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Florian Sitbon, New Deputy Mayor in Charge of Culture

Florian Sitbon, nouveau maire adjoint en charge de la culture

Florian Sitbon has been elected as the Deputy Mayor of Paris in charge of culture, cultural sovereignty, and free media. The appointment, confirmed on March 29, places a theater director and cultural advisor in a key political role overseeing the city's cultural policy.

Excerpt from the Iliad in a mummy's abdomen and gold tongues: rare discoveries made in Egypt

Extrait de l’Iliade dans l’abdomen d’une momie et langues en or : de rares découvertes effectuées en Égypte

Archaeologists working at the necropolis of Oxyrhynchus in Egypt have made a series of rare discoveries, the most significant being a fragment of papyrus from Homer's Iliad found inside the abdominal cavity of a Roman-era mummy. This marks the first time a Greek literary text has been found incorporated into the ancient Egyptian embalming process, suggesting a unique hybridization of funerary practices.

The 2026 Venice Biennale, Explained

The 2026 Venice Biennale, the 61st edition of the world's oldest and most prestigious contemporary art biennial, will run from May 9th to November 22nd, with previews from May 6th to 8th. Its central curated exhibition is titled "In Minor Keys," and it will be accompanied by a series of national pavilions.

Goldstein Museum of Design Explores Power, Resistance, and Community in Denim-Focused Exhibit

The Goldstein Museum of Design at the University of Minnesota has opened a new exhibition titled 'Resist and Reclaim,' which explores design as a tool of both oppression and liberation. The show focuses on denim as a material linked to labor, exploitation, and resistance, featuring 20 custom denim jackets created by local Black and Indigenous women and femme artists, alongside faculty research on architecture and visual culture.

Bournemouth’s street art scene comes alive in Boscombe

Boscombe hosted a new street art exhibition organized by the Raw Wall Collective inside the Sovereign Shopping Centre in Bournemouth. The pop-up gallery, which opened on 31 October, featured work from over 40 artists spanning graffiti, pop art, and digital design, with a launch night including DJs, performers, and live painting. Hundreds of visitors attended over the weekend, exploring displays that addressed themes of identity, mental health, and community.

Dancing the Revolution: The Exhibition

The Museum of Contemporary Art Chicago has opened 'Dancing the Revolution: From Dancehall to Reggaetón,' a major exhibition exploring dance as a political language. It features over forty artists working across installation, video, sculpture, and sound, tracing the cultural trajectories of dancehall and reggaetón from the Caribbean diaspora to global contexts.

ART CRITICISM: CLARITY OR MORAL AUTHORITARIANISM?

CRÍTICA DE ARTE: ¿CLARIDAD O AUTORITARISMO MORAL?

The article is a critical essay examining the state of contemporary art production in Mexico, arguing it has become a privatized field designed to please wealthy elites and foreign collectors. It contends that art has shifted from being partly publicly funded to being driven by the market and private initiative, leading to a culture of self-censorship, precarity, and a desperate ambition for visibility and sales.

The Foreign Ministry presented art prints of stolen paintings from the Kherson Art Museum

The Ukrainian Foreign Ministry has opened an exhibition titled "Return of Kherson’s Memory. Stolen Art Preserved in Museum Artprints," featuring 30 high-quality reproductions of masterpieces stolen by Russian forces from the Kherson Regional Art Museum named after Oleksii Shovkunenko in autumn 2022. The stolen works include pieces by artists Mykola Pymonenko, Ivan Aivazovsky, and Viktor Zaretsky, among over 10,000 items illegally removed from the museum just before Kherson’s de-occupation. The exhibition was organized by the museum team and the art platform Vivid Fusion.

Germany warns Goethe-Institut over exhibition with Palestinian artist

Germany's Federal Foreign Office issued a formal warning to the Goethe-Institut in Ramallah for hosting an exhibition by Palestinian artist Jumana Emil Abboud. The warning, delivered via letter, criticized the institute for displaying Abboud's work, which includes themes related to the Palestinian experience, suggesting it could be seen as endorsing a political position and might violate the institute's mandate of cultural diplomacy.