This article explores the enduring fascination that visual artists have with opera, tracing a historical lineage from figures like Oskar Kokoschka and David Hockney to contemporary practitioners such as William Kentridge and Tacita Dean. It examines how opera's fusion of music, drama, and visual spectacle has inspired artists to create set designs, costumes, and even direct productions, often blurring the boundaries between fine art and performance.
Consonni Radziszewski inaugurates its Milan space with "uYana umhlaba," the first solo exhibition in Italy by South African artist Buhlebezwe Siwani. The show presents a new body of work that expands on research begun in 2020 with the Inkanyamba series, first exhibited at the Galeria Municipal de Almada in Portugal.
Artist Gary Baseman has opened his first hometown solo show in over a decade, titled “Off the Menu,” inside the long-shuttered Johnie’s Coffee Shop on Wilshire and Fairfax in Los Angeles. The exhibition features about 40 colored pencil drawings, mostly executed on real menus from iconic L.A. restaurants such as Musso & Frank, Canter’s Deli, and Genghis Cohen, as well as newer spots like Jon & Vinny’s. The whimsical show, which launched in conjunction with the opening of the Wilshire and Fairfax subway station, runs through June 14 and celebrates the dining culture and community of the Fairfax neighborhood.
Corpo come dispositivo. Guida e riflessione sulle performance della Biennale di Venezia
The article analyzes the role of performance art at the 2026 Venice Biennale, arguing that performance is no longer a rediscovered genre but a structurally institutionalized primary form of experience production. It examines how the body reemerges not as an alternative to image-based works but as an internal interruption of the artwork system, preventing closure and reintroducing instability. Key pavilions are discussed: Austria's Florentina Holzinger with "Sancta" draws on 1970s radical performance and feminist body art, creating an immersive environment of continuous movement; Belgium's Miet Warlop with "IT NEVER SSST" engages post-dramatic theater and postmodern dance repetition; Japan's Ei Arakawa-Nash with "Grass Babies, Moon Babies" activates Gutai avant-garde legacies through viewer interaction with soft dolls.
A new exhibition titled "Firenze Déco. Atmosfere degli anni Venti" has opened at Palazzo Medici Riccardi in Florence, running until August 25, 2026. Curated by Lucia Mannini and promoted by Città Metropolitana di Firenze with Fondazione MUS.E, the show explores the creative explosion of the 1920s in Florence, focusing on decorative arts, fashion, graphic design, and manufacturing. It highlights figures such as Gio Ponti for Richard-Ginori, Galileo Chini, Thayaht, Ferragamo, and Gucci, tracing how the city absorbed influences from Paris and the 1925 Exposition des Arts Décoratifs to forge its own distinctive Deco style. The exhibition features ceramics, furniture, jewelry, costumes, and period photographs, and is accompanied by an interview with the curator.
Arte e tecnologia si incontrano nella realtà aumentata dell’artista Lois He
Lois He, a Chinese-born artist now based in New York, creates immersive XR installations that blend art and technology, transforming viewers into active participants. Her works, such as "Rising River," an AI-driven virtual reality experience, and "The Silent Carnival," a digital reinterpretation of Goethe's Faust, explore identity, emotion, and the impact of external agents like technology and culture. He also collaborates with institutions like the Museo Dalí and the NYU Neuroscience Institute, merging art with literature and science.
Casa Sanlorenzo, the artistic division of the luxury yacht brand, has opened a new exhibition titled "Waves" in Venice, coinciding with the Venice Biennale. Curated by Sergio Risaliti and Cristiano Seganfreddo, the show spans 1,000 square meters across two floors plus a 600-square-meter garden, featuring works by seven artists: Alexander Calder, Lucio Fontana, Fausto Melotti, Tony Cragg, Marcello Maloberti, Christine Safa, and Friedrich Andreoni. The exhibition explores the concept of the wave as a metaphor for artistic expression, with a focus on sculpture and sound, including Melotti's poetic sculptures, Andreoni's immersive sound installation, and Calder's mobiles.
La Biennale diffonde il regolamento per votare i Leoni dei Visitatori mentre molti artisti e padiglioni rinunciano a concorrere ai premi
The 61st Venice Biennale has opened to the public, introducing a controversial new voting system for the Golden Lions. After the entire jury resigned en masse on April 30, the Biennale decided to let the public decide the winners of the so-called "Leoni dei Visitatori" (Visitors' Lions). Voting is open from May 9 to November 22, 2026, and requires ticket holders to visit both main venues (Giardini and Arsenale) to receive a voting link. One vote per person is allowed for each of two categories: an artist in the main international exhibition "In Minor Keys" curated by Koyo Kouoh, and a national pavilion.
Nick Cave è alla Biennale 2026. Sette opere tra perdita, memoria e protesta
Nick Cave presents "Two Points in Time at Once" at the 2026 Venice Biennale, a project spanning seven locations across Venice. The installation features a series of bronze works, including the "Amalgam" series (Seated, Origin, Plot, Resuscitation, Meditation) along with "Grapht" and "Siren." This marks a significant material shift from Cave's iconic fabric Soundsuits to bronze, exploring themes of loss, memory, trauma, and protest through a more static yet politically charged presence.
Torrick Ablack, known as TOXIC, will present a major solo exhibition titled 'ALWAYS EVER SINCE 83' at Woodbury House in London from 14th May to 26th June 2026. The show features new paintings alongside rarely seen early works dating back to 1983, marking what the gallery calls a long-overdue recognition of TOXIC's career. TOXIC emerged from the downtown New York scene of the early 1980s alongside figures like Jean-Michel Basquiat, Keith Haring, and Rammellzee, and participated in the landmark Post-Graffiti exhibition at Sidney Janis Gallery in 1983. The exhibition positions 1983 as a psychological and artistic turning point, tracing over four decades of his uncompromising practice.
Art Leven, a Sydney-based gallery focused on First Nations art, is opening its First Nations and Australian Fine Art Auction and Exhibition, headlined by the private collection of the late Dame Marie Bashir AD CVO and Sir Nicholas Shehadie AC OBE. The exhibition runs from 15–19 May 2026 at Art Leven's new Woolloomooloo gallery, with the live auction on 19 May at Artspace. The sale includes approximately 115 artworks, with 79 from the Bashir-Shehadie collection, featuring works by Balang John Mawurndjul AM, Arthur Boyd, Emily Kame Kngwarreye, Albert Namatjira, and others. The collection reflects decades of travel to remote art centres and close relationships with artists, supported by archival material like handwritten notes and early catalogues.
Fátima González, founder of Mexico City-based gallery Campeche, recounts her journey from working the front desk at Kurimanzutto to opening her own gallery. After earning a graduate degree at the School of Visual Arts in New York and returning to Kurimanzutto in sales, she left in February 2020, just before lockdown. During the pandemic, she planned her gallery, found a space in one day, and opened with a group show of all-women artists from Mexico City. Campeche is now making its Frieze New York debut.
Artist Murari Jha presents *The Future of Nostalgia*, a solo exhibition at Nature Morte in New Delhi, running through May 17, 2026. The show features abstract sculptures in stone, bronze, wood, brass, aluminum, and synthetic putty that explore themes of home, migration, memory, and belonging. A live durational performance is scheduled for May 16, with Jha describing the gallery as a stage and his sculptures as performative objects. The works are deliberately untitled to invite viewers to become co-creators of meaning.
This article presents the artwork "Nhat Binh" (2026) by Vietnamese Canadian artist Tuan Vu, offered through Kristin Hjellegjerde Gallery. The painting, executed in oil and oil stick on linen, measures 35 2/5 × 29 1/2 inches and is a unique, hand-signed work accompanied by a certificate of authenticity. The listing includes details about the artist's background, his immigration to Canada as a refugee, his shift from engineering to full-time art practice in 2021, and his exhibition history including a solo show at Simard Bilodeau Contemporary in 2023 and subsequent shows in Berlin, London, New York, and across Canada.
Archaeologists from Mexico's National Institute of Anthropology and History (INAH) have discovered 153 Spanish and British muskets and rifles, along with an iron cannon, in the Síis Já cenote beneath the 16th-century former convent San Bernardino de Siena in Valladolid, Mexico. The weapons were likely discarded by the Yucatecan government during the early years of the Caste War of Yucatán (1847-1901) to prevent them from falling into Maya rebels' hands. The site also yielded Maya ceramic pieces and 18th-century Chinese porcelain, and INAH reported debris and pollution affecting the cenote.
The Trump administration has proposed painting the granite Eisenhower Executive Office Building in Washington, D.C., white. The National Capital Planning Commission met on May 7, 2026, to review the plan, which was also submitted to the U.S. Commission of Fine Arts on April 16. That commission approved the idea conditionally, pending successful paint testing. The project, estimated to cost $7.5 million, has drawn over 2,000 public comments, most negative.
Photographers Yves Marchand and Romain Meffre have documented abandoned early 20th-century movie theatres across the United States, capturing the haunting beauty of their decline. These once-grand cinemas, converted from 1920s music halls and theatres, have been left as hybrid ruins due to the rise of television, streaming platforms, and individualized media consumption. The work is exhibited at Kyotographie 2026 in Japan until 17 May.
Calla Henkel and Max Pitegoff, former artistic directors of Berlin's Grüner Salon, launched New Theater Hollywood in 2024 as a nonprofit venue on Santa Monica Boulevard. The 49-seat theater specializes in genre-defying, multidisciplinary collaborations, staging works like Sophie Becker's ventriloquist act *Ronnie's Big Idea* and Diamond Stingily's *The Driver*. Every performance sells out, attracting a cult following of literary, art world, and pop culture figures who often linger to discuss shows.
Le Musée d’Ixelles à la croisée de différents regards
The Musée d’Ixelles in Brussels, closed for eight years for expansion and renovation, is nearing completion of its architectural transformation with a reopening scheduled for spring 2027 (March 19). Founded in 1892 in a former slaughterhouse, the museum has grown through successive donations and a continuous acquisition policy, now holding over 15,000 works spanning Belgian art from the 19th century to the contemporary period. Director and curator Claire Leblanc, who has led the institution since 2006, emphasizes a participatory approach that integrates diverse public perspectives, including a project called "Musée comme chez soi" during the closure where locals hosted artworks in their homes.
A new study by University College London, published in the journal Innovation in Aging, reveals that engaging with arts and culture can slow biological aging at a rate comparable to exercise. Researchers found that attending performances or visiting galleries once a month led to a 3 percent reduction in aging speed, while weekly engagement produced a 4 percent slowdown. Those who participated in the arts at least weekly were biologically at least a year younger than non-participants, outperforming weekly exercisers, who were only six months younger biologically. The study tracked 3,356 adults from 2010 to 2012 using survey data and blood tests, measuring aging via epigenetic clocks that analyze DNA changes.
La Bretagne s’invite à la Biennale de Venise : un insolite pavillon dédié à la création bretonne s’est amarré dans la lagune
For the 61st Venice Biennale, a group of artists and art figures from Brittany have created an unofficial "Breton pavilion" in the form of a spectacular sailboat moored on the island of San Giorgio Maggiore. The boat, designed by artist Joachim Monvoisin, features contributions from Morgane Tschiember (who sewed a sail with a black cross, the 11th-century Breton flag) and master glassmaker Andrew Erdos (who made the navigation lights). Performances during the opening week included readings by Breton authors and traditional music concerts with binious and bombardes on the Via Garibaldi.
The Asian Art Museum in San Francisco has opened "Chiharu Shiota: Two Home Countries," the first solo museum exhibition in the Bay Area for the Berlin-based Japanese artist. The centerpiece is "Diary," an 88-foot-long network of blood-red yarn that incorporates pages from diaries of Japanese soldiers and German citizens from World War II, creating an immersive web of memory. The exhibition also includes a crimson dress unraveling into cords, set designs for a theatrical psycho-drama, performance videos, and paper works reflecting on the artist's experience as a cancer survivor.
The Art Museum of Southeast Texas (AMSET) in Beaumont is presenting two new exhibitions this month, featuring a mix of contemporary and regional artwork. An opening reception honoring artists Bill Pangburn and Julius Stockfleth was held on May 8, and the shows will remain on view through the summer. The exhibitions showcase diverse mediums and perspectives, highlighting both emerging and established artists from Southeast Texas and beyond.
The Art Museum of Southeast Texas (AMSET) opens two new exhibitions today: "Julius Stockfleth: Dawn of a Century" and "Bill Pangburn: Printed Traces - A Neches River Journal." The Stockfleth exhibition features early Texas artist Julius Stockfleth's paintings of the 1900 Galveston hurricane and Texas coastal history, marking a homecoming as his work was first shown at AMSET in 1987. The Pangburn exhibition presents a new series of large-scale abstract woodcut prints inspired by the Neches River. Both run through July 5, with a free public reception tonight and a musical performance by composer Nathan Felix on May 30.
The exhibition "The Contemporary Lore: Sojourn of Styles and Generations Unfurled" brings together 23 artists at various career stages, from senior practitioners to emerging voices, in a non-chronological display of paintings, sculptures, and mixed media. Curated by Kiran K. Mohan with a critical essay by art historian Johny ML, the show rejects linear art historical narratives in favor of a living conversation across generations, materials, and conceptual concerns. Featured artists include Anil Gaekwad, Ashok Bhowmick, Asit Patnaik, Bharti Prajapati, Bipin Kumar, Charudatt, Dilip Sharma, Haren Thakur, Harshwardhan Devtale, Hemraj, Jaikrishna Agarwal, Manoj Kumar Agarwal, Milan Das, Meenakshi Jha Banerjee, Mukesh Bijole, Nilisha Phad, Pandurang Thate, Prem Singh, Rakhi Kumar, Sanjay K. Srivastava, Sekhar Kar, Shaji Apukuttan, and Yusuf.
Morton Contemporary Gallery in Philadelphia will open “Alchemy: The Sound of Color,” a new exhibition combining painting, music and light, on Saturday, June 6. The show is a collaboration between Los Angeles artist Donna Isham and Emmy and Grammy-winning composer Mark Isham, marking their first exhibition in Philadelphia. It will feature large-scale installations that blend Donna Isham’s paintings with original music, animation and light effects, alongside additional paintings. The opening reception runs from 6 to 8 p.m. on June 6, is free and open to the public, and includes wine and a chance to meet the artists.
The James Museum of Western & Wildlife Art in St. Petersburg, Florida, has opened a new traveling exhibition titled "Wolves: Photography by Ronan Donovan." Curated by the National Museum of Wildlife Art and the National Geographic Society, the show features stunning photographs and videos by National Geographic photographer Ronan Donovan, documenting wild wolves in the Greater Yellowstone Ecosystem and Ellesmere Island in the Canadian Arctic. The exhibition aims to challenge fear-based stereotypes about wolves, highlighting their intelligence, social structures, and family bonds. Accompanying programs include a Family Day on May 16 with puppet shows and scavenger hunts, and the fourth annual Menagerie at the Museum on August 15, featuring live animal encounters with local rescue organizations.
The Boca Raton Public Library in Florida will host two summer art exhibits featuring local and international artists. The first, “Fine Art Photography” by Jacoby, runs June 1–July 6, 2026, at the Downtown Library, showcasing infrared and intentional camera movement photography. The second, “Discover You” by Marina Veen, runs June 8–July 17, 2026, at the Spanish River Library, presenting layered mixed-media works exploring nature and emotion. Both exhibits are free and open to the public.
The Kimbell Art Museum in Fort Worth, Texas, will host "Treasures of the Pharaohs," an exhibition of 130 ancient Egyptian artifacts including granite statues, gold jewelry, funerary masks, and sarcophagi, opening in March 2027. The show features Queen Ahhotep’s golden sarcophagus and recently unearthed objects from a worker’s community in the Valley of the Kings, on loan from the Luxor Museum and the Egyptian Museum in Cairo. It is currently on view in Rome and will travel to the Fine Arts Museums of San Francisco before arriving in Fort Worth as its second and final North American stop.
Laura Pass Barry has been appointed the Carlisle H. Humelsine chief curator at Colonial Williamsburg, a role that expands her responsibilities to include leadership of Collections, Conservation and Museums as vice president. Barry began her career at Colonial Williamsburg over 30 years ago as a curatorial intern in folk art, later working as assistant curator to Margaret Pritchard and eventually overseeing the graphics, paintings, and folk art collections. She holds degrees from the College of Wooster and the College of William & Mary.