The article is about the Salon des Indépendants, a historic French art exhibition society founded in 1884. It provided a platform for artists to exhibit works without a jury, challenging the official Paris Salon's conservative standards.
The exhibition "Flesh and Bones: The Art of Anatomy" at Singapore's ArtScience Museum explores the history of anatomical representation as a cultural construct rather than a universal scientific truth. It juxtaposes Western anatomical atlases from the Renaissance with Chinese meridian (jingluo) systems, featuring works by artist Chiharu Shiota and other historical pieces that reveal how different cultures have visualized the human body through both scientific and spiritual lenses.
The Hestia Artistic Journey National Grant Programme (Artystyczna Podróż Hestii) has announced the winners of its third edition, selecting eight projects from nearly 200 applications across Poland. The programme, subtitled "Opening Time" (Czas otwarcia), supports artists and cultural institutions planning exhibitions that address collective responsibility for global issues. Winners include "Ślady pamięci" by Fundacja Szałfynster in Katowice, exploring memory and dementia; "Głodne drzewa/Thirsty Trees" by Przemek Branas at the Central Museum of Textiles in Łódź, critiquing human greed through eucalyptus metaphors; and "Tymczasowa pława" by Norbert Delman at the State Art Gallery in Sopot, an installation on ecocide using a sunken fishing boat and amber. Each project will present an exhibition between July 2026 and the last quarter of 2027, with increased funding due to exceptional submissions.
Koyo Kouoh's Venice Biennale, titled after ancient wisdom, opens with a focus on healing and historical reimagination. The exhibition features works by artists such as Alexa Kumiko Hatanaka, Khaled Sabsabi, Daniel Lind-Ramos, Guadalupe Maravilla, Kennedy Yanko, and Ayrson Heráclito, alongside a strong emphasis on artist-led schools and institutions like Denniston Hill, blaxTARLINES KUMASI, and RAW Material Company. During the opening, the Koyo Kouoh Foundation was announced, set to launch in Basel to support Pan-African cultural infrastructure. The show includes Refaat Alareer's poem "If I Must Die" and addresses political realities, blending spiritual, ecological, and technological themes to explore collective care and restoration.
White Cube Mason’s Yard in London will present a solo exhibition by the artist duo TARWUK (Bruno Pogačnik Tremow and Ivana Vukšić), running from 9 July to 15 August 2026. The show debuts a major new site-specific installation alongside paintings and works on paper, marking the duo’s first exhibition at the gallery.
Virginia MOCA hosted a free Community Day on Saturday, May 9, at its new Virginia Beach location, in partnership with Virginia Humanities. The event featured inaugural exhibitions including Nina Chanel Abney: The Pursuit of Happiness and Seamless: Art and Design, along with hands-on art making, live performances, artist demonstrations, a U-Haul art gallery, food trucks, and workshops for all ages.
Philadelphia is celebrating America's 250th anniversary (the Semiquincentennial) in 2026 with the opening of several new museums, galleries, and attractions. These include Calder Gardens, a dedicated space for Alexander Calder's work on the Benjamin Franklin Parkway; Ministry of Awe, an immersive six-story art experience by Meg Saligman in a former bank; a new permanent Indigenous gallery at the Penn Museum; and a Netflix House experience at King of Prussia mall. The article also mentions the First Bank of the United States museum, the Philly Pride Visitor Center, and the Pennsylvania Hospital Museum as part of the city's anniversary additions.
An all-women exhibition titled 'Making Her Mark: A Celebration of Women in Art' has opened at Penlee House Gallery & Museum in Penzance, Cornwall, as the first stop on a three-part UK tour. The show features over 60 works by female artists from the 19th century to the present day, including Tracey Emin, Barbara Hepworth, Elizabeth Forbes, and Laura Knight. It is a collaboration between Penlee House, Worcester City Art Gallery & Museum, and Kirkcaldy Galleries, curated jointly by the three venues with local leadership from Penlee House deputy director Katie Herbert. The exhibition is part of Art Fund's £5.36 million Going Places programme and will travel to Worcester and Kirkcaldy in 2026 and 2027.
A new exhibition titled "Nervous Breakdown" at the Wilhelm-Hack-Museum in Ludwigshafen, Germany, presents the most comprehensive collection of Raymond Pettibon's album cover art to date. The show draws from over 200 works in the collection of Stefan Thull, spanning Pettibon's record, CD, and cassette covers from 1979 to the present, including iconic designs for Sonic Youth's "Goo" and Black Flag's logo. The exhibition is accompanied by a catalogue published by the museum and David Zwirner Books.
DATALAND, the world's first museum of AI arts co-founded by artist Refik Anadol and Efsun Erkılıç, will open to the public on June 20, 2026, in downtown Los Angeles. Located in the Frank Gehry-designed building The Grand LA within the Grand Avenue Cultural District, the 35,000-square-foot venue will debut with the inaugural exhibition "Machine Dreams: Rainforest," an immersive 360-degree experience based on millions of images and sounds of nature. The custom AI model powering the exhibition was trained on data collected from 16 rainforests worldwide, with data partnerships established with the Smithsonian, Cornell Lab of Ornithology, Getty, iNaturalist, and the Natural History Museum in London.
The Parrish Art Museum in Water Mill held its annual Spring Fling benefit on April 25, celebrating the 10th anniversary of Access Parrish, an initiative that makes art accessible to visitors of all needs and abilities. The event featured art, dance, music, and food, and honored Bobbie Braun of The Neuwirth Foundation as the museum's inaugural Civic and Community Leader Honoree for her unwavering commitment to the program since its inception in 2016.
The remains of Charlottesville's melted Confederate statue of General Robert E. Lee are now on display at the Museum of Contemporary Art (MOCA) in Los Angeles as part of the 'Monuments' exhibition. The statue, originally standing in Market Street Park, was acquired by the Jefferson School African American Heritage Center (JSAAHC) in 2021, melted down at a secret location, and shipped to Los Angeles. The exhibition, presented in partnership with The Brick, also features artist Kara Walker's reconstruction of the Thomas Jackson statue. The bronze ingots and slag from the melting process are displayed alongside other works that reimagine Confederate monuments.
Museums across Central Texas are opening a slate of summer exhibitions, including the Blanton Museum of Art's "Art in Every Corner: The Works Progress Administration (1935-1943)," featuring prints and paintings by Thomas Hart Benton, Grant Wood, and Dorothea Lange. The San Antonio Museum of Art will present "Microhistories of the Andes" with Andean artifacts, while the McNay Art Museum hosts "Garden Party: Nature on Paper" with works by René Magritte and Winslow Homer. Women & Their Work in Austin will showcase "MARK," a group drawing exhibition by 25 Texas women artists.
The United States is marking its 250th anniversary in 2026 with a major collaborative exhibition titled *A Nation of Artists*, presented simultaneously at the Pennsylvania Academy of the Fine Arts (PAFA) and the Philadelphia Museum of Art (PMA). The show features over 1,000 works—paintings, photographs, sculptures, and decorative arts—spanning from the late 18th century to the present, including more than 120 rarely seen pieces from the Middleton Family Collection, one of the country's most significant private holdings of American art. PAFA organizes the works thematically around westward expansion, industrialization, and globalization, while PMA, celebrating its 150th anniversary, presents a chronological survey from 1700 to 1960, highlighting international exchange, technological innovation, and shifting cultural economics.
Frieze New York 2026 will return to The Shed from May 13–17, featuring an expansive program of solo, dual, and curated presentations. The fair brings together 33 New York galleries alongside international exhibitors, with strong solo booths by Virginia Jaramillo (Hales), Akinsanya Kambon (Ortuzar and Marc Selwyn Fine Art), and Kelly Sinnapah Mary (James Cohan). Dual presentations include mor charpentier pairing Anas Albraehe and Nohemí Pérez, and Nara Roesler showing Jonathas de Andrade with Marcelo Silveira. Blue-chip galleries like Hauser & Wirth, White Cube, and Gagosian will present works by major artists including Cindy Sherman, Tracey Emin, and Nan Goldin. The Focus section, curated by Lumi Tan, highlights 11 emerging galleries with solo presentations by Antoni Miralda, Seba Calfuqueo, Reika Takebayashi, and Aki Goto.
Paul Farber, founder of Monument Lab, discusses his new exhibition "Rising Up: Rocky and the Making of Monuments" at the Philadelphia Museum of Art. The show moves the iconic Rocky statue inside the museum and examines how a fictional boxer's statue became Philadelphia's most famous work of art, exploring broader questions about collective memory and public commemoration. Farber also reflects on the dismantling of the Frank Rizzo statue and how unintentional monuments like the Berlin Wall shape cultural discourse.
Nick Cave's immersive solo exhibition "Mammoth" is on view at the Smithsonian American Art Museum through January 3, 2027. The show features a vast, illuminated table covered with hundreds of everyday objects—faux fruits, bejeweled vegetables, wooden canes, glass fish, toy trucks, and leather slippers—arranged with deliberate purpose. Alongside these collected items, Cave has constructed mammoth hides and bones, and a video projection brings the ancient creatures to life. The exhibition draws deeply on Cave's personal history growing up in Missouri, with memories of his grandparents' farm and his family's traditions of making, quilting, and craftsmanship informing the assemblage.
The article previews nine major art and fashion exhibitions scheduled for 2026 across Europe and the United States. Highlights include the V&A's first UK survey of Elsa Schiaparelli, tracing her radical approach to couture; ICA Miami's immersive Dolce&Gabbana showcase celebrating Italian craftsmanship; the Met's comprehensive Raphael exhibition featuring over 170 works; the Musée d'Orsay's exploration of Renoir's joyful modernity; and Palais Galliera's look at 18th-century fashion's lasting influence.
A new exhibition titled 'Art & Fashion' has opened at Lisbon's Calouste Gulbenkian Museum, curated by Eloy Martínez de la Pera Celada. It juxtaposes masterpieces from the museum's permanent collection—spanning ancient Egyptian artifacts to Rembrandt and Impressionist works—with historic and contemporary fashion pieces, including garments from Charles Frederick Worth, Yohji Yamamoto, Dries Van Noten, Alexander McQueen, and Sarah Burton's debut at Givenchy. The show is organized by regional provenance and temporarily replaces the museum's usual display while its Brutalist building undergoes renovation.
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Dataland, billed as the world's first museum dedicated to A.I.-generated art, will open on June 20 in downtown Los Angeles. Founded by digital artists Refik Anadol and Efsun Erkiliç, the 35,000-square-foot museum is located in the Grand LA complex designed by Frank Gehry. Its inaugural exhibition, "Machine Dreams: Rainforest," features immersive, multisensory installations powered by an open-access A.I. model called the Large Nature Model, trained on millions of nature images. The exhibition includes soundscapes incorporating oral histories of the Yawanawá people and the last recorded call of the extinct Kaua‘i ‘ō‘ō bird.
Dataland, the world's first museum dedicated to AI arts, will open on June 20 in downtown Los Angeles. Co-founded by new media artists Refik Anadol and Efsun Erkılıç, the 35,000-square-foot museum anchors the $1-billion Frank Gehry-designed Grand LA complex. Its inaugural exhibition, "Machine Dreams: Rainforest," created by Refik Anadol Studio, uses vast data sets from partners including the Smithsonian and London's Natural History Museum to immerse visitors in a machine-generated sensory experience of the Amazon rainforest. The museum features five immersive galleries, a 30-foot ceiling, and is powered by an open-access AI model called the Large Nature Model, which runs on Google Cloud servers using 87% carbon-free energy.
Un Guillon-Lethière pour Worcester
The Worcester Art Museum has acquired Guillaume Guillon-Lethière's painting "Lucien Bonaparte contemplant Alexandrine de Bleschamp Jouberthon" (1802), which depicts the second brother of Napoleon with his second wife. The work had been on loan to the museum from London dealers Lowell Libson and Johnny Yarker, who had purchased it at a Christie's New York auction in October 2019 after it resurfaced in a Portland sale in 2005. The painting was featured prominently in the 2024-2025 Louvre exhibition "Guillon-Lethière. Né à la Guadeloupe," where it was reunited with a portrait of its patron Lucien Bonaparte.
À la BnF, des merveilles de cartes pour imaginer des mondes nouveaux
The Bibliothèque nationale de France (BnF) is presenting an exhibition of extraordinary maps that blend imagination with cartography, tracing the evolution of maps from ancient tools of navigation to fantastical creations that fueled exploration and myth. The show features rare works including Renaissance sea monsters, cosmological paintings, and literary maps from Tolkien's Middle-earth and George R.R. Martin's Westeros, alongside contemporary artists like Alighiero Boetti, Sergio Aquindo, and Michael Druks who use maps to express personal and political visions.
Almost half of the artists in the 61st Venice Biennale's international exhibition, along with 16 national pavilion teams, have withdrawn from awards consideration in solidarity with the jury's resignation. The jury resigned on April 30 after stating it would not consider countries whose leaders are charged with crimes against humanity by the ICC, effectively disqualifying Israel and Russia. The Biennale Foundation then replaced the traditional Golden Lions with new "Visitor Lions" decided by public vote, reinstating all pavilions including Israel and Russia. The withdrawal follows protests at the Russian and Israeli pavilions and a historic labor strike that shuttered multiple pavilions.
The Kremlin is systematically erasing the memory of Soviet repression under Joseph Stalin from Russian museums. The Gulag Museum in Moscow, which documented Stalin-era crimes, has been rebranded as a "Museum of Memory" focused on Nazi war crimes, with its entire website replaced and exhibitions packed up. Simultaneously, Russia's supreme court banned Memorial, a human rights organization founded to document Stalin-era atrocities, labeling it an "anti-Russian" extremist group. The Yeltsin Presidential Center in Yekaterinburg has also removed references to Memorial from its walls, and the Sakharov Center in Moscow was disbanded and evicted from its facilities.
Il super architetto Kengo Kuma in mostra al Museo del Bonsai, luogo magico alle porte di Milano
The Crespi Bonsai Museum in Parabiago, near Milan, is hosting an exhibition during Fuorisalone featuring the new carpet collection "Faces" by Indian brand Jaipur Rugs, created in collaboration with renowned Japanese architect Kengo Kuma. The museum, founded 35 years ago by Luigi Crespi, houses the world's most important collection of author bonsai outside Japan, including a thousand-year-old Ficus retusa. The 16 carpets in the collection reinterpret the facades of iconic buildings by Kengo Kuma & Associates, translating their rhythm, depth, and sensory memory into wool and regenerated viscose, displayed among the bonsai and in the museum's zen garden.
Multimedia artist Alex Israel has launched his first collaboration with Pace Prints, releasing a new suite of 10 archival pigment prints titled 'Where Is My Mind?' The series, part of his ongoing Self Portrait project, features intimate-scale works that incorporate representational imagery within his signature silhouette—ranging from the Hollywood Bowl stage to aerial views of Los Angeles and a California desert scene with an iPhone outline. Each print began as a photograph, translated into paint by the Scenic Art department at Warner Brothers Studio, then scanned and mounted in custom frames. The show coincides with Pace Prints' upcoming expansion into Los Angeles in fall 2026.
The 1-54 Contemporary African Art Fair in New York (May 13–17, 2026) will debut a curated section titled '1-54 Presents: Brazil Beyond Brazil,' focusing exclusively on Afro-Brazilian art and artists. Organized by Brazilian curator Igor Simões, the section features works by ten Black Brazilian artists—including Ana Claudia Almeida, Rebeca Carapiá, and Rommulo Vieira Conceição—presented by leading Brazilian galleries such as Almeida & Dale, Fortes D’Aloia & Gabriel, Nara Roesler, and Aura. The initiative draws on archival research, reinterprets modernist legacies, and challenges narrow narratives around Afro-Brazilian art, highlighting the cultural links between Africa and Latin America.
The Bonnier Gallery in Miami's Little River neighborhood is presenting "Jean-Michel Basquiat: Selected Works, 1978–1988," a major exhibition featuring approximately 100 works spanning the artist's entire career. Curated by Grant Bonnier, the show runs through June 30, 2026, and includes paintings, works on paper, sculpture, photography, collaborative works with Andy Warhol, and rare ephemera, tracing Basquiat's evolution from teenage postcards to late-period masterpieces.
World-renowned artist Mateo Blanco has unveiled *Silver Falls Flag* (2026), a textile work reimagining the American flag as a flowing cascade of silver threads, evoking waterfalls and natural rhythms. The piece will be displayed from May 16 to August 23 at the Brick Store Museum in Kennebunk, Maine, as part of the exhibition *From Many, One: Visions of American Patriotism at 250*, marking the nation's 250th anniversary.