Para Site, a prominent Hong Kong art organization, has appointed James Taylor-Foster as its new executive director. The British Swedish curator and writer succeeds Billy Tang, concluding a leadership transition period managed by deputy director Junni Chen. Taylor-Foster will relocate from Stockholm, where he worked at ArkDes and Moderna Museet, to assume the role this summer.
60% of Sudan’s National Museum Looted, Report Says
Over 60% of the holdings of the Sudan National Museum in Khartoum have been looted during the country's ongoing civil war. The paramilitary Rapid Support Forces, which controlled the capital for two years, deliberately targeted high-value portable objects like gold and jewelry, stripping storage areas while leaving less portable artifacts behind. Although the museum building remains standing, tens of thousands of antiquities from its collection of 150,000 objects were plundered, with some appearing for sale online.
Almost half of the artists in the 61st Venice Biennale's international exhibition, along with 16 national pavilion teams, have withdrawn from awards consideration in solidarity with the jury's resignation. The jury resigned on April 30 after stating it would not consider countries whose leaders are charged with crimes against humanity by the ICC, effectively disqualifying Israel and Russia. The Biennale Foundation then replaced the traditional Golden Lions with new "Visitor Lions" decided by public vote, reinstating all pavilions including Israel and Russia. The withdrawal follows protests at the Russian and Israeli pavilions and a historic labor strike that shuttered multiple pavilions.
Sculptor and author Barbara Chase-Riboud has publicly declined an invitation to represent the United States at the 2026 Venice Biennale, stating it was "not the moment" for her to do so. She was among the artists initially considered by the newly formed American Arts Conservancy (AAC), which is organizing the US pavilion after both she and photographer William Eggleston turned down the opportunity.
Iran has withdrawn from the 2026 Venice Biennale, the world's most important art event, organizers announced on May 4. No official reason was given, but the withdrawal comes amid an uncertain ceasefire in Iran's war with the United States and Israel. The Biennale confirmed the decision in a statement, noting that 100 countries will still participate, including newcomers Tanzania and Seychelles. This follows South Africa's withdrawal over a legal dispute concerning a Gaza-focused artwork, and the closure of the Russian Pavilion to the public after the EU withdrew €2 million in funding over Russia's involvement.
Writer Manga Ngcobo reflects on the architectural and cultural landscape of Madrid in early 2025, juxtaposing the city's historic art institutions with its rapid technological and commercial evolution. Drawing on Ben Lerner’s novel 'Leaving the Atocha Station', the piece explores the growing disconnect between the profound emotional experiences promised by masters like Velázquez and Goya and the reality of a city increasingly designed for content creation, retail aesthetics, and digital consumption.
The article reports on the rise of gallery hopping in Delhi, particularly in neighborhoods like Lado Sarai, Defence Colony, and Okhla, where galleries cluster together. The Defence Colony Galleries Association, founded by Pristine Contemporary owners Arjun Butani and Arjun Sawhney, launched the monthly Def Col Art Night, keeping 10 galleries open until 9pm on the third Thursday with openings, music, and performances. Gallery directors and owners note that these events attract a broader audience beyond traditional collectors, making art more accessible and fostering community.
Three Israeli artists—Ronit Porat, an evacuated photographer working with archival materials; an emerging artist using shrapnel from rocket shells as art material while serving as an IDF reservist; and a young artist opening a new exhibition after a break—are profiled in this column by Basia Monkaj. Each answers three questions about inspiration, the definition of art, and what makes their work unique, set against the backdrop of the ongoing war in Israel and the centenary of Surrealism.
"Das Humboldt Forum wird schon beschossen"
The architectural firm J. Mayer H. and partners Jürgen Mayer H. and Hans Schneider have won the eighth 'Kunst-am-Bau' competition for Berlin’s Humboldt Forum. Their winning installation, titled "Südpfeil" (South Arrow), features a 3.6-meter-long abstract arrow embedded high in the building's facade. The work references the 19th-century discovery of 'Pfeilstörche'—migratory storks that returned to Europe with African arrows in their bodies—which provided the first scientific proof of global migration routes.
Nastaran Mir Sadegh's painting "Untitled" (2025) is listed for sale at US$2,500 through Sahar K. Boluki Gallery in Toronto. The work, an acrylic on canvas measuring 76 × 59 cm, is hand-signed by the artist and includes a certificate of authenticity. Mir Sadegh, an Iranian artist born in 1985 and based in Tehran, holds a bachelor's degree in Fine Art from Art University of Tehran. Her exhibition history includes shows in Toronto, Tehran, Dubai, and at institutions such as the Tehran Museum of Contemporary Art and Saba Cultural Institute. The listing appears on Artsy, with shipping available within Canada and internationally.
The Brooklyn Museum has announced a $13 million renovation project to create new Arts of Africa galleries, set to open in Fall 2027. The 6,400-square-foot space on the museum's third floor will display 300 works from its 4,500-piece collection, spanning from antiquity to the present day. The project, led by architectural firm Peterson Rich Office, will repurpose latent storage space and reconnect galleries architecturally.
At the Venice Biennale on May 7, 2026, Cuban artist María Magdalena Campos-Pons led a poetry caravan across seven locations in the Giardini to honor Koyo Kouoh, the late curator of the Biennale's main exhibition "In Minor Keys," who died of cancer at age 57 in 2025. The procession, inspired by a 1999 voyage Kouoh took with nine African poets from Dakar to Timbuktu, featured performances by poets Natalie Diaz, Robin Coste Lewis, Batool Abu Akleen, and Anne Waldman, kora player Saliou Cissokho, and Kouoh's husband, Swiss saxophonist Philippe Mall, who played a composition dedicated to her. The event was organized by a team of Kouoh's assistants and advisers, including Marie Hélène Pereira, who served as stand-in lead of the 2026 Biennale.
A new book, "Performing Chance: The Art of Alison Knowles In/Out of Fluxus" by art historian Nicole L. Woods, is the first major study of the late Fluxus artist Alison Knowles, who died last fall at age 92. The book focuses on the first two decades of her career (1958–1975), analyzing key works such as her 1962 performance "Proposition #2: Make a Salad" at London's Institute of Contemporary Arts, and her shift from painting to experimental, ephemeral art after being exiled to a basement by Josef Albers at Syracuse University.
Glasgow International has revealed the complete programme for its 11th edition, scheduled for 5-21 June 2026. The biennial, now under the direction of Helen Nisbet, will feature new works by artists including Kate Cooper, Tanoa Sasraku, and Luke Fowler, and will explore themes of memory, kinship, and cultural resonance. The festival also includes the 'Gatherings' event series and a new 'Special Projects' initiative highlighting community-embedded organizations in Glasgow.
Thiago de Paula Souza, a Brazilian-born curator and educator, has been appointed curator of the Eighth Athens Biennale, scheduled for spring 2026. De Paula Souza, based in São Paulo and a member of the artistic committee of NESR Art Foundation in Angola, is recognized for focusing on artistic practices involving transmutation through eroticism, gender nonconformity, and intimacy. He previously cocurated the 2025 Bienal de São Paulo, the 2024 Panorama da Arte Brasileira at MAM São Paulo, and the survey “Some May Work as Symbols: Art Made in Brazil, 1950s–70s” at Raven Row, London, and served on the curatorial team of the 2018 Berlin Biennale.
Art Fund, a British charity, launched the Empowering Curators program, a five-year initiative creating twenty multi-year curatorial roles for senior to mid-career professionals from global majority backgrounds. Ten initial fellows have been announced, with placements at major institutions including Tate Liverpool, the Whitworth Art Gallery, and Royal Museums Greenwich, where they will develop exhibitions, installations, and academic programs.
Guillaume Cerutti has stepped down from his position as President of the Pinault Collection in Paris after only thirteen months. The institution, founded by billionaire François Pinault, has stated it has no plans to replace him or appoint an interim president, signaling a potential restructuring of its leadership.
Three prominent Peruvian galleries—Galería Enlace, Forum, and Livia Benavides—are presenting curated selections of artists at the Pinta Lima 2026 art fair. Their proposals blend emerging and established artists from Peru and abroad, working across painting, sculpture, installation, and new media, to foster a dialogue between local traditions and global contemporary practices.
The Uffizi Galleries in Florence suffered a significant cyberattack in February, with hackers reportedly stealing access codes, internal maps, CCTV camera information, and the institution's entire photographic archive. The attackers issued a ransom demand to director Simone Verde. In response, the museum moved valuable jewels to the Bank of Italy, sealed emergency exits at the Palazzo Pitti with bricks, and closed a section of the palace, though it attributes some actions to planned renovations and fire-safety compliance.
Russia has announced it will reopen its national pavilion at the 2026 Venice Biennale after a four-year hiatus following the invasion of Ukraine. The pavilion, which remained closed in 2022 and was loaned to Bolivia in 2024, will host an exhibition titled "The Tree is Rooted in the Sky" featuring a "musical festival" with over 50 participants from Russia and countries including Argentina, Brazil, Mali, and Mexico.
The Lazio Region of Rome and Italy's Ministry of Culture are undertaking a €35 million ($41.1 million) restoration of Villa Silvestri Rivaldi, a historic palazzo overlooking the Colosseum that has long fallen into disrepair. Originally commissioned by Pope Paul III in the 1540s and designed by Sangallo the Younger with gardens by Giacomo Del Duca, the villa has housed cardinals, served as a convent, textile factory, welfare institution, and school, and was even used by squatters and hostage-takers in the 1970s. Early restoration work since 2024 has focused on stabilizing the structure and cleaning its frescoes with laser technology, with full-scale restorations set to begin in 2026.
The Park Avenue Armory in New York is hosting the North American premiere of *11,000 Strings*, an orchestral piece by composer Georg Friedrich Haas featuring 50 black pianos arranged in a ring. The performances began last night and run through October 7, with the 55,000-square-foot Drill Hall providing a dramatic setting for the microtonally tuned pianos and a 25-member ensemble from Klangforum Wien. The piece explores texture and tone over melody, evoking composers like Ligeti, Penderecki, and Stockhausen.
Danielle SeeWalker, a Húŋkpapȟa Lakȟóta artist and citizen of the Standing Rock Sioux Nation, settled a lawsuit with Vail, Colorado, after the town canceled her artist residency in 2023. The cancellation followed her posting of a pro-Palestine painting titled "G for Genocide" on Instagram, which linked Palestinian and Indigenous liberation movements. The American Civil Liberties Union sued Vail on her behalf, alleging First Amendment violations. Under the settlement, SeeWalker may hold a powwow in Vail for five years, and the town will host a non-public community forum on Israel and Palestine involving Jewish, Palestinian, Muslim, and other community leaders.
The Louvre Museum has announced a four-year restoration project for Peter Paul Rubens's monumental 'Marie de' Medici Cycle,' comprising 24 large-scale paintings. The works will be removed from public view starting this fall as the museum transforms their dedicated gallery into an on-site restoration studio to address yellowed varnishes and discordant past retouching.
Somali artists and cultural organizations are protesting the Somalia pavilion at the 2024 Venice Biennale, arguing it excludes artists based in Somalia and relies on diaspora figures and an Italian co-curator, which they view as colonial. The Somali Arts Foundation issued a statement condemning the lack of consultation, while the queer arts collective Warbixinta Cidda criticized the appointment of Italian curator Fabio Scrivanti. Somali American poet Ladan Osman boycotted the pavilion, calling it "anti-indigenous."
San Francisco's Vaillancourt Fountain, a Brutalist concrete structure at Embarcadero Plaza since 1971, caught fire on Wednesday morning as workers used blow torches to disassemble it. The fire ignited rubber tubing and debris inside the sculpture's cantilevered arms, producing smoke that forced the temporary evacuation of nearby paddle board courts. The fountain is being removed to make way for a $32.5 million redevelopment of the plaza and playground into a five-acre park.
Portland, Oregon's Converge 45 triennial has announced the participating artists for its upcoming exhibition titled “Here, To you, Now.” Curated by Lumi Tan, the triennial draws inspiration from Ursula K. Le Guin's 1985 novel Always Coming Home, which explores the impermanence of spoken language. Featured artists include Trisha Baga, Ricky Bearghost, Aaron Cunningham, Jacqueline Kiyomi Gork, and sidony o'neal, among twenty-three others, with seventeen new commissions. Venues include Barn Radio, the Hoffman Gallery at Lewis & Clark College, the Native Arts and Cultures Foundation, Oregon Contemporary, and the Pacific Northwest College of Art.
Arts Collective will open a new arts center in Northampton, England on May 1st, following a £5.2m renovation of the city's municipal offices and town hall annex. The complex will feature 17 artist studios, community spaces, a gallery, and "The Northampton Rooms," a series of public spaces designed by artist Giles Round as a "living work of art." The inaugural exhibition will showcase Northamptonshire-born artist Rose Finn-Kelcey.
The jury for the 2026 Venice Biennale announced it will not consider contributions from countries whose leaders are charged with crimes against humanity for the Golden and Silver Lion awards, effectively excluding Israel and Russia. The decision, framed as a commitment to human rights and aligned with curator Koyo Kouoh's vision, comes amid broader controversy over participating pavilions, including American artists declining to represent the US and the EU withdrawing a $2.3 million grant over Russia's involvement.
The European Commission has withdrawn a $2.3 million grant from the Venice Biennale, following through on a threat made last week. The funding cut is a direct response to the Biennale's decision to readmit Russian artists as a government-funded delegation for its 2026 edition, which the EU argues violates sanctions and provides Russia a cultural platform during its war against Ukraine.