parties ruba katrib lawrence kumpf hosting

Blank Forms celebrated its ninth anniversary with performances by Dez Andrés, Douglas Sherman, and 7038634357 at the Ukrainian National Home in the East Village. The article, written by Ruba Katrib and Lawrence Kumpf, offers a personal glimpse into their New York apartment, filled with books, records, art from friends, and a curated sound system, alongside recipes and anecdotes about hosting artists, musicians, and curators for dinners and listening sessions.

dorchester frieze london breakfast cultured magazine

CULTURED magazine hosted its third annual Frieze London breakfast at the Dorchester hotel, co-hosted by Editor-in-Chief Sarah Harrelson, European Contributor Georgina Cohen, and photographer Mary McCartney. The event drew a mix of art-world figures, celebrities, and cultural tastemakers, including actor Richard E. Grant, Tate director Maria Balshaw, musicians Jess Glynne and Sophie Ellis-Bextor, gallerists Lucy Chadwick and Pilar Corrias, and collectors Laura de Gunzburg and George Wells. Guests enjoyed a plant-based breakfast and copies of CULTURED's September issue amid the buzz of Frieze London.

art met roof garden jennie c jones

The Metropolitan Museum of Art has unveiled its 2025 Roof Garden Commission, titled *Ensemble*, by artist Jennie C. Jones. The installation features three upright sculptures made from concrete travertine and powder-coated steel, whose angular forms are inspired by musical instruments—a zither, an Aeolian harp, and a one-string instrument. A fourth red floor piece acts as a "conductor." The works are equipped with frets and strings that vibrate in the wind, inviting viewers to engage with them as both visual and sonic objects. The exhibition also includes collaborative programming, performances, and a publication with contributions from curator Lauren Rosati and artist Glenn Ligon.

art heist genre film tv books guide

This article from Cultured explores the history and evolution of the art heist genre across film, television, and books. It traces the genre's origins from the 1911 theft of the Mona Lisa by Vincenzo Peruggia to its appearance in 19th-century detective serials by Agatha Christie and Arthur Conan Doyle, and later in French New Wave noirs and slick 1990s heist films. The piece highlights recent entries like Kelly Reichardt's film *The Mastermind* starring Josh O'Connor, and compiles a list of key works including *Animal Crackers* (1930), *How to Steal a Million* (1966), *The Thomas Crown Affair* (1968/1999), and *Hudson Hawk* (1991), noting how the genre reflects changing attitudes toward wealth, crime, and the sublime power of art.

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Psychoanalyst Jamieson Webster launches a new column for CULTURED titled "Neurotica," exploring the intersection of psychoanalysis, technology, and sexuality. In the debut installment, she interviews artist and theorist Mindy Seu about her work "A SEXUAL HISTORY OF THE INTERNET," which traces how sex workers were integral to developing digital platforms like chat rooms, e-commerce, and webcams, only to have their innovations co-opted by Big Tech. Webster reflects on how AI, chatbots, and online intimacy are reshaping human desire, pleasure, and relationships, drawing on Freud's pleasure-principle and contemporary anxieties about AI psychosis and digital dependency.

parties getty images prize ann philbin

The J. Paul Getty Trust awarded its annual Getty Prize to Ann Philbin, who served as director of the Hammer Museum at UCLA for 25 years. A celebratory dinner was held at the Getty Center in Los Angeles, attended by artists, philanthropists, and museum directors. Philbin used the prize's $500,000 grant to support NPR, KCRW, and LAist, emphasizing the importance of free speech and public broadcasting.

art young photographer jasmine clarke

Jasmine Clarke, a photographer and MFA candidate at the Yale School of Art, is featured in Cultured's "Art Young Photographer" series, nominated by renowned photographer Stephen Shore. Her tender images of home and family have been exhibited at the Brooklyn Museum and the Phoenix Art Museum. Clarke describes her work as a form of "biomythography," blending history, biography, and myth to explore memory, cultural identity, and the nature of seeing.

art fashion dirty looks barbican

A new exhibition titled "Dirty Looks: Desire and Decay in Fashion" opens September 25 at the Barbican in London, exploring how fashion designers have embraced decay, dirt, and imperfection. Curated by Karen Van Godtsenhoven, the show features garments from over 60 designers, including Hussein Chalayan's iron-filing-stained dresses, Vivienne Westwood's transgressive tears, Issey Miyake's gunpowder-speckled pleats, and wine-stained couture by Robert Wun. It also highlights five emerging designers like Elena Velez and Michaela Stark who use dirt and decay to challenge conventional beauty standards.

art culture philadelphia calder gardens

Calder Gardens, a new $90 million cultural institution in Philadelphia, will open on September 21. Designed by Herzog & de Meuron with gardens by Piet Oudolf, the 18,000-square-foot space will feature rotating displays of Alexander Calder's sculptures without wall labels, thematic exhibitions, or a permanent collection. Developed with philanthropist Joseph Neubauer and supported by the Barnes Foundation, the project is led by Alexander S.C. Rower, the artist's grandson and president of the Calder Foundation, and senior director of programs Juana Berrío. The institution aims to prioritize contemplation and personal experience over traditional museum education.

art collector francis j greenburger omi awards

Francis J. Greenburger, a real estate developer, philanthropist, and literary agent, discusses his lifelong art collection and philanthropic initiatives in an interview with CULTURED. He recounts buying his first painting at age 14 for $25, navigating the 1970s SoHo art scene at Max's Kansas City, and founding the Francis J. Greenburger Awards in 1985 to honor under-recognized artists with a $12,500 prize. Greenburger also details his role at Art Omi, a nonprofit arts center in the Hudson Valley with a sculpture park, residency programs, and the upcoming Art Omi Pavilions project, which will offer 18 artists and collectors individual sites across 190 acres. He is also releasing a book, *Autobiography of a Skyscraper*, about Chicago's 1000M tower.

art new york museum visit guide

CULTURED magazine gathered insider tips from its editors, contributors, and frequent museumgoers on how to save time, money, and enhance the experience when visiting New York museums. Hacks include entering the Metropolitan Museum of Art through the education center to avoid crowds, visiting free ground-floor galleries at the Whitney Museum and MoMA, and using MoMA's movie theater for cheap or free films. Other tips recommend Café Fledermaus at the Neue Galerie for a quicker meal, and the Noguchi Museum's membership discount on Akari light sculptures.

food daniel humm eleven madison park sothebys

Daniel Humm, the chef behind Eleven Madison Park, has curated a selection of artworks for Sotheby's Contemporary Curated sale, drawing parallels between composing a meal and assembling an exhibition. In an interview with CULTURED, Humm discusses his approach, which was influenced by a transformative encounter with Claude Monet's Water Lilies at the Musée de l'Orangerie in Paris, and his selections include works by Roni Horn, Alex Katz, Keith Haring, and Sarah Crowner.

art met museum man ray exhibition

The Metropolitan Museum of Art is opening "When Objects Dream," the first exhibition to examine Man Ray's rayographs in the context of his broader oeuvre. Opening September 14, the show features over 60 rayographs alongside 100 paintings, objects, drawings, and films spanning the artist's career. The exhibition is supported by the haute couture house Schiaparelli, whose founder Elsa Schiaparelli was a close friend and collaborator of Ray's, both central figures in the 1920s Parisian avant-garde.

art basel unlimited ruba katrib curator

Art Basel has appointed Ruba Katrib, Chief Curator and Director of Curatorial Affairs at MoMA PS1, as the curator for the Unlimited sector at its 2026 Swiss edition. Katrib succeeds Giovanni Carmine, who held the role since 2021. Known for championing emerging and cult artists like Jumana Manna and Rirkrit Tiravanija, Katrib has shaped MoMA PS1's curatorial direction for eight years, with prior experience at SculptureCenter and SITE Santa Fe's biennial. Unlimited is a platform for large-scale works beyond traditional booths, and Katrib will oversee installations, sculptures, and ambitious new projects. Art Basel 2026 runs June 18-21 at Messe Basel, with preview days June 16-17.

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James Frey, the controversial author of "A Million Little Pieces" and "Bright Shiny Morning," opens his home in Pound Ridge, New York, to discuss his personal art collection. The collection includes works by Rashid Johnson, Robert Colescott, Nate Lowman, Richard Prince, Andy Warhol, Jeff Koons, and Auguste Rodin, among others. Frey describes his art-buying philosophy as driven by emotion rather than market trends, and recounts purchasing his first pieces—a Picasso drawing and a Matisse drawing—for cash in 1994.

art studio museum harlem reopening

The Studio Museum in Harlem will reopen on November 15 after a seven-year closure, unveiling a new seven-floor, 82,000-square-foot building designed by Adjaye Associates and executed by Cooper Robertson. To mark the occasion, Cultured magazine convened three conceptual artists—Nikita Gale, Camille Norment, and Sable Elyse Smith—who received early support from the museum, each reflecting on how the institution shaped their careers. Norment, featured in the 2001 exhibition "Freestyle," is creating a new installation for the reopening; Gale and Smith both participated in the 2017 show "Fictions."

art burning man dustin yellin

Artist and Pioneer Works founder Dustin Yellin discusses his annual tradition of attending Burning Man in the Nevada desert with journalist Sophia Cohen. Yellin, who first attended the festival in 2012 despite initial skepticism, describes the transformative experience of biking through the Playa with its lights and large-scale artworks. After this year's Burning Man, he will return to New York to complete *The Politics of Eternity*, a 10,000-pound sculpture debuting at the Armory Show.

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CULTURED magazine celebrated the release of its second Hamptons issue of the summer with a garden party at the Montauk home of Robin Standefer and Stephen Alesch, founders of architecture and design studio Roman & Williams, who served as guest editors for the July/August issue. The event drew a star-studded crowd of East End regulars including Julianne Moore, Martha Stewart, Cynthia Rowley, Jenna Lyons, photographer Cass Bird, David and Monica Zwirner, Sotheby's CEO Charles Stewart, and many others, with drinks by Casa Dragones and a potluck spread by chef Chris Kronner.

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Pat Steir's early installation "Mirage 1975" has been restaged at Hauser & Wirth's Soho location, marking the 50th anniversary of her first-ever installation originally at the State University of New York in Oneonta. The exhibition runs through August 15, 2025, and coincides with the publication of the monograph "Pat Steir Paintings 2018–2025." Separately, the exhibition "Spasial Program by Khajistan" is on view at SculptureCenter in Long Island City through July 28, 2025, presenting a vast archive of rare, illicit, and suppressed media artifacts from the Islamicate world, curated by Lahore-born filmmaker Saad Khan.

alison saar artist studio

Alison Saar, a Los Angeles-based sculptor known for works rooted in the African diaspora and spirituality, is featured in a studio visit interview. She discusses her creative process, use of salvaged materials, and recent achievements, including a monumental commission for the 2024 Paris Olympics and the 2025 David C. Driskell Prize from the High Museum of Art. The interview covers her daily routines, tool preferences, and reflections on the art world.

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Paul Leong, a Hawaii-born finance executive and co-chair of Friends at the Foundation for Contemporary Arts, discusses his provocative art collection in an interview with Cultured. Leong favors challenging, conceptual works that he describes as "ugly painting," including pieces by Merlin Carpenter, Jana Euler, Matt Browning, Claire Fontaine, Michael E. Smith, Rayan Yasmineh, and Stefan Tcherepnin. He credits art advisor Thea Westreich with teaching him to prioritize meaning over appearance, and recounts the hard-won acquisition of a Jana Euler work from a 2020 show at Artists Space in New York after persistent engagement with her galleries.

moca gala art performance party

The Museum of Contemporary Art, Los Angeles (MOCA) held its annual gala, presented by BVLGARI, at the Geffen Contemporary space in Little Tokyo. The evening introduced a new format called MOCA Legends, honoring artist Theaster Gates, architect Frank Gehry, and philanthropist Wendy Schmidt. Guests included actors Jane Fonda, David Alan Grier, Sarah Paulson, director Ava DuVernay, and artists Andrea Bowers, Charles Gaines, Henry Taylor, and Olafur Eliasson, whose exhibition OPEN was on view. After a performance by the TAIKOPROJECT Japanese drum ensemble, House Speaker Emerita Nancy Pelosi surprised attendees by introducing Gehry. Rapper Tierra Whack performed during dinner, and the event raised $3.1 million for museum operations.

david rimanelli willem de kooning cosey fanni tutti

Art critic David Rimanelli reviews Willem de Kooning's exhibition "Endless Painting" at Gagosian's 555 West 24th Street location, curated by Cecilia Alemani, running through June 24, 2025. The show spans de Kooning's career from 1944 to his final phase, though notably omits his black-and-white oil-and-enamel paintings from the late 1940s. Rimanelli expresses ambivalence, finding the show dreary and pointless despite the high caliber of individual works, and critiques the press release's focus on fragmented body parts. Separately, Johanna Fateman reviews Cosey Fanni Tutti's exhibition at Maxwell Graham, highlighting her controversial 1970s series "Magazine Actions" (1972–80), on view through June 28, 2025.

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The Hammer Museum in Los Angeles held its 20th annual Gala in the Garden on Saturday night, raising $2.4 million for the institution. The event honored artist Lauren Halsey and actor-activist Jane Fonda, with speeches from director Zoë Ryan, Studio Museum director Thelma Golden, and actors Ted Danson and Mary Steenburgen. Attendees included LeBron James, Dustin Hoffman, Will Ferrell, Stormzy, Ed Ruscha, Catherine Opie, Mark Bradford, and Andrea Bowers, with a performance by singer Griff.

artadia artists tennis court benefit

Artadia, a nonprofit grantmaker, held its third annual tennis tournament at the Los Angeles Tennis Club in May 2025, moving the event from its traditional pre-Frieze slot in response to the year's wildfires. The fundraiser, co-chaired by Charles Gaines, Jennie Lamensdorf, and Rafael Flores, gathered over 130 guests including gallerists from Gagosian, Hauser & Wirth, and David Zwirner, as well as curator Mia Locks and artists Ally Hilfiger, Todd Gray, and Roksana Pirouzmand. Forty-five participants played in a rotating doubles format, while others socialized; Locks gave remarks and won the tournament.

alison saar david c driskell prize 2

Alison Saar has been named the 2025 recipient of the David C. Driskell Prize by Atlanta’s High Museum of Art, recognizing her significant contributions to the African American art canon. The announcement was made in New York at a celebration held at the Fifth Avenue Hotel in partnership with CULTURED, with a formal gala planned for September featuring a performance by John Legend. Saar, a Los Angeles native known for her commanding sculptures and mixed-media works exploring race, gender, and spiritual identity, joins past honorees including Naomi Beckwith, Ebony G. Patterson, Amy Sherald, and Rashid Johnson.

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The Guggenheim Young Collectors Council (YCC) hosted its 2025 party at the museum's New York rotunda, honoring Korean artist Ayoung Kim as the recipient of the LG Guggenheim Award. The event featured a multisensory experience with tarot readings, motion-capture avatars, a performance by YCC Artist Collaborator LaJuné McMillian using LG OLED technology, and a DJ set by Kito, drawing a crowd of artists, curators, and collectors including Naomi Beckwith, Ella Emhoff, Tschabalala Self, and Moses Sumney.

LATIN AMERICA AT THE VENICE BIENNALE: A VISUAL TOUR OF THE CENTRAL EXHIBITION

LATINOAMÉRICA EN LA BIENAL DE VENECIA: UN RECORRIDO VISUAL POR LA MUESTRA CENTRAL

The 61st Venice Biennale, titled "In Minor Keys," opened its preview days on May 8, 2025, curated by the late Koyo Kouoh (1967–2025). The central exhibition, realized by a team she selected before her death, features 110 participants from around the world, with a strong Latin American presence of 15 artists, collectives, and organizations. The show explores themes of colonial history, plantation economies, geological memory, and environmental crisis through works that emphasize shared materials, politics, and poetics across geographies from Dakar to San Juan.

Form in the Age of Living Materials. Interview with Curator Pablo José Ramírez

LA FORMA EN LA ERA DE LOS MATERIALES VIVOS. ENTREVISTA AL CURADOR PABLO JOSÉ RAMÍREZ

The Hammer Museum in Los Angeles is presenting "Several Eternities in a Day: Form in the Age of Living Materials," an exhibition curated by Pablo José Ramírez running until August 23. Featuring 22 artists from the Americas, the show explores materials such as avocado, cacao, achiote, cochineal, stone, clay, and natural dyes that evolve, degrade, or transform over time. Organized into three acts, the exhibition challenges conventional notions of the art object by treating these materials as living agents with memory and agency, rooted in Indigenous knowledge and the concept of "brownness." In an interview, Ramírez discusses how these materials destabilize extractivist logics and institutional frameworks, forcing a rethinking of conservation protocols and the very conditions of exhibition-making.

GEORGE FEBRES: TRANSLATION, IRONY, AND LIBERATION. AN ECUADORIAN ARTIST IN THE DIASPORA

The article examines the life and work of George Febres (1943–1996), an Ecuadorian artist who spent most of his career in the United States, primarily in New Orleans. Febres’s practice blends Pop Art, Neo-Surrealism, and Southern US culture with his experiences as a migrant and queer subject, using bilingualism and ironic tropical imagery to create a hybrid, irreverent body of work. Despite his significance, no works by Febres exist in Ecuadorian public collections, and no major retrospective has been held in his home country, reflecting a broader erasure of queer narratives from national art history.