'Tough Stuff' Women in the American Glass Studio opens May 16 at CMoG

The Corning Museum of Glass (CMoG) will open 'Tough Stuff: Women in the American Glass Studio' on May 16, 2026, running through January 10, 2027. This is the first survey exhibition dedicated to women artists working in glass during the 1960s and 1970s, featuring over 200 objects from artists including Claire Falkenstein, Audrey Handler, Margie Jervis, Susie Krasnican, Kathleen Mulcahy, Ginny Ruffner, Ruth Tamura, and Toots Zynsky. Curated by Tami Landis, the show draws from CMoG's permanent collection, the Rakow Research Library, and notable loans, presenting works that have never been displayed before.

Exhibition | Kimiyo Mishima, 'FRAGILE' at Nonaka-Hill, Los Angeles, United States

This article profiles Japanese artist Kimiyo Mishima, whose ceramic sculptures meticulously replicate discarded newspapers, cans, and other trash. Mishima, who died recently, began her career with painting and collage before pioneering a technique in 1971 of silk-screening and painting thin clay sheets rolled with an udon noodle roller to create fragile, lifelike sculptures of garbage. Her work was shaped by her experience growing up in postwar Osaka and her revulsion at consumer culture's disposable nature, leading her to collect trash from the streets of New York and Paris during artist grants.

MAD, 제시카 리히텐스타인 개인전 'Jessica Lichtenstein: Rewilding'(5/30, 2026-4/18, 2027)

The Museum of Arts and Design (MAD) in New York will present "Jessica Lichtenstein: Rewilding," the artist's first solo museum exhibition, from May 30, 2026, to April 18, 2027. The immersive installation transforms the third-floor gallery into a lush, overgrown terrain featuring thousands of digitally rendered female nudes that form forests, ruins, and flowering canopies. The exhibition is divided into four sections—Secret Garden, After the Fall, Leave Your Thoughts Here, and Shadow Play—and includes site-specific works like the 2026 piece "Secret Garden" and a 70-foot-long modular sculpture titled "Leave Your Thoughts Here" (2025).

First-of-its-kind MCA exhibition plays the beat of Caribbean activism

Carla Acevedo-Yates has curated "Dancing the Revolution: From Dancehall to Reggaetón," a major exhibition at the Museum of Contemporary Art Chicago, which will be her final show before departing for a role on the Documenta 16 team in Germany. The exhibition, which occupies the museum's entire fourth floor through September 20, features over 40 artists and explores the social and political histories of Caribbean music genres.

'Cigars!' exhibit at Florida Museum of Photographic Arts captures a fading history

The Florida Museum of Photographic Arts has launched "Cigars! Photography, Industry and Identity," a new exhibition by local photographer Zack Wittman. The show documents the architectural remnants of Tampa’s historic cigar industry, which once boasted over 200 factories but has dwindled to approximately 25 standing brick buildings. Through a collaboration with the J.C. Newman Cigar Company, Wittman captured both preserved and derelict structures that define the unique personality of Ybor City.

Compton’s New Canvas: Mr. Wash and the Art of the Possible, Los Angeles

Fulton Leroy Washington, the Compton-based artist known as Mr. Wash, is spearheading a $15 million campaign to build a 14,000-square-foot community arts center and studio in his hometown. The project is being supported by his latest exhibition, "The City of Compton: Then & Now," and a showcase at Jeffrey Deitch’s Compton space titled "Don’t Turn Your Back On Us." Washington, who served 21 years of a life sentence before receiving clemency from President Barack Obama in 2016, gained international acclaim for his photorealistic "teardrop" portraits created while incarcerated.

“Drifting Until Caught” at Brooklyn Navy Yard: Three Artists and the Objectivity of Method

Three artists—Veronika Georgieva, Stephen j Shanabrook, and Shura Skaya—have transformed an industrial venue at the Brooklyn Navy Yard into a pop-up exhibition titled “Drifting Until Caught.” The show, accessible only by appointment, features works that range from pressed plastic sculptures and chocolate casts to wax crayon drawings and acrylic paintings, all exploring the boundary between figuration and abstraction. Each artist employs mechanical or chance-based methods, such as Shanabrook’s hydraulic press or Georgieva’s video projections, to create images that embrace distortion and materiality.

Historic Monument Honors New York's First Arabic-Speaking Community

New York City unveiled its first commemorative public artwork under Mayor Zohran Mamdani's administration on April 30, honoring the historic "Little Syria" neighborhood in Manhattan's Financial District. The monument, titled "Al Qalam (The Pen): Poets in the Park," is a mosaic installation and sculpture by French-Moroccan artist Sara Ouhaddou, created over the past decade. It celebrates nine members of the enclave's literary community, including Lebanese-American poet Khalil Gibran, who co-founded the writers' association Pen Bond in 1920. The $1.6 million artwork sits in Elizabeth H. Berger Plaza, within the blocks where immigrants from Greater Syria settled in the late 19th century before being displaced by tunnel construction in the 1940s.

Venice Biennale jury quits amid row over participation of Russia

The entire jury of the Venice Biennale resigned just days before the 61st international art exhibition's opening on May 9, following a dispute over the decision to allow Russia to participate. The five-member panel, led by Solange Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, had previously stated it would not award prizes to artists from countries whose leaders face charges of crimes against humanity, a move seen as targeting Russia and Israel. The Biennale responded by postponing the award ceremony to November 22 and announcing it would give two awards, including one that could go to any national participation, citing its founding principles of openness and rejection of censorship.

Una delle opere più importante esposte alla Galleria Nazionale di Roma sta ammuffendo

An article by Laura Carlotta Cortoni on Artribune reports that Pino Pascali's iconic 1967 work "32 mq di mare circa" ("32 square meters of sea approximately"), on display at the Galleria Nazionale d'Arte Moderna e Contemporanea (GNAMC) in Rome, is covered in mold, dust, and insects due to a total lack of maintenance. The author describes the installation as resembling a neglected warehouse and notes that visitors unfamiliar with the piece mistake the decay for an intentional environmental statement, creating a critical paradox given Pascali's own series of works titled "Muffe" (Molds).

At the Venice Biennale, the Armenian Pavilion Transforms into an Artist's Workshop: Works Are Born in Front of the Public

Alla Biennale di Venezia il Padiglione dell’Armenia si trasforma in bottega d’artista: le opere nascono di fronte al pubblico

The Armenian Pavilion at the 2026 Venice Biennale will transform into a functioning artist's studio, where sculptor Zadik Zadikian will create works in real time before the public. Titled "The Studio," the project is curated by gallerist Tony Shafrazi and curator Tina Chakarian, and will operate daily from May 6 to November 22 at the Tesa 41 of the Arsenale. Zadikian, born in Yerevan in 1948 and now based in the US, will work with traditional Armenian plaster techniques alongside his son Aram and studio assistants, emphasizing the process of making over the finished object.

The legendary film "Novecento" by Bertolucci in his Parma becomes a major exhibition

Il mitico film “Novecento” di Bertolucci nella sua Parma diventa una grande mostra

A major exhibition titled "Bernardo Bertolucci. Il Novecento" has opened at the Palazzo del Governatore in Parma, Italy, marking the 50th anniversary of Bertolucci's epic film "Novecento" (1976). The show is structured as a visual experience across 25 rooms and four sections, exploring the film's dialectic between collective history and intimate gaze. It features video, drawings, photographs, production materials, and artworks by artists such as Franco Angeli, Renato Guttuso, Taner Ceylan, and Mario Schifano, all drawn from private collections. The exhibition's first room sets the tone with a video juxtaposing the film's opening credits over Pellizza da Volpedo's painting "Il Quarto Stato" and a close-up of the young Olmo holding a frog, encapsulating the tension between political epic and sensory detail.

In Pistoia, an exhibition dedicated to the great architect and designer Ettore Sottsass

A Pistoia c’è una mostra dedicata al grande architetto e designer Ettore Sottsass

The Fondazione Pistoia Musei has inaugurated a major retrospective titled "Io sono un architetto. Ettore Sottsass" at Palazzo Buontalenti in Pistoia. Curated by Enrico Morteo, the exhibition focuses on a specific thirty-year period from 1945 to 1975, exploring the visionary designer's prolific output before the formation of the Memphis Group. The show features an extensive collection of drawings, paintings, textiles, and iconic design objects, many of which are previously unseen works sourced from the CSAC at the University of Parma.

Why Does Italy No Longer Qualify for the World Cup or the Biennials?

Perché l’Italia non si qualifica più né ai Mondiali né alle Biennali?

Artist Oscar Giaconia draws a provocative parallel between the decline of Italian football and the diminishing presence of Italian contemporary artists in major international forums like the Venice Biennale and Manifesta. He argues that both sectors suffer from a systemic failure to nurture young talent, characterized by a lack of strategic scouting, a preference for foreign trends, and a bureaucratic deafness that stifles growth.

Luscious Hair Sculptures Sprout Like Branches in a Symbiotic Exhibition

Artists Merryn Omotayo Alaka and Sam Frésquez have created a collaborative exhibition titled "Your Birth is My Birth" at Jane Lombard Gallery in Chicago. The show features synthetic hair sculptures made from Kanekalon, suspended from the ceiling and spread across the floor like organic growths. Five distinct "species" of sculptures—Listening Roots, Hearing Bells, Mother & Child, Stacking Pearls, and Umbra Pods—draw inspiration from epiphytes, non-parasitic plants that grow on host specimens. The works explore themes of symbiosis, interdependence, and genetic inheritance, with mirrored forms emerging within vertical tendrils.

Janusz Jurek Embraces the Weirdness of Everyday Life in Captivating Street Photographs

Polish photographer Janusz Jurek, who works as a graphic designer and commercial photographer, creates candid street photographs that capture humor, happenstance, and the bizarre. He focuses on authentic moments outside the mainstream, often turning away from main attractions to observe people's reactions, small gestures, and strange coincidences. Jurek is preparing a photo collection titled "Look, Before It’s Gone," compiling five years of his street photography.

Louvre: Emmanuel Macron's Obstinacy

Louvre : l'obstination d'Emmanuel Macron

Emmanuel Macron, less than a year before leaving office, continues to push controversial projects that harm French historical monuments and museums, including the Louvre's Colonnade project. The article criticizes these initiatives as detrimental to cultural heritage, while noting that his only promising project, the Musée de l'Œuvre Notre-Dame, has been shelved. The piece also highlights the appointment of Christophe Leribault as director of the Louvre as a positive step, but argues that Macron's overall record on cultural heritage is damaging.

A new watercolor by Marie-Désiré Bourgoin acquired by Orsay

Une nouvelle aquarelle de Marie-Désiré Bourgoin acquise par Orsay

The Musée d’Orsay has expanded its collection with the acquisition of a watercolor by Marie-Désiré Bourgoin. The work depicts a somber interior scene featuring an elderly woman in black seated before a commemorative display of the late painter Ernest Meissonier’s personal effects, including his Academician's sword, Legion of Honor insignia, and his final self-portrait on an easel.

2026 Future Fair: Everything You Need To Know About the Art Fair Before It Opens Next Month

Future Fair, a contemporary art fair focused on community and emerging talent, will hold its sixth edition at Chelsea Industrial in New York from May 14 to 16, 2026. The fair brings together nearly 70 exhibitors, including brick-and-mortar galleries, artist-run initiatives, and collaborative platforms from nine countries, with nearly half hailing from the New York tri-state area. Highlights include the return of the Pay-It-Forward Fund, which allocates 15% of annual profits as grants to participating galleries and dealers, and a VIP preview day on May 13.

Jule Korneffel Captures the Weight of the Pre-Dawn Sky at Spencer Brownstone Gallery, NYC

Jule Korneffel's third solo exhibition at Spencer Brownstone Gallery in New York, titled 'In Search of Lost Light,' presents a series of paintings that capture the quiet, liminal moments just before dawn. Using artist-mixed natural pigments, Korneffel shifts from her previous twilight-focused work to explore the anticipation of daylight, with pieces like the titular painting (2025) standing out for its playful, musical composition. The show also includes a mural in the gallery's back patio that blends colors into a grey neutral tone reminiscent of early-morning skies.

'Time in the Interstices' at Whitestone Gallery, Beijing, China on 25 Apr–6 Jun 2026

Whitestone Gallery in Beijing will present the group exhibition 'Time in the Interstices' from April 25 to June 6, 2026. The show features four Korean artists—Soonik Kwon, Seungtaik Jang, Kim Deok Han, and Lee Chae—whose painting practices explore time as an internal, structural element of the work, rather than a linear narrative or backdrop.

Walk through UAE’s first contemporary art exhibition dedicated to the Urdu language

The Ishara Art Foundation in the UAE has launched 'Urdu Worlds,' the region's first contemporary art exhibition dedicated to the Urdu language. Curated by Hammad Nasar, the show features a visual dialogue between the late Indian-born artist Zarina and Pakistani multimedia artist Ali Kazim. The exhibition showcases Zarina’s delicate woodcut prints, including her seminal 'Home is a Foreign Place,' alongside an expansive survey of Kazim’s paintings, sculptures, and his new 'Alphabets' series, marking his institutional debut in West Asia.

In Minor Keys: The 61st Biennale di Arte Venezia Opens Under Koyo Kouoh (1967–2025).

The 61st Biennale di Arte Venezia opens under the posthumous curatorial vision of Koyo Kouoh (1967–2025), the late Cameroonian-born curator who reshaped contemporary African and diasporic art discourse. The central exhibition, spanning the Giardini and Arsenale, features 111 participants including artists, collectives, and artist-led organizations from across the Global South, with works in textiles, film, sculpture, and performance that interrogate colonialism, migration, and ecological repair. The Biennale is also marked by a pronounced presence of African and diasporic narratives across national pavilions, including several first-time pavilions from the African continent.

The Long-Awaited Reopening of the Musée Bonnat

La réouverture attendue du Musée Bonnat

After fifteen years of closure, the Musée Bonnat (now renamed Bonnat-Helleu) in Bayonne, France, has finally reopened. The closure was initially due to structural problems, including collapsing skylights and leaks, and even before that, much of the collection had been inaccessible. The renovated museum now features a new extension built from a former school, housing the public reception area, an exhibition space, a courtyard with a café terrace, and storage. The galleries display the museum's full holdings, including Rubens sketches, terracottas from the Paul Cailleux collection, and works by Léon Bonnat himself.

NYC Mayor Zohran Mamdani Calls on King Charles to Return Treasured Diamond to India

New York City Mayor Zohran Mamdani publicly called on King Charles III to return the Koh-i-Noor Diamond to India during the British monarch's visit to New York City on Wednesday. Speaking at a press conference before a 9/11 commemoration ceremony, Mamdani said he would encourage the King to return the diamond, which was given to Queen Victoria in 1850 after Britain's colonial governor-general arranged its exchange from a deposed Indian leader. The two leaders later met at the ceremony, but Buckingham Palace declined to comment on the discussion.

Italian Culture Minister Launches Inspection of Venice Biennale’s Russian Pavilion

Italian Culture Minister Alessandro Giuli has launched an official inspection of the Russian Pavilion at the 61st Venice Biennale, just days before the exhibition opens. An inspector has been sent to Venice to review all documentation related to Russia's participation, focusing on potential irregularities such as visa issues for Russian artists and delegation members. The investigation follows the Biennale's international jury decision to exclude Russia and Israel from awards due to accusations of crimes against humanity. The Russian Pavilion will be open only during the pre-opening vernissage, after which it will close, with digital documentation displayed in its windows.

EU Says It ‘Intends’ to Cut Funding to Venice Biennale Because of Russian Pavilion

The European Union has declared its intention to cut its €2 million funding contribution to the Venice Biennale in response to the exhibition's decision to host a Russian national pavilion for the first time since Russia's 2022 invasion of Ukraine. EU foreign policy chief Kaja Kallas stated that allowing Russia to exhibit while it "bombs museums, destroys churches and seeks to erase Ukrainian culture" is morally wrong, marking the union's strongest condemnation to date.

Arts Groups Speak Out Against US Trade Representative’s Potential New Tariffs

The U.S. Trade Representative, Jamieson Greer, has launched a Section 301 investigation into 60 countries to determine if forced labor practices create unfair trade advantages. This move follows President Trump’s continued push for sweeping tariffs after previous attempts were struck down by the Supreme Court. Major art organizations, including the Association of Art Museum Directors (AAMD) and Heritage Auctions, are formally petitioning for works of art and antiquities to be exempt from any resulting duties.

Archaeologists Uncover a 2,000-Year-Old Hillfort in Estonia

Archaeologists from the University of Tartu have discovered a 2,000-year-old Iron Age hillfort at Köstrimägi in Tartu County, Estonia. Using high-resolution terrain mapping, the team identified a 16,000-square-foot fortification featuring an unusual stepped rampart system that dates back to between 41 BCE and 9 CE. Despite its size, the site yielded few artifacts beyond pottery fragments and charcoal, suggesting a very brief period of occupation before it was destroyed by fire.

A Grandmother’s Keepsake Turns Out to Be an Imperial Chinese Robe Worth Thousands

A collection of Chinese antiques, including an Imperial robe from the 19th century, was discovered in a chest in London after being kept as family mementos for decades. The items were acquired by Nan Brake, a British translator living in Beijing during the 1950s, who purchased them on excursions around the city. The collection, which features Ming dynasty paintings, Qing dynasty embroidered robes, and jade ornaments, will be auctioned by Roseberys on May 12 with an estimated total value of £40,000 ($54,100). The standout piece is a turquoise silk Imperial robe embroidered with nine five-clawed dragons, likely made for a male member of the emperor's family.