6abc Loves the Arts: "Soft/Cover" on view through August 17 at Fabric Workshop and Museum

The Fabric Workshop and Museum in Philadelphia is presenting "Soft/Cover," an exhibition featuring 90 works by 65 artists drawn from the museum's history from the late 1970s to today. Co-curated by Katy Donoghue and former chief curator DJ Hellerman, the show spans three floors and is arranged thematically around home items, shelter, and suiting, including soft architecture, garments, and tapestries. Eight artists-in-residence created new works for the exhibition, with seven produced on-site, such as Aimee Koran's "Mama's Space Suit" inspired by Louise Nevelson's 1985 "Opera Costume." Notable artists featured include Lynda Benglis, Roy Lichtenstein, Pat Steir, and Richard Tuttle.

Austin’s SAGE Studio & Gallery features work of local creators, prepares for art fair

SAGE Studio & Gallery in East Austin supports artists with developmental and intellectual disabilities, providing studio space, community, and gallery representation. Founded in 2017 by Lucy Gross and Katie Stahl, the organization has paid over $200,000 in commissions to its artists, with some earning upwards of $30,000 annually. Artists like Molly Hale create works in fiber, paint, pastels, and other media, and SAGE has collaborated with brands such as Vans, Whataburger, and Austin FC. The studio is preparing for an upcoming art fair.

Record-breaking female Surrealists spice up underwhelming Christie’s New York sales

Christie’s New York spring sales brought in a combined $489 million across two evening auctions, including the Leonard and Louise Riggio collection ($272 million) and a 20th-century evening sale ($216 million). While sell-through rates were high at 94%, bidding was shallow and several high-profile lots underperformed: a Mondrian estimated at $50 million sold for $47.6 million, a Magritte from the Empire of Light series matched its 2023 price at $34.9 million, and a Lucio Fontana canvas that sold for $14 million in 2017 fetched just $7.5 million. Andy Warhol’s Big Electric Chair was withdrawn last minute amid a reported $10 million gap between seller and buyer expectations. The sales were bolstered by third-party guarantees and came hours after news of a temporary US-China tariff détente.

The Palestinian artist channelling ‘rage, love and hope’ into her paintings

Palestinian artist Malak Mattar presents her new solo show "Falasteen" at Central Saint Martins, featuring works created during her MFA that respond to the ongoing genocide in Gaza. The exhibition marks a synthesis of her earlier vibrant style and the stark monochrome she adopted after Israel's latest assault, with colors cautiously returning alongside themes of hope, resilience, and freedom. The show includes large-scale paintings, a concertina book, and new techniques like photo transfer and collage, including her 2024 painting "No Words," a black-and-white mural recalling Picasso's "Guernica." This is the first solo show by a Palestinian artist ever held at Central Saint Martins.

Folk is having a revival—in the art world too

The article reports on the growing revival of folk culture in the visual arts, centered on the Neo Ancients festival in Stroud, Gloucestershire, UK. The second edition of the festival, held over May Day weekend, featured an eclectic mix of music, Morris dancing, talks, film screenings, and exhibitions celebrating British folklore. Art dealer James Elwes organized a show at the local gallery Rattle and Brash, featuring artists like Sue Webster, Jeremy Deller, and Stanley Donwood, who presented works outside their usual practices. Exhibitions included Donwood's 'Floralia' and Webster's new self-portraits exploring pregnancy and reinvention.

Neufeldt Unveils Latest Exhibit of Student Art in Her Home

Cal State San Marcos President Ellen Neufeldt hosted a reception at her home on April 27 to unveil the third exhibition of student art in her home gallery. The exhibit features 11 pieces by four student artists—Emma Dill, Adel Bautista, Kaia Pappas, and Erin Wilmot—curated by professional artist and CSUSM alumna Sarah Bricke, who also curated the previous display. The show explores portraiture as a site of experimentation across photography, printmaking, and mixed media.

A new ‘anti-biography’ rips apart the myth of Leonardo as a solitary genius

Stephen J. Campbell, a professor of art history at Johns Hopkins University, has published a new book titled *Leonardo da Vinci: An Untraceable Life*, which he frames as an "anti-biography." The book aims to dismantle the mythology surrounding Leonardo da Vinci, arguing that the fragmentary archival record has led to speculative and often outlandish theories that portray him as a solitary genius ahead of his time. Campbell repositions Leonardo within the artistic and intellectual context of late 15th- and early 16th-century Europe, critiquing how media, the art market, and popular culture have commercialized his legacy.

Winterthur’s ‘Almost Unknown’ offers immersive look at Black history and art

Winterthur Museum in Delaware has opened a new exhibition titled "Almost Unknown: The Afric-American Picture Gallery," which brings to life a fictional gallery imagined in 1859 by Black writer and schoolteacher William J. Wilson, writing under the pseudonym Ethiop. In a series of columns for the magazine "The Anglo-American," Wilson described an imaginary museum of Black history and art, featuring works like a depiction of a slave ship, a bust of poet Phillis Wheatley, and images of Crispus Attucks and Haitian Revolution heroes. Curator Jonathan Square has transformed Wilson's fantasy into an immersive, haunted-attraction-style exhibition using objects from Winterthur's collection, with dark lighting, sound effects, and false walls that evoke a carnival ride inspired by Jordan Peele films and "The Shining."

Kemper Art Museum wins best monograph award

The Kemper Art Museum at Washington University in St. Louis has won the 2024 best monograph award from the Midwest Art History Society (MAHS) for its exhibition catalog "Adam Pendleton: To Divide By." The catalog, published by the museum and distributed by the University of Chicago Press, was honored during the society's Outstanding Catalog Awards ceremony in Denver on April 4. Edited by Kemper curator Meredith Malone, the volume features essays by Malone, Joshua Chambers-Letson, Hal Foster, and a conversation between Pendleton and critic Isabelle Graw, along with transcripts of two film portraits by the artist.

Walt Disney Animation Studios Fêtes Female Animation Talent at Animayo

Walt Disney Animation Studios is presenting a special exhibition titled "Whimsy & Wonder" at the Animayo festival in Gran Canaria, Spain, from May 7-10, 2025. The exhibition honors female talent in animation, featuring works by trailblazing color stylist Mary Blair and six contemporary female artists from the studio: Lorelay Bové, Lisa Keene, Brittney Lee, Griselda Sastrawinata-Lemay, Josie Trinidad, and Fawn Veerasunthorn. The show includes art from films such as "Frozen," "Encanto," "Moana 2," and "The Princess and the Frog." Animayo, an Oscar-qualifying animation festival, is celebrating its 20th anniversary with Disney as an official sponsor.

Art Gallery of Burlington hosts spring gala with farm-to-table dinner and more

The Art Gallery of Burlington (AGB) has announced its upcoming spring gala, "Seeds of Change," scheduled for May 7th. The event features a farm-to-table dinner helmed by Executive Chef Matteo Paonessa, a silent auction, and a preview of a new solo exhibition by Argentine artist Celina Eceiza titled "A material called Earth, Vol 1: The life of corners." The gala also highlights the gallery's new Community & Medicine Garden, an initiative where artists-in-residence will harvest natural materials for pigments and textiles.

Crawford Supported Studios: Cork exhibition shows work of artists with disabilities

An exhibition at the Crawford Art Gallery in Cork, Ireland, is showcasing the work of artists from the Crawford Supported Studios program. The program provides studio space, materials, and professional support for artists with intellectual disabilities, fostering their creative development and professional practice.

And the (Senior Show and URECA Art Exhibition) Winners Are …

The Paul W. Zuccaire Gallery at Stony Brook University hosted the opening reception of the ninth annual combined Senior Show and URECA Arts Exhibition on April 29, drawing about 300 attendees including students, faculty, staff, university leaders, and local museum curators. The Senior Show, a nearly 50-year tradition, features works by senior studio art majors and minors, while the URECA exhibition highlights undergraduate research-based art selected by faculty. This year's exhibition is noted for its diversity in subject matter and materials, from chalk painting to digital media, and runs through May 22.

QUESTIONING POWER AND COLONIAL STRUCTURES CINTHIA MARCELLE INTERVENES AT SERRALVES

Brazilian artist Cinthia Marcelle has unveiled a major site-specific installation titled "beginning, middle, beginning" at the Serralves Museum in Porto. Developed in collaboration with the architecture collective vão and curated by Inês Grosso, the work transforms the museum’s Central Gallery into a space governed by cycles of repetition. Drawing inspiration from the philosopher and Quilombola leader Nêgo Bispo, the installation challenges Western linear conceptions of time and highlights the persistence of colonial structures in modern social organization.

‘We Are Here’: Queer Presence and Memory in African Art

The Smithsonian's National Museum of African Art has opened 'Here: Pride and Belonging in African Art,' an exhibition curated by Kevin D. Dumouchelle and Serubiri Moses. Developed through years of direct dialogue with LGBTQ+ artists across Africa and its diaspora, the show foregrounds self-representation and community, ensuring artists defined the terms of their inclusion. It features contemporary works alongside historical precedents, creating a continuum of queer presence in African art history.

author rob franklin great black hope interview

Rob Franklin, a professor, poet, critic, and co-founder of Art for Black Lives, has released his debut novel "Great Black Hope" on June 10. The book follows Smith, a queer Black Stanford graduate, who is arrested for cocaine possession in the Hamptons after his best friend's death, leading him through New York's nightclubs, courtrooms, and recovery meetings. The novel is described as a satirical, intellectually incisive, and mournful addition to the canon of New York party literature, blending social commentary with a bildungsroman and elegy.

art ralph deluca art market downturn recession

Art advisor Ralph DeLuca, in his 'Street Smarts' column for Cultured, observes that amid political turmoil, tariffs, and art market jitters, wealthy collectors are shifting away from blue-chip contemporary art. Instead, they are investing in pop culture icons, historic artifacts, and natural history items like fossils, viewing them as safer bets. DeLuca notes that the May auction season saw high pass rates, failed guarantees, and lower prices, while galleries continue to close this summer.

Zurich: Peripheral Presence. by Tibor Bielicky and Ellena Ehrl

Zurich’s urban landscape is defined by functionalist structures from the 1990s and early 2000s that serve as the 'understated backdrop' to daily life. These buildings, including the Signal Box by Gigon Guyer and the Telecap 2000 by Hans Ulrich Imesch, act as navigational markers at the city’s geographic choke points. Despite their significance in shaping the city's rhythm and internal choreography, many of these structures are now reaching the end of their first lifecycle and face the threat of demolition due to real estate speculation.

Who Are These People? A Conversation with Kai Althoff by Carlo Antonelli

In an intimate interview with Carlo Antonelli, German artist Kai Althoff discusses the psychological origins of the figures that populate his paintings and his collaborative history with Isa Genzken. Althoff describes his characters as a mix of imagined friends, despicable archetypes, and spirits that emerge subconsciously to outshine his own perceived mediocrity. He also reflects on his early influences, ranging from German-localized Marvel horror comics to the improvisational 'home video' skits he produced with Genzken, which he characterizes as a film about love.

Paris Internationale in Milan

Paris Internationale à Milan

Paris Internationale has announced its first-ever edition outside of France, scheduled to take place in Milan from April 18 to 21, 2026. Hosted at the Palazzo Galbani during Milano Art Week, the satellite fair will feature 34 galleries, including notable participants such as Jocelyn Wolff, Kaufmann Repetto, Luisa Delle Piane, and Sylvia Kouvali.

Nei grandi capolavori della storia dell’arte si sorseggia una celebre birra belga. Il video

Stella Artois, the Belgian beer brand, has launched a campaign called "The Artois Probability" that uses an algorithm to analyze historical paintings and calculate the likelihood that the beer depicted in them is actually Stella Artois. Developed in 2023 by the agency GUT in collaboration with the Museo de Bellas Artes in Buenos Aires, the campaign examines variables such as the painting's year, geographic location, glass type, and liquid color, cross-referencing them with the brand's archives. The campaign includes works by artists like Manet, Brueghel, and Brouwer, and aims to make viewers think of Stella Artois whenever they see a beer in a painting.

Artribune Podcast: l’artista Vincenzo Schillaci parla nel suo Monologhi al Telefono

The latest episode of the Artribune Podcast features artist Vincenzo Schillaci (born 1984 in Palermo), recorded via telephone. Schillaci discusses his evolving artistic practice, where painting is an ongoing process of layering and erasure. His work spans painted surfaces, works on paper, and bronze interventions, forming an open system in which the artwork continuously transforms, challenging the boundaries between gesture, material, and form. The episode highlights his recent series inspired by Aristotle's concept of phantasma, and his exploration of materials like electrodeposited copper and bronze to capture different states of the image.

Guide to cultural festivals in Italy at the end of May 2026: Spring Attitude, Aura, Buongiorno Ceramica!, URBAPHONIA, CYFEST

Guida ai festival culturali in Italia di fine maggio 2026: Spring Attitude, Aura, Buongiorno Ceramica!, URBAPHONIA, CYFEST

A guide to cultural festivals in Italy at the end of May 2026 highlights several events across the country, including Spring Attitude in Rome (May 29-30), Aura Festival in Palermo (June 1), Hypermaremma in Maremma (through September 30), Emulsioni in Ferrania (May 22-24), and Caorle Sea Festival in Caorle (May 23-June 7). These festivals cover diverse themes such as electronic music, club culture, analog photography, ceramics, media art, street art, and outdoor practices, often set in historically or culturally significant locations like La Nuvola in Rome, the Palazzina Cinese in Palermo, and an ex-film factory in Ferrania.

The Italian Way of Symbolism in the Exhibition at the Fondazione Magnani-Rocca

La via italiana del Simbolismo nella mostra alla Fondazione Magnani-Rocca

The Fondazione Magnani-Rocca in Mamiani di Traversetolo, Parma, recently made headlines due to a dramatic theft targeting its permanent collection. Despite the incident, the museum's temporary exhibition spaces remain unaffected, and the show "Simbolismo in Italia" (Symbolism in Italy), curated by Francesco Parisi, continues without disruption. The exhibition aims to update critical discourse on Symbolism, a movement that spread across Europe from the 1880s to the early 1900s and arrived in Italy with a distinct, often tradition-rooted character. It features works by artists such as Cesare Saccaggi, Giulio Aristide Sartorio, and Adolfo Wildt, organized into thematic sections exploring literary sources, mythological landscapes, and the dual nature of femininity.

Working in Art: Opportunities from Museo Novecento, Giudicesse 2030, Premio Combat and Fondazione Club Silencio

Lavorare nell’arte: opportunità da Museo Novecento, Giudicesse 2030, Premio Combat e Fondazione Club Silencio

This article from Artribune compiles five current job and grant opportunities in the Italian art world. It highlights a crowdfunding campaign by Museo Novecento for Agnese Galiotto's artwork "Sogni" in Empoli, an open call for the fourth edition of the Giudicesse 2030 residency for filmmakers and video artists in Sant'Antioco, a call for artists using AI from Associazione culturale 360° Creativity Events for PARMA 360 Festival, a paid internship at Blob Art ETS for Premio Combat in Livorno, and a search for a project manager by Fondazione Club Silencio ETS.

In Tuscany a new festival brings contemporary art to agricultural estates with exhibitions and artist residencies

In Toscana una nuova rassegna porta l’arte contemporanea nelle aziende agricole con mostre e residenze d’artista

The first edition of CARMI.CO 2026 – Carmignano Contemporanea will take place from May 15 to 24, 2026, in the Carmignano area near Prato, Tuscany. The festival features five exhibitions and five artist residencies hosted by local wineries and agricultural estates, alongside talks, workshops, and studio visits. Exhibitions are staged at venues including the Rocca di Carmignano, Museo Archeologico di Artimino, and Museo delle Maioliche di Bacchereto, with works by artists such as Marco Bagnoli, Qiu Yi, Gola Hundun, Rachel Morellet, Fargo, Marco Ulivieri, Serena Fineschi, and others. Residencies take place at Tenuta di Capezzana, Colline San Biagio, Tenuta Le Furre, Tenuta di Artimino, and Fattoria Il Grumolo, involving artists Max Magaldi, Ronaldo Fiesoli, Vittorio Cavallini, Graziano Riccelli, and Gola Hundun.

Genuflecting Before “Don Colossus”

A 15-foot-tall gold-leafed bronze statue of Donald Trump, titled "Don Colossus," was unveiled at his National Doral golf club in Miami, Florida, ahead of the G20 summit. The statue, funded by $450,000 raised by cryptocurrency moguls and sculpted by Alan Cottrill (founder of Four Star Pizza), depicts Trump raising a triumphant fist with a plaque reading "FIGHT, FIGHT, FIGHT!" The unveiling was organized by televangelist Mark Burns of "Pastors for Trump," who posted that the statue was "not a golden calf," and was attended by evangelical Christian leaders and reportedly some Hassidic rabbis.

Mafalda meets Pimpa. In Rome, the dialogue between two authentic comic icons: interview with the curators

Mafalda incontra Pimpa. A Roma il dialogo tra due autentiche icone del fumetto: intervista ai curatori

A new exhibition in Rome titled "Mafalda & La Pimpa" brings together two iconic comic strip characters for the first time. Created by Quino (1964) and Altan (1975) respectively, Mafalda and Pimpa represent different approaches to childhood: Mafalda critically questions adult society, while Pimpa explores a gentle, wonder-filled world. The show runs from May 14 to July 11 at the Instituto Cervantes, featuring over 120 original strips and plates, and is organized in collaboration with ARF! Festival and other partners. Curators Stefano Piccoli and Daniele Bonomo designed the exhibition to highlight both the contrasts and surprising analogies between the two beloved figures.

Maine College of Art & Design Presents the 2026 MFA Thesis Exhibition

Maine College of Art & Design (MECA&D), in collaboration with the Institute of Contemporary Art (ICA) at MECA&D, presents the 2026 MFA Thesis Exhibition, showcasing the culminating work of nine graduate candidates in the Master of Fine Arts in Studio Art program. The exhibition features artists Abigail G. Cloutier, Harley Ngai Grieco, Molly Knobloch, Stephen Medeiros, Darby Miller, Dylan Ouellette, Caitlin Perrigo, Jonathan Spath, and Isaac L. Stern, working across ceramics, drawings, photography, prints, sculpture, sound, and video installations. The show runs from May 7–16, 2026, at the ICA in Portland, Maine.

The Paradox of Contemporary Art: The World Is Violent, but the Works Are Correct and Inoffensive

Il paradosso dell’arte contemporanea: il mondo è violento, ma le opere sono corrette e inoffensive

The article examines a paradox in contemporary art: as the world grows more violent and chaotic, art has become increasingly 'correct,' morally irreproachable, and inoffensive. The author argues that over the past fifteen years, artworks have been judged primarily by their moral and identity credentials, with curators acting as moral gatekeepers and censors. This shift coincides with a period when geopolitics, history, and public behavior have spiraled out of control, creating a strange compensatory dynamic where art is expected to be perfectly controlled and polite while reality grows brutal.