MAM Rio) is hosting a major retrospective titled 'Rubem Valentim: a ordem do sensível,' featuring approximately 180 works spanning four decades. Curated by Raquel Barreto and Phelipe Rezende, the exhibition showcases Valentim’s unique fusion of modernist abstraction with the spiritual symbols of Afro-Brazilian and Indigenous cosmologies. The presentation includes paintings, reliefs, and sculptures, culminating in monumental works like 'Templo de Oxalá.'
Photographer and writer Johny Pitts presents 'Black Bricolage' at MEP Studio, a visual essay spanning two decades of work documenting Black life across European cities like Paris, Lisbon, and Berlin. The exhibition utilizes a mix of photography, personal notes, and lived encounters to map the 'Afropean' experience, focusing on the quiet textures of daily life rather than grand spectacles.
The exhibition 'Statues Also Breathe' has opened at the Museum of African Contemporary Art Al Maaden (MACAAL) in Marrakech. Curated by Meriem Berrada, the installation features 108 terracotta heads created by artist Prune Nourry in collaboration with artisans and students. The work draws inspiration from the historic sculptural tradition of Ife in Nigeria while directly addressing the ongoing trauma of the 2014 kidnapping of the Chibok schoolgirls, using portraiture to represent the missing.
Wayne Koestenbaum, a leading figure in New York's queer and literary scenes since the 1980s, is releasing his first novel in nearly two decades, *My Lover, the Rabbi*, in March. The 464-page book centers on an unnamed narrator's psychosexual affair with an aging rabbi, exploring themes of desire, repulsion, internalized homophobia, and the lingering aftermath of the Holocaust. Koestenbaum, known for his confessional prose and genre-straddling criticism—including his 1993 book *The Queen's Throat*—discusses the novel's intellectual filth, the conflation of desire and disgust, and his literary role models such as Samuel Delany and Jean Genet.
The article describes a visit to the American Academy of Arts and Letters in New York to see two concurrent exhibitions: Sam Contis's "Phases," featuring black-and-white motion portraits and a three-channel film of teenage girls running a five-kilometer race, and Diane Simpson's "Formal Wear," a sculptural exploration of femininity's exoskeletons using industrial materials. Literary accompaniments were commissioned for both shows—Kathryn Scanlan wrote a story for Contis's exhibition, and critic Audrey Wollen contributed an essay for Simpson's—blending visual art with prose to examine themes of adolescence, identity, and self-construction.
Architect David Webster's preserved High-Tech design home and office in New York, completed in 1981, has been purchased by countertenor and Opera Philadelphia general director Anthony Roth Costanzo. The apartment, located near the Chelsea Hotel, features an industrial, off-the-shelf aesthetic with repurposed vanity lightstrips, custom iron windows, and a sliding door. Webster and Costanzo discuss the home's history, design details, and the legacy of gatherings that once included writer and AIDS activist Larry Kramer.
An exhibition titled "Virgil Abloh: The Codes" opened at the Grand Palais in Paris during Paris Fashion Week, showcasing the late designer's跨界 work. The centerpiece is a one-of-a-kind McIntosh amplifier, the MA8950 x Virgil Abloh Integrated Amplifier, based on a design Abloh conceived in 2020 and completed posthumously by his team. The show also features a recreation of his sound setup, a wall of collaborative shoes, his original work table, archival pieces from Pyrex Vision and Chrome Hearts, and a Nike customization station.
Design studio Valle de Valle, formerly known as Studio Giancarlo Valle, has rebranded to reflect the equal partnership of founders Jane Keltner de Valle and Giancarlo Valle. The New York-based studio, which designs interiors, furniture, and architecture, announced the name change nearly a decade after its founding. The duo met at a holiday party 20 years ago—Jane was a style director at AD and previously at Teen Vogue, while Giancarlo worked at SHoP Architects. In 2024, they opened Casa Valle, a Tribeca gallery, and recently reissued Antoni Gaudí’s Batlló chair with BD Barcelona. Upcoming projects include designer Ulla Johnson’s Madison Avenue flagship, a Manhattan wine bar, and the transformation of a 500-acre island in the Bahamas.
Christie’s Los Angeles gallery has been transformed into an excavation-like installation for "Lightness & Tension," a two-person design exhibition organized by collector and curator Ulysses de Santi. The show pairs the late Joaquim Tenreiro, considered the father of Modern Brazilian furniture, with the debut design collection of contemporary Brazilian artist Lucas Simões, featuring works in concrete and stainless steel alongside Tenreiro's native wood pieces.
Jeremyn Lee, Senior Footwear Designer at Thom Browne, opens his personal archive of luxury shoes to CULTURED magazine. His collection, housed in his Fort Greene home, includes rare runway samples and discontinued styles from brands like Prada, Miu Miu, Marc Jacobs, Louis Vuitton, and Maison Margiela. Lee began collecting after an internship at Marc Jacobs, focusing on nostalgia-driven pieces he first admired on Tumblr as a teen. The archive is meticulously catalogued with photography organized by size, brand, and season, featuring items like the Maison Margiela Spring 2009 'oversized sandals' sold as display objects.
Artist Phillip K. Smith III installed "0/90/120," a site-specific work of 11 light panels, inside the historic William F. Cody house in Palm Springs, California. The installation, which ran through May, used reflective and illuminated volumes to transform the Desert Modern architect's family home, drawing the surrounding Sonoran Desert landscape indoors. Smith, who studied architecture at RISD and is known for desert-based works like "Lucid Stead" (2013) and "Reflection Field" at Coachella, created the piece to capture the rapid light changes at sunset and warp perceptions of space.
ENRIQUE LÓPEZ LLAMAS: LO VISIBLE, LO INVISIBLE
Artist Enrique López Llamas presents a solo exhibition titled "Lo visible, lo invisible" at Fundación CALOSA in Mexico, exploring the intersection of childhood fears and contemporary adult masculinity. The installation utilizes fluorescent plastic polymers that glow in the dark and video works to create a sensory dialogue between light and shadow, symbolizing the repressed memories and systemic behaviors that persist into adulthood.
Éliane Radigue, the pioneering French composer of electronic and electroacoustic music, has died at age 94. A key figure in the development of minimalist and drone music, she was known for her deeply focused, slowly evolving soundscapes created primarily on analog synthesizers like the Buchla 100 and ARP.
French street artist Kaldea has unveiled a major solo exhibition titled "Identity" at Espace Cinko in Paris’s 2nd arrondissement. Hosted by Galerie Roussard, the immersive show transforms a 200-square-meter former printing press into a reconstructed Japanese landscape complete with sakura blossoms and paper lanterns. The exhibition features approximately forty works across five thematic narratives, ranging from porcelain animal figures to reimagined manga icons like Godzilla and Pikachu, blending Art Deco, futuristic, and Asian influences.
Yoko Ono's solo exhibition "A statue was here" is being held simultaneously at Tomio Koyama Gallery's Roppongi and Tennozu spaces from June 10 to July 5, 2025. The show features conceptual objects and participatory works spanning Ono's career, including early pieces like *Mind Object I* (1960/1966) and *Mind Object II* (1966/1967), as well as *Mend Piece* using porcelain fragments damaged in the Noto Peninsula earthquake, and the debut of *Three Lives* (2019). The Roppongi space focuses on conceptual objects, while Tennozu emphasizes audience participation and performance.
Ringo Starr, at 85, is balancing a six-date residency with his All-Starr Band at The Venetian in Las Vegas with a concurrent art exhibition at the Animazing Gallery in the same resort. The show, titled "Starr Art" and curated by Neal Glaser of ArtCelebs, features Starr's original paintings, limited edition works, and spin-art pieces, with all artist proceeds benefiting his charity, The Lotus Foundation. Starr, who began painting in the late 1990s and discovered spin art online, describes his abstract, colorful Pop Art as a joyful creative outlet.
The Ruth and Elmer Wellin Museum of Art at Hamilton College is hosting "Jamea Richmond-Edwards: Another World and Yet the Same," a major solo exhibition featuring the work of the Detroit-born artist. The show highlights Richmond-Edwards’ signature large-scale collages and immersive installations that blend fashion, mythology, and personal history to explore Black Americana and Afro-futurism.
Van Cleef & Arpels opened its Paris atelier to Cultured magazine for a rare behind-the-scenes look at the jewelry house's craft traditions. The article profiles artisans such as a smelter, diamond cutter, threader, quality controller, polisher, and jeweler, who describe their work on iconic pieces like the Zip necklace—a design originally conceived in 1938 at the suggestion of the Duchess of Windsor and perfected over decades.
ShanghART Singapore presents 'Simplified', a solo exhibition by Chinese artist Tang Maohong opening on 16 May 2026. The show features paintings developed over the past two years since his relocation to Kuala Lumpur, Malaysia, and marks his return to Singapore after a 2019 solo exhibition and twenty years since his participation in the first Singapore Biennale. Tang's new works explore a technique of mixing colors directly on the painting surface rather than using a palette, collapsing the image and the palette into a single pictorial space.
The New Media Gallery in New Westminster’s Anvil Centre, which operated from 2014 to 2024 showcasing technology-based art, is set to be refreshed and reopened after being paused following the departure of director-curators Sarah Joyce and Gordon Duggan. A 10-year review of the Anvil Centre identified the gallery as a key cultural asset, and city council approved recruitment for a new single director-curator position to lead the renewal, with an annual budget of about $650,000 for the gallery and adjacent Art & Technology LAB.
Fulton County's Department of Arts & Culture has launched a multi-week international exhibition titled “Threads of Heritage: A Cultural Confluence Connecting Africa to Atlanta” at the Peachtree Gallery, running through the end of June. The exhibition features 14 Nigerian artists and is delivered in partnership with the Nike Art & Culture Foundation of Nigeria, Nike Art USA, and UniSpectrum Inc. Led by acclaimed artist Chief Dr Nike Monica Okundaye, the program includes masterclasses, public panels, community workshops, and live demonstrations on traditional Adire textiles, with US-based textile artist Shayee Awoyomi co-leading workshops and Nigerian painter Adeleke Akeem directing narrative painting masterclasses.
Syrian visual artist Ismail Nasra has opened a new exhibition at Zawaya Art Gallery in Damascus, featuring 28 medium- and large-scale works that mark a departure from his earlier dense, colorful style. The paintings, created over three years on aged and weathered fabrics, employ muted palettes, abstraction, and negative space to explore themes of silence, absence, and emotional solitude. Solitary female figures and recurring bird motifs—symbols of freedom and escape—dominate the compositions, with the natural textures and cracks of the fabric becoming integral to the artwork.