A New York Times article highlights the overlooked contributions of women artists in the Dutch Golden Age, challenging the traditional male-dominated narrative of Dutch Masters. It profiles several female painters such as Judith Leyster, Rachel Ruysch, and Maria Sibylla Merian, whose works were historically undervalued or attributed to men.
Curator Eden Deering has organized a group exhibition titled “Hope is a dangerous thing” at P·P·O·W Gallery in New York, inspired by the final track of Lana Del Rey’s 2019 album *Norman F-cking Rockwell!*. The show features artists Kyle Dunn, Raque Ford, Paul Kopkau, Diane Severin Nguyen, Kayode Ojo, Marianna Simnett, and Robin F. Williams, who were encouraged to channel their most exaggerated, ambitious, and passionate selves. On view until July 11, the exhibition blends camp humor with emotive paintings, installations, and videos, exploring themes of vulnerability, performance, and the tension between genuine emotion and theatrical self-invention.
The article reflects on the art market's turbulent 2025, marked by gallery closures, weak auction results, and canceled art fairs. Rather than viewing this as a collapse, the author argues it represents a necessary "right-sizing" of an industry that over-expanded during boom years. Key figures like Philip Hoffman of the Fine Art Group advocate for leaner, more agile business models, such as his new advisory firm New Perspectives Art Partners. Meanwhile, dealers in New York and Los Angeles are adapting through shared exhibition spaces and strategic mergers, including Marian Goodman Gallery hosting Jenkins Johnson Gallery and the formation of Hoffman Donahue.
Le opere di Alfredo Pirri per la primissima mostra del Polytropon Arts Center in Toscana
The Polytropon Arts Center, founded by Greek-born architect Maria Papadaki Badanjak, opens its inaugural exhibition "Quello che avanza" featuring works by Italian artist Alfredo Pirri. The venue, a converted former spinning mill located between Pelago and Pontassieve near Florence, hosts the show through June 21, 2025. The exhibition includes 144 cyanotypes created between 2014 and 2017, along with Pirri's "Arie" series in plexiglass, crystal, feathers, and colors. The show is accompanied by a musical program curated by artistic director Andrea Cavallari, with concerts scheduled for May 17 and June 21. Pirri and Cavallari previously collaborated in 2019 at the Museo Novecento in Florence as part of the "Firenze Suona Contemporanea" festival.
Indiana University Bloomington has appointed Mindy N. Besaw as the next Wilma E. Kelley Director of the Sidney and Lois Eskenazi Museum of Art, effective August 15. Besaw, who brings over two decades of curatorial and museum leadership experience, currently serves as director of fellowships, research and university partnerships and curator of American art at Crystal Bridges Museum of American Art. She succeeds interim director Mariah Keller and will oversee all facets of the museum's strategy, operations, and engagement, including exhibitions, collections, teaching partnerships, and public programming.
The Indonesian Pavilion at the Venice Biennale presents "Printing the Unprinted: The Reversal of World Discovery," a project that reimagines global history by casting an Indonesian kingdom as the explorer who discovers the West. Seven Indonesian artists—Agus Suwage, Syahrizal Pahlevi, Nurdian Ichsan, R.E. Hartanto, Theresia Agustina Sitompul, Mariam Sofrina, and Rusyan Yasin—participated in a two-month residency at the Scuola Internazionale di Grafica in Venice, collaboratively creating works through printmaking and expanded forms. The pavilion includes exhibitions, workshops, and symposiums that challenge dominant narratives and highlight Indonesia's contributions to maritime technology, commerce, arts, and knowledge.
M. Lyn Arts will host its first 2026 Art Show on May 9-10 at Mystic Brew in Tillet Gardens, St. Croix, featuring original artwork for sale. The exhibition introduces new techniques, color palettes, and larger-scale works, including storm-themed pieces inspired by hurricanes Irma and Maria, with a shift toward personifying storms to convey human emotions. Food and drinks will be provided by Mystic Brew and Rock City Tacos.
The contemporary art exhibition “Bándearg” is set to open at the Books At One gallery in Louisburgh, County Mayo, featuring the work of five Ireland-based female artists. Running from April 18 to May 13, the show brings together Olivia Jones, Tina Poole, Anna Marie Savage, Nickie Harrington, and Maria Mollohan to explore the multifaceted nature of the color pink through diverse styles ranging from geometric precision to nature-inspired abstraction.
The Santa Barbara County Office of Arts and Culture, in partnership with the Santa Barbara County Arts Commission, has announced an open call for local artists to submit works for "Post-Wild: Nature in the 21st Century," a juried exhibition at the Betteravia Art Gallery in Santa Maria. The online submission window runs from January 19 to February 15, 2026, with no application fee; selected artists will be notified in early March, and a public opening reception is scheduled for May 21. The exhibition seeks small-format works across mediums—including traditional and digital art, photography, and conceptual pieces—that address themes of environmental change, urbanization, and human impact on natural spaces.
A new open-air urban art gallery called "Walls That Matter – 8 Take Over" is being created at 8 Marvila in Lisbon, Portugal. The project, curated and produced by Because Art Matters, features murals by artists including RAM, Mário Belém, Gonçalo MAR, Jacqueline de Montaigne, L7 Matrix, Patrícia Mariano, Rita Ravasco, Arm Collective, Binau, Burry, and Buermans. The murals are being painted live from October through November, allowing visitors to watch the artworks come to life in real time. The gallery is free and open to the public at Praça David Leandro da Silva 8, with extended hours on weekends.
Village Gourmet Grocery, a corner store on 2nd Avenue and East 6th Street in New York's East Village, is hosting "EN EL KIOSCO," a solo exhibition of surreal paintings by Miami-born artist Juan Jose Heredia, through June 29. The show is organized by the nomadic Desnivel Gallery, founded by artist-curator Maria De Victoria, and features Heredia's works on soft fabrics like burlap, including pieces such as "Bunny ears of absence" and "Anemone Cerberus." The grocery store remains open for regular business from 8 a.m. to 1 a.m. (3 a.m. on weekends), allowing visitors to view contemporary art while shopping for snacks.
Sanlorenzo Arts has inaugurated Casa Sanlorenzo, a new cultural space in Venice adjacent to the Basilica Santa Maria della Salute, opening on June 3 during the first edition of Venice Climate Week and the Venice Architecture Biennale. Designed by Piero Lissoni's architectural firm, the space blends history and contemporary design, featuring a restored building with adaptive lighting, a monumental glass staircase, and a new bridge connecting to the surroundings. It is not a traditional museum but a dynamic platform for art, design, and sustainability, hosting initiatives that reflect on contemporary society.
The 2026 Venice Art Biennale will proceed exactly as planned by its curator, Koyo Kouoh, who died earlier this month at age 57. Titled "In Minor Keys," the edition is scheduled to open on May 9, 2026. At a press conference in Venice, Biennale press head Maria Cristiana Costanzo confirmed that Kouoh had intensively developed the curatorial concept, selected artists and works, and defined the exhibition's theoretical framework, graphic identity, and spatial design before her death. Her core team will complete the show in strict accordance with her plan, with full support from her family. Collaborators read texts she prepared and displayed images she selected during the presentation.
宮本和子 @ Take Ninagawa
Kazuko Miyamoto is the subject of a comprehensive solo exhibition at Take Ninagawa in Tokyo, running from February 14 to April 11, 2026. The showcase features a diverse array of the artist's signature string constructions, maquettes, and drawings, spanning several decades of her career from the early 1970s through the late 2000s. Key works on display include her intricate string maquettes from 1973 and large-scale geometric explorations like "Study of Lines in Ring #3" and "Mariana."
The Government of Yukon has added 11 new works to the Yukon Permanent Art Collection (YPAC), featuring artists Eugene Alfred, Misha Donohoe, Basia Hinton, Jane Isakson, Stephanie Luneta-Stevens, Jeneen Frei Njootli, Margret Njootli, Andy Pelletier, Dustin Sheldon, Maria Rose Sikyea, and Michelle Williams. Eight of these artists are represented in the collection for the first time. The pieces were selected from 134 submissions by 64 artists through an annual call for submissions process managed by the Yukon government and the Friends of Yukon Permanent Art Collection. An exhibition of the works is planned for fall 2026, and images are available on Yukon.ca.
Maria May, an established artist from Ballaghaderreen, has opened her debut solo exhibition, 'Sruthanna Comhcheangailte – The Fluidity of Interconnection,' at the Ballinglen Art Gallery in Ireland. The exhibition, which runs until 15 March 2026, features abstract interpretations of the Major Arcana Tarot cards through mixed media, stitching, poetry, and collage, exploring themes of belonging, reconnection, and healing.
Sophia Al-Maria, winner of the 2025 Frieze London Artist Award, is performing a stand-up routine titled *Wall-Based Work* (2025) daily at the fair. Her act blends humor and serious topics, from art world bureaucracy and the Gaza conflict to being mansplained to by Robert De Niro, and includes karaoke and an editioned work benefiting the LGBTQ+ asylum charity Micro Rainbow.
An exhibition titled 'No One Knows All It Takes' opens at the Haggerty Museum of Art in Milwaukee, featuring four artists—Bryana Bibbs, Raoul Deal, Maria Gaspar, and Swoon—who use their work to address concealed trauma and its connection to collective wellness. Curated by Colossal, the show includes Bibbs’ weavings made while caring for her dying grandparents, Deal’s portraits and sculptures exploring immigration, Swoon’s installation confronting her mother’s addiction, and Gaspar’s interactive series on incarceration in Wisconsin.
Maria Palmieri (Foggia, 1986) is a photographer who uses her camera as a tool for observation, understanding, and social improvement. After studying law, she turned to visual arts, blending reportage with vernacular photography to uncover truth amid the 'noisy horror' of contemporary life. In an interview with Artribune, she discusses her sociological approach to photography, her return to her hometown of Foggia, and her ongoing documentation of the region's fragilities, including the largest migrant ghetto in Europe.
Un giovane artista ha progettato delle marmitte da suonare come trombe. A Milano il concerto itinerante
Emerging artist Aronne Pleuteri will debut a mobile performance titled "Mototrombe!" during Milan Art Week on April 17, 2026. The event features a parade of sound sculptures crafted from salvaged automotive exhaust pipes, which have been welded and reconfigured into hybrid instruments. Led by composer Dario Buccino, the procession will travel from Milan’s Central Station to the Church of Santa Maria degli Angeli, where the sculptures will remain on display through April 26.
È morto il filantropo e mecenate Emmanuele Emanuele. Fautore a Roma degli spazi museali di Palazzo Sciarra e Palazzo Cipolla
Emmanuele Francesco Maria Emanuele, a prominent Italian philanthropist, jurist, and patron of the arts, has passed away in Rome at the age of 86. Born in Palermo, Emanuele dedicated the latter half of his life to cultural promotion, most notably serving as the President of Fondazione Roma and the Fondazione Terzo Pilastro – Internazionale. His leadership was instrumental in transforming Rome's Palazzo Sciarra and Palazzo Cipolla into significant museum spaces, hosting both permanent collections and major temporary exhibitions.
The Swiss Arts Council Pro Helvetia has selected the project "The Unfinished Business of Living Together" to represent Switzerland at the 2026 Venice Biennale. Conceived by Gianmaria Andreetta, Luca Beeler, and artist Nina Wakeford, the exhibition utilizes archival television broadcasts from the 1970s and 80s to explore the history of LGBTQ+ visibility and social coexistence. The installation will feature a spatialized video production and garden interventions that reactivate historical media moments to examine how social norms dictate public discourse.
Bronx-based artist Ebony Bolt has launched her first solo exhibition, "Remember," at the Casita Maria Center for Arts and Education in Hunts Point. The show blends observational sketches of New York City subway commuters with digital designs, personal childhood photographs, and interactive elements like a crossword puzzle. By integrating positive affirmations and hidden symbolism, Bolt invites visitors to engage in a reflective process of reconnecting with their past and their inner child.
The UC Davis College of Letters and Science is hosting a weekend event titled "Weekender: Music, Live Sound Installation, Art" at the Jan Shrem and Maria Manetti Shrem Museum of Art. The event features a live sound installation by artist and composer Pamela Z, alongside a performance by the UC Davis Symphony Orchestra conducted by Christian Baldini, which will include a piece by composer Gabriela Ortiz.
The British Museum (BM) in London hosted a private event on 16 May marking the anniversary of the founding of Israel, organized by the Israeli embassy. Speakers included Israeli ambassador Tzipi Hotovely and UK minister Maria Eagle, with attendees such as comedian Jimmy Carr and politicians Kemi Badenoch and Nigel Farage. The event has sparked anger among museum staff and external critics, who argue it is insensitive given the ongoing conflict in Gaza, which has led to widespread famine and civilian deaths. Staff have organized a petition demanding the museum cease relations with Israeli cultural institutions, gathering 250 signatures.
MARIA LUCIA ALEMAN CULTURAL EXPRESSIONS ARE UNITING THE REGION MORE
A panel discussion titled "Building Institutional Narratives" was held as part of the FORO initiative during Pinta Panama Art Week. It featured museum directors María Lucía Alemán (MAC Panama), Manuel Segade Lodeiro (Museo Reina Sofía, Spain), and Rafael Tamayo Franco (MAMM, Colombia), moderated by Elena González. The conversation focused on how museums construct their institutional stories and programming to better represent and connect with their local and regional contexts.
An art exhibit titled "Where the Seed Remembers: A Celebration of Earth, Lineage and Memory" opened on March 29 at the University of Minnesota’s Landscape Arboretum’s Reedy Gallery in Chaska, featuring 10 artists of color. Co-curated by Northside artist Joshua Gillespie (Brotha Aśe), the show includes works by Ron Brown, Ayolanda Evans, Imani Mansfield, and Allena Sweats, among others, and opened with a libation ceremony by Vusumuzi Zulu and Mariama Imani. The exhibition runs through May 17.
Artist Vic Liu and abolitionist organizer Mariame Kaba have launched "The Warehouse," a large-scale exhibition at the Brooklyn Public Library’s Bedford branch. Featuring over two dozen paintings and a dedicated children’s wing, the installation explores the concept of prison abolition by visualizing a society supported by robust healthcare, housing, and community care. The project moves away from traumatic imagery, instead focusing on the humanity of incarcerated individuals and the tangible possibilities of a world without prisons.
An art exhibition titled "Reclaiming the Canvas: 100 Years of Black History Month" was held at the Zhou B Arts Center near 18th and Vine in Kansas City, curated by Roi Wall. The show featured Black artists including Daisha Maria Breona, Xavier Gayden, Feliz Kehinde, and Aisha Imani Sanaa, who presented works exploring themes of identity, heritage, resilience, and joy, with minimal creative constraints.
The Haggerty Museum of Art at Marquette University will present the exhibition "No One Knows All It Takes" from August 22 to December 20, 2025. Curated by Christopher Jobson and Grace Ebert of Colossal, the show features four artists—Bryana Bibbs, Raoul Deal, Maria Gaspar, and Swoon (Caledonia Curry)—whose work addresses the effects of concealed trauma, including addiction, incarceration, immigration, and lack of systemic support for caregivers. The exhibition aims to move beyond individual self-care to highlight root causes of trauma and systemic issues undermining collective well-being.