Ai-Da, the AI humanoid robot artist, unveiled a portrait of King Charles III titled *Algorithm King* at the UK Mission in Geneva during the UN's 2025 'AI for Good Summit'. The robot, created by Oxford gallerist Aidan Meller, previously painted the late Queen Elizabeth II and set a record in November 2024 when her work *A.I. God. Portrait of Alan Turing* sold for over £1 million at Sotheby's New York.
Three new exhibitions—'Carbon_Dating', 'Mom Bras', and 'repeating gestures of becoming'—will open at Bundaberg Regional Art Gallery as part of its Winter Program. The shows feature sculpture, installation, photography, and textile art exploring themes of identity, environment, and the female form. Artist Charmaine Lyons will install 700 clay pears in the gallery's Vault space for her site-specific work 'repeating gestures of becoming', inspired by The Tale of the Handless Maiden. An opening night party is set for Friday 18 July, followed by public talks on Saturday 19 July, including a conversation with curator Beth Jackson and artist Cassie Arnold.
An exhibition titled 'Dlúthpháirtíocht' (the Irish word for solidarity) is on display at Metamorphika Studio in Hackney, London, featuring over 50 works that connect Palestinian and Irish histories. The show includes pieces by Palestinian artist Nabil Abughanima, who fled Gaza two months ago, and Irish photographer Seamus Murphy, alongside works by Amal Al Nakhala, Spicebag, and Council Baby. Co-curated by Seán Óg Ó Murchú, the itinerant exhibition will travel to Dublin, Cork, and Belfast after its London run ends on 19 July.
The humanoid robot Ai-Da, one of the most advanced in the world, unveiled a new oil painting titled "Algorithm King" at the United Nations' AI for Good summit in Geneva. The portrait depicts King Charles III and was created using artificial intelligence algorithms. Late last year, Ai-Da made history when its portrait of Alan Turing became the first artwork by a humanoid robot sold at auction, fetching over $1 million. The robot, created in 2019 by a team led by Aidan Meller with specialists from the universities of Oxford and Birmingham, is designed to resemble a human woman with interchangeable robotic arms.
An exhibition titled 'Against the Machine: art in the age of A.I., fascism, and climate disaster' is on view at the People's Solidarity Hub campus in Durham, North Carolina, curated by local artists Cassandra Rowe and charla rios. The show features works by ten multi-disciplinary artists, including Hiva Kadivar's piece incorporating ink and natural fibers, Derrick Beasley's sculpture 'Conduit,' and Rowe's painting 'the wayback machine / you can't take my memories.' The exhibition opened in May and runs through August 22, with an artist talk scheduled for July 16. The curators were inspired by connections between A.I., fascism, and climate disaster, particularly after Hurricane Helene and the Los Angeles wildfires.
Two exhibitions raising funds and awareness for Palestinians open in London this week. The main show, titled 'GAZAGAZAGAZA', features over 400 donated works by more than 200 artists from 35 countries, organized by Studio 1.1 and the artist-led activist community Artists Supporting Palestine (ASP). Proceeds from sales, including postcard-sized works priced at £20, will benefit Medical Aid for Palestinians (MAP). Additional fundraising initiatives include prints by Gaza-based artists and a badges project supporting children in Gaza.
East Los Angeles College’s Vincent Price Art Museum is hosting an exhibition through August that spans three decades of Latina lesbian activism in Los Angeles, from the 1980s to the late 2000s. The show features photos, posters, letters, and ephemera highlighting the fight against anti-gay hate crimes, alongside struggles for LGBTQ+ healthcare, affordable housing, fair wages for janitors, and immigrants’ rights. Co-curated by Jocelyne Sanchez and Vanessa Esperanza Quintero, the exhibition is a collaboration with UCLA’s Latina Futures 2050 Lab and pays tribute to activists including the late archivist Yolanda Retter Vargas.
Four prominent art market figures—Ed Dolman, Brett Gorvy, Patti Wong, and Phillip Hoffman—have launched a new consultancy called New Perspectives Art Partners. The group, which also includes Dolman's son Alex, aims to provide a white-glove, case-by-case service for top-tier clients, covering buying and selling art, estate management, financing, and insurance. Each member brings specialized expertise and geographic reach across Europe, America, the Middle East, and Asia, and they will maintain their existing roles in their own businesses.
A new exhibition called 'The Mini Art Show' opens this Friday, June 27, at the vintage shop At My House in Philadelphia's Queen Village. The show features artwork no larger than three inches, including pocket-sized paintings, sculptures, mosaics, and tiny textiles from 21 local artists. Curated by local artist Fabiola Lara, known for her art vending machines, the exhibition runs through late July. The opening night includes specialty cocktails, and the store will provide magnifying glasses for visitors to examine the tiny works closely.
Empire Arts Gallery in Kirkwood, founded in 2020 by Brandi Smart and Malia Rifkin, operates as a hybrid space combining an art gallery, a tattoo studio, and a boutique. Gallery coordinator and tattoo artist Jessica Locklar, along with manager Sara Slick, run the space, hosting exhibitions for local artists while also offering tattoo services in a welcoming, femme-operated environment. The gallery fosters community by blending art sales, exhibitions, and tattooing in a symbiotic model.
The article explores the rise of independent art spaces in Palermo, Italy, where artists have formed collaborative, non-commercial studios and exhibition venues outside the official art system. These spaces prioritize shared research, community growth, and collective projects over individual achievement or market goals, creating a unique artistic ecosystem rooted in the city's social fabric.
The "Juneteenth" show at the Pump House Center for the Arts in Chillicothe, Ohio, opened on Thursday, featuring pastel artwork by Carlos Walker on the first floor under the theme "What If: Walk a Mile in Our Shoes." The Mezzanine Gallery displayed Juneteenth-themed works by local artists Damianne Fischer, Tony Keaton, Krystian Jones, Steven Riggs, Angie Terry, and Bev Reiley. Show coordinator Angela Young introduced the artists, and Walker spoke about his 13-year prison sentence for drug dealing, now dealing art instead. The show runs through the end of the month.
Warwickshire County Council and local partners are marking Refugee Week 2025 (16–22 June) with a series of community events centered on the national theme 'Community as a Superpower'. Highlights include a comic-style art exhibition by illustrator Marth Moreton-Smith showcasing refugee-support organizations, a children's art competition on kindness and inclusion, a photography workshop with artist Sam Ivin at Rugby Art Gallery and Museum, and a World Refugee Day celebration at the Old Shire Hall featuring Ukrainian music and storytelling. The programme also includes school activities, community meals, and an evening of music and stories at Christ Church Brownsover.
A new gallery called Grateful Gallery is opening at 50 Hill Street in Glasgow's Garnethill neighborhood, founded by artists Ciaran Globel and Panda McGlone. The public opening is set for Friday, June 6, 2025. The duo, who have been friends since 2006, aim to create a welcoming space dedicated to Glasgow's street art and graffiti scene. The gallery will sell affordable prints, merchandise, and artwork from local street artists, with a rotating monthly floor show; the inaugural exhibition, titled "Friends," runs from June 6 to July 3. The space has been renovated with community help, and a crowdfunder raised nearly £12,000 from over 300 supporters.
The Village Art Gallery has opened at 200 Brevard Avenue in historic Cocoa Village, owned by local artists Bruce Reigle and Teri Roper. The gallery represents 37 artists across multiple media including painting, photography, pottery, sculpture, and jewelry, and features a dedicated music/art room with ukuleles and hand-painted guitars, as well as a workshop for building and repairing picture frames and furniture. Reigle co-founded the Ukulele Lending Program with the Brevard County Library System, and the gallery is seeking donations to expand the program to all 17 libraries. The space also offers fine-art and drawing classes, and a Crystal Bowl Meditation event is scheduled for May 29.
Art fairs face significant sustainability challenges due to their temporary nature. Untitled Art in Miami Beach, held in a tent on the beach, works with environmental departments to ensure zero impact, reusing its tent annually. Fairs in permanent venues like Art Basel Miami Beach at the LEED Silver-rated convention center must manage temporary walls, energy use, and waste. Exhibitors struggle with high carbon emissions—art fair activities account for a third of a gallery's annual emissions—and waste from packing materials. Shipping constraints often force reliance on air freight over slower, greener options like ocean or rail, especially for last-minute, high-value consignments. The competitive, secretive atmosphere further hinders consolidated shipments and sustainable practices.
2Create Gallery in Ramona, California, hosted an opening reception on May 2 for its annual Student Art Exhibit, featuring works by middle and high school students from the Ramona Unified School District. Students such as Aaliyah Villanueva, Red Harrell, Aro Clark, and Jaelyn Dokken displayed pieces exploring personal themes like identity, fear, and escape, using media from painted cardboard to markers and clay. The exhibit runs throughout May as part of the gallery's monthly First Friday Open Houses.
A feminist art exhibition titled 'Cyprine Benzin' at the NegPos art and photography centre in Nîmes, France, was vandalized during the night of 25–26 April. One or more intruders destroyed over 30 of the 40 works on view, spray-painting phalluses and sexual imagery on the walls. The exhibition, by artist Kamille Lévêque Jégo, celebrated women’s pride and empowerment and had opened on 11 April. It was the second attack on the gallery, following a prior break-in that damaged one work. The centre’s director, Patrice Loubon, described the attack as part of a 'masculinist backlash,' and three professional photography networks condemned a 'growing climate of intolerance against female photographers.'
The University of New Hampshire (UNH) Gallery of Art is hosting an exhibition titled “What’s Unseen; Left Unsaid” from April 18 to May 18, 2025, featuring works by 13 graduating BFA and BA students. The students handled the setup, installation, and creative vision of the show, which explores how art reveals unspoken emotions and experiences. An opening reception was held April 18, and the students also presented their work during a three-part event at the Undergraduate Research Conference. Since the closure of the UNH Museum of Art over a year ago, students have taken on the coordination and execution of exhibitions, with guidance from faculty.
The South Orange Performing Arts Center (SOPAC) announced the return of the INSPIRED MINDS: Young Artist Exhibition, a showcase of visual art by high school students from Essex County, running from May 15 to August 17, 2025, in the Herb + Milly Iris Gallery. Over 1,000 submissions were received, with a jury selecting about 80 pieces for display. The opening reception on May 15 will also feature the third annual Paul Bartick Emerging Artist Award, presented to Millburn High School senior Obenewaa Frimpomaa, a Scholastic National Gold Art Medalist whose work explores identity, history, and empowerment of underrepresented voices.
The New York Times published an article titled "How Art Stars Are Made" that explores the mechanisms and processes behind the creation of celebrated artists in the contemporary art world. The piece likely examines the roles of galleries, critics, collectors, and institutions in elevating certain artists to stardom.
This spring, a single mega-dealer is exerting outsized influence over New York City's museum scene, with multiple exhibitions across major institutions featuring artists from their stable. The New York Times reports on how this dealer's dominance reflects the growing consolidation of power in the art world, where a handful of top galleries increasingly shape what museums show and collect.
The Rubin Center for the Visual Arts at the University of Texas at El Paso is presenting "Iterations of Interrupted Space," an exhibition curated by the duo Un Dique (Octavio Castrejón and Alonso Robles). Selected through the center's Genius Loci open call, the show features works from eight of Un Dique's projects since 2023, including a video of DJ Conejx performing in a Juárez market, Nayeli Hernandez's installation exploring masculinity and grief, and Mariana Ajo's prints on shifting beauty standards. The exhibition transforms the gallery into a space where art becomes ephemera, documenting past events and happenings.
The third Student Art Exhibition was held on April 24 at the Lemonis Center for Student Success at Marquette University, featuring eight student artworks centered on themes of "Culture & Career," "Inclusivity at Marquette," and "Defining Success." Organized by Courtney Hanson, director of the Career Center, the exhibition was sponsored by the Lemonis Center, the Office of Inclusion and Belonging, and Enterprise Mobility. Student artists from various colleges—including Nursing, Engineering, Arts & Sciences, and Communication—submitted proposals and received a $500 stipend to create their pieces, which are now on permanent display alongside works from previous years.
Kellie Miller Art (KMA) gallery has opened a new location in Brighton's Church Street, taking over the former Dockerills hardware store. The two-floor space, which doubles the gallery's previous size, was inaugurated with a packed opening event on Friday evening, featuring paintings, ceramics, and sculptures from over 100 local, national, and international artists. The gallery is run by artist and curator Kellie Miller, who has over 30 years of industry experience.
The Redwood City Parks and Arts Foundation has launched its fifth art exhibition, 'Metamorphosis: Evolving Identities,' in the CZI Community Space in downtown Redwood City. The exhibition features 11 local artists from San Mateo County, including four teen artists, showcasing works in painting, wall sculpture, and mixed media that explore themes of transformation, growth, and self-discovery. The launch event on March 21 included panel discussions and artist talks, and the exhibit will remain on display through spring 2026.
Millon has taken full control of Pierre Bergé & Associés, becoming its sole shareholder. The auction house, founded in 2002 and restructured two years ago by Alexandre Landre after judicial recovery, will now operate under Millon's financial, logistical, and commercial backing while retaining its Avenue Kléber address and operational team.
Pablo Diaz, director of Sciences Po Rennes, announces that the Institut national supérieur de l'éducation artistique et culturelle (INSEAC) in Guingamp has been transferred from the Conservatoire national des arts et métiers (Cnam) to Sciences Po Rennes as of January 1, 2026. The institute, which opened in 2021 and focuses on training, research, and resources for arts and cultural education, will now operate under public-sector governance with oversight from the French ministries of Culture, Education, and Higher Education. Diaz outlines plans to appoint a dedicated site director in Guingamp and establish a strategic orientation committee chaired by interministerial delegate Emmanuel Ethis, aiming to resolve past management and governance issues.
Le savant dosage des sites régionaux « Bern 2026 »
The French Heritage Foundation (Fondation du patrimoine) has announced the 2026 list of 18 emblematic regional sites selected for the 'Loto du patrimoine' (Heritage Lottery) funding initiative. The sites, chosen from 650 endangered candidates, include religious buildings like the Chapelle Notre-Dame du Kreisker in Saint-Pol-de-Léon and the Antana-Bé Mosque in Mayotte, forts and castles such as the Royal Castle of Senlis and Fort Boyard, as well as industrial, rural, and residential ensembles like the Beaufonds sugar factory in La Réunion. The selection balances architectural significance, state of decay, project maturity, and potential for revitalization.
Florence is undertaking a major restoration of Giotto's Campanile, the first comprehensive conservation of the 14th-century bell tower since its construction. The project, budgeted at over €7 million, addresses decades of damage from pollution, acid rain, and natural aging, including detached stone slabs, darkened facades, and microfractures. The four-year scaffolding will be designed to minimize visual impact and gradually reveal restored sections. Separately, the Opera di Santa Maria del Fiore is executing a €60 million program to restore the Collegio Eugeniano (which will become its new headquarters) and expand the Museo dell'Opera del Duomo to 11,000 square meters by 2030. The Ponte Vecchio will also undergo summer cleaning and consolidation of its piles, funded equally by the municipality and the Antinori family.