Swiss art historian Maria Schnyder has been appointed as the new director of the De Pont Museum of Contemporary Art in Tilburg, Netherlands. She will succeed the retiring director Martijn van Nieuwenhuyzen in October. Schnyder is an internal promotion, having joined the museum in 2013 and served as its deputy director for the last four years.
The Los Angeles County Museum of Art (LACMA) has announced that its new David Geffen Galleries will officially open to the public on May 4, 2025. Designed by Pritzker Prize-winning architect Peter Zumthor, the $724 million "curvaceous concrete sandwich" spans Wilshire Boulevard and replaces four previous buildings. The inaugural exhibition, organized by a massive team of forty-five curators, will forgo traditional chronological displays in favor of a thematic framework centered on global oceanic exchange, featuring both permanent collection highlights and new commissions from contemporary artists like Lauren Halsey and Do Ho Suh.
The John Simon Guggenheim Memorial Foundation has announced its 101st class of fellows for 2026, awarding 223 individuals across 55 disciplines. This year’s cohort includes a significant number of visual artists and art professionals, such as American Artist, John Ahearn, Sonya Clark, and Fia Backström, alongside scientists, writers, and scholars. The fellowships provide varying monetary awards, typically ranging from $30,000 to $45,000, to support the recipients' ongoing creative and intellectual projects.
Thai artist Rirkrit Tiravanija will headline the Qatar Pavilion at the 61st Venice Biennale with a collaborative project titled “Untitled (a gathering of remarkable people).” Curated by Tom Eccles and Ruba Katrib, the exhibition will be housed in a temporary tent in the Giardini on the site of Qatar’s future permanent pavilion. The presentation features a multidisciplinary roster including filmmaker Sophia Al-Maria, sound artist Tarek Atoui, sculptor Alia Farid, and chef Fadi Kattan, blending live performance, cinema, and Middle Eastern culinary traditions.
The Western Pennsylvania Conservancy has completed a comprehensive three-year, $7 million restoration of Frank Lloyd Wright’s architectural masterpiece, Fallingwater. The project focused on critical structural vulnerabilities, including moisture degradation of interior finishes, leaking windows and doors, and the installation of a new waterproof roof. Experts addressed specific design flaws inherent to Wright’s original 1935 construction, such as the lack of through-wall flashing and the use of river pebbles in concrete aggregate, which had exacerbated the building's battle against the elements.
The Getty Center in Los Angeles will close for a full year starting March 15, 2027, to undergo its first major renovation since opening in 1997. The "modernization initiatives" include updates to the galleries, a redesign of the Welcome Hall with a new café, and the replacement of the iconic tram system to increase passenger capacity. During the closure, the Getty Villa in Malibu will remain open and display highlights from the Center’s permanent collection, while additional programming will be held at a temporary space on Sepulveda Boulevard.
Laura Phipps has been appointed director of the Gochman Family Collection, a private collection focused on contemporary Indigenous art. She joins from the Whitney Museum of American Art, where she was an associate curator, and will oversee the collection's strategic direction and the opening of its new 10,000-square-foot exhibition space in Katonah, New York this fall.
The Kimbell Art Museum in Fort Worth has appointed Emerson Bowyer as its new chief curator, effective March 5. Bowyer joins from the Art Institute of Chicago, where he served as the Searle Curator and oversaw significant acquisitions, including works by William Holman Hunt and Camille Claudel.
Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for May, highlighting exhibitions in New York, Chicago, San Francisco, and Los Angeles. Featured artists include Domenico Gnoli at Lévy Gorvy Dayan, John Stezaker at Gray in Chicago, Alison Elizabeth Taylor at Jessica Silverman in San Francisco, Charles Ray at Matthew Marks Gallery and Jeffery Deitch in Los Angeles, Jose Dávila at Sean Kelly, and Peter Hujar at Ortuzar, among others. The article provides details on each artist's practice and the scope of their exhibitions, such as Gnoli's largest U.S. show in five decades and Hujar's restaging of his final solo exhibition.
A roundup of fall 2025 museum exhibitions in North Texas highlights shows at the Crow Museum of Asian Art, the Nasher Sculpture Center, the Meadows Museum, and the Dallas Museum of Art. Key exhibitions include "Groundbreakers: Post-War Japan and Korea" at the Crow Museum, featuring Mono-ha, Dansaekhwa, and Gutai movements alongside contemporary artists Do Ho Suh and Tatsuo Miyajima; a major Antony Gormley survey at the Nasher Sculpture Center, his first U.S. museum retrospective; "Roaming Mexico: Laura Wilson" and a companion show of Manuel Álvarez Bravo at the Meadows Museum; and two Dallas Museum of Art exhibitions—"Creatures and Captives: Painted Textiles of the Ancient Andes" and "Constellations: Contemporary Jewelry." The New York Academy of Art also presents its Chubb Fellows and Friends at Green Family Art Foundation.
A Torino la fotografia di moda è protagonista di The Phair 2026. Tutte le novità della settima edizione della fiera
The Phair, a photography fair in Turin, returns for its seventh edition from May 22 to 24, 2026, at the OGR – Officine Grandi Riparazioni. This year's edition focuses on fashion photography as an autonomous art form, featuring works by photographers such as Nanda Lanfranco, Giovanni Gastel, Françoise Huguier, Marco Glaviano, and Michelangelo Di Battista. Participating galleries include Photo & Contemporary, Ira Leonis, Deodato Arte, Jaeger Art, and many others. The fair also expands its curatorial committee with figures like Umberto Benappi, Emilio Bordoli, and Brandei Estes.
The third edition of the Roma Gallery Weekend has concluded, with around thirty galleries forming an official association with legal status and a dedicated budget. The event featured a VIP program of breakfasts, guided tours, and performances, aiming to attract collectors, curators, and local audiences. While the quality of exhibitions was high—28 out of 33 shows were reviewed—logistical challenges remain, including Rome's sprawling layout, limited public transport, and taxi availability. The article highlights 10 standout shows, such as Petra Feriancová's archaeological-inspired installation at Gilda Lavia and Elisa Montessori's exhibition at Monitor.
The 2026 Met Gala, held at the Metropolitan Museum of Art, centered on the theme "Fashion Is Art," marking the opening of the Costume Institute's spring exhibition "Costume Art." Attendees including Jon Batiste, Troye Sivan, and artist Amy Sherald interpreted the dress code through art-historical references, with Sivan wearing Prada to channel Robert Mapplethorpe. The event brought together fashion, art, entertainment, and high society to make a deliberate case for fashion as a legitimate art form.
Musician Jarvis Cocker, best known as the frontman of the band Pulp, and his wife Kim Sion, a creative consultant, will curate a group exhibition titled “The Hodge Podge” at The Hepworth Wakefield in the UK in 2027. The show will feature a diverse range of artworks across different eras and media, focusing on artists who challenge conventional definitions of art. This marks Cocker’s first curatorial project at a major institution.
La Market Art Fair di Stoccolma è un nuovo modello di fiera d’arte da cui imparare qualcosa
The Market Art Fair in Stockholm, founded in 2006 by galleries from Denmark, Sweden, Norway, and Finland, held its 20th edition from April 23-26, 2026, at Magasin 9 during Stockholm Art Week. The fair features 54 exhibitors from 8 countries and 150 artists, with 80% of works tied to the Nordic context and 20% international. Highlights include a solo presentation by Olafur Eliasson at i8 Gallery (Reykjavík) featuring his sculpture *Rare metallic plant* (2026), and a preview of the Nordic Pavilion at the Venice Biennale by artist Benjamin Orlow at Season 4 Episode 6 gallery. The fair has recently opened its selection to international galleries, a shift welcomed by collectors.
Tra intoppi di percorso e collezionisti incerti, come è andata la fiera miart 2026 per le gallerie?
The 2026 edition of the miart fair in Milan faced significant logistical challenges following its move to the South Wing of the Allianz MiCo. While the 'Emergent' section thrived with ample space and natural light, the 'Established' and 'Anthology' sections suffered from a confusing multi-level layout, poor signage, and oppressive lighting. Many galleries, including Alfonso Artiaco, reported that the lack of clear directions turned high-quality exhibition spaces into "cathedrals in the desert," making it difficult for collectors to locate booths.
Le mostre da non perdere a Milano durante i giorni dell’Art Week 2026
Milan Art Week 2026 features a series of major solo exhibitions across the city's premier contemporary art institutions. Fondazione Prada is hosting site-specific installations by Mona Hatoum exploring global instability alongside Cao Fei’s multimedia investigation into the technological revolution of agriculture. Meanwhile, Pirelli HangarBicocca presents Benni Bosetto’s architectural exploration of the female body and Rirkrit Tiravanija’s interactive examination of authorship and communal space.
Valie Export, the Austrian avant-garde artist known for her radical feminist performances, films, and sculptures, has died at age 85. Her gallery, Thaddaeus Ropac, announced her death, noting her groundbreaking work in the 1960s and 1970s introduced a new form of embodied feminism to Europe. Export, born Waltraud Lehner in Linz, Austria, changed her name in 1967 and became known for provocative works such as "Aktionshose: Genitalpanik" (1969) and "Tap and Touch Cinema" (1968–1971), which challenged voyeurism and the sexualization of women's bodies. She also co-founded the Austrian Filmmakers Cooperative in 1968 and was commissioned by the Austrian Broadcast Corporation for her film "Facing the Family" (1971).
Marian Goodman Gallery is suspending operations at its Los Angeles location after two and a half years, following the conclusion of Tacita Dean's solo show on April 25. The gallery's partners announced a consolidation of programming to its historic homes in New York and Paris, stating they will evaluate the space's future while maintaining an LA presence through art fairs, special projects, and museum exhibitions.
The article is a table of contents for Issue 43 of Contemporary Art Review LA, highlighting a feature on artist Tristan Unrau's exhibition at David Kordansky Gallery. The issue includes a range of critical essays, interviews, and reviews covering topics from olfactory art and tarot to social urgency in curation and video art, with a specific focus on the Los Angeles art scene.
London gallery Timothy Taylor will close its New York outpost next month after nearly a decade of operation. The gallery cited current market conditions and the high costs of maintaining a second permanent space as reasons for the consolidation, though it will maintain an office and viewing room in the city.
During Frieze London's VIP preview day, guerrilla dealers Jack Chase and James Sundquist parked their U-Haul Gallery truck outside Regent's Park, selling T-shirts and art by Vladimir Umanetz. The duo, known for launching the U-Haul Art Fair during Armory Week in New York, set up a mobile exhibition inside the truck featuring Umanetz's mixed-media work O-14 (LPSVCYDH) (2025–present) and a giant image of Tina Turner. Park attendants eventually forced them to move under threat of police action, but they later relocated outside Thaddaeus Ropac's London gallery during a party for Tom Sachs.
South African artist Gabrielle Goliath’s installation "Elegy" was initially censored by South Africa’s Culture Minister Gayton McKenzie, who blocked it from the country’s pavilion at the Venice Biennale over its focus on Palestinian grief. After public outcry and support from several organizations, the work was instead installed in a Venice church, where critic Aruna D’Souza describes it as "hauntingly beautiful and achingly tender." The article also covers related news: a smear campaign against British-Nigerian photographer Misan Harriman for his Palestinian solidarity, and a list of summer art books.
Luis Emilio Romero, a Jersey City native, moved from Bushwick to the Monira Foundation's residency at Mana Contemporary in Jersey City, where he now paints intricate, textile-influenced patterns in a calm basement studio. Mana Contemporary, a 2 million-square-foot former tobacco warehouse converted in 2011 by Moishe Mana, Eugene Lemay, and Yigal Ozeri, hosted its Spring Open Studios on May 17, with over one-third of its 300 artists participating—the largest turnout in years. The event featured installations by TLaloC, sculptures by John Chamberlain, and an exhibition of artist books, "Open Book(s): Observations," presented by Pierogi Gallery, Mana, and the Monira Foundation. Pierogi co-owners Joe Amrhein and Susan Swenson also brought their Flat Files containing nearly 4,000 works to Mana for six months to a year.
Hyperallergic's Lakshmi Rivera Amin presents a curated list of 12 art books for summer reading, including a novel lampooning the art world, Megan O'Grady's meditation on art and living, Kory Stamper's exploration of color lexicography, Nan Goldin's reissued photo essay, and Jennifer Higgie's prose poetry novel. The roundup also features Vincenzo Latronico's 'Perfection,' Nina Burleigh's satirical 'Turn Around, Don’t Drown,' and a graphic novel by Naoki Matayoshi and Shinsuke Yoshitake, among others.
The Clyfford Still Museum in Denver, Colorado, has opened a new exhibition titled "Still in Sound," which pairs abstract paintings by Clyfford Still with original sonic interpretations by contemporary sound artists. Co-curated by Bailey Placzek, the museum's curator of collections, and British multidisciplinary artist Ben Coleman, the exhibition features works by artists Maria Chávez, Maya Dunietz, Kalyn Heffernan, Matana Roberts, and Michael Schumacher. Each artist selected a Still painting and composed a sound piece in response, with the compositions playing in shuffled order to create a non-linear, immersive experience. A digital guide offers full recordings, and Denver artist Phillip David Stearns designed an interactive component based on Still's pastel drawings. The exhibition runs through February 2027.
A new documentary titled "Maintenance Artist" (2025) traces the decades-long practice of Mierle Laderman Ukeles, a pioneering artist who focused on marginal, unpaid, and feminine labor. The film covers her career from her 1969 "CARE" manifesto, through her role as artist-in-residence at the New York City Department of Sanitation, to her first retrospective at the Queens Museum in 2017. It highlights her critique of art-world gender biases and her efforts to recognize discounted labor in all fields.
Printed Matter's Los Angeles Art Book Fair returned to the Art Center College of Design in Pasadena for its 13th edition, featuring over 250 exhibitors—slightly fewer than last year—with about a fifth participating for the first time. A common thread across the fair was the archive: publications that excavate, remix, and repurpose historical media, from a book chronicling a 1960s hoax about animal nudity to a compendium of vintage photographs that subvert male subjectivity, and a collection of found photos from abandoned houses in rural Maine. The fair also highlighted diasporic and personal archives, including a Palestinian-American artist's cassette mixtape tracing music from the Middle East and an artist-run press focusing on translation as cultural resistance.
The Box LA, a pioneering experimental art space in Los Angeles known for its fearless support of unconventional and performance art, is closing after 19 years. Founded in 2007 by Mara McCarthy in Chinatown (later moving to the Arts District), the gallery operated as a commercial space but with a nonprofit ethos, championing underrecognized artists from her father Paul McCarthy's generation alongside emerging talents. Its final exhibition, a retrospective of Wally Hedrick presented with Parker Gallery, ended April 4, with a closing celebration planned for June 6 featuring a fashion show by Johanna Went. The closure is attributed to financial struggles, exacerbated by the Eaton Fire that destroyed McCarthy's home and her family's, and a shift in support from McCarthy Studios.
This week's obituary column honors several significant figures from the art world who recently passed away. The list includes celebrated New Yorker art writer Calvin Tomkins, Houston art patrons Brad and Leslie Bucher, British airbrush artist Philip Castle, master jeweler Thomas Gentille, art historian Charlotte Gere, Alabama sculptor Robert L. "Larry" Godwin, comic artist Sam Kieth, photographer Carol Kitman, and Russian-Italian artist Swietlan Nicholas Kraczyna.