Colombo’s skyline has undergone a radical transformation into a forest of glass and steel towers, epitomized by projects like the Lotus Tower and Port City. This rapid urbanization, driven by a state ambition to create a 'world-class city' following decades of civil war, has resulted in the displacement of local neighborhoods and the burial of historical layers under new infrastructure.
EAT/ART Space, a collaborative project merging food and visual art, will take over ETSU's Tipton-Ashe Galleries. The initiative transforms the gallery into an interactive environment where visitors can engage with art through culinary experiences, blurring the lines between gallery viewing and dining.
Somali artists and cultural organizations are protesting the Somalia pavilion at the 2024 Venice Biennale, arguing it excludes artists based in Somalia and relies on diaspora figures and an Italian co-curator, which they view as colonial. The Somali Arts Foundation issued a statement condemning the lack of consultation, while the queer arts collective Warbixinta Cidda criticized the appointment of Italian curator Fabio Scrivanti. Somali American poet Ladan Osman boycotted the pavilion, calling it "anti-indigenous."
San Francisco's Vaillancourt Fountain, a Brutalist concrete structure at Embarcadero Plaza since 1971, caught fire on Wednesday morning as workers used blow torches to disassemble it. The fire ignited rubber tubing and debris inside the sculpture's cantilevered arms, producing smoke that forced the temporary evacuation of nearby paddle board courts. The fountain is being removed to make way for a $32.5 million redevelopment of the plaza and playground into a five-acre park.
Portland, Oregon's Converge 45 triennial has announced the participating artists for its upcoming exhibition titled “Here, To you, Now.” Curated by Lumi Tan, the triennial draws inspiration from Ursula K. Le Guin's 1985 novel Always Coming Home, which explores the impermanence of spoken language. Featured artists include Trisha Baga, Ricky Bearghost, Aaron Cunningham, Jacqueline Kiyomi Gork, and sidony o'neal, among twenty-three others, with seventeen new commissions. Venues include Barn Radio, the Hoffman Gallery at Lewis & Clark College, the Native Arts and Cultures Foundation, Oregon Contemporary, and the Pacific Northwest College of Art.
Arts Collective will open a new arts center in Northampton, England on May 1st, following a £5.2m renovation of the city's municipal offices and town hall annex. The complex will feature 17 artist studios, community spaces, a gallery, and "The Northampton Rooms," a series of public spaces designed by artist Giles Round as a "living work of art." The inaugural exhibition will showcase Northamptonshire-born artist Rose Finn-Kelcey.
The jury for the 2026 Venice Biennale announced it will not consider contributions from countries whose leaders are charged with crimes against humanity for the Golden and Silver Lion awards, effectively excluding Israel and Russia. The decision, framed as a commitment to human rights and aligned with curator Koyo Kouoh's vision, comes amid broader controversy over participating pavilions, including American artists declining to represent the US and the EU withdrawing a $2.3 million grant over Russia's involvement.
The European Commission has withdrawn a $2.3 million grant from the Venice Biennale, following through on a threat made last week. The funding cut is a direct response to the Biennale's decision to readmit Russian artists as a government-funded delegation for its 2026 edition, which the EU argues violates sanctions and provides Russia a cultural platform during its war against Ukraine.
Major layoffs have hit Artnet and Artsy following their consolidation under the UK-based investment firm Beowolff Capital. The staff reductions occurred just one day after the merger announcement and include the departure of veteran Artnet News reporters Sarah Cascone and Eileen Kinsella, who both served the publication for over a decade. As part of the restructuring, Artnet will also shutter its German entity, while Andrew Russeth has been tapped to serve as interim editor.
A roundup of art exhibitions opening in May and June 2026 across Dayton and Cincinnati, Ohio, highlights solo shows by Teresa Olavarria, Tony Foster, Nathan Foley, Mina Kim, and Eunshin Khang, along with group exhibitions including SOS ART 2026, 'Voices of Kenya: Social and Cultural Reflections,' and 'Elizabeth Hawes: Radical American Fashion.' Venues include The Contemporary Dayton, The Dayton Art Institute, Rosewood Arts Center, the Art Academy of Cincinnati, and Kennedy Heights Arts Center.
A Lugano ci sono 5 mostre dedicate all’Oriente da scoprire in giro per la città
Five exhibitions dedicated to East Asian art are currently on view across Lugano, Switzerland. Four are housed in the city's two major museums, MASI and MUSEC, while the fifth is presented by Primo Marella Gallery. The shows feature a range of works, from historical Japanese kakemono scrolls and screens to contemporary art by Chinese artists Zhang Hong Mei and He Wei, and a survey of video art from South Korea.
The Metropolitan Museum of Art will acquire the Neue Galerie's Fifth Avenue building and its collection of 20th-century Austrian and German art, starting in 2028. The collection was built by cosmetics magnate Ronald S. Lauder, who founded the Neue Galerie in 2001.
Lynda Roscoe Hartigan has been appointed as the new director of the Smithsonian American Art Museum. She is a former chief curator of the museum and most recently served as executive director of the Peabody Essex Museum in Salem, Massachusetts.
Mikala Tai has been appointed curator of the tenth TarraWarra Biennial, scheduled to run from July 31 to November 14, 2027, at the TarraWarra Museum of Art in Healesville, Australia. Tai is a Sydney-based curator, writer, and academic specializing in contemporary Australian and Asian art.
Jack White, the Grammy-winning musician and frontman of The White Stripes, will open his debut art exhibition titled "These Thoughts May Disappear" at Newport Street Gallery in London on May 29, 2026. The show, running through September 13, features sculptures, interactive works, installations, and furniture design that White calls "Hardware Store Art," blending found objects, tools, epoxy, and assemblage. It includes a remake of his 2015 sculpture "The Red Tree" and marks his first public showing as a visual artist after two decades of private practice.
Musician Jack White has debuted a visual art exhibition at Newport Street Gallery in London. The show presents a collection of his own artworks, marking his first formal foray into the gallery world and expanding his creative practice beyond music.
Andrew Durbin reviews the national pavilions at the Venice Biennale, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The article critiques the lack of meaningful engagement in the US pavilion while praising the depth and emotional resonance of the British and German contributions.
Andrew Durbin reviews the national pavilions at the 2026 Venice Biennale, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The article critiques the lack of meaning in the American pavilion while praising the depth and emotional resonance of the British and German contributions.
Andrew Durbin reviews the national pavilions at Frieze New York 2026, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review highlights the disparity in conceptual depth and emotional resonance among the three pavilions, with the US offering little meaning while the British and German contributions engage seriously with contemporary issues.
Andrew Durbin reviews the national pavilions at an unnamed biennial, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review critiques the lack of meaningful engagement in the US pavilion while praising the depth and emotional resonance of the British and German contributions.
At the 2026 Venice Biennale's Arsenale, critic Andrew Durbin reviews national pavilions, finding the US presentation vacuous and lacking meaning, while praising the British and German pavilions for their incisive and moving installations that resist erasure. The review highlights a stark contrast in curatorial ambition and political engagement among the participating nations.
Andrew Durbin reviews national pavilions at the Venice Biennale, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The article is part of Frieze's Critic's Guides series, published on May 6, 2026.
The article announces the winner of the Frieze New York 'Focus' stand prize, a dedicated award for emerging galleries at the fair. The prize recognizes outstanding presentation and curatorial vision among the Focus section participants.
Andrew Durbin reviews national pavilions at the Venice Biennale, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review highlights the disparity in thematic depth and emotional resonance among the three pavilions.
The article, a critic's guide review by Andrew Durbin, contrasts the US national pavilion presentation at an unspecified biennial with those of Britain and Germany. The US presentation is described as vacuous and lacking in meaning, while the British and German installations are praised for being incisive and moving. The review critically examines the thematic and conceptual approaches of each national pavilion, highlighting a disparity in artistic depth and engagement.
Frieze New York opened with a flurry of activity, drawing collectors, curators, and art enthusiasts to the fair's latest edition. The event featured a wide range of contemporary galleries and presentations, with notable early sales and strong attendance signaling a vibrant start to the fair season in New York.
Andrew Durbin reviews the national pavilions at the Venice Biennale, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review highlights the thematic and emotional depth of the British and German pavilions while critiquing the lack of meaning in the US entry.
Andrew Durbin reviews the national pavilions at the 2026 Venice Biennale, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review highlights how the best moments of the exhibition live in the institutions built by curator Koyo Kouoh, who organized the Biennale's main exhibition.
This article is a critic's guide reviewing national pavilions during Frieze Week New York. Andrew Durbin contrasts a vacuous US presentation with incisive and moving installations from Britain and Germany, questioning the meaning and depth of the American contribution.
Ukrainian artist Nikita Kadan, in an interview with Frieze, reflects on his practice and the ongoing psychological and physical toll of war, questioning whether conflict ever truly ends. He discusses his recent works, which grapple with the persistent state of war in Ukraine, the transformation of urban spaces, and the collective trauma that outlasts active hostilities.