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‘Overworked’: Çağla Ulusoy in Conversation With ArtReview

ArtReview and Dirimart London are hosting a conversation between artist Çağla Ulusoy and ArtReview editor Fi Churchman about Ulusoy's book 'Overworked', which features 83 selected abstract paintings and accompanying collages. The event takes place on 6 June 2026 at Dirimart's London gallery, coinciding with the group exhibition 'Colour is the Place', which includes Ulusoy's work alongside artists Hashel Al Lamki, Tala Worrell, and Berke Yazıcıoğlu. Ulusoy's practice integrates lived experiences from various cultures into abstract compositions using materials like acrylic, oil paint, sand, and wax.

Vima 2026: Highlights From Cyprus’ Emerging International Art Fair

The second edition of Vima, Cyprus' emerging international art fair, took place in Limassol from May 15-17, 2026, drawing 5,200 visitors and featuring 26 invited galleries from over 20 countries. Artworks sold ranged from €550 to €90,000, reflecting increased sales from the inaugural 2025 edition. Highlights included a special exhibition curated by Kostas Stasinopoulos titled "The Crashing Waves," performances by Scottish choreographer Magnus Westwell, and notable presentations by galleries such as Cut Art Gallery (Riga) and Eins Gallery (Limassol). The fair also hosted 25 events including talks, live music, and off-site shows across Limassol and Nicosia.

Roni Horn Returns to London with Seizure of Hope at Hauser & Wirth

Roni Horn returns to London for her first solo exhibition in a decade, titled *Seizure of Hope*, at Hauser & Wirth. The show features over 45 works on paper centered on the repeated phrase "I am paralyzed with hope," drawn from a performance by comedian Maria Bamford, alongside a cast-glass sculpture *Untitled ("What happens to the hole when the cheese is gone?")* (2022). The drawings explore language, repetition, and the instability of meaning, with words shifting between clarity and abstraction through wax crayon layering. A limited-edition artist book of the same title will be released by Hauser & Wirth Publishers.

Alexander James Dissects Painting’s Most Enduring Shape in Hong Kong Exhibition

British artist Alexander James presents *Dissecting the Square*, a new exhibition at Phillips Gallery in Hong Kong, running until 31 May 2026. The show features a series of paintings, sculptures, and installations that explore the square as a geometric form, inspired by a moment when sunlight dissected an empty canvas in his studio. James divides canvases into quadrants, creating works that balance order and disruption. The exhibition also includes Josef Albers’ *Homage to the Square: In Time* (1967) and a sculpture by Sean Scully, placing James’s practice in dialogue with art historical precedents.

Global Art Biennials: Renovation, Revelation—or Repetition?

The article examines the current state of global art biennials, arguing that recent controversies—such as the 2022 documenta antisemitism crisis and geopolitical tensions at the 61st Venice Biennale—reveal these exhibitions as deeply politicized platforms rather than neutral cultural events. It highlights how juries and curators have introduced geopolitical criteria, and cites ongoing debates in Artforum (April 2026) featuring voices like Daniel Birnbaum, Michelle Grabner, and Adam Szymczyk, who diagnose visible tensions but overlook deeper structural conditions.

At TEFAF New York, the Masterpiece Market Had Plenty to Celebrate

TEFAF New York returned to the Park Avenue Armory with record attendance on its Collector Preview day, May 14, featuring 90 exhibitors showcasing modern and contemporary masterpieces, antiques, decorative arts, and jewelry. Dealers reported strong sales across price tiers, including an Andy Warhol Mao sold by ML Fine Art within the first hour, a Lucio Fontana *Concetto Spaziale* for $2.3 million at Mennour, and works by Giorgio Morandi, Giosetta Fioroni, and Meret Oppenheim sold by Galleria d’Arte Maggiore g.a.m. A new secondary-market partnership, Pace Di Donna Schrader Galleries, debuted with a booth anchored by a 1956 Rothko, signaling renewed confidence in the market.

You Can’t Drive It; You Can Only Look At It: A Conversation with Heidi Vaughan

Houston gallerist, secondary market art broker, and fine art appraiser Heidi Vaughan discusses her gallery Heidi Vaughan Fine Art (HVFA), the recent opening of McKay Otto's show 'GOLD,' and her multifaceted role in the art world. Vaughan represents established Houston artists like McKay Otto and Thedra Cullar-Ledford, as well as emerging painter Afi Lane, and offers services ranging from valuation and authentication to collection management and liquidation. She also hosts a radio show, 'The Houston Hour,' on 90.1 KPFT HD2, and is a prominent advocate for the arts in Houston.

Frieze New York 2026 Sales Report & Contemporary Art Market Trends

Frieze New York 2026 concluded with significant sales activity, as galleries reported strong demand for blue-chip contemporary works. The fair featured a mix of established and emerging artists, with notable transactions including major paintings by living artists and secondary market pieces. Dealers noted a cautious but steady market, with collectors focusing on high-quality, investment-grade works.

Review. VARIOUS OTHERS 2026

The 2026 edition of VARIOUS OTHERS in Munich featured a tightly curated program of exhibitions across participating galleries, institutions, and artist-run spaces. For the first time, the event awarded the "VARIOUS OTHERS Prize" (VO Award) to both a gallery and an off-space: Gallery Sperling and space n.n. won for their respective exhibitions. Notable presentations included solo shows by Paola Siri Renard at nouveaux deuxdeux, Milena Muzquiz at Galerie Rüdiger Schöttle, and a dual exhibition at Knust Kunz Gallery Editions featuring Robert Motherwell and Merce Cunningham. Museum Brandhorst also opened the "Carrying" project with works by international artists.

Basquiat’s 'Museum Security' leads Sotheby’s New York contemporary evening sale at US$52.7m

Jean-Michel Basquiat's 1983 painting 'Museum Security (Broadway Meltdown)' sold for US$52.7 million at Sotheby's Now and Contemporary Evening Auction in New York, becoming the fifth-most expensive Basquiat ever auctioned. The work, estimated at over US$45 million and backed by an irrevocable bid, hammered at US$45.3 million to a telephone bidder represented by Sotheby's Lucius Elliott. The auction totaled US$266.8 million with fees, selling 40 of 44 lots, and combined with the preceding Robert Mnuchin collection sale—led by Mark Rothko's 'Brown and Blacks in Reds' at US$85.8 million—the evening brought in US$433.1 million.

FAD News: Major museum acquisitions and strong sales drive Frieze New York 2026

Frieze New York closed its 15th edition at The Shed with strong sales, major museum acquisitions, and 25,000 visitors from 75 countries. The fair featured 68 galleries from 26 countries and launched the inaugural Sherman Family Foundation Acquisition Fund, enabling the Brooklyn Museum and Baltimore Museum of Art to acquire works by Bettina from Ulrik, Reika Takebayashi, Seba Calfuqueo, and Joanne Burke. Notable sales included El Anatsui works for $2.2 million and $1.9 million at White Cube, a Georg Baselitz painting for €1.4 million at Thaddaeus Ropac, and a James Turrell light work in the $900,000–$1 million range at Almine Rech. Latin American representation grew to 14 galleries, and the Focus section curated by Lumi Tan drew strong institutional attention.

Ed Ruscha | Angel (2014) | For Sale

Ed Ruscha's 2014 lithograph "Angel" is being offered for sale through Leslie Sacks Gallery in Santa Monica. The work is a unique color trial proof from an edition of 60, measuring 23 by 16 inches, hand-signed and numbered by the artist, and includes a certificate of authenticity. The listing appears on Artsy, where the price is available on request, and notes increased collector interest over the past 14 days.

If fashion is art, why doesn’t CNZ fund it?

Creative New Zealand (CNZ) explicitly states on its website that it does not fund fashion design, classifying it as primarily part of the commercial creative industries. The article highlights the contradiction that while major institutions like The Dowse Art Museum, Auckland Art Gallery, and World of WearableArt treat fashion as art, CNZ denies funding to fashion designers, with rare exceptions for non-commercial, cross-cultural, or collaborative projects. Fashion designer Doris de Pont, founder of The New Zealand Fashion Museum, notes that even when her trust received CNZ support, it was for the art connection, not the fashion itself.

Christo, Jeanne-Claude | The Pont-Neuf Wrapped (1976-2020) | Art & Prints

An auction listing for Christo and Jeanne-Claude's limited edition print 'The Pont-Neuf Wrapped' (1976-2020) has closed. The work is an archival digital print on wove paper, part of an edition of 450, accompanied by the exhibition book 'Christo et Jeanne-Claude Paris!'. The listing includes details on the artists' legacy, their monumental public projects like 'The Gates' and 'Wrapped Reichstag', and notes that similar works by Christo are available for purchase from various galleries.

Theatre, production, performance: fashion invests in art

Fashion houses like Chanel are increasingly investing in contemporary art, not merely as inspiration for prints or patterns but as a strategic tool for brand positioning and cultural credibility. Gallery owner Tristan Paprocki, who recently opened a Milan space with partner Guido Romero Pierini, notes that brands now seek out emerging artists to demonstrate foresight and support new talent. Chanel has collaborated with Berlin's Hamburger Bahnhof museum for large-scale installations by artists such as Klára Hosnedlová and Lina Lapelytė, and has announced ten artists for the third edition of its Next Prize 2026, including Bárbara Sánchez-Kane, Pan Daijing, and Álvaro Urbano. These artists work across fashion, sculpture, and performance, blurring the lines between clothing and contemporary art.

A Time of Transition

During the preview week of the 61st Venice Biennale, escalating protests targeted the national pavilions of Israel and Russia, with demonstrations by Pussy Riot, ANGA (Art Not Genocide Alliance), and Baltic pavilions. A major protest on May 8 drew over 3,000 people in solidarity with Palestine, and 27 national pavilions—including Austria, the Netherlands, France, and Japan—staged a strike, the first at the Biennale since 1968. The Golden Lion jury resigned after declaring they would not consider countries under ICC investigation (Israel and Russia), and the Biennale administration replaced the prize with a visitors' award, from which half the artists in the main exhibition have withdrawn.

Seattle Art Museum continues Alexander Calder exhibition series

The Seattle Art Museum (SAM) has announced a new exhibition, "Monochrome: Calder and Tara Donovan," as part of its ongoing Calder at SAM initiative. Opening May 13, 2026, and running through January 17, 2027, the show is co-curated by artist Tara Donovan and Catharina Manchanda, SAM's Jon and Mary Shirley Curator of Modern and Contemporary Art. It explores how both Alexander Calder and Donovan use monochrome—particularly black—to examine materials, movement, and perception. Donovan's works from five series, including installations made from tar paper and Mylar, will be displayed alongside two of Calder's matte black pieces: the mobile "Jacaranda" (1949) and the stabile "Mountains" (1976).

Frieze New York will Open With 68 Galleries from 26 Countries, and Other News.

Frieze New York will open on May 13, 2026, at The Shed with 68 galleries from 26 countries, marking its 15th edition. The fair emphasizes Central and South American galleries, supported by new committee members Fátima González and Omayra Alvarado, alongside blue-chip exhibitors like Gagosian, Hauser & Wirth, and Pace. In other news, Phillips set a watch auction record with its $96.3 million Geneva sale, the Met Gala generated $1.56 billion in media value, and ICFF announced a November 2027 edition. Tiffany & Co. and the CFDA launched a new jewelry design scholarship.

Inside New York’s Rogue Project Spaces

A digital cover story profiles New York City's rogue project spaces—artist-run venues like U-Haul Gallery, Desnivel, Spielzeug, Catbox Contemporary, and 95 Gallon Gallery—that operate in unconventional locations such as trash bins, moving trucks, bodegas, laundromats, buses, and cat towers. The article features interviews with founders including Maria De Victoria (Desnivel), James Sundquist and Jack Chase (U-Haul Gallery), and others, highlighting how these spaces counter the bureaucracy of institutional exhibitions by prioritizing artist freedom, intimacy, and community engagement.

Exhibition | Janet Laurence, 'Once Were Forests' at Cassandra Bird, Paris, France

Cassandra Bird Paris, supported by Zimmermann, presents 'Once Were Forests,' an immersive solo exhibition by Australian artist Janet Laurence. The show features a major installation alongside new sculptures, paintings, and photographs that explore ice, forest, and water as carriers of time, memory, and life. Soundscapes from Australian forests and birdsong deepen the sensory experience, inviting visitors into a contemplative space where ancient ecologies, present nature, and possible futures converge.

Raymond Pettibon, Chris Johanson | You're Not Worth Much (Hand Signed by Raymond Pettib… (2017) | For Sale

This article is a sales listing for a collaborative artwork by Raymond Pettibon and Chris Johanson, titled "You're Not Worth Much" (2017), hand-signed by Pettibon. The listing includes a biography of Pettibon, detailing his career, exhibitions, and gallery representation by David Zwirner, as well as his influences and major museum shows.

Ed Ruscha, Lawrence Weiner | Hard Light (1978) | Art & Prints

An auction listing for Ed Ruscha and Lawrence Weiner's collaborative print "Hard Light" (1978) has ended, with the work described as an offset lithograph in colors on 60 lb. Mountie Matte paper, measuring 7 × 5 inches. The print is from an edition of 3560 published by Heavy Industry Publications, Los Angeles and Moved Pictures, New York, and is in good condition with pale toning and faint stains. The listing also promotes similar available works by Ed Ruscha, including "Mr. Ray" (1975), "Wall Rocket" (2013), and "Dead End III" (2014), with prices ranging from €13,500 to request-based.

Ed Ruscha | Clock (1994) | Art & Prints

This article presents Ed Ruscha's 1994 print "Clock," a Mixografia print on handmade paper measuring 40 1/2 × 34 inches, part of a limited edition of 75 plus 7 artist's proofs. The work is being offered by Upsilon Gallery, which has locations in New York, London, Miami, and Milan. The article includes a biography of Ruscha, noting his career since the 1960s, his use of unusual materials like gunpowder and Pepto Bismol, his representation of the United States at the 2005 Venice Biennale, and his auction record of $68.3 million at Christie's in 2024.

Ed Ruscha | Vintage Ed Ruscha exhibition poster - Mountain serie… (2010) | For Sale

This is a listing for a vintage Ed Ruscha exhibition poster from his "Mountain series" (2010), offered for sale by Baldwin Gallery (London/Dubai) on Artsy. The offset lithograph on paper measures 39.4 × 27.2 inches, is from an unknown edition, unsigned, and includes a certificate of authenticity. The price is £3,250, with shipping available from London.

Everything You Need to Know About LACMA’s New David Geffen Galleries

LACMA has opened its new David Geffen Galleries, a single-story building spanning Wilshire Boulevard that houses the museum's permanent collection spanning 6,000 years of art. The galleries feature a revolutionary curatorial approach organized around bodies of water—Atlantic, Mediterranean, Indian, and Pacific—creating nonhierarchical displays that mix works across time and geography, such as 17th-century Dutch paintings alongside 20th-century photography. The building also includes 3.5 acres of shaded public space below, outdoor sculptures by artists like Alexander Calder and Jeff Koons, and a 220,000-square-foot pavement artwork by Mariana Castillo Deball.

Andy Warhol | Ace Gallery Exhibition Poster "The American Indian S… (1976) | For Sale

An Andy Warhol offset lithograph poster from his 1976-1977 "American Indian Series" is being offered for sale by Revolver Gallery in West Hollywood. The poster, designed to advertise Warhol's exhibition at Ace Gallery Los Angeles in February 1977, depicts Native American civil rights activist Russel Means, a member of the American Indian Movement. Warhol created three different posters for consecutive exhibitions at Flow Ace Gallery Paris (October 1976), Ace Gallery Vancouver (November 1976), and Ace Gallery Los Angeles (February 1977), with this blue version corresponding to the Los Angeles show. The work is signed by Warhol, includes a certificate of authenticity, and is priced at $2,860.

The 61st Venice Biennale: 'artists who confront difficult realities in unusual ways' at Palazzo Grassi and the Punta della Dogana

Curators Emma Lavigne and Jean-Marie Gallais have organized exhibitions for the Pinault Collection at Palazzo Grassi and Punta della Dogana during the 61st Venice Biennale, featuring artists Lorna Simpson, Paulo Nazareth, Michael Armitage, and Amar Kanwar. The shows respond to global tensions, with Nazareth using salt to trace a ghost ship referencing the slave trade, and Simpson creating nocturnal paintings and collages from Ebony and Jet magazines that explore identity and history. The exhibitions are part of the Biennale's broader global outlook, engaging with Venice's mercantile past and contemporary migration routes.

The Art Diary May 2026 – Revd Jonathan Evens

The article titled "The Art Diary May 2026 – Revd Jonathan Evens" appears to be a diary or column by Revd Jonathan Evens, published on Artlyst, covering art-related events, reflections, or commentary for May 2026. The specific content is not provided in the snippet, but the format suggests a curated overview of exhibitions, cultural happenings, or personal observations from the author's perspective.

The Best Art Exhibitions To Visit In Hong Kong This May

This article highlights three art exhibitions in Hong Kong for May 2026. 'Seeds of Wishes' at JPS Gallery features black-and-white and colorful drawings by thirteen-year-old artist Yat Long, created after his diagnosis with a life-threatening disease, with a related CASETiFY phone case collection. 'Dial-A-Poem Hong Kong' at M+ presents an interactive installation based on John Giorno's 1969 project, offering newly recorded poems in Cantonese, English, and Mandarin by thirty local poets. 'Fallen Angels' at Hauser & Wirth showcases Nicole Eisenman's paintings and sculptures exploring middle-class life, departing from her usual crowded scenes.

Dallas Museum of Art acquires six works at 2026 Dallas Art Fair

The Dallas Museum of Art acquired six works from the 2026 Dallas Art Fair, held April 16–19 at the Fashion Industry Gallery in the Dallas Arts District. The acquisitions, made possible by the Dallas Art Fair Foundation + Dallas Museum of Art Acquisition Fund, include pieces by Nicole Eisenman, Gloria Klein, Caroline Monnet, Hasani Sahlehe, and Raymond Saunders. Selections were made by DMA curators including Dr. Vivian Li, Ade Omotosho, Dr. Emily Friedman, Dr. Nicole R. Myers, and director Brian Ferriso. This marks the tenth year of the fund, which has added 78 works to the museum's permanent collection since 2016 through over $1 million in donations.